Eileen Gray
Encyclopedia
Kathleen Eileen Moray Gray (August 9, 1878 – October 31, 1976) was an Irish
furniture
design
er and architect
and a pioneer of the Modern Movement
in architecture.
, a market town in south-eastern Ireland
. Gray was the youngest of five children. Her parents, Eveleen Pounden Gray and James Maclaren Gray, were of Scottish
-Irish descent. Gray’s father, James, was a painter who encouraged his daughter's artistic interests. He took his daughter on painting tours of Italy
and Switzerland
which encouraged her independent spirit. Gray spent most of her childhood living in the family's homes in Ireland or South Kensington
in London
.
In 1898, Gray attended classes at the Slade School of Fine Art
, where she studied painting. While there, she met Jessie Gavin and Kathleen Bruce. In 1900 her father died and she went on her first visit to Paris
with her mother where she saw the Exposition Universelle
, a world fair
that celebrated the achievements of the past century. The main style at the fair was Art Nouveau
and Gray was a fan of the work of Charles Rennie Mackintosh
which was on exhibit. Soon after, Gray moved to Paris along with her friends Gavin and Bruce from the Slade School. She continued her studies in Paris at the Académie Julian
and the Académie Colarossi
. For four or five years after the move, Gray travelled back and forth from Paris to Ireland to London, but in 1905, due to her mother's illness, she settled back in London. She rejoined the Slade but found her drawing and painting courses were becoming less satisfying.
repair shop in Soho
, in London, where she asked the shop owner, Mr. D. Charles, whether he could show her the fundamentals of lacquer work, as it had taken her fancy. The owner had many contacts from the lacquer industry and when Gray moved back to Paris in 1906 to an apartment where she remained for much of her working life, she met one of them: Seizo Sugawara (or Sugawara-san). He originated from an area of Japan
that was known for its decorative lacquer work and had emigrated to Paris to repair the lacquer work exhibited in the Exposition Universelle. She found after working with Sugawara for four years that she had developed the lacquer disease on her hands, but she persisted in her work and it was not until 1913, when she was thirty-five, that she exhibited any. When she did, however, it was a success.
In 1914, when World War I
broke out, Gray moved back to London, taking Sugawara with her.
, she turned her interests to architecture. In 1924 Gray and Badovici began work on the house E-1027
in Roquebrune-Cap-Martin
in southern France (near Monaco
).
In the late 1920s and early 1930s, Gray was involved with the Union des Artistes Modernes which had well-known members. She designed and furnished herself a new home, Tempe à Pailla, outside Menton
. This is another icon of Modernist architecture, a space designed for her to dwell and work, a living/working machine as she wanted it, a space which could be constantly changed with multi-purpose furniture.
In 1937, she agreed to exhibit her design for a holiday center in Le Corbusier
's Esprit Nouveau pavilion at the Paris Exposition
.
During World War II
Gray, along with all other foreigners, was forced to evacuate the coast of France and move inland. After the war she discovered that her flat in Saint-Tropez
had been blown up and that E1027 had been looted.
into a summer home; she soon moved there and continued to work. Shortly before her death, Gray’s work was shown in an exhibition in London. At the age of ninety-eight, Gray died in her apartment on rue Bonaparte in Paris.
In 1968, a complimentary magazine article drew attention to her accomplishments, and Gray agreed to production of her Bibendum chair and E-1027 table as well as numerous other pieces with Zeev Aram. They were soon to become modern furniture
classics. Following the purchase of her archive in 2002, the National Museum of Ireland
at Collins Barracks
, Dublin opened a permanent exhibition of her work. On 8 November 1972, the Doucet
sale added to the interest which continues to this day in the 'antiques' of the twentieth century. Gray's 'Le Destin' screen was featured in the sale and went for $36,000. Collectors entered the chase, and Yves Saint Laurent's interest completed the mythification of her image.
