Geschichte vom kleinen Muck
Encyclopedia
Die Geschichte vom Kleinen Muck (English: The Story of Little Muck) is a 1953
feature film directed by Wolfgang Staudte
, adapted from the 19th century fairy tale
written by Wilhelm Hauff
.
It turns out the old man used to be called "little Muck" in his youth. As a boy, Muck is kind and benevolent, despite being discriminated against by everyone. When his caring father dies, his greedy relatives ransack his house and threaten Muck. Muck escapes, and sets out in search of a merchant who can supposedly sell happiness.
Muck wanders across the desert, only to find the house of a wicked woman who traps him. Before escaping, he takes her magical boots and staff. These boots allow Muck to run faster than anyone else in the land.
He immediately seeks out the Sultan, and with the help of his boots, he becomes the Sultan's chief runner, delivering messages. His staff also has the power to find buried treasure.
His employment with the sultan leads to the youth encountering some ethical problems. Eventually, he is framed for thievery, and thrown out. Despite these circumstances, Muck returns, and helps his virtuous friend Hassan win the heart of the lovely Princess Amarza.
Once Muck has finished his retrospective, the children display a newfound respect for him, and they help him with his work.
Muck's relatives are also excessively greedy and disrespectful to Muck's father. The moment the old man dies, these relatives show up and threaten an obviously traumatized Muck.
Conversely, Muck remains generous and kind throughout the movie. He feels sympathy for the runner he puts out of work, he frees a slave girl, and he even defies the Sultan's orders by disregarding the declaration of war he was supposed to deliver.
Despite these exploits, he is still a social pariah, up until he shares his story with everyone else.
These instances of social commentary are fairly subtle throughout, and the film remains light-hearted and whimsical.
Director Wolfgang Staudte was originally slotted to work on the film Mutter Courage und ihre Kinder, but due to disagreements, he never started work on the project and took up Kleinen Muck as an interim project.
The costumes and make-up are equally exaggerated, probably due to the film not taking itself too seriously. The cast is for the most part German, and these German actors are tasked with portraying Arabs. The make-up is fairly obvious, while the hair-styles and clothes donned by the film's antagonists are meant to be sources of light ridicule. Special effects are also used, specifically with regards to the story's magical elements. Muck's incredible speed is shown as he runs in fast-forward. His staff hovers, and donkeys' ears grow out of heads.
Despite the movie's production in a totalitarian state, the film does not contain any obvious propaganda or political messages. The dialogue and events of the diegesis remain apolitical throughout.
1953 in film
The year 1953 in film involved some significant events.-Events:*September 16 — The Robe debuts as the first anamorphic, widescreen CinemaScope film.-Top grossing films : After theatrical re-issue- Awards :Academy Awards:A...
feature film directed by Wolfgang Staudte
Wolfgang Staudte
Wolfgang Staudte , born Georg Friedrich Staudte, was a German film director, script writer and actor. He was born in Saarbrücken....
, adapted from the 19th century fairy tale
Fairy tale
A fairy tale is a type of short story that typically features such folkloric characters, such as fairies, goblins, elves, trolls, dwarves, giants or gnomes, and usually magic or enchantments. However, only a small number of the stories refer to fairies...
written by Wilhelm Hauff
Wilhelm Hauff
Wilhelm Hauff was a German poet and novelist.-Early life:Hauff was born in Stuttgart, the son of August Friedrich Hauff, a secretary in the ministry of foreign affairs, and Hedwig Wilhelmine Elsaesser Hauff...
.
Plot
An old artisan in a middle-eastern town finds himself the brunt of abuse from the townspeople, due to his hunch-back. The children, who call him "wicked", chase him and corner him in his shop. He locks them in, and tells them they can only leave once they have listened to his story.It turns out the old man used to be called "little Muck" in his youth. As a boy, Muck is kind and benevolent, despite being discriminated against by everyone. When his caring father dies, his greedy relatives ransack his house and threaten Muck. Muck escapes, and sets out in search of a merchant who can supposedly sell happiness.
Muck wanders across the desert, only to find the house of a wicked woman who traps him. Before escaping, he takes her magical boots and staff. These boots allow Muck to run faster than anyone else in the land.
He immediately seeks out the Sultan, and with the help of his boots, he becomes the Sultan's chief runner, delivering messages. His staff also has the power to find buried treasure.
His employment with the sultan leads to the youth encountering some ethical problems. Eventually, he is framed for thievery, and thrown out. Despite these circumstances, Muck returns, and helps his virtuous friend Hassan win the heart of the lovely Princess Amarza.
Once Muck has finished his retrospective, the children display a newfound respect for him, and they help him with his work.
Themes
There are several morals to be found in the film. The film's main antagonists are agents of greed and occasionally senseless violence, such as the Sultan when he declares war on a neighbouring state for no other reason than the planet's orbit. The sultan exclaims: "You have the audacity to tell me that the sun comes up earlier in the neighboring country of sultan Wasil Husain than in mine?" The Sultan also lives a life of excessive luxury, and is largely apathetic to the misfortunes of others. He once claims "I counted the slaves in the bath today. There were only 31! I'm not going to have to dry myself, am I?"Muck's relatives are also excessively greedy and disrespectful to Muck's father. The moment the old man dies, these relatives show up and threaten an obviously traumatized Muck.
Conversely, Muck remains generous and kind throughout the movie. He feels sympathy for the runner he puts out of work, he frees a slave girl, and he even defies the Sultan's orders by disregarding the declaration of war he was supposed to deliver.
Despite these exploits, he is still a social pariah, up until he shares his story with everyone else.
These instances of social commentary are fairly subtle throughout, and the film remains light-hearted and whimsical.
Reception
From the movie's release in 1953 to the fall of the GDR in East Germany, Kleinen Muck remained the number one selling film of the Ministry of Foreign Trade. It attracted more than 13 million viewers.Director Wolfgang Staudte was originally slotted to work on the film Mutter Courage und ihre Kinder, but due to disagreements, he never started work on the project and took up Kleinen Muck as an interim project.
Filmic Techniques and Diegesis
The film's fictional world is whimsical and fanciful. The colours of the sets are bright throughout the movie, with the exception of a brief dungeon scene. Most of the camerawork is done at close range, and there are very few panoramas in the film. The background sets are often intentionally over-exaggerated. Ideal middle-eastern towns border with sand dunes and lush palaces in an escapist representation of the Orient.The costumes and make-up are equally exaggerated, probably due to the film not taking itself too seriously. The cast is for the most part German, and these German actors are tasked with portraying Arabs. The make-up is fairly obvious, while the hair-styles and clothes donned by the film's antagonists are meant to be sources of light ridicule. Special effects are also used, specifically with regards to the story's magical elements. Muck's incredible speed is shown as he runs in fast-forward. His staff hovers, and donkeys' ears grow out of heads.
Despite the movie's production in a totalitarian state, the film does not contain any obvious propaganda or political messages. The dialogue and events of the diegesis remain apolitical throughout.