Geghard
Encyclopedia
For the town, see Geghard, Armenia
.
The monastery
of Geghard is a unique architectural construction in the Kotayk province of Armenia
, being partially carved out of the adjacent mountain, surrounded by cliffs. It is listed as a UNESCO
World Heritage Site
.
While the main chapel
was built in 1215, the monastery complex was founded in the 4th century by Gregory the Illuminator
at the site of a sacred spring
inside a cave. The monastery had thus been originally named Ayrivank, meaning "the Monastery of the Cave". The name commonly used for the monastery today, Geghard, or more fully Geghardavank (Գեղարդավանք), meaning "the Monastery of the Spear", originates from the spear which had wounded Jesus at the Crucifixion
, allegedly brought to Armenia by Apostle Jude, called here Thaddeus
, and stored amongst many other relics. Now it is displayed in the Echmiadzin
treasury.
The spectacular towering cliffs surrounding the monastery are part of the Azat river
gorge, and are included together with the monastery in the World Heritage Site
listing. Some of the churches within the monastery complex are entirely dug out of the cliff rocks, others are little more than caves, while others are elaborate structures, with both architecturally complex walled sections and rooms deep inside the cliff. The combination, together with numerous engraved and free-standing khachkar
s is a unique sight, being one of the most frequented tourist destinations in Armenia.
Most visitors to Geghard also choose to visit the nearby Garni
temple, a Parthenon
-like structure located further down the Azat river. Visiting both sites in one trip is so common that they are often referred to in unison as Garni-Geghard.
The monastery was founded in the 4th century, according to tradition by Gregory the Illuminator
. The site is that of a spring arising in a cave which had been sacred in pre-Christian times, hence one of the names by which it was known, Ayrivank (the Monastery of the Cave). The first monastery was destroyed by Arabs in the 9th century.
Nothing has remained of the structures of Ayrivank. According to Armenian historians of the 4th, 8th and 10th centuries the monastery comprised, apart from religious buildings, well-appointed residential and service installations. Ayrivank suffered greatly in 923 from Nasr, a vice-regent of an Arabian caliph in Armenia, who plundered its valuable property, including unique manuscripts, and burned down the magnificent structures of the monastery. Earthquakes also did it no small damage.
Though there are inscriptions dating to the 1160s, the main church was built in 1215 under the auspices of the brothers Zakare and Ivane, the generals of Queen Tamar of Georgia, who took back most of Armenia from the Turks. The gavit, partly free-standing, partly carved in the cliff, dates to before 1225, and a series of chapels hewn into the rock dates from the mid 13th century following the purchase of the monastery by Prince Prosh Khaghbakian, vassal of the Zakarians and founder of the Proshian principality. Over a short period the Proshyans built the cave structures which brought Geghard well-merited fame — the second cave church, the family sepulcher of zhamatun Papak and Ruzukan, a hall for gatherings and studies (collapsed in the middle of the 20th century) and numerous cells. The chamber reached from the North East of the gavit
became Prince Prosh Khaghbakian’s tomb in 1283. The adjacent chamber has carved in the rock the arms of the Proshian family, including an eagle with a lamb in its claws. A stairway W of the gavit leads up to a funerary chamber carved out in 1288 for Papak Proshian and his wife Ruzukan. The Proshyan princes provided Geghard with an irrigation system in the 13th century. At this time it was also known as the Monastery of the Seven Churches and the Monastery of the Forty Altars. All around the monastery are caves and khachkar
s. The monastery was defunct, the main church used to shelter the flocks of the Karapapakh nomads in winter, until resettled by a few monks from Ejmiatsin after the Russian conquest. Restored for tourist purposes but now with a small ecclesiastical presence, the site is still a major place of pilgrimage.
The monastery was famous because of the relics that it housed. The most celebrated of these was the spear which had wounded Christ on the Cross, allegedly brought there by the Apostle Thaddeus, from which comes its present name, Geghard-avank ("the Monastery of the Spear"), first recorded in a document of 1250. This made it a popular place of pilgrimage for Armenian Christians over many centuries. Relics of the Apostles Andrew and John were donated in the 12th century, and pious visitors made numerous grants of land, money, manuscripts, etc., over the succeeding centuries. In one of the cave cells there lived, in the 13th century, Mkhitar Ayrivanetsi
, the well-known Armenian historian.