In February 2009, a "Dragons" armchair made by Gray between 1917-1919 (acquired by her early patron Suzanne Talbot and later part of the Yves Saint Laurent
and Pierre Bergé
collection) was sold at auction in Paris for 21.9 million euros (US$28.3 million), setting an auction record for 20th century decorative art.
The chair was designed for a milliner; Madame Mathieu Lévy who was a highly successful boutique owner which sold stylish hats. Lévy had commissioned Gray to re-design her apartment on rue de Lota in Paris. It was hoped to be new and original, with innovative designs. The process took four, painstaking years; from 1917 to 1921. During this time, Eileen Gray created the Bibendum chair along with the interior walls, furnishings, rugs and lamps. With Gray’s disapproval of the moulded walls that had previously been installed, she put up lacquered panels instead. She wanted to create the apartment so that it fulfilled aspirations, suited Lévy’s lifestyle and would go along with any particular mood. The Bibendum Chair was relatively large; its depth approximately 840mm and its height 740 mm tall.
The visible part of the frame of the Bibendum i.e. the legs, were made of a polished, chromium plated, stainless steel tube. The framing of the actual seat was made of beechwood and there was rubber webbing that was inter-woven across the base of the seat to provide added comfort. The seat, back and arm rests encased in soft, pale leather. Gray made a point of using plain coverings for this particular chair as well as another, the Serpent Chair which was simple, plain red. She also designed the Pirogue Boat Bed which was also completely plain. This was so that the apartment would not look too cluttered or messy and so that the eye would be drawn, first of all, to the tribal art on display. The furniture in the apartment on rue de Lota, in particular the Bibendum Chair, was all extremely comfortable.
Today, a full grain leather coated Bibendum Chair would sell for an approximate price of £2300. The chair was designed for the room so that it looked inviting and made you want to sit down in it. As the apartment was being designed for a trendy, modern, young woman, Eileen Gray’s wish was to make it quite alternative and daring. The Bibendum Chair in itself was hardly like anything ever seen before and its originality was quite amazing at the time.
The Bibendum Chair was designed as part of the modernist movement which was completely different from her earlier, more traditional work. She decided to make the change in style to simply make “progress”. The art critics loved the chair and reviews in papers and magazines exclaimed that it was a “triumph of modern living”. Thanks to her great achievement with the Bibendum chair and the other furnishings designed at the apartment on rue de Lota, Gray was given a huge moral boost, so she made the decision of opening up her own gallery in 1922 (see biography). Madame Mathieu Lévy’s commission provided a great financial success for Gray, and thanks to this, she did no longer need to rely on her family's financial support.
, Eileen Gray turned her interests to architecture. In 1924 Gray and Badovici began work on the house E-1027
in Roquebrune-Cap-Martin
in southern France (near Monaco
). The codename stands for the names of the couple: E for Eileen, 10 for Jean (J is the tenth letter of the alphabet), 2 for Badovici and 7 for Gray. Rectilinear and flat-roof
ed with floor-to-ceiling and ribbon windows and a spiral stairway descending to a guest room, E-1027 was both compact and open. Gray designed the furniture as well as collaborating with Badovici on its structure. Her circular glass E-1027 table and rotund Bibendum armchair were inspired by the recent tubular steel experiments of Marcel Breuer
at the Bauhaus
(who had been inspired, in turn, by Mart Stam
). Le Corbusier
was quite impressed by the house, and built a summer house nearby. Le Corbusier left his mark on the building in the form of several colourful wall murals. Gray vehemently disapproved of the murals, created at Badovici's behest, as they destroyed the integrity of the wall planes. When Le Corbusier died in 1965 he was swimming in the sea directly in front of E-1027.
