Franciabigio
Encyclopedia
Franciabigio was an Italian
painter
of the Florentine Renaissance
. His true name may have been Francesco di Cristofano, however he also is referred to as either Marcantonio Franciabigio or Francia Bigio.
until about 1506. In 1505 he befriended Andrea del Sarto
; and by the next year, the two painters set up common shop in the Piazza del Grano. He was proficient in fresco
and Vasari
claimed that he surpassed all his contemporaries in this method. It however in his portraits, and not religious paintings and frescoes, that his painting gathers naturalistic power.
In 1513, in the cloister of the Annunziata
he frescoed the Marriage of the Virgin
, part of a larger series mainly directed by Andrea del Sarto, and overshadowed by the latter's masterpiece of Birth of the Virgin. Other artists working under Sarto at the cloister included Rosso Fiorentino
, Pontormo
, Francesco Indaco, and Baccio Bandinelli.
In 1514, he frescoed a Mategnesque
Last Supper for the Convento della Calza in Florence. In 1518-19, at the Convento della Salzo, in another series of frescoes on which Andrea was likewise employed, he executed the Departure of John the Baptist for the Desert, and the Meeting of the Baptist with Jesus.
In 1520-21, at the villa Medici
at Poggio a Caiano
he frescoed a turgid Triumph of Cicero on the walls of the salon, but again he is overshadowed by Potormo's naturalistic lunette of Vertumnus and Pomona
. The array of figures appears distraught rather than celebratory, the antique details are a melange of quotations, and the architect a fancy of Quattrocento
style. He painted a St Job altarpiece (1516, Uffizi).
Various works which have been ascribed to Raphael
are reasonably deemed to be by Franciabigio. Such as the Madonna del Pozzo, with its awkwardly muscular John the Baptist; and some of his portraits, including the half figure of a Young Man. These two works show a close analogy in style to another in the Pitti gallery, avowedly by Franciabigio, a Youth at a Window, and to some others—which bear this painter's recognized monogram.
The series of portraits, taken collectively, placed beyond dispute the eminent and idiosyncratic genius of the master. Two other works of his, of some celebrity, are the Calumny of Apelles, in the Pitti Palace, and the Bath of Bathsheba
(painted in 1523), in the Dresden
gallery.
monumentality (or stiffness) of posing is evident in figures. Franciabigio attends more to linearity and balance in fresco recalling Massacio, while the complexity and Sarto's paintings reflect an understanding of the dissipating velvety colorful fabric of molding that characterizes Venetian work, and the development of sway that will "mannerize
" art in the decades to come.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
of the Florentine Renaissance
Renaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
. His true name may have been Francesco di Cristofano, however he also is referred to as either Marcantonio Franciabigio or Francia Bigio.
Life and career
He was born in Florence, and initially worked under AlbertinelliMariotto Albertinelli
Mariotto di Bigio di Bindo Albertinelli was a High Renaissance Italian painter of the Florentine school, closely involved with Fra Bartolomeo and influenced by Raphael.-Biography:Mariotto Albertinelli was born in Florence...
until about 1506. In 1505 he befriended Andrea del Sarto
Andrea del Sarto
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori , his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci,...
; and by the next year, the two painters set up common shop in the Piazza del Grano. He was proficient in fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
and Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
claimed that he surpassed all his contemporaries in this method. It however in his portraits, and not religious paintings and frescoes, that his painting gathers naturalistic power.
In 1513, in the cloister of the Annunziata
Basilica della Santissima Annunziata di Firenze
The Basilica della Santissima Annunziata is a Roman Catholic minor basilica in Florence, Italy, the mother church of the Servite order. It is located at the northeastern side of the Piazza Santissima Annunziata....
he frescoed the Marriage of the Virgin
Marriage of the Virgin
The Marriage of the Virgin is the subject in Christian art depicting the marriage of the Virgin Mary and Saint Joseph. The marriage is not mentioned in the canonical Gospels but is covered in several apocryphal sources, and later redactions, notably the 14th century compilation the Golden Legend...
, part of a larger series mainly directed by Andrea del Sarto, and overshadowed by the latter's masterpiece of Birth of the Virgin. Other artists working under Sarto at the cloister included Rosso Fiorentino
Rosso Fiorentino
Giovanni Battista di Jacopo , known as Rosso Fiorentino , or Il Rosso, was an Italian Mannerist painter, in oil and fresco, belonging to the Florentine school.-Biography:...
, Pontormo
Pontormo
Jacopo Carucci , usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine school. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine...
, Francesco Indaco, and Baccio Bandinelli.
In 1514, he frescoed a Mategnesque
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...
Last Supper for the Convento della Calza in Florence. In 1518-19, at the Convento della Salzo, in another series of frescoes on which Andrea was likewise employed, he executed the Departure of John the Baptist for the Desert, and the Meeting of the Baptist with Jesus.
In 1520-21, at the villa Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
at Poggio a Caiano
Poggio a Caiano
Poggio a Caiano is a town and comune in the Province of Prato, Tuscany region Italy. The town lies 9 km south of the provincial capital of Prato.-The Medici villa:...
he frescoed a turgid Triumph of Cicero on the walls of the salon, but again he is overshadowed by Potormo's naturalistic lunette of Vertumnus and Pomona
Vertumnus and Pomona (Pontormo)
The fresco decoration of Vertumnus and Pomona in the Medici country villa at Poggio a Caiano is a masterpiece by Jacopo Pontormo. The villa is set among orchards and gardens, and served in summer as an outdoor respite to the heat in Florence.The fresco surrounds a lunette, high in a barrel-vaulted...
. The array of figures appears distraught rather than celebratory, the antique details are a melange of quotations, and the architect a fancy of Quattrocento
Quattrocento
The cultural and artistic events of 15th century Italy are collectively referred to as the Quattrocento...
style. He painted a St Job altarpiece (1516, Uffizi).
Various works which have been ascribed to Raphael
Raphael
Raffaello Sanzio da Urbino , better known simply as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur...
are reasonably deemed to be by Franciabigio. Such as the Madonna del Pozzo, with its awkwardly muscular John the Baptist; and some of his portraits, including the half figure of a Young Man. These two works show a close analogy in style to another in the Pitti gallery, avowedly by Franciabigio, a Youth at a Window, and to some others—which bear this painter's recognized monogram.
The series of portraits, taken collectively, placed beyond dispute the eminent and idiosyncratic genius of the master. Two other works of his, of some celebrity, are the Calumny of Apelles, in the Pitti Palace, and the Bath of Bathsheba
Bathsheba
According to the Hebrew Bible, Bathsheba was the wife of Uriah the Hittite and later of David, king of the United Kingdom of Israel and Judah. She is most known for the Bible story in which King David seduced her....
(painted in 1523), in the Dresden
Dresden
Dresden is the capital city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the Czech border. The Dresden conurbation is part of the Saxon Triangle metropolitan area....
gallery.
Critical assessment and legacy
When compared to his younger contemporary colleague, del Sarto, Franciabigio appears more sculptural and less forward-looking. The QuattrocentoQuattrocento
The cultural and artistic events of 15th century Italy are collectively referred to as the Quattrocento...
monumentality (or stiffness) of posing is evident in figures. Franciabigio attends more to linearity and balance in fresco recalling Massacio, while the complexity and Sarto's paintings reflect an understanding of the dissipating velvety colorful fabric of molding that characterizes Venetian work, and the development of sway that will "mannerize
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
" art in the decades to come.