Dardenne brothers
Encyclopedia
Brothers Jean-Pierre Dardenne (born 21 April 1951 in Liège, Belgium
) and Luc Dardenne (born 10 March 1954 in Liège, Belgium
) are a Belgian filmmaking duo. They write
, produce
and direct
their films together.
The Dardennes began making narrative and documentary films in the late 1970s, but they first came to international attention in the mid-1990s with La Promesse (The Promise). They won their first major international film prize when Rosetta
won the Palme d'Or
at the 1999 Cannes Film Festival
. All their films since have played at the Cannes main competition and won one of the major prizes.
In 2002, Olivier Gourmet won Best Actor at Cannes for the Dardennes' 'Le Fils
' ("The Son") In 2005, they won the Palme d'Or a second time for their film L’Enfant (The Child), putting them in an elite club of only 6 with the likes of Francis Ford Coppola
. Their film, Le silence de Lorna (Lorna's Silence), won Best Screenplay at the 2008 Cannes Film Festival
and was released in Europe in the fall. Their latest film The Kid with a Bike
premiered In Competition at the 2011 Cannes Film Festival
.
(The Promise) (1996), Rosetta
(1999), Le fils (The Son) (2002), and L’Enfant (The Child) (2005), the Dardennes’ films are stark but modest portrayals of young people at the fringes of society – immigrants, the unemployed, the inhabitants of shelters. Both Rosetta and L’enfant were awarded the Palme d'Or
at the Cannes Film Festival
, the only two Belgian films ever to earn the honor.
The Dardennes were born and raised in Seraing
in Liege
, the "French-speaking region of Belgium that provides the gritty, postindustrial landscape so omnipresent in many of their films." Jean-Pierre (born in 1951) studied drama while Luc (born three years later) studied philosophy. In 1975 they established Derives, the production company that produced the roughly sixty documentary films they made before branching into feature films. The tone and subject matter of their documentaries reflect much of the same territory the brothers would revisit with their narrative films: Polish immigration, World War II resistance, a general strike in 1960 . Their first two feature films, however, are rarely seen today: Falsch (1987) and Je pense a vous (1992), which Luc would later describe as an "unfortunate adventure."
The Dardennes archieved their first major success with La promesse (The Promise) in 1996. The film is the story of Roger, who operates a tenement that he rents out to immigrant workers with the help of his fifteen year old son Igor. When Hamidou, a laborer from Burkina Faso
, dies (as a direct result of Roger's unscrupulousness), Igor takes responsibility for Hamidou's wife and baby. The film, in the words of one critic, "shows us the birth of a consciousness", and its setting – a Western Europe full of entrepreneurs desperate to grab their share of a quickening economy, and foreign laborers even more desperate to taste a small piece of that – is both grim and hopeful. The opportunities the film presents may be more spiritual than material, but this is in keeping with the hardscrabble reality of the Dardennes’ films. In his review of La promesse Stanley Kauffmann
noted that, "The Dardenne brothers… have confessed to a burden. They believe in hope. They insist that under the frenzy of our world, physical and moral, there is quiet."
With Rosetta the Dardennes turned their focus to the burdens – philosophical, spiritual, psychological – of unemployment. Émilie Dequenne
, who had never before acted in film and was awarded the Best Actress Prize at the Cannes Film Festival, is the title character, a young woman living with her alcoholic mother in a trailer park. The film is about Rosetta's search for purpose and to Rosetta purpose can only be found through work – she makes her way through Seraing's fringes for the most menial of positions; she catches fish in the muddy, murky stream by her trailer park. Her goal is no greater than to be a cook at a waffle stand but "she hurries through [the film] as if she would crash through a brick wall in search of a job." Ultimately it isn’t societal forces or a capitalist system that derails Rosetta but her own singular desire. "Rather than personify or dramatize social forces arrayed against her, this Darwinian study suggests that Rosetta's oppression is rooted as much in her internalization of dog-eat-dog capitalism as in her unpitying environment." Rosetta was the first Belgian film ever to win the Palme d'Or at Cannes, coming in ahead of films by David Lynch
, Pedro Almodóvar
, Takeshi Kitano
, and Raoul Ruiz
. The film's impact wasn’t only cinematic: a labor law designed to protect young workers like Rosetta was passed shortly after the film's release. "’[I]t was pure chance,’ Jean-Pierre insists. ‘There was already a bill going through, and the minister took advantage of our award to call it the Rosetta Law. But we never intended to get laws changed.’ Luc adds: ‘Of course, we always hope our films will speak to people, disturb them, but we never hoped to change the world’."
