Florentine School
Encyclopedia
The Florentine School refers to artists in, from or influenced by the naturalistic
style developed in the 14th century, largely through the efforts of Giotto di Bondone
, and in the 15th century the leading school of the world. Some of the best known artists of the Florentine School are Filippo Brunelleschi
, Donatello
, Michelangelo
, Fra Angelico
, Botticelli, Lippi
, Masolino
, and Masaccio
.
art, produced in the 13th century in Pisa
and Lucca
, formed the basis for later development. Nicola Pisano
showed his appreciation of Classical forms as did his son, Giovanni Pisano
, who carried the new ideas of Gothic sculpture into the Tuscan vernacular, forming figures of unprecedented naturalism. This was echoed in the work of Pisan painters in the 12th and 13th centuries, notably that of Giunta Pisano
, who in turn influenced such greats as Cimabue
, and through him Giotto and the early 14th century Florentine
artists.
The oldest extant large scale Floretine pictorial project is the mosaic decoration of the interior of the dome of the Baptistery of St John
, which began around 1225. Although Venentian artists were involved in the project, the Tuscan artists created expressive, lively scenes, showing emotional content unlike the prevailing Byzantine tradition. Coppo di Marcovaldo
is said to have been responsible for the central figure of Christ and is the earliest Floretine artist involved in the project. Like the panels
of the Virgin and Child painted for the Servite churches
in Siena
and Orvieto
, sometimes attributed to Coppo, the Christ figure has a sense of volume.
Similar works were commissioned for the Florentine churches of Santa Maria Novella
, Santa Trinita
and Ognissanti
in the late 13 century and early 14 century. Duccio's
panel of around 1285, Madonna with Child enthroned and six Angels or Rucellai Madonna
, for the Santa Maria Novella, now in the Ufizi Gallery
, shows a development of the naturalistic space and form, and may not have been originally intended as altarpieces. Panels of the Virgin were used at top of rood screens, as at the Basilica of San Francesco d'Assisi
, which has the panel in the fresco
of the Verification of the Stigmata in the Life of Saint Francis cycle. Cimabue's Madonna of Santa Trinita and Duccio's Rucellai Madonna do, however, retain the earlier stylism of showing light on drapery as a network of lines.
Giotto's sense of light would have been influenced by the frescoes he had seen while working in Rome, and in his narrative wall paintings, particularly those commissioned by the Bardi family
, his figures are placed in naturalistic space and possess dimension and dramatic expression. A similar approach to light was used by his contemporaries such as Bernardo Daddi
, their attention to naturalism was encouraged by the subjects commissioned for the 14 century Franciscan
and Dominican
churches, and was to influence Florentine painters in the following centuries. While some were traditional compositions such as those dealing with the order's founder and early saints, others, such as scenes of recent events, people and places, had no precedent, allowing for invention.
The 13th century witnessed an increase in demand for religious panel painting, particularly altarpieces, although the reason for this is obscure, early 14th century Tuscan painters and woodworkers created altarpieces which were more elaborate, multipanelled pieces with complex framing. Contracts of the time note that clients often had a woodwork shape in mind when commissioning an artist, and discussed the religious figures to be depicted with the artists. The content of the narrative scenes in predella
panels however are rarely mentioned in the contracts and may have been left to the artists concerned. Florentine churches commissioned many Sienese artists to create altar pieces, such as Ugolino di Nerio
, who was asked to paint a large scale work for the altar for the Basilica di Santa Croce
, which may have been the earliest polyptych
on a Florentine altar. The guilds, cognizant of the stimulus that external craftmanship brought, made it easy for artists from other areas to work in Florence. Sculptors had their own guild which held minor status, and by 1316 painters were members of the influential Arte dei Medici e Speziali. The guilds themselves became significant patrons of art and from the early 14th century various major guilds oversaw the upkeep and improvement of individual religious buildings; all the guilds were involved in the restoration of Orsanmichele
.