No works of applied art have survived in Geghard, except for the legendary spear (geghard). The shaft has a diamond-shaped plate attached to its end; a Greek cross with flared ends is cut through the plate. A special case was made for it in 1687, now kept in the museum of Echmiadzin monastery. The gilded silver case is an ordinary handicraft article of 17th century Armenia.
(fruit lavash), sweet sujukh (grape molasses covered strings of walnuts) and various souvenirs. A group of musicians usually plays for a few seconds as visitors approach, perhaps willing to play longer for money.
At the approach to the main entrance on the west there are small caves, chapels, carvings and constructions on the hillside. Right before the entrance are some shallow shelves in the cliff onto which people try to throw pebbles in order to make their wish come true. Just inside the entrance to the compound are the 12-13th century ramparts protecting three sides of the complex, and the cliffs behind protect the fourth. Walking across the complex will take one to the secondary entrance on the east, outside of which is a table for ritual animal offerings (matagh), and a bridge over the stream.
The one- and two-storey residential and service structures situated on the perimeter of the monastery’s yard were repeatedly reconstructed, sometimes from their foundations, as happened in the 17th century and in 1968—1971. It is known that most of the monks lived in cells excavated into the rock-face outside the main enceinte, which have been preserved, along with some simple oratories. The rock-faces over the whole area bear elaborate crosses (khatchkar) carved in relief.
More than twenty spaces, varying in shape and size, were carved, at different levels, in solid rock massifs surrounding the main cave structures. Those in the western part of the complex were for service purposes, and the rest are small rectangular chapels with a semicircular apse and an altar. There are twin and triple chapels with one entrance, some of the entrances ornamented with carvings.
There are many often richly ornamented khachkars cut on rock surfaces and on the walls of the structures or put up on the grounds of Geghard in memory of a deceased or in commemoration of someone’s donation to the monastery.
The southern facade of the Katoghike has a portal with fine carvings. The tympanum
is decorated with a representation of trees with pomegranates hanging from their branches, and of leaves intertwining with grapes. The pictures of doves are placed between the arch and the outside frame; the doves’ heads are turned to the axis of the portal. Above the portal is carved a lion attacking an ox, symbolizing the prince’s power.
The arched top of the arcature of the cupola’s drum has detailed reliefs showing birds, human masks, animals heads, various rosettes and jars.
West of the main temple there is a rock-attached vestry, in Armenian gavit
(Latin narthex
) built between 1215 and 1225, linked to the main church.
Four massive free-standing columns in the centre support a roof of stone with a hole in the centre to admit light. The peripheral spaces resulting from the location of the columns are variously roofed, whilst the central space is crowned by a dome with stalactites, the best example of this technique anywhere in Armenia. The gavit
was used for teaching and meetings, and for receiving pilgrims and visitors.
The western portal differs from other portals of those times by van-shaped door bands, decorated with a fine floral pattern. The ornamentation of the tympanum consists of large flowers with petals of various shapes in the interlaced branches and oblong leaves.
It is entirely dug out of the rock and has an equal-armed cruciform plan. The interior is lined by two crossed arches with a central stalactite dome. An inscription records that it was the work of the architect Galdzak, who also constructed the other rock-cut church and the jhamatuns within a period of some forty years. His name is inscribed at the base of the tent decorated with reliefs showing pomegranates.
