Fernando de Herrera
Encyclopedia
Fernando de Herrera called "El Divino", was a 16th-century Spanish poet
and man of letters. He was born in Seville
. Much of what is known about him comes from Libro de descripción de verdaderos retratos de illustres y memorables varones (Book of the Description of the True Portraits of Illustrious and Memorable Men) (1599) by Francisco Pacheco
.
and Juan Gutiérrez Rufo, mocked him for his unorthodox ways.
Although well-learned and knowledgeable — Herrera was a great admirer of Italian poetry
, the classics, and the Bible (all of which influenced his work) — he was never known to have held any academic degree. He admired one Spanish poet in particular, Garcilaso de la Vega
, whose style influenced his own poetry. Herrera did not just have an antiquarian interest in knowledge, however; he was interested in current events, especially those related to the military. Evidence of this is seen in his patriotic canciones (songs) in which he expresses feelings toward contemporary military leaders and actions.
To accommodate his need for refuge, Herrera took minor orders
in the Catholic Church and received a benefice
in San Andrés
, a parish of Seville. However, though Herrera displayed a love for solitude, he was no hermit. Around 1559, he struck up a friendship with Don Álvaro Colón y Portugal, Count of Gelves, and his wife, Doña Leonor de Milán de Córdoba y Aragón. Herrera was frequently invited by the count to attend his tertulia
(literary salon), a meeting of an elite literary circle where he would form many friendships with local poets, men of letters, painters, and artists. It was his relationship with Doña Leonor that provided Herrera with his muse. Herrera's love for Doña Leonor inspired his love poems. However, they were never enough to provoke the same feelings in her.
After the death of Leonor in 1581, Herrera lost his desire to write further love poetry. In addition, the death of the count in 1582 ended his attendance at the disbanded literary tertulia at the palace. Henceforth, Herrera devoted himself to two major projects: a history of the world up to the death of Charles V
and a biography of Thomas More
. The writer continued to work up to his death in 1597 at the age of 63.
The works of Herrera cover a wide range of subjects, representing his large span of knowledge and interests. Herrera's military poetry (his canciones, or songs), for example, are accounts of contemporary military leaders and events in which Herrera demonstrates his patriotism, loyalty to the Christian faith, and respect for great leaders. Three poems concerning this theme include Canción por la Victoria del Señor don Juan (Ode to the Victory of Don Juan), written in 1572, where patriotism is displayed in praising the work done by the Spanish navy at the Battle of Lepanto
in 1571; Canción al señor don Juan de Austria vencedor de los moriscos en las Alpujarras (Ode to Don Juan de Austria, Conqueror of the Moors in the Alpujarras), written in 1571, where Herrera celebrates a leader who stopped a Muslim revolt between 1568 and 1571; and Canción por la pérdida del Rei don Sebastián (Ode to the Defeat of King Sebastian), written in 1579, where the poet commemorates the death of a Portuguese king.
Herrera's love poetry inspired by his muse, the Countess of Gelves, can be divided into two periods. The first, "Rimas Juventiles" (Youthful Rhymes), is defined by Herrera's description of love as a blissful state, in which there is neither pain nor suffering; in this state, even the impossible can happen. In the second period, love escapes reality and lives in a world of fantasy and perfection. To this period belongs the "Poesías" (Poems), a body of poetry, published in successive editions.
A third major area of Herrera’s work, and one for which he is best known, is related to Garcilaso de la Vega, the Spanish poet and author whom Herrera held in the highest esteem. One of Herrera's most famous works, Obras de Garci Lasso con anotaciones de Fernando de Herrera al ilustrissimo i ecelentissimo Señor don Antonio de Guzman, Marques de Ayamonte, Governador del Estado de Milan, i Capitan General de Italia (Works of Gracilaso de la Vega with Comments by Fernando de Herrera to the Most Illustrious and Excellent Don Antonio de Guzman, Marques of Ayamonte, Governor of the State of Milan, and Captain General of Italy), written in 1580, displays not only Herrera's admiration for Garcilaso's poetry but also his mastery of the intricate details of said poet's rhythm, choice and order of words, coherency, meter, and the effects they have on the poem as a whole. It is this knowledge which drove Herrera to devote such meticulous attention to his own work.
Spanish poetry
Spanish poetry is the poetic tradition of Spain. It may include elements of Spanish literature, and literatures written in languages of Spain other than Castilian, such as Catalan literature....
and man of letters. He was born in Seville
Seville
Seville is the artistic, historic, cultural, and financial capital of southern Spain. It is the capital of the autonomous community of Andalusia and of the province of Seville. It is situated on the plain of the River Guadalquivir, with an average elevation of above sea level...