The naturalism developed by the early Florentine artists waned during the third quarter of the 14th century, likely as a consequence of the plague. Major commissions, such as the altarpiece for the Strozzi
family (dating from around 1354-57) in Santa Maria Novella, were entrusted to Andrea di Cione, whose work, and in that of his brothers, are more iconic in their treatment of figures and have an earlier sense of compressed space.
Naturalism (art)
Naturalism in art refers to the depiction of realistic objects in a natural setting. The Realism movement of the 19th century advocated naturalism in reaction to the stylized and idealized depictions of subjects in Romanticism, but many painters have adopted a similar approach over the centuries...
style developed in the 14th century, largely through the efforts of Giotto di Bondone
Giotto di Bondone
Giotto di Bondone , better known simply as Giotto, was an Italian painter and architect from Florence in the late Middle Ages...
, and in the 15th century the leading school of the world. Some of the best known artists of the Florentine School are Filippo Brunelleschi
Filippo Brunelleschi
Filippo Brunelleschi was one of the foremost architects and engineers of the Italian Renaissance. He is perhaps most famous for inventing linear perspective and designing the dome of the Florence Cathedral, but his accomplishments also included bronze artwork, architecture , mathematics,...
, Donatello
Donatello
Donato di Niccolò di Betto Bardi , also known as Donatello, was an early Renaissance Italian artist and sculptor from Florence...
, Michelangelo
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni , commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art...
, Fra Angelico
Fra Angelico
Fra Angelico , born Guido di Pietro, was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent"...
, Botticelli, Lippi
Filippo Lippi
Fra' Filippo Lippi , also called Lippo Lippi, was an Italian painter of the Italian Quattrocento .-Biography and works:...
, Masolino
Masolino da Panicale
Masolino da Panicale was an Italian painter. His best known works are probably his collaborations with Masaccio: Madonna with Child and St. Anne and the frescoes in the Brancacci Chapel .-Biography:Masolino was born in Panicale...
, and Masaccio
Masaccio
Masaccio , born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense...
.
Before 1400
The earliest distinctive TuscanTuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
art, produced in the 13th century in Pisa
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
and Lucca
Lucca
Lucca is a city and comune in Tuscany, central Italy, situated on the river Serchio in a fertile plainnear the Tyrrhenian Sea. It is the capital city of the Province of Lucca...
, formed the basis for later development. Nicola Pisano
Nicola Pisano
Nicola Pisano was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture.- Early life :His birth date or origins are uncertain...
showed his appreciation of Classical forms as did his son, Giovanni Pisano
Giovanni Pisano
Giovanni Pisano was an Italian sculptor, painter and architect. Son of the famous sculptor Nicola Pisano, he received his training in the workshop of his father....
, who carried the new ideas of Gothic sculpture into the Tuscan vernacular, forming figures of unprecedented naturalism. This was echoed in the work of Pisan painters in the 12th and 13th centuries, notably that of Giunta Pisano
Giunta Pisano
Giunta Pisano was an Italian painter. He is the earliest Italian painter whose name is found inscribed on an extant work. He is best known for his crucifixes.He is said to have exercised his art from 1202 to 1236...
, who in turn influenced such greats as Cimabue
Cimabue
Cimabue , also known as Bencivieni di Pepo or in modern Italian, Benvenuto di Giuseppe, was an Italian painter and creator of mosaics from Florence....
, and through him Giotto and the early 14th century Florentine
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
artists.
The oldest extant large scale Floretine pictorial project is the mosaic decoration of the interior of the dome of the Baptistery of St John
Battistero di San Giovanni (Florence)
The Florence Baptistry or Battistero di San Giovanni is a religious building in Florence , Italy, which has the status of a minor basilica....