The main rectangular space of the church is crowned with a tent and complicated with an altar apse and two deep niches, which gave the interior an incomplete cross-cupola shape. Two pairs of intersecting pointed arches, forming the base of the tent, rest on the half-columns of the walls. Just as in the vestry, the inner surface of the tent is hewn in the graceful shape of stalactites which also decorate the capitals of the half-columns and the conch of the altar apse. The decoration of the southern wall is most interesting compositionally. Carved on it are small triple arches with conchs of various shapes, connected at the top and at the bottom by a complicated and finely carved floral ornament.
and the second cave church of Astvatsatsin situated east of Avazan, were hewn in 1283, presumably by the same Galdzak, too. These are also accessed through the gavit. The zhamatun is a roughly square chamber cut into the rock, with deeply cut reliefs in the walls. Of interest is a rather primitive high relief on the northern wall, above the archways. In the center, there is a lion's head with a chain in its jaws; the chain is wound around the necks of two lions with their heads turned to the onlooker. Instead of the tail tufts there are heads of upward looking dragons — symbolic images gong all the way back to heathen times. Between the lions and below the chain there is an eagle with half-spread wings and a lamb in its claws. This is likely the coat-of-arms of the Proshian Princes.
The reliefs of the eastern wall are no less picturesque. The entrances to a small chapel and to Astvatsatsin church have rectangular platbands connected by two relief crosses. Cut on the portals of the chapel are sirens (fantasy harpy-like birds with women's crowned heads) and on the church walls there appear human figures with their elbows bent, wearing long attires and having nimbuses around their heads. These are probably members of the princely family who had these structures built. In its floor there are burial vaults.
Apart from stalactites in the shape of trefoil
s and quatrefoil
s, the decoration of Astvatsatsin church features ornaments of rosettes and various geometrical figures. The front wall of the altar dais is decorated with a pattern of squares and diamonds. A realistic representation of a goat is found at the butt of the altar stair. Men's figures are found on a khachkar
left of the altar apse. The man with a staff in his right hand and in the same attitude as that of the figures on the portal may be Prince Prosh, a founder of the church. Another figure, holding a spear in the left hand, point down, and blowing an uplifted horn, is depicted almost in profile.
On the southern side of the corridor leading to this jhamatun, numerous crosses are cut. The columns hewn in solid rock support rather low semicircular arches fitted into trapeziform frames which, forming a square in the plan, serve as a foundation for the spherical cupola above them with a light opening in its zenith. A hole in the back right corner gives a view of the tomb downstairs.
The acoustics in this chamber are extraordinary.
Traces of plaster with remnants of dark frescoes indicate there were murals inside the chapel. Khachkars with various ornaments are inserted into the exterior walls and hewn on the adjacent rock surfaces.
Geghard, Armenia
Geghard is a town in the Kotayk Province of Armenia. The town is best known for the monastery of Geghard, a UNESCO World Heritage Site....
.
The monastery
Monastery
Monastery denotes the building, or complex of buildings, that houses a room reserved for prayer as well as the domestic quarters and workplace of monastics, whether monks or nuns, and whether living in community or alone .Monasteries may vary greatly in size – a small dwelling accommodating only...
of Geghard is a unique architectural construction in the Kotayk province of Armenia
Armenia
Armenia , officially the Republic of Armenia , is a landlocked mountainous country in the Caucasus region of Eurasia...
, being partially carved out of the adjacent mountain, surrounded by cliffs. It is listed as a UNESCO
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations...
World Heritage Site
World Heritage Site
A UNESCO World Heritage Site is a place that is listed by the UNESCO as of special cultural or physical significance...
.
While the main chapel
Chapel
A chapel is a building used by Christians as a place of fellowship and worship. It may be part of a larger structure or complex, such as a church, college, hospital, palace, prison or funeral home, located on board a military or commercial ship, or it may be an entirely free-standing building,...
was built in 1215, the monastery complex was founded in the 4th century by Gregory the Illuminator
Gregory the Illuminator
Saint Gregory the Illuminator or Saint Gregory the Enlightener is the patron saint and first official head of the Armenian Apostolic Church...
at the site of a sacred spring
Spring (hydrosphere)
A spring—also known as a rising or resurgence—is a component of the hydrosphere. Specifically, it is any natural situation where water flows to the surface of the earth from underground...
inside a cave. The monastery had thus been originally named Ayrivank, meaning "the Monastery of the Cave". The name commonly used for the monastery today, Geghard, or more fully Geghardavank (Գեղարդավանք), meaning "the Monastery of the Spear", originates from the spear which had wounded Jesus at the Crucifixion
Holy Lance
The Holy Lance is the name given to the lance that pierced Jesus' side as he hung on the cross in John's account of the Crucifixion.-Biblical references:The lance is mentioned only in the Gospel of John and not in any of the...