. Much of what is known about him comes from Libro de descripción de verdaderos retratos de illustres y memorables varones (Book of the Description of the True Portraits of Illustrious and Memorable Men) (1599) by Francisco Pacheco
Francisco Pacheco
Francisco Pacheco was a Spanish painter, best known as the teacher of Diego Velázquez and Alonso Cano, and for his textbook on painting that is an important source for the study of 17th-century practice in Spain...
.
Biography
Although Herrera's family was only moderately wealthy, they were highly esteemed in Seville. During Herrera's lifetime, Seville was a bustling port city from which many transatlantic voyages would embark, and trading took place with countries all over the world. This active atmosphere, however, was somewhat contradictory to Herrera's character. He therefore sought solace from the busy city life through his poetry. However, whereas spending much of his time in seclusion allowed him to concentrate on his work and artistic interests, it also brought him much criticism from others. The academic community, especially Rodrigo CaroRodrigo Caro
Rodrigo Caro was a Spanish historian, archeologist, lawyer, poet and writer....
and Juan Gutiérrez Rufo, mocked him for his unorthodox ways.
Although well-learned and knowledgeable — Herrera was a great admirer of Italian poetry
Italian poetry
-Important Italian poets:* Giacomo da Lentini a 13th Century poet who is believed to have invented the sonnet.* Guido Cavalcanti Tuscan poet, and a key figure in the Dolce Stil Novo movement....
, the classics, and the Bible (all of which influenced his work) — he was never known to have held any academic degree. He admired one Spanish poet in particular, Garcilaso de la Vega
Garcilaso de la Vega
Garcilaso de la Vega was a Spanish soldier and poet. He was the most influential poet to introduce Italian Renaissance verse forms, poetic techniques and themes to Spain.-Biography:...
, whose style influenced his own poetry. Herrera did not just have an antiquarian interest in knowledge, however; he was interested in current events, especially those related to the military. Evidence of this is seen in his patriotic canciones (songs) in which he expresses feelings toward contemporary military leaders and actions.
To accommodate his need for refuge, Herrera took minor orders
Minor orders
The minor orders are the lowest ranks in the Christian clergy. The most recognized minor orders are porter, lector, exorcist, and acolyte. In the Latin rite Catholic Church, the minor orders were in most cases replaced by "instituted" ministries of lector and acolyte, though communities that use...
in the Catholic Church and received a benefice
Benefice
A benefice is a reward received in exchange for services rendered and as a retainer for future services. The term is now almost obsolete.-Church of England:...
in San Andrés
San Andrés
San Andrés is the Spanish name of Saint Andrew. San Andrés may refer to:*Argentina**San Andrés, city located in General San Martín Partido, northern zone of Greater Buenos Aires.**San Andrés de Giles, Buenos Aires Province*Bolivia...
, a parish of Seville. However, though Herrera displayed a love for solitude, he was no hermit. Around 1559, he struck up a friendship with Don Álvaro Colón y Portugal, Count of Gelves, and his wife, Doña Leonor de Milán de Córdoba y Aragón. Herrera was frequently invited by the count to attend his tertulia
Tertulia
A tertulia is a social gathering with literary or artistic overtones, especially in Iberia or Latin America. The word is originally Spanish, and has only moderate currency in English, in describing Latin cultural contexts....
(literary salon), a meeting of an elite literary circle where he would form many friendships with local poets, men of letters, painters, and artists. It was his relationship with Doña Leonor that provided Herrera with his muse. Herrera's love for Doña Leonor inspired his love poems. However, they were never enough to provoke the same feelings in her.
After the death of Leonor in 1581, Herrera lost his desire to write further love poetry. In addition, the death of the count in 1582 ended his attendance at the disbanded literary tertulia at the palace. Henceforth, Herrera devoted himself to two major projects: a history of the world up to the death of Charles V
Charles V, Holy Roman Emperor
Charles V was ruler of the Holy Roman Empire from 1519 and, as Charles I, of the Spanish Empire from 1516 until his voluntary retirement and abdication in favor of his younger brother Ferdinand I and his son Philip II in 1556.As...
and a biography of Thomas More
Thomas More
Sir Thomas More , also known by Catholics as Saint Thomas More, was an English lawyer, social philosopher, author, statesman and noted Renaissance humanist. He was an important councillor to Henry VIII of England and, for three years toward the end of his life, Lord Chancellor...
. The writer continued to work up to his death in 1597 at the age of 63.