The house has been in poor repair for years, but plans for its renovation are being prepared by the French government, who have designated it a French National Cultural Monument. As a result the state of France and the city of Roquebrune Cap Martin - through the national agency "Conservatoire du Littoral"). - bought the villa in 1999 and made it secure provisionally. Visiting E.1027 in the early month of 2008 it seems the devastated condition will be history in the near future. The building is surrounded by a scaffold, the property is gated with a fence recently installed and building worker are busy in- and outside the building. A signboard informs that E.1027 will be restored: the restoration is an initiative of the state of France, the department „Alpes Maritimes“ and the city of Roquebrune (bearing 50% / 10% / 40% of the expenses).
. This is another icon of Modernist architecture, a space designed for her to dwell and work, a living/working machine as she wanted it, a space which could be constantly changed with multi-purpose furniture.
Eileen loved a challenge; it is believed that was why she chose such a difficult site. She built on existing structures which anchored the house, based her house on ship structures, using forms that were long and narrow, many decks for views and levels for storage. Eileen was very social, she took advantage of the entertaining space for her guests and incorporated views of the city and the sea with balconies and large windows. However, she was also in a way private and enjoyed her space: this can be viewed on the plans of 'Tempe a Pailla' on her choice of where she positioned her rooms, as the bedrooms, service rooms and courtyard were tucked away at the back, revealing a tranquil view of the distant mountains. It was almost like the house can be split in half, one side public and the other private. Eileen treated the outside space the same way as she treated the inside space; she did this by having the same tiles, the same material inside and out. She liked to take advantage of the sunlight, in fact she designed each room with regard to where she would receive the most sunlight or the least, and she even incorporated a way in which she could control the light in certain rooms: in the bedroom a medium-sized circle could be moved according to the amount of light she wanted to enter the room, almost like an eclipse, as if she had her own sun to play with.
, Gabrielle Bloch, Loie Fuller
, the singer Damia
and Natalie Barney. Gray's intermittent relationship with Damia (or Marie-Louise Damien) ended in 1938, after which they never saw each other again, although both lived into their nineties in the same city. Gray also had for some time an intermittent relationship with Jean Badovici, the Romanian architect and writer. He had written about her design work in 1924 and encouraged her interest in architecture. Their romantic involvement ended in 1932.
Irish people
The Irish people are an ethnic group who originate in Ireland, an island in northwestern Europe. Ireland has been populated for around 9,000 years , with the Irish people's earliest ancestors recorded having legends of being descended from groups such as the Nemedians, Fomorians, Fir Bolg, Tuatha...
furniture
Furniture
Furniture is the mass noun for the movable objects intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work using horizontal surfaces above the ground, or to store things...
design
Design
Design as a noun informally refers to a plan or convention for the construction of an object or a system while “to design” refers to making this plan...
er and architect
Architect
An architect is a person trained in the planning, design and oversight of the construction of buildings. To practice architecture means to offer or render services in connection with the design and construction of a building, or group of buildings and the space within the site surrounding the...
and a pioneer of the Modern Movement
Modern architecture
Modern architecture is generally characterized by simplification of form and creation of ornament from the structure and theme of the building. It is a term applied to an overarching movement, with its exact definition and scope varying widely...
in architecture.
Biography
Eileen Gray was born on 9 August 1878 into an aristocratic family near EnniscorthyEnniscorthy
Enniscorthy is the second largest town in County Wexford, Ireland. The population of the town and environs is 9538. The Placenames Database of Ireland sheds no light on the origins of the town's name. It may refer either to the "Island of Corthaidh" or the "Island of Rocks". With a history going...
, a market town in south-eastern Ireland
Ireland
Ireland is an island to the northwest of continental Europe. It is the third-largest island in Europe and the twentieth-largest island on Earth...
. Gray was the youngest of five children. Her parents, Eveleen Pounden Gray and James Maclaren Gray, were of Scottish
Scottish people
The Scottish people , or Scots, are a nation and ethnic group native to Scotland. Historically they emerged from an amalgamation of the Picts and Gaels, incorporating neighbouring Britons to the south as well as invading Germanic peoples such as the Anglo-Saxons and the Norse.In modern use,...
