Erwin Panofsky
Encyclopedia
Erwin Panofsky was a German art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work remains highly influential in the modern academic study of iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...

. Many of his works remain in print, including Studies in Iconology: Humanist Themes in the Art of the Renaissance (1939), and his eponymous 1943 study of Albrecht Dürer
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...

.

His work has greatly influenced the theory of taste developed by French sociologist Pierre Bourdieu
Pierre Bourdieu
Pierre Bourdieu was a French sociologist, anthropologist, and philosopher.Starting from the role of economic capital for social positioning, Bourdieu pioneered investigative frameworks and terminologies such as cultural, social, and symbolic capital, and the concepts of habitus, field or location,...

, in books such as The Rules of Art or Distinction. In particular, Bourdieu first adapted his notion of habitus from Panofsky's Gothic Architecture and Scholasticism.

Biography

Erwin Panofsky was born in Hanover
Hanover
Hanover or Hannover, on the river Leine, is the capital of the federal state of Lower Saxony , Germany and was once by personal union the family seat of the Hanoverian Kings of Great Britain, under their title as the dukes of Brunswick-Lüneburg...

, Germany. He studied at the universities of Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...

, Munich
Munich
Munich The city's motto is "" . Before 2006, it was "Weltstadt mit Herz" . Its native name, , is derived from the Old High German Munichen, meaning "by the monks' place". The city's name derives from the monks of the Benedictine order who founded the city; hence the monk depicted on the city's coat...

, and Freiburg
Freiburg
Freiburg im Breisgau is a city in Baden-Württemberg, Germany. In the extreme south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain...

, receiving his Ph.D. in 1914 from the University of Freiburg
University of Freiburg
The University of Freiburg , sometimes referred to in English as the Albert Ludwig University of Freiburg, is a public research university located in Freiburg im Breisgau, Baden-Württemberg, Germany.The university was founded in 1457 by the Habsburg dynasty as the...

. His academic career in art history
Art history
Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style...

 took him to the universities of Berlin, Munich, and finally to Hamburg
University of Hamburg
The University of Hamburg is a university in Hamburg, Germany. It was founded on 28 March 1919 by Wilhelm Stern and others. It grew out of the previous Allgemeines Vorlesungswesen and the Kolonialinstitut as well as the Akademisches Gymnasium. There are around 38,000 students as of the start of...

, where he taught from 1920 to 1933. It was during this period when his first major writings on art history began to appear. A significant early work was Idea: Ein Beitrag zur Begriffsgeschichte der älteren Kunstheorie (1924; translated into English as Idea: A Concept in Art Theory).

Panofsky first came to the United States in 1931 to teach at New York University
New York University
New York University is a private, nonsectarian research university based in New York City. NYU's main campus is situated in the Greenwich Village section of Manhattan...

. Although initially allowed to spend alternate terms in Hamburg and New York, after the Nazis came to power in Germany his appointment in Hamburg was terminated, and he remained permanently in the United States with his wife, Dorothea (Dora) Mosse. By 1934 he was teaching concurrently at New York University
New York University
New York University is a private, nonsectarian research university based in New York City. NYU's main campus is situated in the Greenwich Village section of Manhattan...

 and Princeton University
Princeton University
Princeton University is a private research university located in Princeton, New Jersey, United States. The school is one of the eight universities of the Ivy League, and is one of the nine Colonial Colleges founded before the American Revolution....

. In 1935, he was invited to join the faculty of the newly formed Institute for Advanced Study
Institute for Advanced Study
The Institute for Advanced Study, located in Princeton, New Jersey, United States, is an independent postgraduate center for theoretical research and intellectual inquiry. It was founded in 1930 by Abraham Flexner...

 in Princeton.

Panofsky was a member of the American Academy of Arts and Sciences
American Academy of Arts and Sciences
The American Academy of Arts and Sciences is an independent policy research center that conducts multidisciplinary studies of complex and emerging problems. The Academy’s elected members are leaders in the academic disciplines, the arts, business, and public affairs.James Bowdoin, John Adams, and...

, the British Academy
British Academy
The British Academy is the United Kingdom's national body for the humanities and the social sciences. Its purpose is to inspire, recognise and support excellence in the humanities and social sciences, throughout the UK and internationally, and to champion their role and value.It receives an annual...

 and a number of other national academies. In 1962 he received the Haskins Medal
Haskins Medal
The Haskins Medal is an annual medal awarded by the Medieval Academy of America. It is awarded for the production of a distinguished book in the field of medieval studies.-Award:...

 of The Medieval Academy of America
Medieval Academy of America
The Medieval Academy of America is the largest organization in the United States promoting excellence in the field of medieval studies. It was founded in 1925 and is based in Cambridge, Massachusetts...