, allegedly brought to Armenia by Apostle Jude, called here Thaddeus
Saint Jude
Jude was one of the Twelve Apostles of Jesus. He is generally identified with Thaddeus, and is also variously called Jude of James, Jude Thaddaeus, Judas Thaddaeus or Lebbaeus...
, and stored amongst many other relics. Now it is displayed in the Echmiadzin
Echmiadzin
Mother Cathedral of Holy Etchmiadzin is a 4th century Armenian church in the town of Ejmiatsin, Armenia. It is also the central cathedral of the Mother See of Holy Etchmiadzin of the Armenian Apostolic Church....
treasury.
The spectacular towering cliffs surrounding the monastery are part of the Azat river
Azat River
The Azat is a river in the Kotayk Province of Armenia. Its source is on the western slope of the Geghama mountains. It flows through Garni, Lanjazat and Arevshat. It flows into the Aras near Artashat.-See also:*Rivers and lakes in Armenia...
gorge, and are included together with the monastery in the World Heritage Site
World Heritage Site
A UNESCO World Heritage Site is a place that is listed by the UNESCO as of special cultural or physical significance...
listing. Some of the churches within the monastery complex are entirely dug out of the cliff rocks, others are little more than caves, while others are elaborate structures, with both architecturally complex walled sections and rooms deep inside the cliff. The combination, together with numerous engraved and free-standing khachkar
Khachkar
A khachkar or khatchkar is a carved, cross-bearing, memorial stele covered with rosettes and other botanical motifs. Khachkars are characteristic of Medieval Christian Armenian art found in Armenia.-Description:...
s is a unique sight, being one of the most frequented tourist destinations in Armenia.
Most visitors to Geghard also choose to visit the nearby Garni
Garni
Garni is a village in the Kotayk Province of Armenia, situated approximately 28 km southeast from Yerevan.- History :...
temple, a Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
-like structure located further down the Azat river. Visiting both sites in one trip is so common that they are often referred to in unison as Garni-Geghard.
History
Gregory the Illuminator
Saint Gregory the Illuminator or Saint Gregory the Enlightener is the patron saint and first official head of the Armenian Apostolic Church...
. The site is that of a spring arising in a cave which had been sacred in pre-Christian times, hence one of the names by which it was known, Ayrivank (the Monastery of the Cave). The first monastery was destroyed by Arabs in the 9th century.
Nothing has remained of the structures of Ayrivank. According to Armenian historians of the 4th, 8th and 10th centuries the monastery comprised, apart from religious buildings, well-appointed residential and service installations. Ayrivank suffered greatly in 923 from Nasr, a vice-regent of an Arabian caliph in Armenia, who plundered its valuable property, including unique manuscripts, and burned down the magnificent structures of the monastery. Earthquakes also did it no small damage.
Though there are inscriptions dating to the 1160s, the main church was built in 1215 under the auspices of the brothers Zakare and Ivane, the generals of Queen Tamar of Georgia, who took back most of Armenia from the Turks. The gavit, partly free-standing, partly carved in the cliff, dates to before 1225, and a series of chapels hewn into the rock dates from the mid 13th century following the purchase of the monastery by Prince Prosh Khaghbakian, vassal of the Zakarians and founder of the Proshian principality. Over a short period the Proshyans built the cave structures which brought Geghard well-merited fame — the second cave church, the family sepulcher of zhamatun Papak and Ruzukan, a hall for gatherings and studies (collapsed in the middle of the 20th century) and numerous cells. The chamber reached from the North East of the gavit
Gavit
A gavit or zhamatun is often contiguous to the west of a church in a Medieval Armenian monastery. It served as narthex , mausoleum and assembly room.-History:...