-Irish descent. Gray’s father, James, was a painter who encouraged his daughter's artistic interests. He took his daughter on painting tours of Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
and Switzerland
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....
which encouraged her independent spirit. Gray spent most of her childhood living in the family's homes in Ireland or South Kensington
South Kensington
South Kensington is a district in the Royal Borough of Kensington and Chelsea in London. It is a built-up area located 2.4 miles west south-west of Charing Cross....
in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
.
In 1898, Gray attended classes at the Slade School of Fine Art
Slade School of Fine Art
The Slade School of Fine Art is a world-renownedart school in London, United Kingdom, and a department of University College London...
, where she studied painting. While there, she met Jessie Gavin and Kathleen Bruce. In 1900 her father died and she went on her first visit to Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
with her mother where she saw the Exposition Universelle
Exposition Universelle (1900)
The Exposition Universelle of 1900 was a world's fair held in Paris, France, from April 15 to November 12, 1900, to celebrate the achievements of the past century and to accelerate development into the next...
, a world fair
World fair
World Fair can refer to:* Expo , a large public exhibition* This World Fair, an American rock band...
that celebrated the achievements of the past century. The main style at the fair was Art Nouveau
Art Nouveau
Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"...
and Gray was a fan of the work of Charles Rennie Mackintosh
Charles Rennie Mackintosh
Charles Rennie Mackintosh was a Scottish architect, designer, watercolourist and artist. He was a designer in the Arts and Crafts movement and also the main representative of Art Nouveau in the United Kingdom. He had a considerable influence on European design...
which was on exhibit. Soon after, Gray moved to Paris along with her friends Gavin and Bruce from the Slade School. She continued her studies in Paris at the Académie Julian
Académie Julian
The Académie Julian was an art school in Paris, France.Rodolphe Julian established the Académie Julian in 1868 at the Passage des Panoramas, as a private studio school for art students. The Académie Julian not only prepared students to the exams at the prestigious École des Beaux-Arts, but offered...
and the Académie Colarossi
Académie Colarossi
The Académie Colarossi is an art school founded by the Italian sculptor Filippo Colarossi. First located on the Île de la Cité, it moved in the 1870s to 10 rue de la Grande-Chaumière in the VIe arrondissement of Paris, France....
. For four or five years after the move, Gray travelled back and forth from Paris to Ireland to London, but in 1905, due to her mother's illness, she settled back in London. She rejoined the Slade but found her drawing and painting courses were becoming less satisfying.
Working with lacquer
Gray came across a lacquerLacquer
In a general sense, lacquer is a somewhat imprecise term for a clear or coloured varnish that dries by solvent evaporation and often a curing process as well that produces a hard, durable finish, in any sheen level from ultra matte to high gloss and that can be further polished as required...
repair shop in Soho
Soho
Soho is an area of the City of Westminster and part of the West End of London. Long established as an entertainment district, for much of the 20th century Soho had a reputation for sex shops as well as night life and film industry. Since the early 1980s, the area has undergone considerable...
, in London, where she asked the shop owner, Mr. D. Charles, whether he could show her the fundamentals of lacquer work, as it had taken her fancy. The owner had many contacts from the lacquer industry and when Gray moved back to Paris in 1906 to an apartment where she remained for much of her working life, she met one of them: Seizo Sugawara (or Sugawara-san). He originated from an area of Japan
Japan
Japan is an island nation in East Asia. Located in the Pacific Ocean, it lies to the east of the Sea of Japan, China, North Korea, South Korea and Russia, stretching from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the south...
that was known for its decorative lacquer work and had emigrated to Paris to repair the lacquer work exhibited in the Exposition Universelle. She found after working with Sugawara for four years that she had developed the lacquer disease on her hands, but she persisted in her work and it was not until 1913, when she was thirty-five, that she exhibited any. When she did, however, it was a success.