The practice of work is also central to Le fils (The Son), a deceptively simple movie about revenge and redemption. The film, like all of the Dardennes’, seems straightforward enough: Olivier, a carpenter (played by Olivier Gourmet
, who, like Dequenne, earned an acting prize at Cannes), takes on a young man named Francis as an apprentice. Francis is newly released from juvenile detention and Olivier immediately recognizes Francis's name as the boy who murdered his son some years earlier. Francis is unaware of the connection he shares with Olivier, and the Dardennes’ use this asymmetrical relationship to investigate the ideas of forgiveness and vindication. "For all its quasi-documentary materialism, The Son is ultimately a Christian allegory of one man's inchoate desire to return good for evil." In this way Le fils is something of a departure from the Dardennes’ earlier work: it's not the sort of movie that gets labor legislation named after it. Olivier's carpentry is observed with unstinting and careful detail; it is not a means for sustenence but a means for existence. "It is hardly surprising that the Dardennes put together their naturalist fable with such a fanatical, self-effacing sense of craft. They are obsessed with work in the way that some of their European counterparts are obsessed with sex: the textures and rhythms of manual labor are, for them, at once irreducibly physical and saturated with an almost spiritual significance."
Crimes and occupations again figure prominently in the Dardennes’ fourth film, L’Enfant (The Child), but this time the two are bound up in ways both expected and surprising. After a young woman named Sonia gives birth, she leaves the hospital and finds her apartment has been subletted. She finds Bruno, her equally young boyfriend, the baby's father and a petty thief with no real understanding of fatherhood. He uses the baby as a prop in panhandling and to get a bed for a night in a shelter; he comes into a bit of money and uses it to buy an expensive jacket for Sonia – to match his own. Bruno then makes a decision that seems ghastly and sensational, but as handled by the Dardennes seems matter-of-fact and calm: he sells the baby. We follow Bruno and the child on an excruciatingly long bus trip to the city's outskirts where he will rendezvous with his traffickers – who or what they are is left mostly unsaid. "Like the Dardennes’ close framing and tracking, their use of ambient light and sound, [the slow pacing is] a way of clinging to the character and feeling the moral weight of his actions, even when he does not. That's why it's possible to care about inept, thoughtless Bruno, and care deeply, when at last he, too, feels the gravity." Of course it's not possible for Bruno's efforts to get the baby back not to have ramifications – for himself, for Sonia, for a young accomplice (in one classically "Dardenne" scene, we see Bruno's accomplice, barely a teenager, plotting a crime in work overalls at his vocational school). As for Igor in Le fils, redemption for Bruno is as much a psychological act as a physical one. The film earned the Dardennes the Palme d'Or from Cannes, their second in seven years.
In Le silence de Lorna (Lorna's Silence), starring Arta Dobroshi in the title role as Lorna, Luc Dardenne stated, "[It's] about a young woman who has every reason to be desperate and who continues to believe that everything is possible. A religious believer of sorts, even if God is dead [...] How can a woman who doesn’t believe in God believe everything is possible? Where does this crazy hope come from? She is strange, out-of-the-ordinary. A fictional character always swims against the tide."
"Because of her social situation she is ready to do things that we would not, because we have no need to", Luc Dardenne said in an interview with Socialist Review
. "These situations happen to people like her perhaps more than to those living in material comfort. This leads her to have to accept or refuse the death of someone. Nothing can authorise her to do this. The spectator might think, 'Given her situation, we can understand'. But in this case no."
