Ernest Hogan
Encyclopedia
Ernest Hogan was the first African American
African American
African Americans are citizens or residents of the United States who have at least partial ancestry from any of the native populations of Sub-Saharan Africa and are the direct descendants of enslaved Africans within the boundaries of the present United States...

 entertainer to produce and star in a Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...

 show (The Oyster Man in 1907) and helped create the musical genre of ragtime
Ragtime
Ragtime is an original musical genre which enjoyed its peak popularity between 1897 and 1918. Its main characteristic trait is its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of American cities such as St. Louis and New Orleans years before being published...

.

A native of Bowling Green, Kentucky
Bowling Green, Kentucky
Bowling Green is the third-most populous city in the state of Kentucky after Louisville and Lexington, with a population of 58,067 as of the 2010 Census. It is the county seat of Warren County and the principal city of the Bowling Green, Kentucky Metropolitan Statistical Area with an estimated 2009...

, as a teenager Hogan worked in traveling minstrel show
Minstrel show
The minstrel show, or minstrelsy, was an American entertainment consisting of comic skits, variety acts, dancing, and music, performed by white people in blackface or, especially after the Civil War, black people in blackface....

s as a dancer, musician, and comedian. In 1895 Hogan published several popular songs in a new musical genre, which he named ragtime. These hit songs included "La Pas Ma La" and "All Coons Look Alike to Me". The success of this last song created many derogatory imitations, known as "coon songs" because of their use of racist and stereotypical
Stereotype
A stereotype is a popular belief about specific social groups or types of individuals. The concepts of "stereotype" and "prejudice" are often confused with many other different meanings...

 images of blacks.

While Hogan was considered one of the most talented performers and comedians of his day, his contribution to the racist "coon song" craze haunted him. Before his death, he stated that he "regretted" using the racial slur in his song.

Early years

Born Ernest Reuben Crowders in the Shake Rag District of Bowling Green, Kentucky, in 1865. As a teenager, he traveled with a minstrel troupe called the Georgia Graduate, where he performed as a dancer, musician, and comedian. During this time he changed his name to Hogan because "Irish performers were in vogue." Hogan likely performed in blackface
Blackface
Blackface is a form of theatrical makeup used in minstrel shows, and later vaudeville, in which performers create a stereotyped caricature of a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky...

 during this time, as he sometimes did later in his career.

Creation of ragtime genre

It was also during this time that Hogan created a comedy dance called the "pasmala", which consisted of a walk forward with three steps back. In 1895, he wrote and published a song based on this dance called "La Pas Ma La". The song's chorus was:
Hand upon yo' head, let your mind roll back,
Back, back back and look at the stars
Stand up rightly, dance it brightly
That's the Pas Ma La.


Hogan followed this song with the massive hit "All Coons Look Alike to Me". Hogan was evidently not the originator of the song's lyrics, having appropriated them after hearing a pianist in a Chicago salon playing a song titled "All Pimps Look Alike to Me". Hogan merely changed the words slightly, substituting the word "coon" for "pimp" and added a cakewalk
Cakewalk
The Cakewalk dance was developed from a "Prize Walk" done in the days of slavery, generally at get-togethers on plantations in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around"...

 syncopation to the music, which he had heard being played in back rooms and cafes. The song eventually sold over a million copies.

Hogan's use of the racial slur "coon" in the song infuriated many African Americans. Some Black performers made a point of removing the word "coon" from the song whenever they sang it. In addition, the success of this song created many imitations, which became known as "coon song
Coon song
Coon songs were a genre of music popular in the United States and around the English-speaking world from 1880 to 1920, that presented a racist and stereotyped image of blacks.-Rise and fall from popularity:...

s" because of their use of extremely racist and stereotypical
Stereotype
A stereotype is a popular belief about specific social groups or types of individuals. The concepts of "stereotype" and "prejudice" are often confused with many other different meanings...

 images of blacks. In Hogan's later years he evidently felt shame and a sense of "race betrayal" for the song.

The controversy over the song has, to some degree, caused Hogan to be overlooked as one of the originators of ragtime
Ragtime
Ragtime is an original musical genre which enjoyed its peak popularity between 1897 and 1918. Its main characteristic trait is its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of American cities such as St. Louis and New Orleans years before being published...

, which has been called the first truly American musical genre. Hogan's songs were among the first published ragtime songs and the first to use the term "rag" in their sheet music copy. While Hogan made no claims to having exclusively created ragtime, fellow Black musician Tom Fletcher said Hogan was the "first to put on paper the kind of rhythm that was being played by non-reading musicians." When the ragtime championship was held as part of the 1900 World Competition in New York, semifinalists played Hogan's "All Coons Look Alike to Me" to prove their skill.

As Hogan said shortly before he died,

See also

  • Ragtime
    Ragtime
    Ragtime is an original musical genre which enjoyed its peak popularity between 1897 and 1918. Its main characteristic trait is its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of American cities such as St. Louis and New Orleans years before being published...

  • Coon song
    Coon song
    Coon songs were a genre of music popular in the United States and around the English-speaking world from 1880 to 1920, that presented a racist and stereotyped image of blacks.-Rise and fall from popularity:...

  • African American music
    African American music
    African-American music is an umbrella term given to a range of musics and musical genres emerging from or influenced by the culture of African Americans, who have long constituted a large and significant ethnic minority of the population of the United States...

  • African American musical theater
    African American Musical Theater
    -Early History:Before the late 1890s, the image portrayed of African-Americans on Broadway was a "secondhand vision of black life created by European-American performers." Stereotyped "coon songs" were popular, and blackface was common....


External links

  • http://beinecke.library.yale.edu/LetItResound/art_rmt_hogan_e.htmlErnest Hogan at Yale University
    Yale University
    Yale University is a private, Ivy League university located in New Haven, Connecticut, United States. Founded in 1701 in the Colony of Connecticut, the university is the third-oldest institution of higher education in the United States...

    's Beinecke Rare Book and Manuscript Library
    Beinecke Rare Book and Manuscript Library
    Yale University's Beinecke Rare Book and Manuscript Library was a 1963 gift of the Beinecke family. The building was designed by architect Gordon Bunshaft of the firm of Skidmore, Owings, and Merrill, and is the largest building in the world reserved exclusively for the preservation of rare books...

    ]
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