In 1914, when World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
broke out, Gray moved back to London, taking Sugawara with her.
Apartment in the Rue de Lota
At the end of the war Gray and Sugawara returned to Paris. There Gray was given the job of decorating an apartment in the rue de Lota. She designed most of its furniture (including her famous Bibendum chair), carpets and lamps, and installed lacquered panels on the walls. The result was favorably reviewed by several art critics who saw it as innovative. Given a boost from the success of the apartment, Gray opened up a small shop in Paris, Jean Desert, to exhibit and sell her work and that of her artist friends.Houses in the south of France
Shortly thereafter, persuaded by Jean BadoviciJean Badovici
Jean Badovici was an Romanian architect and architecture critic active in Paris.- Biography :Born in Bucharest, Romania, Jean Badovici studied architecture in Paris after World War I. Since 1923 he edited the important French magazine for avantgarde architecture L'Architecture Vivante...
, she turned her interests to architecture. In 1924 Gray and Badovici began work on the house E-1027
E-1027
In 1924 Eileen Gray and Jean Badovici began work on their vacation house, E-1027 in Roquebrune-Cap-Martin, Alpes-Maritimes, in southern France . L-shaped and flat-roofed with floor-to-ceiling windows and a spiral stairway to the guest room, E-1027 was both open and compact...
in Roquebrune-Cap-Martin
Roquebrune-Cap-Martin
Roquebrune-Cap-Martin is a commune in the Alpes-Maritimes department in southeastern France between Monaco and Menton. The name was changed from Roquebrune to differentiate the town from Roquebrune-sur-Argens in the neighboring Var Department.-History:In pre-Roman times the area was settled by the...
in southern France (near Monaco
Monaco
Monaco , officially the Principality of Monaco , is a sovereign city state on the French Riviera. It is bordered on three sides by its neighbour, France, and its centre is about from Italy. Its area is with a population of 35,986 as of 2011 and is the most densely populated country in the...
).
In the late 1920s and early 1930s, Gray was involved with the Union des Artistes Modernes which had well-known members. She designed and furnished herself a new home, Tempe à Pailla, outside Menton
Menton
Menton is a commune in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur region in southeastern France.Situated on the French Riviera, along the Franco-Italian border, it is nicknamed la perle de la France ....
. This is another icon of Modernist architecture, a space designed for her to dwell and work, a living/working machine as she wanted it, a space which could be constantly changed with multi-purpose furniture.
In 1937, she agreed to exhibit her design for a holiday center in Le Corbusier
Le Corbusier
Charles-Édouard Jeanneret, better known as Le Corbusier , was a Swiss-born French architect, designer, urbanist, writer and painter, famous for being one of the pioneers of what now is called modern architecture. He was born in Switzerland and became a French citizen in 1930...
's Esprit Nouveau pavilion at the Paris Exposition
Exposition Internationale des Arts et Techniques dans la Vie Moderne (1937)
The Exposition Internationale des Arts et Techniques dans la Vie Moderne was held from May 25 to November 25, 1937 in Paris, France...
.
During World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
Gray, along with all other foreigners, was forced to evacuate the coast of France and move inland. After the war she discovered that her flat in Saint-Tropez
Saint-Tropez
Saint-Tropez is a town, 104 km to the east of Marseille, in the Var department of the Provence-Alpes-Côte d'Azur region of southeastern France. It is also the principal town in the canton of Saint-Tropez....
had been blown up and that E1027 had been looted.
Post World War II
Gray returned to Paris and led a reclusive life. She continued to work on new projects, but was almost forgotten by the design industry. When she was around seventy, she started to lose her sight and hearing, yet when she was eighty, she transformed a dilapidated agricultural shed outside Saint-TropezSaint-Tropez
Saint-Tropez is a town, 104 km to the east of Marseille, in the Var department of the Provence-Alpes-Côte d'Azur region of southeastern France. It is also the principal town in the canton of Saint-Tropez....
into a summer home; she soon moved there and continued to work. Shortly before her death, Gray’s work was shown in an exhibition in London. At the age of ninety-eight, Gray died in her apartment on rue Bonaparte in Paris.