Mirroring the consistency of their setting, the Dardenne Brothers maintain a regular stable of collaborators (for all of their films the brothers share writing and directing credits), most notably cinematographer Alain Marcoen and editor Marie-Hélène Dozo. Jérémie Renier
played both Igor in La promesse and Bruno in L’Enfant, while Olivier Gourmet
, the main character of Le fils, has a brief cameo as a detective in L’Enfant. Like Rosettas Emilie Dequenne, Déborah François
, the seventeen year old lead in L’Enfant, was appearing in her first film. Luc Dardenne has described their process of working with actors as follows: "What we do with the actors is also very physical. The day filming begins we do not feel obliged to do things exactly the way they were rehearsed; we pretend that we are starting over from zero so that we can rediscover things that we did before. The instructions we give the actors are above all physical. We start working without the cameraman—just the actors and my brother and me. We walk them through the blocking, first one then the other, trying several different versions. They say but do not act their lines. We do not tell them what the tone of their lines should be; we just say that we will see once the camera is rolling. At this point there is no cameraman, no sound engineer, no lighting. Then we set up all the camera movements exactly and the rhythm of the shot, which is usually a long take. Doing it this way allows us the ability to modify the actors’ movements or any small details."
The Dardennes often employ handheld cameras and use available light; their films have no musical score or soundtrack.
Liège (province)
Liège is the easternmost province of Belgium and belongs to the Walloon Region. It is an area of French and German ethnicity. It borders on the Netherlands, Germany, Luxembourg, and in Belgium the provinces of Luxembourg, Namur, Walloon Brabant , and those of Flemish Brabant and Limburg . Its...
) and Luc Dardenne (born 10 March 1954 in Liège, Belgium
Liège (province)
Liège is the easternmost province of Belgium and belongs to the Walloon Region. It is an area of French and German ethnicity. It borders on the Netherlands, Germany, Luxembourg, and in Belgium the provinces of Luxembourg, Namur, Walloon Brabant , and those of Flemish Brabant and Limburg . Its...
) are a Belgian filmmaking duo. They write
Screenplay
A screenplay or script is a written work that is made especially for a film or television program. Screenplays can be original works or adaptations from existing pieces of writing. In them, the movement, actions, expression, and dialogues of the characters are also narrated...
, produce
Film producer
A film producer oversees and delivers a film project to all relevant parties while preserving the integrity, voice and vision of the film. They will also often take on some financial risk by using their own money, especially during the pre-production period, before a film is fully financed.The...
and direct
Film director
A film director is a person who directs the actors and film crew in filmmaking. They control a film's artistic and dramatic nathan roach, while guiding the technical crew and actors.-Responsibilities:...
their films together.
The Dardennes began making narrative and documentary films in the late 1970s, but they first came to international attention in the mid-1990s with La Promesse (The Promise). They won their first major international film prize when Rosetta
Rosetta (film)
Rosetta is a 1999 French-Belgian film written and directed by Jean-Pierre Dardenne and Luc Dardenne. It is about a seventeen year old girl who lives in a trailer park with her alcoholic mother...
won the Palme d'Or
Palme d'Or
The Palme d'Or is the highest prize awarded at the Cannes Film Festival and is presented to the director of the best feature film of the official competition. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du...
at the 1999 Cannes Film Festival
Cannes Film Festival
The Cannes International Film Festival , is an annual film festival held in Cannes, France, which previews new films of all genres including documentaries from around the world. Founded in 1946, it is among the world's most prestigious and publicized film festivals...
. All their films since have played at the Cannes main competition and won one of the major prizes.
In 2002, Olivier Gourmet won Best Actor at Cannes for the Dardennes' 'Le Fils
The Son (film)
-Synopsis:Olivier , a carpenter by trade who teaches at a trades training centre, knowingly takes on Francis Thorion, the murderer of his son, as an apprentice. Francis is unaware of his connection with Olivier from five years ago. Olivier, tormented by the loss of his son and his separation from...
' ("The Son") In 2005, they won the Palme d'Or a second time for their film L’Enfant (The Child), putting them in an elite club of only 6 with the likes of Francis Ford Coppola
Francis Ford Coppola
Francis Ford Coppola is an American film director, producer and screenwriter. He is widely acclaimed as one of Hollywood's most innovative and influential film directors...