, which began around 1225. Although Venentian artists were involved in the project, the Tuscan artists created expressive, lively scenes, showing emotional content unlike the prevailing Byzantine tradition. Coppo di Marcovaldo
Coppo di Marcovaldo
Coppo di Marcovaldo was an Italian painter active in Tuscany.-Biography:He was born in Florence, and is mentioned as active in Pistoia in 1265, where he frescoed the St...
is said to have been responsible for the central figure of Christ and is the earliest Floretine artist involved in the project. Like the panels
Panel painting
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall or vellum, which was used for...
of the Virgin and Child painted for the Servite churches
Servite Order
The Servite Order is one of the five original Catholic mendicant orders. Its objects are the sanctification of its members, preaching the Gospel, and the propagation of devotion to the Mother of God, with special reference to her sorrows. The members of the Order use O.S.M. as their post-nominal...
in Siena
Siena
Siena is a city in Tuscany, Italy. It is the capital of the province of Siena.The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008...
and Orvieto
Orvieto
Orvieto is a city and comune in Province of Terni, southwestern Umbria, Italy situated on the flat summit of a large butte of volcanic tuff...
, sometimes attributed to Coppo, the Christ figure has a sense of volume.
Similar works were commissioned for the Florentine churches of Santa Maria Novella
Basilica di Santa Maria Novella
Santa Maria Novella is a church in Florence, Italy, situated just across from the main railway station which shares its name. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church....
, Santa Trinita
Santa Trinita
Santa Trinita is a church in central Florence, Italy. It is the mother church of the Vallumbrosan Order of monks, founded in 1092 by a Florentine nobleman...
and Ognissanti
Church of Ognissanti, Florence
The Chiesa di Ognissanti is a Franciscan church in Florence, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown....
in the late 13 century and early 14 century. Duccio's
Duccio
Duccio di Buoninsegna was one of the most influential Italian artists of his time. Born in Siena, Tuscany, he worked mostly with pigment and egg tempera and like most of his contemporaries painted religious subjects...
panel of around 1285, Madonna with Child enthroned and six Angels or Rucellai Madonna
Rucellai Madonna
The Madonna Rucellai is a painting by the Italian late medieval artist Duccio di Buoninsegna, housed in the Uffizi Gallery of Florence, Italy.- History :...
, for the Santa Maria Novella, now in the Ufizi Gallery
Uffizi
The Uffizi Gallery , is a museum in Florence, Italy. It is one of the oldest and most famous art museums of the Western world.-History:...
, shows a development of the naturalistic space and form, and may not have been originally intended as altarpieces. Panels of the Virgin were used at top of rood screens, as at the Basilica of San Francesco d'Assisi
Basilica of San Francesco d'Assisi
The Papal Basilica of St. Francis of Assisi is the mother church of the Roman Catholic Order of Friars Minor—commonly known as the Franciscan Order—in Assisi, Italy, the city where St. Francis was born and died. The basilica is one of the most important places of Christian pilgrimage in Italy...
, which has the panel in the fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
of the Verification of the Stigmata in the Life of Saint Francis cycle. Cimabue's Madonna of Santa Trinita and Duccio's Rucellai Madonna do, however, retain the earlier stylism of showing light on drapery as a network of lines.
Giotto's sense of light would have been influenced by the frescoes he had seen while working in Rome, and in his narrative wall paintings, particularly those commissioned by the Bardi family
Bardi family
The Bardi family was an influential Florentine family that started the powerful banking company, the Compagnia dei Bardi.Along with the Peruzzi family, the Bardis lent Edward III of England 400,000 Gold Florins, which he never repaid....
, his figures are placed in naturalistic space and possess dimension and dramatic expression. A similar approach to light was used by his contemporaries such as Bernardo Daddi
Bernardo Daddi
Bernardo Daddi was an early Italian renaissance painter and apprentice of Giotto. He was also influenced by the Sienese art of Lorenzetti....
