Erasmo of Narni
Overview
Gattamelata (Donatello)
The Equestrian Statue of Gattamelata is sculpture by Italian early Renaissance artist Donatello, dating from 1453, located in the Piazza del Santo in Padua, Italy, today...
Erasmo of Narni (1370 – January 16, 1443), better known as "Gattamelata" (The nickname means "The Honeyed Cat"), was among the most famous of the condottieri
Condottieri
thumb|Depiction of [[Farinata degli Uberti]] by [[Andrea del Castagno]], showing a 15th century condottiero's typical attire.Condottieri were the mercenary soldier leaders of the professional, military free companies contracted by the Italian city-states and the Papacy, from the late Middle Ages...
or mercenaries
Mercenary
A mercenary, is a person who takes part in an armed conflict based on the promise of material compensation rather than having a direct interest in, or a legal obligation to, the conflict itself. A non-conscript professional member of a regular army is not considered to be a mercenary although he...
in the Italian Renaissance
Italian Renaissance
The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 13th century to about 1600, marking the transition between Medieval and Early Modern Europe...
. He was born in Narni
Narni
Narni is an ancient hilltown and comune of Umbria, in central Italy, with 20,100 inhabitants, according to the 2003 census. At an altitude of 240 m , it overhangs a narrow gorge of the Nera River in the province of Terni. It is very close to the Geographic center of Italy...
, and served a number of Italian city-states: he began with Braccio da Montone
Braccio da Montone
frame|Braccio da Montone.Braccio da Montone , born Andrea Fortebracci, and also known as Braccio Fortebraccio, was an Italian condottiero.-Biography:...
, served Pope and Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
equally, and served Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
in 1434 in the battles with the Visconti
House of Visconti
Visconti is the family name of two important Italian noble dynasties of the Middle Ages. There are two distinct Visconti families: The first one in the Republic of Pisa in the mid twelfth century who achieved prominence first in Pisa, then in Sardinia where they became rulers of Gallura...
of Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
.
He was the subject of Donatello
Donatello
Donato di Niccolò di Betto Bardi , also known as Donatello, was an early Renaissance Italian artist and sculptor from Florence...
's equestrian bronze sculpture in the main square of Padua
Padua
Padua is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 212,500 . The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having...
, the same city over which he became dictator
Dictator
A dictator is a ruler who assumes sole and absolute power but without hereditary ascension such as an absolute monarch. When other states call the head of state of a particular state a dictator, that state is called a dictatorship...
in 1437.
In Narni, the farmhouse in which Gattamelata was born bears a plaque reading "Narnia me genuit Gattamelata fui — (I was born in Narni, I was Gattamelata)."
- Joachim Poeschke, Reiterbilder und Wertesymbolik in der Frührenaissance – Zum Gattamelata-Monument Donatellos, in: Joachim Poeschke, Thomas Weigel, Britta Kusch-Arnhold (Hgg.), Praemium Virtutis III – Reiterstandbilder von der Antike bis zum Klassizismus.
Unanswered Questions