In 1968, a complimentary magazine article drew attention to her accomplishments, and Gray agreed to production of her Bibendum chair and E-1027 table as well as numerous other pieces with Zeev Aram. They were soon to become modern furniture
Modern furniture
Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. It was a tremendous departure from all furniture design that had gone before it. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering...
classics. Following the purchase of her archive in 2002, the National Museum of Ireland
National Museum of Ireland
The National Museum of Ireland is the national museum in Ireland. It has three branches in Dublin and one in County Mayo, with a strong emphasis on Irish art, culture and natural history.-Archaeology:...
at Collins Barracks
Collins Barracks (Dublin)
Collins Barracks is a former military barracks in the Arbour Hill area of Dublin, Ireland. The buildings are now the National Museum of Ireland, Decorative Arts and History...
, Dublin opened a permanent exhibition of her work. On 8 November 1972, the Doucet
Jacques Doucet (fashion designer)
Jacques Doucet was a French fashion designer, known for his elegant dresses, made with flimsy translucent materials in superimposing pastel colors....
sale added to the interest which continues to this day in the 'antiques' of the twentieth century. Gray's 'Le Destin' screen was featured in the sale and went for $36,000. Collectors entered the chase, and Yves Saint Laurent's interest completed the mythification of her image.
In February 2009, a "Dragons" armchair made by Gray between 1917-1919 (acquired by her early patron Suzanne Talbot and later part of the Yves Saint Laurent
Yves Saint Laurent (brand)
Yves Saint Laurent or YSL is a luxury fashion house founded by Yves Saint Laurent and his partner, Pierre Bergé. Today, its chief designer is Stefano Pilati. Yves Saint Laurent, founder of the brand, died in 2008.-History:...
and Pierre Bergé
Pierre Bergé
Pierre Bergé is a French industrialist and patron. He is perhaps best known as the co-founder of Yves Saint Laurent Couture House and former partner of fashion designer Yves Saint Laurent.-Early life:...
collection) was sold at auction in Paris for 21.9 million euros (US$28.3 million), setting an auction record for 20th century decorative art.
Late 1910s: The Bibendum Chair
Eileen Gray’s innovative Bibendum Chair was one of the 20th century’s most recognizable furniture designs. The chair is very much for lounging in and socializing. Its back/arm rest consists of two semi-circular, padded tubes encased in soft leather. The name that Gray chose for the chair, Bibendum, originates from the character created by Michelin to sell tyres.The chair was designed for a milliner; Madame Mathieu Lévy who was a highly successful boutique owner which sold stylish hats. Lévy had commissioned Gray to re-design her apartment on rue de Lota in Paris. It was hoped to be new and original, with innovative designs. The process took four, painstaking years; from 1917 to 1921. During this time, Eileen Gray created the Bibendum chair along with the interior walls, furnishings, rugs and lamps. With Gray’s disapproval of the moulded walls that had previously been installed, she put up lacquered panels instead. She wanted to create the apartment so that it fulfilled aspirations, suited Lévy’s lifestyle and would go along with any particular mood. The Bibendum Chair was relatively large; its depth approximately 840mm and its height 740 mm tall.
The visible part of the frame of the Bibendum i.e. the legs, were made of a polished, chromium plated, stainless steel tube. The framing of the actual seat was made of beechwood and there was rubber webbing that was inter-woven across the base of the seat to provide added comfort. The seat, back and arm rests encased in soft, pale leather. Gray made a point of using plain coverings for this particular chair as well as another, the Serpent Chair which was simple, plain red. She also designed the Pirogue Boat Bed which was also completely plain. This was so that the apartment would not look too cluttered or messy and so that the eye would be drawn, first of all, to the tribal art on display. The furniture in the apartment on rue de Lota, in particular the Bibendum Chair, was all extremely comfortable.