, their attention to naturalism was encouraged by the subjects commissioned for the 14 century Franciscan
Franciscan
Most Franciscans are members of Roman Catholic religious orders founded by Saint Francis of Assisi. Besides Roman Catholic communities, there are also Old Catholic, Anglican, Lutheran, ecumenical and Non-denominational Franciscan communities....
and Dominican
Dominican Order
The Order of Preachers , after the 15th century more commonly known as the Dominican Order or Dominicans, is a Catholic religious order founded by Saint Dominic and approved by Pope Honorius III on 22 December 1216 in France...
churches, and was to influence Florentine painters in the following centuries. While some were traditional compositions such as those dealing with the order's founder and early saints, others, such as scenes of recent events, people and places, had no precedent, allowing for invention.
The 13th century witnessed an increase in demand for religious panel painting, particularly altarpieces, although the reason for this is obscure, early 14th century Tuscan painters and woodworkers created altarpieces which were more elaborate, multipanelled pieces with complex framing. Contracts of the time note that clients often had a woodwork shape in mind when commissioning an artist, and discussed the religious figures to be depicted with the artists. The content of the narrative scenes in predella
Predella
A predella is the platform or step on which an altar stands . In painting, the predella is the painting or sculpture along the frame at the bottom of an altarpiece...
panels however are rarely mentioned in the contracts and may have been left to the artists concerned. Florentine churches commissioned many Sienese artists to create altar pieces, such as Ugolino di Nerio
Ugolino di Nerio
Ugolino di Nerio was an Italian painter active in his native city of Siena and in Florence between the years 1317 and 1327.He was a follower of Duccio di Buoninsegna, from whose Maestà some of his scenes are clearly derived...
, who was asked to paint a large scale work for the altar for the Basilica di Santa Croce
Basilica di Santa Croce di Firenze
The Basilica di Santa Croce is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 metres south east of the Duomo. The site, when first chosen, was in marshland outside the city walls...
, which may have been the earliest polyptych
Polyptych
A polyptych generally refers to a painting which is divided into sections, or panels. The terminology that follows is in relevance to the number of panels integrated into a particular piece of work: "diptych" describes a two-part work of art; "triptych" describes a three-part work; "tetraptych"...
on a Florentine altar. The guilds, cognizant of the stimulus that external craftmanship brought, made it easy for artists from other areas to work in Florence. Sculptors had their own guild which held minor status, and by 1316 painters were members of the influential Arte dei Medici e Speziali. The guilds themselves became significant patrons of art and from the early 14th century various major guilds oversaw the upkeep and improvement of individual religious buildings; all the guilds were involved in the restoration of Orsanmichele
Orsanmichele
Orsanmichele is a church in the Italian city of Florence...
.
The naturalism developed by the early Florentine artists waned during the third quarter of the 14th century, likely as a consequence of the plague. Major commissions, such as the altarpiece for the Strozzi
Strozzi
Strozzi is the name of an ancient and noble Florentine family. Palla Strozzi played an important part in the public life of Florence, and founded the first public library in Florence in the monastery of Santa Trinita...
family (dating from around 1354-57) in Santa Maria Novella, were entrusted to Andrea di Cione, whose work, and in that of his brothers, are more iconic in their treatment of figures and have an earlier sense of compressed space.
See also
- Bolognese SchoolBolognese School (painting)The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carracci family, including Ludovico...
- Lucchese SchoolLucchese SchoolThe Lucchese School, also known as the School of Lucca and as the Pisan-Lucchese School, was a school of painting and sculpture that flourished in the 11th and 12th centuries in western and southern Tuscany with an important center in Volterra. The art is mostly anonymous...
- School of FerraraSchool of Ferrara (painting)The School of Ferrara was a group of painters which flourished in the Duchy of Ferrara during the Renaissance. Ferrara was ruled by the Este family, well known for its patronage of the arts. Patronage was extended with the ascent of Ercole d'Este I in 1470, and the family continued in power till...
- Sienese SchoolSienese SchoolThe Sienese School of painting flourished in Siena, Italy between the 13th and 15th centuries and for a time rivaled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art...