Extreme carving
Encyclopedia
Extreme Carving or Extremecarving is a coined term describing a particular form of carving on a snowboard
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Features of extreme carving that distinguish it from other kinds of snowboard carving include:
Snowboard
Snowboards are boards, usually with a width the length of one's foot, with the ability to glide on snow. Snowboards are differentiated from monoskis by the stance of the user...
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Features of extreme carving that distinguish it from other kinds of snowboard carving include:
- The use of wider boards to accommodate extreme edge angles (the angle between board base and snow surface) produced deep in turns. Heel and toe overhang prevent narrower boards from reaching angles close to 90 degrees that are experienced in extreme carving.
- High degree of extension to the whole of the body during the middle of the carved turn, when the snowboard is facing down the fall lineFall line (skiing)In alpine skiing, a fall line refers to the line down a mountain or hill which is most directly downhill. That is, the direction a ball would roll if it were free to move on the slope under gravity...
of the slope. - Proactive compression of the body during edge transitions. This maneuver is also known as a cross-through or push-pull turn. During any carved turn on a sufficiently steep slope, the perceived g-forceG-forceThe g-force associated with an object is its acceleration relative to free-fall. This acceleration experienced by an object is due to the vector sum of non-gravitational forces acting on an object free to move. The accelerations that are not produced by gravity are termed proper accelerations, and...
will build up at the end of the carve, resulting in a natural compression of the body. The proactive compression in extremecarving is different from this natural compression in that it is done by pulling the legs up in anticipation of the additional force, instead of allowing the legs to get pushed up as a reaction to the additional force. - Large, progressive rotation of the torso in the turning direction, such that the rider's shoulders and chest is perpendicular to the toe edge during toe-side turns, and facing towards the nose of the board during heel-side turns. This is in contrast with contemporary carving methodology that indicates that one's torso should stay at an angle midway between the angles of the two bindings, and also with the old school technique where the torso faces the nose of the board at all times.