Poetry
Herrera's meticulous study and eventual mastery of poetic discourse earned him the name "el Divino" ("the divine one"), a name given him by Miguel Cervantes, author of Don Quixote. In addition, his knowledge of poetic topics helped him to become one of the leaders of the school of poets to which Herrera belonged in Seville.The works of Herrera cover a wide range of subjects, representing his large span of knowledge and interests. Herrera's military poetry (his canciones, or songs), for example, are accounts of contemporary military leaders and events in which Herrera demonstrates his patriotism, loyalty to the Christian faith, and respect for great leaders. Three poems concerning this theme include Canción por la Victoria del Señor don Juan (Ode to the Victory of Don Juan), written in 1572, where patriotism is displayed in praising the work done by the Spanish navy at the Battle of Lepanto
Battle of Lepanto (1571)
The Battle of Lepanto took place on 7 October 1571 when a fleet of the Holy League, a coalition of Catholic maritime states, decisively defeated the main fleet of the Ottoman Empire in five hours of fighting on the northern edge of the Gulf of Patras, off western Greece...
in 1571; Canción al señor don Juan de Austria vencedor de los moriscos en las Alpujarras (Ode to Don Juan de Austria, Conqueror of the Moors in the Alpujarras), written in 1571, where Herrera celebrates a leader who stopped a Muslim revolt between 1568 and 1571; and Canción por la pérdida del Rei don Sebastián (Ode to the Defeat of King Sebastian), written in 1579, where the poet commemorates the death of a Portuguese king.
Herrera's love poetry inspired by his muse, the Countess of Gelves, can be divided into two periods. The first, "Rimas Juventiles" (Youthful Rhymes), is defined by Herrera's description of love as a blissful state, in which there is neither pain nor suffering; in this state, even the impossible can happen. In the second period, love escapes reality and lives in a world of fantasy and perfection. To this period belongs the "Poesías" (Poems), a body of poetry, published in successive editions.
A third major area of Herrera’s work, and one for which he is best known, is related to Garcilaso de la Vega, the Spanish poet and author whom Herrera held in the highest esteem. One of Herrera's most famous works, Obras de Garci Lasso con anotaciones de Fernando de Herrera al ilustrissimo i ecelentissimo Señor don Antonio de Guzman, Marques de Ayamonte, Governador del Estado de Milan, i Capitan General de Italia (Works of Gracilaso de la Vega with Comments by Fernando de Herrera to the Most Illustrious and Excellent Don Antonio de Guzman, Marques of Ayamonte, Governor of the State of Milan, and Captain General of Italy), written in 1580, displays not only Herrera's admiration for Garcilaso's poetry but also his mastery of the intricate details of said poet's rhythm, choice and order of words, coherency, meter, and the effects they have on the poem as a whole. It is this knowledge which drove Herrera to devote such meticulous attention to his own work.
Other works
Other examples of Herrera's work include the translation of Latin and Italian works into Castilian, a biography of Thomas More, and a history of the world. Some of his most well-known works are:- Relacion de la guerra de Chipre y sucesso de la batalla Naual de Lepanto Escrito por Fernando de Herrera, dirigido al ilustrissimo y excelentissimo dõ Alõso Perez de Guzman el Bueno, Duque de Medina Sidonia y Conde de Niebla. Seville: Alonso Picardo, written in 1572, which includes Cancion en Alabanza de la Diuina Magestad por la vitoria del Señor don Juan.
- Algunas obras de Fernando de Herrera al illustriss. S.D. Fernando Enriquez de Ribera Marques de Tarifa. Seville: Printed by Andrea Pescioni, 1582.
- Tomás Moro de Fernando de Herrera al ilustrissimo Señor don Rodrigo de Castro Cardenal y Arzobispo de Sevilla. Seville: Alonso de la Barrera, 1592.
- Versos de Fernando de Herrera Emendados y divididos por el en tres libros: A don Gaspar de Guzmán, Conde de Olivares, Gentilhombre de la Cámara del Príncipe nuestro Señor, Alcaide de los Alcazares Reales de Sevilla y Comendador de Bivoras en la Orden de Calatrava. Seville: Gabriel Ramos Vejarano, 1619.
- Rimas de Fernando de Herrera, 2 volumes. Madrid: Imprenta Real, 1786.
- Poesías, edited by García de Diego. Madrid: "La Lectura," 1914.
- Obras de Garci Lasso de la Vega con anotaciones de Fernando de Herrera al ilutrissimo i ecelentissimo Señor don Antonio de Guzman, Marques de Ayamonte, Governador del Estado de Milan, i Capitan General de Italia. Seville: Alonso de la Barrera, 1580.
Further reading
- "Fernando de Herrera," in Dictionary of Literary Biography, Volume 318: Sixteenth-Century Spanish Writers. A Bruccoli Clark Layman Book. Edited by Gregory B. Kaplan, University of Tennessee. Gale, 2005, pp. 113-119.
- "Herrera, Fernando de," in Merriam Webster’s Encyclopedia of Literature, Edition 1, 1995.
- Sweet Briar College webpage: Herrera