. In 1947-1948 Panofsky was the Charles Eliot Norton professor
Charles Eliot Norton Lectures
The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting,...

 at Harvard University
Harvard University
Harvard University is a private Ivy League university located in Cambridge, Massachusetts, United States, established in 1636 by the Massachusetts legislature. Harvard is the oldest institution of higher learning in the United States and the first corporation chartered in the country...

.

Panofsky became particularly well-known for his studies of symbols and iconography within works of art. First in a 1934 article, then in his Early Netherlandish Painting, Panofsky is the first to interpret Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....

's Arnolfini Portrait
Arnolfini portrait
The Arnolfini Portrait is an oil painting on oak panel dated 1434 by the Early Netherlandish painter Jan van Eyck. It is also known as The Arnolfini Wedding, The Arnolfini Marriage, The Arnolfini Double Portrait or the Portrait of Giovanni Arnolfini and his Wife, among other titles...

 (London, National Gallery) as not only a depiction of a wedding ceremony, but also a visual contract testifying to the act of marriage. Panofsky identifies a plethora of hidden symbols that all point to the sacrament of marriage. In recent years, this conclusion has been challenged. And yet, Panofsky's work with what he called "hidden" or "disguised" symbolism are still very much influential in the study and understanding of Northern Renaissance Art.

Panofsky was known to be friends with Wolfgang Pauli
Wolfgang Pauli
Wolfgang Ernst Pauli was an Austrian theoretical physicist and one of the pioneers of quantum physics. In 1945, after being nominated by Albert Einstein, he received the Nobel Prize in Physics for his "decisive contribution through his discovery of a new law of Nature, the exclusion principle or...

, one of the main contributors to quantum physics and atomic theory, as well as Albert Einstein
Albert Einstein
Albert Einstein was a German-born theoretical physicist who developed the theory of general relativity, effecting a revolution in physics. For this achievement, Einstein is often regarded as the father of modern physics and one of the most prolific intellects in human history...

. His son, Wolfgang K. H. Panofsky
Wolfgang K. H. Panofsky
Wolfgang Kurt Hermann "Pief" Panofsky , was a German-American physicist.-Early life:Panofsky was born the son of renowned art historian Erwin Panofsky in Berlin, Germany. He received his bachelor's degree from Princeton University in 1938 and obtained his PhD from Caltech in 1942. Around this time...

, became a renowned physicist who specialized in particle accelerators. His other son was a meteorologist. As Wolfgang Panofsky related, their father used to call his sons "meine beiden Klempner" (German: "my two plumbers"), which revealed the usual attitude of the German elite educated in the humanities, who looked down upon those trained in the sciences.

Three Strata of Subject Matter or Meaning

In Studies in Iconology Panofsky details his idea of three levels of art-historical understanding :
  • Primary or Natural Subject Matter: The most basic level of understanding, this stratum consists of perception of the work’s pure form. Take, for example, a painting of The Last Supper. If we stopped at this first stratum, such a picture could only be perceived as a painting of 13 men seated at a table. This first level is the most basic understanding of a work, devoid of any added cultural knowledge.

  • Secondary or Conventional subject matter (Iconography): This stratum goes a step further and brings to the equation cultural and iconographic knowledge. For example, a Western viewer would understand that the painting of 13 men around a table would represent The Last Supper. Similarly, a representation of a haloed man with a lion could be interpreted as a depiction of St. Mark.

  • Tertiary or Intrinsic Meaning or Content (Iconology): This level takes into account personal, technical, and cultural history into the understanding of a work. It looks at art not as an isolated incident, but as the product of a historical environment. Working in this stratum, the art historian can ask questions like “why did the artist choose to represent The Last Supper in this way?” or “Why was St. Mark such an important saint to the patron of this work?” Essentially, this last stratum is a synthesis; it is the art historian asking "what does it all mean?"


For Panofsky, it was important to consider all three strata as one examines Renaissance art. Irving Lavin says, "it was this insistence on, and search for, meaning—especially in places where no one suspected there was any—that led Panofsky to understand art, as no previous historian had, as an intellectual endeavor on a par with the traditional liberal arts.

Works

  • Idea: A Concept in Art Theory (1924)
  • Perspective as Symbolic Form (1927)
  • Studies in Iconology (1939)
  • The Life and Art of Albrecht Dürer (1943)
  • Gothic Architecture and Scholasticism (1951)
  • Early Netherlandish Painting (1953)
  • Meaning in the Visual Arts (1955)
  • Pandora's Box: the Changing Aspects of a Mythical Symbol (1956) (with Dora Panofsky)
  • Renaissance and Renascences in Western Art (1960)
  • Tomb Sculpture (1964)
  • Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art (1964) (with Raymond Klibansky and Fritz Saxl)
  • Problems in Titian, mostly iconographic (1969)
  • Three Essays on Style (1995) (Ed. Irving Lavin)

External links

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