Gabriella Tucci
Encyclopedia
Gabriella Tucci is an Italian opera
tic soprano
, particularly associated with the Italian repertory.
Born in Rome, Italy, Tucci trained at the Accademia di Santa Cecilia with Leonardo Filoni, whom she later married. She made her debut at Spoleto
, as Leonora in La forza del destino
, opposite Beniamino Gigli
, in 1951. She then took part in the famous revival of Cherubini's Medea, as Glauce, opposite Maria Callas
, in Florence, in 1953.
She made her debut at La Scala
in Milan in 1959, as Mimi in La bohème
. The following year saw her debuts at both the Royal Opera House
in London, as Aida
, and at the Metropolitan Opera
, as Cio-Cio-San in Madama Butterfly
. She sang at the Metropolitan Opera until 1972, other roles included: Euridice
, Marguerite
, Leonora in both Il trovatore
and La forza del destino, Maria Boccanegra/Amelia
, Violetta
, Aida
, Desdemona
, Alice Ford
, Mimi
, etc.
Tucci also appeared in Vienna, Berlin, and Buenos Aires. She traveled with the La Scala Opera to Moscow and Tokyo, performances that have been documented in live recordings.
A versatile singer and an accomplished actress, Tucci was able to tackle a wide range of roles from bel canto
to verismo
, singing Donna Elvira in Don Giovanni
, Elvira in I puritani
, Gilda in Rigoletto
, Violetta in La traviata
, and Marguerite in Faust
, as well as Maddalena in Andrea Chénier
and the title role in Tosca
.
Tucci made only two commercial recordings, Pagliacci
in 1959, opposite Mario del Monaco
, and Il trovatore
in 1964, opposite Franco Corelli
, but can be heard in a number of "live" performances, including Cherubini's Medea
and Donizetti's Il Furioso al Isola di Santo Domingo.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
, particularly associated with the Italian repertory.
Born in Rome, Italy, Tucci trained at the Accademia di Santa Cecilia with Leonardo Filoni, whom she later married. She made her debut at Spoleto
Spoleto
Spoleto is an ancient city in the Italian province of Perugia in east central Umbria on a foothill of the Apennines. It is S. of Trevi, N. of Terni, SE of Perugia; SE of Florence; and N of Rome.-History:...
, as Leonora in La forza del destino
La forza del destino
La forza del destino is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, Don Álvaro o la fuerza del sino , by Ángel de Saavedra, Duke of Rivas, with a scene adapted from Friedrich Schiller's Wallensteins Lager. It was first performed...
, opposite Beniamino Gigli
Beniamino Gigli
Beniamino Gigli was an Italian opera singer. The most famous tenor of his generation, he was renowned internationally for the great beauty of his voice and the soundness of his vocal technique. Music critics sometimes took him to task, however, for what was perceived to be the over-emotionalism...
, in 1951. She then took part in the famous revival of Cherubini's Medea, as Glauce, opposite Maria Callas
Maria Callas
Maria Callas was an American-born Greek soprano and one of the most renowned opera singers of the 20th century. She combined an impressive bel canto technique, a wide-ranging voice and great dramatic gifts...
, in Florence, in 1953.
She made her debut at La Scala
La Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
in Milan in 1959, as Mimi in La bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
. The following year saw her debuts at both the Royal Opera House
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
in London, as Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
, and at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
, as Cio-Cio-San in Madama Butterfly
Madama Butterfly
Madama Butterfly is an opera in three acts by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Puccini based his opera in part on the short story "Madame Butterfly" by John Luther Long, which was dramatized by David Belasco...
. She sang at the Metropolitan Opera until 1972, other roles included: Euridice
Orfeo ed Euridice
Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing...
, Marguerite
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, Leonora in both Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
and La forza del destino, Maria Boccanegra/Amelia
Simon Boccanegra
Simon Boccanegra is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Simón Bocanegra by Antonio García Gutiérrez....
, Violetta
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
, Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
, Desdemona
Otello
Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
, Alice Ford
Falstaff (opera)
Falstaff is an operatic commedia lirica in three acts by Giuseppe Verdi, adapted by Arrigo Boito from Shakespeare's plays The Merry Wives of Windsor and scenes from Henry IV. It was Verdi's last opera, written in the composer's ninth decade, and only the second of his 26 operas to be a comedy...
, Mimi
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
, etc.
Tucci also appeared in Vienna, Berlin, and Buenos Aires. She traveled with the La Scala Opera to Moscow and Tokyo, performances that have been documented in live recordings.
A versatile singer and an accomplished actress, Tucci was able to tackle a wide range of roles from bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
to verismo
Verismo
Verismo was an Italian literary movement which peaked between approximately 1875 and the early 1900s....
, singing Donna Elvira in Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
, Elvira in I puritani
I puritani
I puritani is an opera in three acts by Vincenzo Bellini. It was his last opera. Its libretto is by Count Carlo Pepoli, based on Têtes rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine, which is in turn based on Walter Scott's novel Old Mortality. It was first produced at...
, Gilda in Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
, Violetta in La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
, and Marguerite in Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, as well as Maddalena in Andrea Chénier
Andrea Chénier
Andrea Chénier is a verismo opera in four acts by the composer Umberto Giordano, set to an Italian libretto by Luigi Illica. It is based loosely on the life of the French poet, André Chénier , who was executed during the French Revolution....
and the title role in Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...
.
Tucci made only two commercial recordings, Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
in 1959, opposite Mario del Monaco
Mario del Monaco
Mario Del Monaco was an Italian tenor who is regarded by his admirers as being one of the greatest dramatic tenors of the 20th century....
, and Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
in 1964, opposite Franco Corelli
Franco Corelli
Franco Corelli was a famous Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, a...
, but can be heard in a number of "live" performances, including Cherubini's Medea
Medea
Medea is a woman in Greek mythology. She was the daughter of King Aeëtes of Colchis, niece of Circe, granddaughter of the sun god Helios, and later wife to the hero Jason, with whom she had two children, Mermeros and Pheres. In Euripides's play Medea, Jason leaves Medea when Creon, king of...
and Donizetti's Il Furioso al Isola di Santo Domingo.
Sources
- The Metropolitan Opera Encyclopedia (Simon and Schuster, New York 1987). ISBN 0-671-16732-X
- Guide de l'opéra, Les indispensables de la musique (Fayard, 1995). ISBN 2-213-01563-6