Doccia porcelain
Encyclopedia
The Doccia porcelain manufactory, at Doccia, a frazione
of Sesto Fiorentino
, near Florence
, was founded in 1735 by marchese Carlo Ginori
near his villa. Now known as Richard-Ginori, (following its merger with Società Richard of Milan), it continues in production to this day. Its early wares were of a “soft-paste” imitation porcelain
, as were all European porcelains with the exception of Meissen
, where deposits of kaolin had been discovered. Ginori established the kilns at the foot of forested Monte Morello, whose timber fuelled them, and initiated experiments with local potting clays. He engaged J.K.W. Anreiter from Vienna to head the painting workshop and a local sculptor, Gaspero Bruschi, as the chief modeller. Production began in 1737. By 1740 Ginori was confident enough of his products to send samples to Vienna and get a privilege for porcelain manufacture in the Austrian-ruled Grand Duchy of Tuscany
, giving him the security of a monopoly
.
Ginori obtained wax models and casts from the heirs of major Florentine baroque sculptors Giovanni Battista Foggini
and Massimiliano Soldani that were intended for casting in bronze, and produced boldly-scaled porcelain figure groups “of a grandeur which makes the figures of most other C18 factories look petite and trifling,” John Fleming and Hugh Honour have observed. Some statuettes of famous Roman sculpture
s were also produced.
The early Doccia paste is gritty in texture and slightly grayish; its glaze less glossy than most contemporaneous European porcelains. Innovative decorating techniques from the 1740s were transfer-printing and the stampino, or stencil
ed decor, usually of blue on the white ground; since these could be employed by inexperienced workers, decorated porcelain was brought within reach of the middle classes, and porcelain rapidly replaced traditional maiolica
in common use.
Ginori's manufacture was continued without a break by his three sons, who introduced a new, whiter body, with tin oxide
added to the glaze for increased whiteness, but were less successful in adapting neoclassical forms
to the wares. With the revival of rococo
styles in the nineteenth century, the Doccia manufactory reverted to its eighteenth-century models.
The manufacture remained in the hands of the Ginori heirs until 1896, when it was incorporated with the Società Ceramica Richard of Milan, a larger manufacturer of ceramics, as Richard-Ginori. Gio Ponti
served as artistic director of the manufacture from 1923 to 1930, producing many designs in the Art Deco
manner, and was succeeded by Giovanni Gariboldi, 1930-1970. Richard-Ginori maintains the Museo di Doccia in Sesto Fiorentino
, which moved in 1965 from its original location, in the eighteenth-century factory building, to a new structure purposely designed to house the collection.
Frazione
A frazione , in Italy, is the name given in administrative law to a type of territorial subdivision of a comune; for other administrative divisions, see municipio, circoscrizione, quartiere...
of Sesto Fiorentino
Sesto Fiorentino
Sesto Fiorentino is a municipality in the province of Florence, Tuscany, central Italy. It has c. 46,700 inhabitants.- History :The oldest known human settlement in the area dates from the Mesolithic...
, near Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, was founded in 1735 by marchese Carlo Ginori
Carlo Ginori
Marchese Carlo Ginori , Italian politician and founder of the Doccia porcelain factory in Sesto Fiorentino, near Florence, Italy. He pioneered the development of porcelain production, contemporary with Meissen, in the mid-Eighteenth century Europe. Ginori's porcelain was collected by Medicis and...
near his villa. Now known as Richard-Ginori, (following its merger with Società Richard of Milan), it continues in production to this day. Its early wares were of a “soft-paste” imitation porcelain
Porcelain
Porcelain is a ceramic material made by heating raw materials, generally including clay in the form of kaolin, in a kiln to temperatures between and...
, as were all European porcelains with the exception of Meissen
Meissen porcelain
Meissen porcelain or Meissen china is the first European hard-paste porcelain that was developed from 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger, continued his work and brought porcelain to the market...
, where deposits of kaolin had been discovered. Ginori established the kilns at the foot of forested Monte Morello, whose timber fuelled them, and initiated experiments with local potting clays. He engaged J.K.W. Anreiter from Vienna to head the painting workshop and a local sculptor, Gaspero Bruschi, as the chief modeller. Production began in 1737. By 1740 Ginori was confident enough of his products to send samples to Vienna and get a privilege for porcelain manufacture in the Austrian-ruled Grand Duchy of Tuscany
Grand Duchy of Tuscany
The Grand Duchy of Tuscany was a central Italian monarchy that existed, with interruptions, from 1569 to 1859, replacing the Duchy of Florence. The grand duchy's capital was Florence...
, giving him the security of a monopoly
Monopoly
A monopoly exists when a specific person or enterprise is the only supplier of a particular commodity...
.
Ginori obtained wax models and casts from the heirs of major Florentine baroque sculptors Giovanni Battista Foggini
Giovanni Battista Foggini
thumb|Tomb of [[Galileo Galilei]] in [[Santa Croce, Florence]].Giovanni Battista Foggini was an Italian sculptor active in Florence, renowned mainly for small bronze statuary.-Biography:...
and Massimiliano Soldani that were intended for casting in bronze, and produced boldly-scaled porcelain figure groups “of a grandeur which makes the figures of most other C18 factories look petite and trifling,” John Fleming and Hugh Honour have observed. Some statuettes of famous Roman sculpture
Roman sculpture
The study of ancient Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies." At one time, this imitation was taken by art...
s were also produced.
The early Doccia paste is gritty in texture and slightly grayish; its glaze less glossy than most contemporaneous European porcelains. Innovative decorating techniques from the 1740s were transfer-printing and the stampino, or stencil
Stencil
A stencil is a thin sheet of material, such as paper, plastic, or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to...
ed decor, usually of blue on the white ground; since these could be employed by inexperienced workers, decorated porcelain was brought within reach of the middle classes, and porcelain rapidly replaced traditional maiolica
Maiolica
Maiolica is Italian tin-glazed pottery dating from the Renaissance. It is decorated in bright colours on a white background, frequently depicting historical and legendary scenes.-Name:...
in common use.
Ginori's manufacture was continued without a break by his three sons, who introduced a new, whiter body, with tin oxide
Tin oxide
Tin oxide may refer to:* Tin oxide , SnO* Tin dioxide , SnO2...
added to the glaze for increased whiteness, but were less successful in adapting neoclassical forms
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
to the wares. With the revival of rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
styles in the nineteenth century, the Doccia manufactory reverted to its eighteenth-century models.
The manufacture remained in the hands of the Ginori heirs until 1896, when it was incorporated with the Società Ceramica Richard of Milan, a larger manufacturer of ceramics, as Richard-Ginori. Gio Ponti
Giò Ponti
Gio Ponti was one of the most important Italian architects, industrial designers, furniture designers, artists, and publishers of the twentieth century.-Early life:...
served as artistic director of the manufacture from 1923 to 1930, producing many designs in the Art Deco
Art Deco
Art deco , or deco, is an eclectic artistic and design style that began in Paris in the 1920s and flourished internationally throughout the 1930s, into the World War II era. The style influenced all areas of design, including architecture and interior design, industrial design, fashion and...
manner, and was succeeded by Giovanni Gariboldi, 1930-1970. Richard-Ginori maintains the Museo di Doccia in Sesto Fiorentino
Sesto Fiorentino
Sesto Fiorentino is a municipality in the province of Florence, Tuscany, central Italy. It has c. 46,700 inhabitants.- History :The oldest known human settlement in the area dates from the Mesolithic...
, which moved in 1965 from its original location, in the eighteenth-century factory building, to a new structure purposely designed to house the collection.