became Prince Prosh Khaghbakian’s tomb in 1283. The adjacent chamber has carved in the rock the arms of the Proshian family, including an eagle with a lamb in its claws. A stairway W of the gavit leads up to a funerary chamber carved out in 1288 for Papak Proshian and his wife Ruzukan. The Proshyan princes provided Geghard with an irrigation system in the 13th century. At this time it was also known as the Monastery of the Seven Churches and the Monastery of the Forty Altars. All around the monastery are caves and khachkar
Khachkar
A khachkar or khatchkar is a carved, cross-bearing, memorial stele covered with rosettes and other botanical motifs. Khachkars are characteristic of Medieval Christian Armenian art found in Armenia.-Description:...
s. The monastery was defunct, the main church used to shelter the flocks of the Karapapakh nomads in winter, until resettled by a few monks from Ejmiatsin after the Russian conquest. Restored for tourist purposes but now with a small ecclesiastical presence, the site is still a major place of pilgrimage.
The monastery was famous because of the relics that it housed. The most celebrated of these was the spear which had wounded Christ on the Cross, allegedly brought there by the Apostle Thaddeus, from which comes its present name, Geghard-avank ("the Monastery of the Spear"), first recorded in a document of 1250. This made it a popular place of pilgrimage for Armenian Christians over many centuries. Relics of the Apostles Andrew and John were donated in the 12th century, and pious visitors made numerous grants of land, money, manuscripts, etc., over the succeeding centuries. In one of the cave cells there lived, in the 13th century, Mkhitar Ayrivanetsi
Mekhitar of Ayrivank
Mekhitar of Ayrivank was an Armenian monk, or vartabed, at the "Cave-Monastery", modern Geghard. He is best known for his list of history of the world. He preserves in his writings a list of canonical and non-canonical books by John the Deacon...
, the well-known Armenian historian.
No works of applied art have survived in Geghard, except for the legendary spear (geghard). The shaft has a diamond-shaped plate attached to its end; a Greek cross with flared ends is cut through the plate. A special case was made for it in 1687, now kept in the museum of Echmiadzin monastery. The gilded silver case is an ordinary handicraft article of 17th century Armenia.
Complex
Today the monastery complex is located at the end of the paved road, and the walk up from the parking lot is lined with women selling sweet bread, sheets of dried fruitDried fruit
Dried fruit is fruit where the majority of the original water content has been removed either naturally, through sun drying, or through the use of specialized dryers or dehydrators. Dried fruit has a long tradition of use dating back to the fourth millennium BC in Mesopotamia, and is prized...
(fruit lavash), sweet sujukh (grape molasses covered strings of walnuts) and various souvenirs. A group of musicians usually plays for a few seconds as visitors approach, perhaps willing to play longer for money.
At the approach to the main entrance on the west there are small caves, chapels, carvings and constructions on the hillside. Right before the entrance are some shallow shelves in the cliff onto which people try to throw pebbles in order to make their wish come true. Just inside the entrance to the compound are the 12-13th century ramparts protecting three sides of the complex, and the cliffs behind protect the fourth. Walking across the complex will take one to the secondary entrance on the east, outside of which is a table for ritual animal offerings (matagh), and a bridge over the stream.
The one- and two-storey residential and service structures situated on the perimeter of the monastery’s yard were repeatedly reconstructed, sometimes from their foundations, as happened in the 17th century and in 1968—1971. It is known that most of the monks lived in cells excavated into the rock-face outside the main enceinte, which have been preserved, along with some simple oratories. The rock-faces over the whole area bear elaborate crosses (khatchkar) carved in relief.
More than twenty spaces, varying in shape and size, were carved, at different levels, in solid rock massifs surrounding the main cave structures. Those in the western part of the complex were for service purposes, and the rest are small rectangular chapels with a semicircular apse and an altar. There are twin and triple chapels with one entrance, some of the entrances ornamented with carvings.
There are many often richly ornamented khachkars cut on rock surfaces and on the walls of the structures or put up on the grounds of Geghard in memory of a deceased or in commemoration of someone’s donation to the monastery.