Today, a full grain leather coated Bibendum Chair would sell for an approximate price of £2300. The chair was designed for the room so that it looked inviting and made you want to sit down in it. As the apartment was being designed for a trendy, modern, young woman, Eileen Gray’s wish was to make it quite alternative and daring. The Bibendum Chair in itself was hardly like anything ever seen before and its originality was quite amazing at the time.
The Bibendum Chair was designed as part of the modernist movement which was completely different from her earlier, more traditional work. She decided to make the change in style to simply make “progress”. The art critics loved the chair and reviews in papers and magazines exclaimed that it was a “triumph of modern living”. Thanks to her great achievement with the Bibendum chair and the other furnishings designed at the apartment on rue de Lota, Gray was given a huge moral boost, so she made the decision of opening up her own gallery in 1922 (see biography). Madame Mathieu Lévy’s commission provided a great financial success for Gray, and thanks to this, she did no longer need to rely on her family's financial support.
1920s: The E-1027 House
Persuaded by Jean BadoviciJean Badovici
Jean Badovici was an Romanian architect and architecture critic active in Paris.- Biography :Born in Bucharest, Romania, Jean Badovici studied architecture in Paris after World War I. Since 1923 he edited the important French magazine for avantgarde architecture L'Architecture Vivante...
, Eileen Gray turned her interests to architecture. In 1924 Gray and Badovici began work on the house E-1027
E-1027
In 1924 Eileen Gray and Jean Badovici began work on their vacation house, E-1027 in Roquebrune-Cap-Martin, Alpes-Maritimes, in southern France . L-shaped and flat-roofed with floor-to-ceiling windows and a spiral stairway to the guest room, E-1027 was both open and compact...
in Roquebrune-Cap-Martin
Roquebrune-Cap-Martin
Roquebrune-Cap-Martin is a commune in the Alpes-Maritimes department in southeastern France between Monaco and Menton. The name was changed from Roquebrune to differentiate the town from Roquebrune-sur-Argens in the neighboring Var Department.-History:In pre-Roman times the area was settled by the...
in southern France (near Monaco
Monaco
Monaco , officially the Principality of Monaco , is a sovereign city state on the French Riviera. It is bordered on three sides by its neighbour, France, and its centre is about from Italy. Its area is with a population of 35,986 as of 2011 and is the most densely populated country in the...
). The codename stands for the names of the couple: E for Eileen, 10 for Jean (J is the tenth letter of the alphabet), 2 for Badovici and 7 for Gray. Rectilinear and flat-roof
Roof
A roof is the covering on the uppermost part of a building. A roof protects the building and its contents from the effects of weather. Structures that require roofs range from a letter box to a cathedral or stadium, dwellings being the most numerous....
ed with floor-to-ceiling and ribbon windows and a spiral stairway descending to a guest room, E-1027 was both compact and open. Gray designed the furniture as well as collaborating with Badovici on its structure. Her circular glass E-1027 table and rotund Bibendum armchair were inspired by the recent tubular steel experiments of Marcel Breuer
Marcel Breuer
Marcel Lajos Breuer , was a Hungarian-born modernist, architect and furniture designer of Jewish descent. One of the masters of Modernism, Breuer displayed interest in modular construction and simple forms.- Life and work :Known to his friends and associates as Lajkó, Breuer studied and taught at...
at the Bauhaus
Bauhaus
', commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term stood for "School of Building".The Bauhaus school was founded by...
(who had been inspired, in turn, by Mart Stam
Mart Stam
Mart Stam was a Dutch architect, urban planner, and furniture designer. Stam was extraordinarily well-connected, and his career intersects with important moments in the history of 20th century European architecture, including chair design at the Bauhaus, the Weissenhof Estate, the "Van Nelle...