. Their film, Le silence de Lorna (Lorna's Silence), won Best Screenplay at the 2008 Cannes Film Festival
2008 Cannes Film Festival
The 61st Annual Cannes Film Festival was held from May 14 to May 25, 2008. In addition to films selected for competition this year, major Hollywood productions such as Indiana Jones and the Kingdom of the Crystal Skull and Kung Fu Panda had their world premieres at the festival.The British press...
and was released in Europe in the fall. Their latest film The Kid with a Bike
The Kid with a Bike
The Kid with a Bike is a 2011 drama film written and directed by the Belgian brothers Jean-Pierre and Luc Dardenne, starring Cécile de France and Thomas Doret. Set in Seraing, it tells the story of an 11-year-old boy who turns to a woman after his father has abandoned him. The film was produced...
premiered In Competition at the 2011 Cannes Film Festival
2011 Cannes Film Festival
The 64th annual Cannes Film Festival was held from May 11 to May 22, 2011. American actor Robert De Niro served as the president of the jury for the main competition and French filmmaker Michel Gondry headed the jury for the short film competition...
.
Films
Creators of intensely naturalistic films about lower class life in Belgium, brothers Luc and Jean-Pierre Dardenne have created a body of work since 1996 which places them clearly at the fore of contemporary Belgian cinema and among the world's most critically respected filmmakers as well. With La promesseLa Promesse
La promesse is a 1996 film by the Belgian brothers Luc Dardenne and Jean-Pierre Dardenne.-Principal cast:*Jérémie Renier as Igor*Olivier Gourmet as Roger*Assita Ouedraogo as Assita-Awards and nominations:...
(The Promise) (1996), Rosetta
Rosetta (film)
Rosetta is a 1999 French-Belgian film written and directed by Jean-Pierre Dardenne and Luc Dardenne. It is about a seventeen year old girl who lives in a trailer park with her alcoholic mother...
(1999), Le fils (The Son) (2002), and L’Enfant (The Child) (2005), the Dardennes’ films are stark but modest portrayals of young people at the fringes of society – immigrants, the unemployed, the inhabitants of shelters. Both Rosetta and L’enfant were awarded the Palme d'Or
Palme d'Or
The Palme d'Or is the highest prize awarded at the Cannes Film Festival and is presented to the director of the best feature film of the official competition. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du...
at the Cannes Film Festival
Cannes Film Festival
The Cannes International Film Festival , is an annual film festival held in Cannes, France, which previews new films of all genres including documentaries from around the world. Founded in 1946, it is among the world's most prestigious and publicized film festivals...
, the only two Belgian films ever to earn the honor.
The Dardennes were born and raised in Seraing
Seraing
Seraing is a Walloon municipality of Belgium in Province of Liege. The municipality of Seraing includes the old communes of Boncelles, Jemeppe-sur-Meuse, and Ougrée. With Liège, Herstal, Saint-Nicolas, Ans, and Flémalle it forms the greater Liège agglomeration...
in Liege
Liège (province)
Liège is the easternmost province of Belgium and belongs to the Walloon Region. It is an area of French and German ethnicity. It borders on the Netherlands, Germany, Luxembourg, and in Belgium the provinces of Luxembourg, Namur, Walloon Brabant , and those of Flemish Brabant and Limburg . Its...
, the "French-speaking region of Belgium that provides the gritty, postindustrial landscape so omnipresent in many of their films." Jean-Pierre (born in 1951) studied drama while Luc (born three years later) studied philosophy. In 1975 they established Derives, the production company that produced the roughly sixty documentary films they made before branching into feature films. The tone and subject matter of their documentaries reflect much of the same territory the brothers would revisit with their narrative films: Polish immigration, World War II resistance, a general strike in 1960 . Their first two feature films, however, are rarely seen today: Falsch (1987) and Je pense a vous (1992), which Luc would later describe as an "unfortunate adventure."
