Duncan Druce is a British composer, string player and musicologist. He is particularly noted for the breadth of musical disciplines in which he specialises and the uniformly high standards of his work in all of these areas.

Education and Academic Life

Druce was born in Cheshire

Cheshire

Cheshire is a ceremonial county in North West England. Cheshire's county town is the city of Chester, although its largest town is Warrington. Other major towns include Widnes, Congleton, Crewe, Ellesmere Port, Runcorn, Macclesfield, Winsford, Northwich, and Wilmslow...

, England and in 1957, entered King's College, Cambridge

King's College, Cambridge

King's College is a constituent college of the University of Cambridge, England. The college's full name is "The King's College of our Lady and Saint Nicholas in Cambridge", but it is usually referred to simply as "King's" within the University....

 which later awarded him a double first in music. Subsequently, he completed a Masters at the University of Leeds

University of Leeds

The University of Leeds is a British Redbrick university located in the city of Leeds, West Yorkshire, England...

 and, in 1984 embarked upon a second Masters degree, at the University of York

University of York

The University of York , is an academic institution located in the city of York, England. Established in 1963, the campus university has expanded to more than thirty departments and centres, covering a wide range of subjects...

, choosing this time the music of southern India as the topic of his thesis. In 1991, Druce chose to stand down from his long standing post as Senior Lecturer at Leeds University's Bretton Hall Campus, in order to continue to meet the ever growing demands for his work as both a performer and composer. Druce still lectures in composition part-time at the University of Huddersfield

University of Huddersfield

The University of Huddersfield is a university located in Huddersfield, West Yorkshire, England.- History :The University traces its roots back to a Science and Mechanic Institute founded in 1825...

.

Performing career

When working as a music producer for the BBC in the late 1960s, Duncan Druce became a notable and much in demand violin and viola player of contemporary music. He was an original member of Harrison Birtwistle's Pierrot Players, named after Schoenberg's Pierrot Lunairewhich was in indeed the work which first brought Druce's playing to public attention in a masterful performance of the infamous violin/viola part. Membership of this ensemble was the key for Druce into New Music Manchester, among whose famous sons are also Alexander Goehr and Peter Maxwell Davies whose respective ensembles 'Music Theatre Ensemble' and 'Fires of London' Druce was also a member during this period.

Contrastingly, Druce is also one of the most respected figures in the performance of Early Music

Early music

Early music is generally understood as comprising all music from the earliest times up to the Renaissance. However, today this term has come to include "any music for which a historically appropriate style of performance must be reconstructed on the basis of surviving scores, treatises,...

. One of the few living British champions of the Viola d'Amore

Viola d'amore

The viola d'amore is a 7- or 6-stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin.- Structure and sound :...

, he has been a member of Christopher Hogwood

Christopher Hogwood

Christopher Jarvis Haley Hogwood CBE, MA , HonMusD , born 10 September 1941, Nottingham, is an English conductor, harpsichordist, writer and musicologist, well known as the founder of the Academy of Ancient Music.-Biography:...

's Academy of Ancient Music

Academy of Ancient Music

The Academy of Ancient Music is a period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after a previous organisation of the same name of the 18th century. The musicians play on either original instruments or modern copies of...

, was an original member of the Yorkshire Baroque Soloists and continues to play with groups such as the Penine Chamber Ensemble. Druce still regularly performs, either on one of his baroque violins, violas or his viola d'amore in intimate and not-so-intimate recitals across the country.

List of Compositions

• Sonata for violin and Piano (1965)
• Piano Trio (16’) (1967)
• Jugalbundi, for clarinet and viola (1968)
• Hora Rumana, for violin and piano (5’) (1969)
• String Quartet No 1 (22’) (1969)
• The Tower of Needles, for soprano, violin/viola, cello, clarinet, flute/picc., piano, perc. (28’) (1970-1)
• Whose doing is it? (Tolstoy), for narrator, string orchestra, percussion (14’) (1971)
• A Red King’s Crown, for piano (16’) (1971)
• Chiasmata, for two violas (12’) (1972)
• Images from Nature, for voice, flute, cello, piano (11’) (1973)
• Fantasy and Divisions, for orchestra (2121 1110 perc. strings), on a theme of J.H.Schmelzer (25’) (1974)
• Märchenzeit, for flute, clarinet, violin, cello, glockenspiel, piano (1’30”) (1974)
• Solo for Emily, for viola d’amore (7’) (1975)
• The Creator’s Shadow, for flute, basset-clarinet, viola, cello, guitar, perc., piano (22’) (1975)
• Udana, for recorder and harpsichord (1976)
• Concert piece, for bass clarinet and piano (1977)
• The Floor of Heaven, for basset-clarinet and fortepiano, or clarinet and piano (20’) (1978-9)
• Campanella Madrigals, for soprano, mixed chorus, wind ensemble (1222 2230) and double bass (33’) (1979)
• Hoxton Variations, for violin and guitar (1980)
• Lacerta Agilis, for flute and piano (5’) (1981, published by Forsyth)
• Prelude, for piano, clarinet, violin, cello (7’) (1981-2)
• Two Night-pieces, for bassoon solo, and for three bassoons (1982, published by Forsyth)
• String Quartet No 2 (24’) (1982)
• Before Dawn on Thursday, for solo recorder (6’) (1984, published by Forsyth)
• The Last Post, for viola d’amore and live electronics (1984)
• Concerto Popolare, for violin and string orchestra (finale arranged from Hora Rumana) (22’) (1986)
• Venkatamakhi’s Dream, for clarinet and string quartet (26’) (1988)
• “We were like them that dream”, for mixed chorus (18’) (1990-1)
• String Quintet (2 vln., 2 vla., cello) (28’) (1991)
• Fives, Sixes and Sevens: Rhapsody for violin and piano (7’)
• Snowstorms on a Postcard, for (youth) orchestra (3242 4331 3 perc. timp. strings) (12’) (1993)
• Earth, Sun, Moon, for mixed chorus and renaissance wind instruments (shawms, cornetti, recorders, trombones – *or modern equivalents) (10’) (1995)
• String Quartet No 3 – Homage to Smetana (22’) (1996-7)
• The Garden of Cyrus, fantasia for five viols (12’) (2000)
• Scanned across the dark space, for orchestra (3232 4331 perc., timp., harp, strings) (9’) (2000)
• The Selfish Giant – musical show for children. Text, after Oscar Wilde, Clare Druce (2001)
• Three Settings of Ave Maria, for two violins and cello (6’) (2001)
• Rainbow Stories – musical show for children. Text, Clare Druce (2002)
• String Quartet No 4 (12’) 2004-5

Mozart Scholarship

In 1984, Druce finished a new completion of the Mozart Requiem, which was performed at the BBC Proms in 1991. This completion (which is published by Novello and includes a new edition of the original and most famous Süssmayr completion) is still widely performed today. In his preface to the score, Druce explains,

Whilst the work as a whole has proved to be one of Mozart's best loved and most admired, it has been clear ever since [Süssmayr's completion] was first published that it sometimes lacks the perfection of detail, smooth craftmanship, the imaginative relationship of subsidiary material to the whole that is so characteristic of Mozart's other mature masterpieces. Süssmayr's orchestration [...] may not often get in the way of Mozart's vision, but rarely enhances it.

Although the Requiem is by far the most substantial of Druce's Mozart completions, he has several others to his name which include Quintet Movement for clarinet and strings K516c (commissioned by Alan Hacker, a life-long friend), and Concerto movement for horn and orchestra in E, K494a.