). Le Corbusier
Le Corbusier
Charles-Édouard Jeanneret, better known as Le Corbusier , was a Swiss-born French architect, designer, urbanist, writer and painter, famous for being one of the pioneers of what now is called modern architecture. He was born in Switzerland and became a French citizen in 1930...
was quite impressed by the house, and built a summer house nearby. Le Corbusier left his mark on the building in the form of several colourful wall murals. Gray vehemently disapproved of the murals, created at Badovici's behest, as they destroyed the integrity of the wall planes. When Le Corbusier died in 1965 he was swimming in the sea directly in front of E-1027.
The house has been in poor repair for years, but plans for its renovation are being prepared by the French government, who have designated it a French National Cultural Monument. As a result the state of France and the city of Roquebrune Cap Martin - through the national agency "Conservatoire du Littoral"). - bought the villa in 1999 and made it secure provisionally. Visiting E.1027 in the early month of 2008 it seems the devastated condition will be history in the near future. The building is surrounded by a scaffold, the property is gated with a fence recently installed and building worker are busy in- and outside the building. A signboard informs that E.1027 will be restored: the restoration is an initiative of the state of France, the department „Alpes Maritimes“ and the city of Roquebrune (bearing 50% / 10% / 40% of the expenses).
Late 1920s and early 1930s: The 'Tempe à Pailla' House
In the late 1920s and early 1930s, Gray designed and furnished herself a new home, 'Tempe à Pailla' (43.8022883°N 7.4848115°W), outside MentonMenton
Menton is a commune in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur region in southeastern France.Situated on the French Riviera, along the Franco-Italian border, it is nicknamed la perle de la France ....
. This is another icon of Modernist architecture, a space designed for her to dwell and work, a living/working machine as she wanted it, a space which could be constantly changed with multi-purpose furniture.
Eileen loved a challenge; it is believed that was why she chose such a difficult site. She built on existing structures which anchored the house, based her house on ship structures, using forms that were long and narrow, many decks for views and levels for storage. Eileen was very social, she took advantage of the entertaining space for her guests and incorporated views of the city and the sea with balconies and large windows. However, she was also in a way private and enjoyed her space: this can be viewed on the plans of 'Tempe a Pailla' on her choice of where she positioned her rooms, as the bedrooms, service rooms and courtyard were tucked away at the back, revealing a tranquil view of the distant mountains. It was almost like the house can be split in half, one side public and the other private. Eileen treated the outside space the same way as she treated the inside space; she did this by having the same tiles, the same material inside and out. She liked to take advantage of the sunlight, in fact she designed each room with regard to where she would receive the most sunlight or the least, and she even incorporated a way in which she could control the light in certain rooms: in the bedroom a medium-sized circle could be moved according to the amount of light she wanted to enter the room, almost like an eclipse, as if she had her own sun to play with.
Personal life
Gray was bisexual. She mixed in the lesbian circles of the time, being associated with Romaine BrooksRomaine Brooks
Romaine Brooks, born Beatrice Romaine Goddard , was an American painter who worked mostly in Paris and Capri. She specialized in portraiture and used a subdued palette dominated by the color gray...
, Gabrielle Bloch, Loie Fuller
Loie Fuller
Loie Fuller Loie Fuller Loie Fuller (also Loïe Fuller; (January 15, 1862 – January 1, 1928) was a pioneer of both modern dance and theatrical lighting techniques.-Career:...
, the singer Damia
Marie-Louise Damien
Marie-Louise Damien was a French singer and actress better known by the stage name Damia.-Robert Hollard:...
and Natalie Barney. Gray's intermittent relationship with Damia (or Marie-Louise Damien) ended in 1938, after which they never saw each other again, although both lived into their nineties in the same city. Gray also had for some time an intermittent relationship with Jean Badovici, the Romanian architect and writer. He had written about her design work in 1924 and encouraged her interest in architecture. Their romantic involvement ended in 1932.