The Dardennes archieved their first major success with La promesse (The Promise) in 1996. The film is the story of Roger, who operates a tenement that he rents out to immigrant workers with the help of his fifteen year old son Igor. When Hamidou, a laborer from Burkina Faso
Burkina Faso
Burkina Faso – also known by its short-form name Burkina – is a landlocked country in west Africa. It is surrounded by six countries: Mali to the north, Niger to the east, Benin to the southeast, Togo and Ghana to the south, and Côte d'Ivoire to the southwest.Its size is with an estimated...
, dies (as a direct result of Roger's unscrupulousness), Igor takes responsibility for Hamidou's wife and baby. The film, in the words of one critic, "shows us the birth of a consciousness", and its setting – a Western Europe full of entrepreneurs desperate to grab their share of a quickening economy, and foreign laborers even more desperate to taste a small piece of that – is both grim and hopeful. The opportunities the film presents may be more spiritual than material, but this is in keeping with the hardscrabble reality of the Dardennes’ films. In his review of La promesse Stanley Kauffmann
Stanley Kauffmann
Stanley Kauffmann is an American author, editor, and critic of film and theatre. He has written for The New Republic since 1958 and currently contributes film criticism to that magazine....
noted that, "The Dardenne brothers… have confessed to a burden. They believe in hope. They insist that under the frenzy of our world, physical and moral, there is quiet."
With Rosetta the Dardennes turned their focus to the burdens – philosophical, spiritual, psychological – of unemployment. Émilie Dequenne
Émilie Dequenne
Émilie Dequenne is a French-speaking Belgian actress.-Biography:She won the Best Actress award at the 1999 Cannes Film Festival for her debut film performance in the Palme d'Or-winning film Rosetta...
, who had never before acted in film and was awarded the Best Actress Prize at the Cannes Film Festival, is the title character, a young woman living with her alcoholic mother in a trailer park. The film is about Rosetta's search for purpose and to Rosetta purpose can only be found through work – she makes her way through Seraing's fringes for the most menial of positions; she catches fish in the muddy, murky stream by her trailer park. Her goal is no greater than to be a cook at a waffle stand but "she hurries through [the film] as if she would crash through a brick wall in search of a job." Ultimately it isn’t societal forces or a capitalist system that derails Rosetta but her own singular desire. "Rather than personify or dramatize social forces arrayed against her, this Darwinian study suggests that Rosetta's oppression is rooted as much in her internalization of dog-eat-dog capitalism as in her unpitying environment." Rosetta was the first Belgian film ever to win the Palme d'Or at Cannes, coming in ahead of films by David Lynch
David Lynch
David Keith Lynch is an American filmmaker, television director, visual artist, musician and occasional actor. Known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed "Lynchian", and which is characterized by its dream imagery and meticulous sound...
, Pedro Almodóvar
Pedro Almodóvar
Pedro Almodóvar Caballero is a Spanish film director, screenwriter and producer.Almodóvar is arguably the most successful and internationally known Spanish filmmaker of his generation. His films, marked by complex narratives, employ the codes of melodrama and use elements of pop culture, popular...
, Takeshi Kitano
Takeshi Kitano
is a Japanese filmmaker, comedian, singer, actor, film editor, presenter, screenwriter, author, poet, painter, and one-time video game designer who has received critical acclaim, both in his native Japan and abroad, for his highly idiosyncratic cinematic work. The famed Japanese film critic...
, and Raoul Ruiz
Raoul Ruiz
Raúl Ernesto Ruiz Pino was a Chilean filmmaker.Ruiz spent some years at the Catholic University of Santa Fe, Argentina's cinema school. Back in Chile, he directed his first feature film Tres tristes tigres in the late 1960s, winning the Golden Leopard at the Locarno Film Festival...
. The film's impact wasn’t only cinematic: a labor law designed to protect young workers like Rosetta was passed shortly after the film's release. "’[I]t was pure chance,’ Jean-Pierre insists. ‘There was already a bill going through, and the minister took advantage of our award to call it the Rosetta Law. But we never intended to get laws changed.’ Luc adds: ‘Of course, we always hope our films will speak to people, disturb them, but we never hoped to change the world’."