The Katoghike Chapel
Though there are inscriptions dating to the 1160s, the main church was built in 1215 under the auspices of the brothers Zakare and Ivane (of the Zakarid-Mkhargrzeli family), the generals of Queen Tamar of Georgia, who took back most of Armenia from the Turks. This is the main church of the complex, and traditional in most respects. This church is built against the mountain, which is not exposed even in the interior. The plan forms an equal-armed cross, inscribed in a square and covered with a dome on a square base. In the corners there are small barrel-vaulted two-storey chapels with steps protruding from the wall. The internal walls have many inscriptions recording donations.The southern facade of the Katoghike has a portal with fine carvings. The tympanum
Tympanum (architecture)
In architecture, a tympanum is the semi-circular or triangular decorative wall surface over an entrance, bounded by a lintel and arch. It often contains sculpture or other imagery or ornaments. Most architectural styles include this element....
is decorated with a representation of trees with pomegranates hanging from their branches, and of leaves intertwining with grapes. The pictures of doves are placed between the arch and the outside frame; the doves’ heads are turned to the axis of the portal. Above the portal is carved a lion attacking an ox, symbolizing the prince’s power.
The arched top of the arcature of the cupola’s drum has detailed reliefs showing birds, human masks, animals heads, various rosettes and jars.
The vestry, gavit
Gavit
A gavit or zhamatun is often contiguous to the west of a church in a Medieval Armenian monastery. It served as narthex , mausoleum and assembly room.-History:...
(Latin narthex
Narthex
The narthex of a church is the entrance or lobby area, located at the end of the nave, at the far end from the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper...
) built between 1215 and 1225, linked to the main church.
Four massive free-standing columns in the centre support a roof of stone with a hole in the centre to admit light. The peripheral spaces resulting from the location of the columns are variously roofed, whilst the central space is crowned by a dome with stalactites, the best example of this technique anywhere in Armenia. The gavit
Gavit
A gavit or zhamatun is often contiguous to the west of a church in a Medieval Armenian monastery. It served as narthex , mausoleum and assembly room.-History:...
was used for teaching and meetings, and for receiving pilgrims and visitors.
The western portal differs from other portals of those times by van-shaped door bands, decorated with a fine floral pattern. The ornamentation of the tympanum consists of large flowers with petals of various shapes in the interlaced branches and oblong leaves.
Rock-cut church with spring
The first cave chamber, Avazan (basin), situated north-west of the vestry, is hewn in place of an ancient cave with a spring (a place of worship in pagan times) in the forties of the 13th century.It is entirely dug out of the rock and has an equal-armed cruciform plan. The interior is lined by two crossed arches with a central stalactite dome. An inscription records that it was the work of the architect Galdzak, who also constructed the other rock-cut church and the jhamatuns within a period of some forty years. His name is inscribed at the base of the tent decorated with reliefs showing pomegranates.
The main rectangular space of the church is crowned with a tent and complicated with an altar apse and two deep niches, which gave the interior an incomplete cross-cupola shape. Two pairs of intersecting pointed arches, forming the base of the tent, rest on the half-columns of the walls. Just as in the vestry, the inner surface of the tent is hewn in the graceful shape of stalactites which also decorate the capitals of the half-columns and the conch of the altar apse. The decoration of the southern wall is most interesting compositionally. Carved on it are small triple arches with conchs of various shapes, connected at the top and at the bottom by a complicated and finely carved floral ornament.
The zhamatun
The Proshyans’ sepulchreSepulchre
The rock-cut tombs in ancient Israel are a group of hundreds of rock-cut tombs constructed in Israel in ancient times. They were cut into the rock, sometimes with elaborate facades and multiple burial chambers. Some are free-standing, but most are caves. Each tomb typically belonged to a...
and the second cave church of Astvatsatsin situated east of Avazan, were hewn in 1283, presumably by the same Galdzak, too. These are also accessed through the gavit. The zhamatun is a roughly square chamber cut into the rock, with deeply cut reliefs in the walls. Of interest is a rather primitive high relief on the northern wall, above the archways. In the center, there is a lion's head with a chain in its jaws; the chain is wound around the necks of two lions with their heads turned to the onlooker. Instead of the tail tufts there are heads of upward looking dragons — symbolic images gong all the way back to heathen times. Between the lions and below the chain there is an eagle with half-spread wings and a lamb in its claws. This is likely the coat-of-arms of the Proshian Princes.
