Grand appartement de la reine
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This article is about the grand appartement de la reine of the Palace of Versailles
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Forming a parallel enfilade
with that of the grand appartement du roi, the grand appartement de la reine served as the residence of three queens of France — Marie-Thérèse d’Autriche, wife of Louis XIV; Marie Leszczyska, wife of Louis XV; and Marie-Antoinette, wife of Louis XVI (additionally, Louis XIV’s granddaughter-in-law, Marie-Adélaïde de Savoie, as duchesse de Bourgogne, occupied these rooms from 1697 (the year of her marriage) to her death in 1712). When Louis Le Vau’s envelope of the château vieux was completed, the grand appartement de la reine came to include a suite of seven enfilade rooms with an arrangement that mirrored almost exactly the grand appartement du roi. The configuration was:
As with the decoration of the ceiling in the grand appartement du roi, which depicted the heroic actions of Louis XIV as allegories from events taken from the antique past, the decoration of the grand appartement de la reine likewise depicted heroines from the antique past and harmonized with the general theme of a particular room’s decor.
With the construction of the Hall of Mirrors, which began in 1678, the configuration of the grand appartement de la reine changed. The chapel was transformed into the salle des gardes de la reine and it was in this room that the decorations from the salon de Jupiter were reused. The salle des gardes de la reine communicates with a loggia that issues from the escalier de la reine, which formed a parallel pendant (albeit a smaller, though similarly-decorated example) with the escalier des ambassadeurs in the grand appartement du roi. The loggia also provides access to the appartement du roi, the suite of rooms in which Louis XIV lived. Toward the end of Louis XIV’s reign, the escalier de la reine became the principal entrance to the château, with the escalier des ambassadeurs used on rare state occasions. After the destruction of the escalier des ambassadeurs in 1752, the escalier de la reine became the main entrance to the château.
From 1682, the grand appartement de la reine included:
With the death of Louis XIV in 1715, the court moved to Vincennes
and later to Paris. In 1722, Louis XV reinstalled the court at Versailles and began modifications to the château’s interior. Among the most noteworthy of the building projects during Louis XV’s reign, the redecoration of the chamber de la reine must be cited.
To commemorate the birth of his only son and heir, Louis, in 1729, Louis XV ordered a complete redecoration of the room. Elements of the chamber de la reine as it had been used by Marie-Thérèse and Marie-Adélaïde de Savoie were removed and a new, more modern decor was installed.
During her life at Versailles, Marie Leszczynska (1703–1768) lived in the grand apartment de la reine, to which she annexed the salon de la paix to serve as a music room. In 1770, when the Austrian archduchess Marie-Antoinette married the dauphin, later Louis XVI, she took up residence in these rooms. Upon Louis XVI’s ascension to the throne in 1774, Marie-Antoinette ordered major redecoration of the grand appartement de la reine. At this time, the queen’s apartment achieved the arrangement that we see today.
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Palace of Versailles
The Palace of Versailles , or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. In French it is the Château de Versailles....
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Forming a parallel enfilade
Enfilade (architecture)
In architecture, an enfilade is a suite of rooms formally aligned with each other. This was a common feature in grand European architecture from the Baroque period onwards, although there are earlier examples, such as the Vatican stanze...
with that of the grand appartement du roi, the grand appartement de la reine served as the residence of three queens of France — Marie-Thérèse d’Autriche, wife of Louis XIV; Marie Leszczyska, wife of Louis XV; and Marie-Antoinette, wife of Louis XVI (additionally, Louis XIV’s granddaughter-in-law, Marie-Adélaïde de Savoie, as duchesse de Bourgogne, occupied these rooms from 1697 (the year of her marriage) to her death in 1712). When Louis Le Vau’s envelope of the château vieux was completed, the grand appartement de la reine came to include a suite of seven enfilade rooms with an arrangement that mirrored almost exactly the grand appartement du roi. The configuration was:
- Chapel — which was pendant with the salon de Diane in the grand appartement du roi
- Salle de gardes — which was pendant with the salon de Mars in the grand appartement du roi
- Antichambre — which was pendant with the salon de Mercure in the grand appartement du roi
- Chambre — which was pendant with the salon d’Apollon in the grand apartment du roi
- Grand cabinet — which was pendant with the salon de Jupiter in the grand appartement du roi
- Oratory — which was pendant with the salon de Saturne in the grand appartement du roi
- Petit cabinet — which was pendant with the salon de Vénus in the grand appartement du roi
As with the decoration of the ceiling in the grand appartement du roi, which depicted the heroic actions of Louis XIV as allegories from events taken from the antique past, the decoration of the grand appartement de la reine likewise depicted heroines from the antique past and harmonized with the general theme of a particular room’s decor.
With the construction of the Hall of Mirrors, which began in 1678, the configuration of the grand appartement de la reine changed. The chapel was transformed into the salle des gardes de la reine and it was in this room that the decorations from the salon de Jupiter were reused. The salle des gardes de la reine communicates with a loggia that issues from the escalier de la reine, which formed a parallel pendant (albeit a smaller, though similarly-decorated example) with the escalier des ambassadeurs in the grand appartement du roi. The loggia also provides access to the appartement du roi, the suite of rooms in which Louis XIV lived. Toward the end of Louis XIV’s reign, the escalier de la reine became the principal entrance to the château, with the escalier des ambassadeurs used on rare state occasions. After the destruction of the escalier des ambassadeurs in 1752, the escalier de la reine became the main entrance to the château.
From 1682, the grand appartement de la reine included:
- Salle des gardes de la reine
- Antichambre (formerly the salle des gardes)
- Grand cabinet
- Chambre de la reine
With the death of Louis XIV in 1715, the court moved to Vincennes
Vincennes
Vincennes is a commune in the Val-de-Marne department in the eastern suburbs of Paris, France. It is located from the centre of Paris. It is one of the most densely populated municipalities in Europe.-History:...
and later to Paris. In 1722, Louis XV reinstalled the court at Versailles and began modifications to the château’s interior. Among the most noteworthy of the building projects during Louis XV’s reign, the redecoration of the chamber de la reine must be cited.
To commemorate the birth of his only son and heir, Louis, in 1729, Louis XV ordered a complete redecoration of the room. Elements of the chamber de la reine as it had been used by Marie-Thérèse and Marie-Adélaïde de Savoie were removed and a new, more modern decor was installed.
During her life at Versailles, Marie Leszczynska (1703–1768) lived in the grand apartment de la reine, to which she annexed the salon de la paix to serve as a music room. In 1770, when the Austrian archduchess Marie-Antoinette married the dauphin, later Louis XVI, she took up residence in these rooms. Upon Louis XVI’s ascension to the throne in 1774, Marie-Antoinette ordered major redecoration of the grand appartement de la reine. At this time, the queen’s apartment achieved the arrangement that we see today.
- Salle des gardes de la reine — this room remained virtually unchanged by Marie-Antoinette.
- Antichambre — this room was transformed into the antichambre du grand couvert. It was in this room that the king, queen, and members of the royal family dined in public. Occasionally, this room served as a theater for the château.
- Grand cabinet — this room was transformed into the salon des nobles. Following the tradition established by her predecessor, Marie-Antoinette would hold formal audiences in this room. When not used for formal audiences, the salon des nobles served as an antechamber to the queen’s bedroom.
- Chambre de la reine — this room was used as the queen’s bedroom, and was of exceptional splendor. On the night of 6/7 October 1789, Marie-Antoinette fled from the Paris mob by escaping through a private corridor that connected her apartment with that of the king.
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