The practice of work is also central to Le fils (The Son), a deceptively simple movie about revenge and redemption. The film, like all of the Dardennes’, seems straightforward enough: Olivier, a carpenter (played by Olivier Gourmet
Olivier Gourmet
Olivier Gourmet is a Belgian actor. He won the Best Actor award at the 2002 Cannes Film Festival for his role in Le Fils by Jean-Pierre and Luc Dardenne. He also appeared in La Promesse, Rosetta and L'Enfant....
, who, like Dequenne, earned an acting prize at Cannes), takes on a young man named Francis as an apprentice. Francis is newly released from juvenile detention and Olivier immediately recognizes Francis's name as the boy who murdered his son some years earlier. Francis is unaware of the connection he shares with Olivier, and the Dardennes’ use this asymmetrical relationship to investigate the ideas of forgiveness and vindication. "For all its quasi-documentary materialism, The Son is ultimately a Christian allegory of one man's inchoate desire to return good for evil." In this way Le fils is something of a departure from the Dardennes’ earlier work: it's not the sort of movie that gets labor legislation named after it. Olivier's carpentry is observed with unstinting and careful detail; it is not a means for sustenence but a means for existence. "It is hardly surprising that the Dardennes put together their naturalist fable with such a fanatical, self-effacing sense of craft. They are obsessed with work in the way that some of their European counterparts are obsessed with sex: the textures and rhythms of manual labor are, for them, at once irreducibly physical and saturated with an almost spiritual significance."
Crimes and occupations again figure prominently in the Dardennes’ fourth film, L’Enfant (The Child), but this time the two are bound up in ways both expected and surprising. After a young woman named Sonia gives birth, she leaves the hospital and finds her apartment has been subletted. She finds Bruno, her equally young boyfriend, the baby's father and a petty thief with no real understanding of fatherhood. He uses the baby as a prop in panhandling and to get a bed for a night in a shelter; he comes into a bit of money and uses it to buy an expensive jacket for Sonia – to match his own. Bruno then makes a decision that seems ghastly and sensational, but as handled by the Dardennes seems matter-of-fact and calm: he sells the baby. We follow Bruno and the child on an excruciatingly long bus trip to the city's outskirts where he will rendezvous with his traffickers – who or what they are is left mostly unsaid. "Like the Dardennes’ close framing and tracking, their use of ambient light and sound, [the slow pacing is] a way of clinging to the character and feeling the moral weight of his actions, even when he does not. That's why it's possible to care about inept, thoughtless Bruno, and care deeply, when at last he, too, feels the gravity." Of course it's not possible for Bruno's efforts to get the baby back not to have ramifications – for himself, for Sonia, for a young accomplice (in one classically "Dardenne" scene, we see Bruno's accomplice, barely a teenager, plotting a crime in work overalls at his vocational school). As for Igor in Le fils, redemption for Bruno is as much a psychological act as a physical one. The film earned the Dardennes the Palme d'Or from Cannes, their second in seven years.
In Le silence de Lorna (Lorna's Silence), starring Arta Dobroshi in the title role as Lorna, Luc Dardenne stated, "[It's] about a young woman who has every reason to be desperate and who continues to believe that everything is possible. A religious believer of sorts, even if God is dead [...] How can a woman who doesn’t believe in God believe everything is possible? Where does this crazy hope come from? She is strange, out-of-the-ordinary. A fictional character always swims against the tide."
"Because of her social situation she is ready to do things that we would not, because we have no need to", Luc Dardenne said in an interview with Socialist Review
Socialist Review
The Socialist Review is the monthly magazine of the British Socialist Workers Party. As well as being printed it is also published online.-Original publication: 1950-1962:...
. "These situations happen to people like her perhaps more than to those living in material comfort. This leads her to have to accept or refuse the death of someone. Nothing can authorise her to do this. The spectator might think, 'Given her situation, we can understand'. But in this case no."
