Duodrama
Encyclopedia
A duodrama is a theatrical melodrama
for two actor
s or singers, in which the spoken voice is used with a musical accompaniment for heightened dramatic effect. It was popular at the end of the 18th and the beginning of the 19th century.
Closely related to opera
, the most famous example were the 1775 works Ariadne auf Naxos
and Medea
by Georg Benda
. Mozart admired Benda's work and used similar techniques in Zaide
(1780) and Thamos, König in Ägypten
(c. 1773-1780). He considered writing a duodrama himself, to be called Semiramis. Beethoven's Fidelio
(1805-1814) and Carl Maria von Weber
's Der Freischütz
(1821) also contain duodramas. The style is also used in lieder and song.
Melodrama
The term melodrama refers to a dramatic work that exaggerates plot and characters in order to appeal to the emotions. It may also refer to the genre which includes such works, or to language, behavior, or events which resemble them...
for two actor
Actor
An actor is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity...
s or singers, in which the spoken voice is used with a musical accompaniment for heightened dramatic effect. It was popular at the end of the 18th and the beginning of the 19th century.
Closely related to opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
, the most famous example were the 1775 works Ariadne auf Naxos
Ariadne auf Naxos (Benda)
Ariadne auf Naxos is a duodrama in one act by composer Georg Benda with a German libretto by Johann Christian Brandes. The opera's first performance was at the Schloss Friedenstein, Gotha, on 27 January 1775....
and Medea
Medea (Benda)
Medea is a melodrama in one act with five scenes by composer Georg Benda with a German libretto by Friedrich Wilhelm Gotter. The work was first performed in Leipzig at the Theater am Rannstädtertor on 1 May 1775.-Historical impact and musical analysis:...
by Georg Benda
Georg Benda
Jiří Antonín Benda, also Georg Anton Benda or J.A. Benda was a Czech kapellmeister, violinist and composer of the classical period.-Biography:...
. Mozart admired Benda's work and used similar techniques in Zaide
Zaide
Zaide is an unfinished opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a...
(1780) and Thamos, König in Ägypten
Thamos, König in Ägypten
Thamos, King of Egypt is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character....
(c. 1773-1780). He considered writing a duodrama himself, to be called Semiramis. Beethoven's Fidelio
Fidelio
Fidelio is a German opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The German libretto is by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly which had been used for the 1798 opera Léonore, ou L’amour conjugal by Pierre Gaveaux, and for the 1804 opera Leonora...
(1805-1814) and Carl Maria von Weber
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....
's Der Freischütz
Der Freischütz
Der Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin...
(1821) also contain duodramas. The style is also used in lieder and song.