Domenico del Barbieri
Encyclopedia
Domenico del Barbieri was a Florentine
artist of the Renaissance
period, also referred to as Domenico del Barbiere, Domenico Fiorentino, and, in France, Dominique Florentin. He settled and married at Troyes
in France between 1530 and 1533. He joined the studio of Italian artists who worked with Primaticcio and Rosso Fiorentino
at Fontainebleau
and Meudon
. He worked both on the stucco
-work and fresco
es. He was also an engraver. In 1541, he returned to Troyes
, where he enjoyed success as a sculptor for churches. His style of sculpture was influenced, particularly in the heads and the drapery, by Andrea Sansovino
, and shows Mannerist
characteristics. His Charity, at St. Pantaléon in Troyes, suggests that del Barbieri was aware of the contrapposto
style of Michelangelo
. His relief work for the tomb of Claude, Duke of Guise
(died 1550), reveals the possible influence of Rosso and of Francesco Salviati
. Vasari noted del Barbieri in his writings. Under the direction of Primaticcio, del Barbieri executed the base for the monument for the heart of Henry II of France
, the figures for which were sculpted by Germain Pilon
. Pilon may have been influenced in the flowing drapery of the figures of the Three Graces
by del Barbieri's work. The monument was del Barbieri's last known commission.
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
artist of the Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
period, also referred to as Domenico del Barbiere, Domenico Fiorentino, and, in France, Dominique Florentin. He settled and married at Troyes
Troyes
Troyes is a commune and the capital of the Aube department in north-central France. It is located on the Seine river about southeast of Paris. Many half-timbered houses survive in the old town...
in France between 1530 and 1533. He joined the studio of Italian artists who worked with Primaticcio and Rosso Fiorentino
Rosso Fiorentino
Giovanni Battista di Jacopo , known as Rosso Fiorentino , or Il Rosso, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school.-Biography:...
at Fontainebleau
Fontainebleau
Fontainebleau is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the arrondissement of Fontainebleau...
and Meudon
Meudon
Meudon is a municipality in the southwestern suburbs of Paris, France. It is in the département of Hauts-de-Seine. It is located from the center of Paris.-Geography:...
. He worked both on the stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
-work and fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
es. He was also an engraver. In 1541, he returned to Troyes
Troyes
Troyes is a commune and the capital of the Aube department in north-central France. It is located on the Seine river about southeast of Paris. Many half-timbered houses survive in the old town...
, where he enjoyed success as a sculptor for churches. His style of sculpture was influenced, particularly in the heads and the drapery, by Andrea Sansovino
Andrea Sansovino
Andrea dal Monte Sansovino or Andrea Contucci del Monte San Savino was an Italian sculptor active during the High Renaissance...
, and shows Mannerist
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
characteristics. His Charity, at St. Pantaléon in Troyes, suggests that del Barbieri was aware of the contrapposto
Contrapposto
Contrapposto is an Italian term that means counterpose. It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs. This gives the figure a more dynamic, or alternatively relaxed...
style of Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
. His relief work for the tomb of Claude, Duke of Guise
Claude, Duke of Guise
Claude de Lorraine, duc de Guise was a French aristocrat and general. He became the first Duke of Guise in 1528....
(died 1550), reveals the possible influence of Rosso and of Francesco Salviati
Francesco Salviati
Francesco Salviati may refer to:* Francesco Salviati , archbishop of Pisa, involve in the Pazzi Conspiracy* Francesco de' Rossi , Mannerist artist...
. Vasari noted del Barbieri in his writings. Under the direction of Primaticcio, del Barbieri executed the base for the monument for the heart of Henry II of France
Henry II of France
Henry II was King of France from 31 March 1547 until his death in 1559.-Early years:Henry was born in the royal Château de Saint-Germain-en-Laye, near Paris, the son of Francis I and Claude, Duchess of Brittany .His father was captured at the Battle of Pavia in 1525 by his sworn enemy,...
, the figures for which were sculpted by Germain Pilon
Germain Pilon
Germain Pilon was a French Renaissance sculptor.-Biography:He was born in Paris. Trained by his father and Pierre Bontemps, Pilon was an expert with marble, bronze, wood and terra cotta; from about 1555 he was providing models for Parisian goldsmiths...
. Pilon may have been influenced in the flowing drapery of the figures of the Three Graces
Charites
In Greek mythology, a Charis is one of several Charites , goddesses of charm, beauty, nature, human creativity and fertility. They ordinarily numbered three, from youngest to oldest: Aglaea , Euphrosyne , and Thalia . In Roman mythology they were known as the Gratiae, the "Graces"...
by del Barbieri's work. The monument was del Barbieri's last known commission.