Mirroring the consistency of their setting, the Dardenne Brothers maintain a regular stable of collaborators (for all of their films the brothers share writing and directing credits), most notably cinematographer Alain Marcoen and editor Marie-Hélène Dozo. Jérémie Renier
Jérémie Renier
Jérémie Renier is a Belgian actor. He lives in Paris, France. His film debut was in the critically praised La Promesse , directed by Luc and Jean-Pierre Dardenne. He became better known to worldwide audiences in Brotherhood of the Wolf and L'Enfant...
played both Igor in La promesse and Bruno in L’Enfant, while Olivier Gourmet
Olivier Gourmet
Olivier Gourmet is a Belgian actor. He won the Best Actor award at the 2002 Cannes Film Festival for his role in Le Fils by Jean-Pierre and Luc Dardenne. He also appeared in La Promesse, Rosetta and L'Enfant....
, the main character of Le fils, has a brief cameo as a detective in L’Enfant. Like Rosettas Emilie Dequenne, Déborah François
Déborah François
Déborah François is a Belgian actress. She starred in the Palme d'Or winning film L'Enfant playing the lead role of Sonya...
, the seventeen year old lead in L’Enfant, was appearing in her first film. Luc Dardenne has described their process of working with actors as follows: "What we do with the actors is also very physical. The day filming begins we do not feel obliged to do things exactly the way they were rehearsed; we pretend that we are starting over from zero so that we can rediscover things that we did before. The instructions we give the actors are above all physical. We start working without the cameraman—just the actors and my brother and me. We walk them through the blocking, first one then the other, trying several different versions. They say but do not act their lines. We do not tell them what the tone of their lines should be; we just say that we will see once the camera is rolling. At this point there is no cameraman, no sound engineer, no lighting. Then we set up all the camera movements exactly and the rhythm of the shot, which is usually a long take. Doing it this way allows us the ability to modify the actors’ movements or any small details."
The Dardennes often employ handheld cameras and use available light; their films have no musical score or soundtrack.
Filmography
- Chant du rossignol (1978)
- Lorsque le bateau de Léon M. descendit la Meuse pour la première fois (1979)
- Pour que la guerre s'achève, les murs devaient s'écrouter (1980)
- R... ne répond plus (1981)
- Leçons d'une université volante (1982)
- Regarde Jonathan/Jean Louvet, son oeuvre (1983)
- Il court... il court le monde (1987)
- Falsch (1987)
- Je pense à vous (I Think of You) (1992)
- La promesseLa PromesseLa promesse is a 1996 film by the Belgian brothers Luc Dardenne and Jean-Pierre Dardenne.-Principal cast:*Jérémie Renier as Igor*Olivier Gourmet as Roger*Assita Ouedraogo as Assita-Awards and nominations:...
(The Promise) (1996) - RosettaRosetta (film)Rosetta is a 1999 French-Belgian film written and directed by Jean-Pierre Dardenne and Luc Dardenne. It is about a seventeen year old girl who lives in a trailer park with her alcoholic mother...
(1999) - Le fils (The Son) (2002)
- L’Enfant (The Child) (2005)
- Dans l'Obscurité (Darkness) (2007)
- Le silence de Lorna (Lorna's Silence) (2008)
- The Kid with a BikeThe Kid with a BikeThe Kid with a Bike is a 2011 drama film written and directed by the Belgian brothers Jean-Pierre and Luc Dardenne, starring Cécile de France and Thomas Doret. Set in Seraing, it tells the story of an 11-year-old boy who turns to a woman after his father has abandoned him. The film was produced...
(Le Gamin au vélo) (2011)
Awards
- 1999 Palme d'OrPalme d'OrThe Palme d'Or is the highest prize awarded at the Cannes Film Festival and is presented to the director of the best feature film of the official competition. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du...
- 2005 Palme d'OrPalme d'OrThe Palme d'Or is the highest prize awarded at the Cannes Film Festival and is presented to the director of the best feature film of the official competition. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du...
- 2005 Grand-Cross of the Order of the Crown (Belgium)
- 2008 Film Award Cologne within the Cologne ConferenceCologne ConferenceThe Cologne Conference is an international Film and Television Festival that takes place annually in Cologne, Germany. With about 5000 visitors, the Cologne Conference is considered as the best attended festival of its kind worldwide...