Gilles Binchois
Encyclopedia
Gilles de Binche, also known as Gilles de Bins (c. 1400 – 20 September 1460), was a Franco-Flemish
composer, one of the earliest members of the Burgundian School
, and one of the three most famous composers of the early 15th century. While often ranked behind his contemporaries Guillaume Dufay
and John Dunstaple, at least by contemporary scholars, his influence was arguably greater than either, since his works were cited, borrowed and used as source material more often than those by any other composer of the time.
, the son of Jean and Johanna de Binche, who may have been from the nearby town of Binche
. His father was a councillor to Duke Guillaume IV of Hainault, and also had a position in a church in Mons. Nothing is known about Gilles until 1419, when he became organist at the church of Ste. Waudru in Mons. In 1423 went to live in Lille
. Around this time he may have been a soldier in the service of the Burgundians, or perhaps the English Earl of Suffolk
, as indicated by a line in the memorial motet written on his death by Ockeghem
.
Sometime near the end of the 1420s he joined the court chapel of Burgundy, and by the time of his motet Nove cantum melodie (1431) he was evidently a singer there, since the text of the motet itself lists all 19 singers.
He retired to Soignies
, evidently with a substantial pension for his long years of excellent service to the Burgundian court.
composition by later composers. Most of his music, even his sacred music, is simple and clear in outline, sometimes even ascetic; a greater contrast between Binchois and the extreme complexity of the ars subtilior
of the previous century would be hard to imagine. Most of his secular songs are rondeaux
, which became the most common song form during the century. Binchois, however, rarely wrote in strophic form
, but instead shaped his melody independently of the verse's rhyme scheme.
Binchois wrote music for the court, secular songs of love and chivalry
, music that was expected by the Dukes of Burgundy
and that was evidently loved by them.
Franco-Flemish School
In music, the Franco-Flemish School or more precisely the Netherlandish School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries, and to the composers who wrote it...
composer, one of the earliest members of the Burgundian School
Burgundian School
The Burgundian School is a term used to denote a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The main names associated with this school are Guillaume Dufay, Gilles Binchois,...
, and one of the three most famous composers of the early 15th century. While often ranked behind his contemporaries Guillaume Dufay
Guillaume Dufay
Guillaume Dufay was a Franco-Flemish composer of the early Renaissance. As the central figure in the Burgundian School, he was the most famous and influential composer in Europe in the mid-15th century.-Early life:From the evidence of his will, he was probably born in Beersel, in the vicinity of...
and John Dunstaple, at least by contemporary scholars, his influence was arguably greater than either, since his works were cited, borrowed and used as source material more often than those by any other composer of the time.
Life
Binchois was probably from MonsMons
Mons is a Walloon city and municipality located in the Belgian province of Hainaut, of which it is the capital. The Mons municipality includes the old communes of Cuesmes, Flénu, Ghlin, Hyon, Nimy, Obourg, Baudour , Jemappes, Ciply, Harmignies, Harveng, Havré, Maisières, Mesvin, Nouvelles,...
, the son of Jean and Johanna de Binche, who may have been from the nearby town of Binche
Binche
Binche is a Walloon municipality located in the Belgian province of Hainaut. On January 1, 2006 Binche had a total population of 32,409. The total area is 60.66 km² which gives a population density of 534 inhabitants per km²...
. His father was a councillor to Duke Guillaume IV of Hainault, and also had a position in a church in Mons. Nothing is known about Gilles until 1419, when he became organist at the church of Ste. Waudru in Mons. In 1423 went to live in Lille
Lille
Lille is a city in northern France . It is the principal city of the Lille Métropole, the fourth-largest metropolitan area in the country behind those of Paris, Lyon and Marseille. Lille is situated on the Deûle River, near France's border with Belgium...
. Around this time he may have been a soldier in the service of the Burgundians, or perhaps the English Earl of Suffolk
William de la Pole, 1st Duke of Suffolk
William de la Pole, 1st Duke of Suffolk, KG , nicknamed Jack Napes , was an important English soldier and commander in the Hundred Years' War, and later Lord Chamberlain of England.He also appears prominently in William Shakespeare's Henry VI, part 1 and Henry VI, part 2 and other...
, as indicated by a line in the memorial motet written on his death by Ockeghem
Johannes Ockeghem
Johannes Ockeghem was the most famous composer of the Franco-Flemish School in the last half of the 15th century, and is often considered the most...
.
Sometime near the end of the 1420s he joined the court chapel of Burgundy, and by the time of his motet Nove cantum melodie (1431) he was evidently a singer there, since the text of the motet itself lists all 19 singers.
He retired to Soignies
Soignies
Soignies is a Walloon municipality located in the Belgian province of Hainaut.The municipality is composed of the Town of Soignies together with the villages of Casteau, Chaussée-Notre-Dame-Louvignies, Horrues, Neufvilles, Naast and Thieusies...
, evidently with a substantial pension for his long years of excellent service to the Burgundian court.
Music and influence
Binchois is often considered to be the finest melodist of the 15th century, writing carefully shaped lines which are easy to sing, and utterly memorable. His tunes appeared in copies decades after his death, and were often used as sources for massMass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...
composition by later composers. Most of his music, even his sacred music, is simple and clear in outline, sometimes even ascetic; a greater contrast between Binchois and the extreme complexity of the ars subtilior
Ars subtilior
Ars subtilior is a musical style characterized by rhythmic and notational complexity, centered around Paris, Avignon in southern France, also in northern Spain at the end of the fourteenth century. The style also is found in the French Cypriot repertory...
of the previous century would be hard to imagine. Most of his secular songs are rondeaux
Rondeau (music)
The rondeau was a Medieval and early Renaissance musical form, based on the contemporary popular poetic rondeau form. It is distinct from the 18th century rondo, though the terms are likely related...
, which became the most common song form during the century. Binchois, however, rarely wrote in strophic form
Strophic form
Strophic form is the simplest and most durable of musical forms, elaborating a piece of music by repetition of a single formal section. This may be analyzed as "A A A..."...
, but instead shaped his melody independently of the verse's rhyme scheme.
Binchois wrote music for the court, secular songs of love and chivalry
Chivalry
Chivalry is a term related to the medieval institution of knighthood which has an aristocratic military origin of individual training and service to others. Chivalry was also the term used to refer to a group of mounted men-at-arms as well as to martial valour...
, music that was expected by the Dukes of Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
and that was evidently loved by them.