Fritz Bultman
Encyclopedia
Fritz Bultman was an American
Abstract expressionist painter
, sculptor, and collagist and a member of the New York School
of artists.
A. Fred Bultman was the second child and only son of A. Fred and Pauline Bultman. His family was prominent in New Orleans, where his father owned a Catholic funeral company. By the age of thirteen he was interested in art, and worked with Morris Graves
, who was a family friend. As a high school junior in 1935 Fritz went to study in Munich
for two years, and there boarded with Maria Hofmann, the wife of artist and teacher Hans Hofmann
. After returning to the United States he studied with Hofmann in New York City
and Provincetown, Massachusetts
. Despite his father's wishes that he become an architect, with Hofmann's encouragement he decided instead to continue his study of art. In 1944 he bought a house in Provincetown, and thenceforth Bultman and his wife Jeanne divided their time between Cape Cod
and New York City.
His early paintings have been described as "rough and painterly", an amalgam of symbolism and geometry.
Bultman was exhibiting with other abstract expressionists by the late 1940s, and in 1950 was aligned with the group of New York School artists, nicknamed the "Irascibles" in an article in Life
magazine, who signed a letter to the Metropolitan Museum of Art
protesting the institution's conservative policies. With the assistance of a grant from Italy
he studied bronze casting in Florence
in 1951; subsequently he was the sole abstract expressionist to fully integrate sculpture into his oeuvre.
Affected by anxiety and depression, Bultman worked little between 1952 and 1956, and resumed painting and sculpting after undergoing Freudian analysis. At a time when African Americans were prohibited from visiting white museums in the south, in 1963 Bultman and his wife led a group of prominent New York artists and writers in the creation of a collection of modern art for Tougaloo College
, a black institution in Jackson, Mississippi
. Bultman was awarded a Fulbright Scholarship in 1964-5 to work in Paris
. In the 1960s Bultman began to make large collages, using pre-painted paper cut or torn and assembled into shapes reminiscent of his figurative drawings and more abstract sexual symbolism. In 1976 he started making stained glass windows
with the aid of his wife.
Bultman died of cancer in 1985.
, Bultman was "one of the most splendid, radiant and inspired painters of my generation.", and David Houston, curator of the Ogden Museum of Southern Art
in New Orleans called him "an important artist from the South who was part of that great moment that changed the American cultural landscape."
It has been suggested that Bultman's career and subsequent reputation suffered from the vagaries of chance: he was not available for inclusion in the now iconic photo shoot for Life magazine that helped establish the reputations of the New York School painters; another possibility, according to Motherwell, was Bultman's lack of interest in "art world politics".
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
Abstract expressionist painter
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
, sculptor, and collagist and a member of the New York School
New York School
The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s, 1960s in New York City...
of artists.
A. Fred Bultman was the second child and only son of A. Fred and Pauline Bultman. His family was prominent in New Orleans, where his father owned a Catholic funeral company. By the age of thirteen he was interested in art, and worked with Morris Graves
Morris Graves
Morris Cole Graves was an American expressionist painter. Along with Guy Anderson, Kenneth Callahan, William Cumming, and Mark Tobey, he founded the Northwest School. Graves was also a mystic.-Early years:...
, who was a family friend. As a high school junior in 1935 Fritz went to study in Munich
Munich
Munich The city's motto is "" . Before 2006, it was "Weltstadt mit Herz" . Its native name, , is derived from the Old High German Munichen, meaning "by the monks' place". The city's name derives from the monks of the Benedictine order who founded the city; hence the monk depicted on the city's coat...
for two years, and there boarded with Maria Hofmann, the wife of artist and teacher Hans Hofmann
Hans Hofmann
Hans Hofmann was a German-born American abstract expressionist painter.-Biography:Hofmann was born in Weißenburg, Bavaria on March 21, 1880, the son of Theodor and Franziska Hofmann. When he was six he moved with his family to Munich...
. After returning to the United States he studied with Hofmann in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
and Provincetown, Massachusetts
Massachusetts
The Commonwealth of Massachusetts is a state in the New England region of the northeastern United States of America. It is bordered by Rhode Island and Connecticut to the south, New York to the west, and Vermont and New Hampshire to the north; at its east lies the Atlantic Ocean. As of the 2010...
. Despite his father's wishes that he become an architect, with Hofmann's encouragement he decided instead to continue his study of art. In 1944 he bought a house in Provincetown, and thenceforth Bultman and his wife Jeanne divided their time between Cape Cod
Cape Cod
Cape Cod, often referred to locally as simply the Cape, is a cape in the easternmost portion of the state of Massachusetts, in the Northeastern United States...
and New York City.
His early paintings have been described as "rough and painterly", an amalgam of symbolism and geometry.
Bultman was exhibiting with other abstract expressionists by the late 1940s, and in 1950 was aligned with the group of New York School artists, nicknamed the "Irascibles" in an article in Life
Life (magazine)
Life generally refers to three American magazines:*A humor and general interest magazine published from 1883 to 1936. Time founder Henry Luce bought the magazine in 1936 solely so that he could acquire the rights to its name....
magazine, who signed a letter to the Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...
protesting the institution's conservative policies. With the assistance of a grant from Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
he studied bronze casting in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
in 1951; subsequently he was the sole abstract expressionist to fully integrate sculpture into his oeuvre.
Affected by anxiety and depression, Bultman worked little between 1952 and 1956, and resumed painting and sculpting after undergoing Freudian analysis. At a time when African Americans were prohibited from visiting white museums in the south, in 1963 Bultman and his wife led a group of prominent New York artists and writers in the creation of a collection of modern art for Tougaloo College
Tougaloo College
Tougaloo College is a private, co-educational, liberal arts institution of higher education founded in 1869, in Madison County, north of Jackson, Mississippi, USA.Academically, Tougaloo College has received high ranks in recent years...
, a black institution in Jackson, Mississippi
Jackson, Mississippi
Jackson is the capital and the most populous city of the US state of Mississippi. It is one of two county seats of Hinds County ,. The population of the city declined from 184,256 at the 2000 census to 173,514 at the 2010 census...
. Bultman was awarded a Fulbright Scholarship in 1964-5 to work in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
. In the 1960s Bultman began to make large collages, using pre-painted paper cut or torn and assembled into shapes reminiscent of his figurative drawings and more abstract sexual symbolism. In 1976 he started making stained glass windows
Stained Glass Windows
Stained Glass Windows was an early broadcast television program, broadcast on early Sunday evenings on the ABC network. The program was a religious broadcast, hosted by the Reverend Everett Parker....
with the aid of his wife.
Bultman died of cancer in 1985.
Assessment
To Robert MotherwellRobert Motherwell
Robert Motherwell American painter, printmaker and editor. He was one of the youngest of the New York School , which also included Jackson Pollock, Mark Rothko, Willem de Kooning, and Philip Guston....
, Bultman was "one of the most splendid, radiant and inspired painters of my generation.", and David Houston, curator of the Ogden Museum of Southern Art
Ogden Museum of Southern Art
The Ogden Museum of Southern Art is located in New Orleans, within the Central Business District adjacent to Lee Circle. It is associated with the University of New Orleans...
in New Orleans called him "an important artist from the South who was part of that great moment that changed the American cultural landscape."
It has been suggested that Bultman's career and subsequent reputation suffered from the vagaries of chance: he was not available for inclusion in the now iconic photo shoot for Life magazine that helped establish the reputations of the New York School painters; another possibility, according to Motherwell, was Bultman's lack of interest in "art world politics".