The reliefs of the eastern wall are no less picturesque. The entrances to a small chapel and to Astvatsatsin church have rectangular platbands connected by two relief crosses. Cut on the portals of the chapel are sirens (fantasy harpy-like birds with women's crowned heads) and on the church walls there appear human figures with their elbows bent, wearing long attires and having nimbuses around their heads. These are probably members of the princely family who had these structures built. In its floor there are burial vaults.
Rock-cut church past the zhamatun
The rock-cut tomb gives access to the second rock-cut church. This church is known from an inscription to have been built in 1283, the donation of Prince Prosh. It is cruciform in plan. The corners are curved and the drum is lined with semi-columns alternating with blind windows. The dome is decorated, with a circular opening in the centre. The walls have relief decoration depicting animals, warriors, crosses, and floral motifs.Apart from stalactites in the shape of trefoil
Trefoil
Trefoil is a graphic form composed of the outline of three overlapping rings used in architecture and Christian symbolism...
s and quatrefoil
Quatrefoil
The word quatrefoil etymologically means "four leaves", and applies to general four-lobed shapes in various contexts.-In heraldry:In heraldic terminology, a quatrefoil is a representation of a flower with four petals, or a leaf with four leaflets . It is sometimes shown "slipped", i.e. with an...
s, the decoration of Astvatsatsin church features ornaments of rosettes and various geometrical figures. The front wall of the altar dais is decorated with a pattern of squares and diamonds. A realistic representation of a goat is found at the butt of the altar stair. Men's figures are found on a khachkar
Khachkar
A khachkar or khatchkar is a carved, cross-bearing, memorial stele covered with rosettes and other botanical motifs. Khachkars are characteristic of Medieval Christian Armenian art found in Armenia.-Description:...
left of the altar apse. The man with a staff in his right hand and in the same attitude as that of the figures on the portal may be Prince Prosh, a founder of the church. Another figure, holding a spear in the left hand, point down, and blowing an uplifted horn, is depicted almost in profile.
Upper Jhamatun
The jhamatun of Papak and Ruzukana was hewn in 1288 on a second level, north of the Proshians’ burial-vault, by way of an external staircase (near the door to the gavit). Also carved into the rock, its form reproduces that of a gavit. It contains the tombs of the princes Merik and Grigor, and others are known to have been there but have now disappeared. An inscription shows it to have been completed in 1288.On the southern side of the corridor leading to this jhamatun, numerous crosses are cut. The columns hewn in solid rock support rather low semicircular arches fitted into trapeziform frames which, forming a square in the plan, serve as a foundation for the spherical cupola above them with a light opening in its zenith. A hole in the back right corner gives a view of the tomb downstairs.
The acoustics in this chamber are extraordinary.
Chapel of S. Grigor
The chapel of S. Gregory the Illuminator (formerly the Chapel of the Mother of God - St Astvatzatzin), built before 1177, stands high above the road, a hundred meters away from the entrance to the monastery. It is partly hewed in massive solid rock; its composition was, in all probability, largely influenced by the shape of the cave which existed there. The chapel, rectangular in plan and having a horseshoe-shaped apse, is adjoined, from the east and from the northeast, by passages and annexes hewed at various levels and even one on top of another.Traces of plaster with remnants of dark frescoes indicate there were murals inside the chapel. Khachkars with various ornaments are inserted into the exterior walls and hewn on the adjacent rock surfaces.
Sources
- "Architectural Ensembles of Armenia", by O. Khalpakhchian, published in MoscowMoscowMoscow is the capital, the most populous city, and the most populous federal subject of Russia. The city is a major political, economic, cultural, scientific, religious, financial, educational, and transportation centre of Russia and the continent...
by Iskusstvo Publishers in 1980.
External links
- Armeniapedia.org: Geghard Monastery
- ArmeniaPhotos.info: Geghard Photos
- Armenica.org: Geghard Monastery Complex
- FindArmenia.com: Geghard
- UNESCO entry on Geghard - See "Advisory Body Evaluation" for detailed history.
- Worldy.info: Geghard Monastery