Haal
Encyclopedia
Haal (Literally "state" or "condition", plural ahwal) is a special-purpose, temporary state of consciousness
Consciousness
Consciousness is a term that refers to the relationship between the mind and the world with which it interacts. It has been defined as: subjectivity, awareness, the ability to experience or to feel, wakefulness, having a sense of selfhood, and the executive control system of the mind...

, generally a product of spiritual practices, recognised in Sufism
Sufism
Sufism or ' is defined by its adherents as the inner, mystical dimension of Islam. A practitioner of this tradition is generally known as a '...

.

Overview

A ḥāl is by nature transient and one should not attempt to prolong it. It results from psychological or spiritual influences which affect the man of the Way during his pro gress towards God. Related concepts are Ecstasy (wajad
Wajad
Ecstasy is called Wajd by Sufis: it is especially cultivated among the Chishtis. This bliss is the sign of spiritual development and also the opening for all inspirations and powers. This is the state of eternal peace, which purifies from all sins. Only the most advanced Sufis can experience Wajd...

), Annihilation (istilam) , Happiness (bast
Bast
Bast may refer to:* Bast a slang term used as reference to the word Bastard* Bast, or Bastet, a goddess in Ancient Egyptian mythology* Bast fibre, a type of plant fiber* Bast, Afghanistan...

) , Despondency (qabd) , Awakening (sahû
Sahu
Sahu is an Indian and Pakistani surname belonging to the Vaishya varna or Jat varna respectively .They derive their name Sahu, or sometimes pronounced Sao and Sah, from their ancestral family business of bankers and money lending: from the Hindi word SAHUKAR, meaning, in a sense, persons dealing...

) Drunkenness (sukr) , etc. They arise like flashes on the horizon, blinding flashes of lightning which disappear immediately. However, these stages are necessary for the liberating experience of Man; thanks to them He may distinguish the contingent from the consciousness anything except that which is destined to endure. According to Ibn Arabi
Ibn Arabi
Ibn ʿArabī was an Andalusian Moorish Sufi mystic and philosopher. His full name was Abū 'Abdillāh Muḥammad ibn 'Alī ibn Muḥammad ibn `Arabī .-Biography:...

, ‘’Fanaa
Fanaa
Fanaa can refer to:* Fanaa , a part of Sufi philosophy* Fanaa , a film directed by Kunal Kohli* "Fanaa" , a popular song from the movie Yuva...

 (al-fanâ)’’ (extinction) is the apex of the aḥwāl.

History

It was not until the 11th century that aḥwāl were incorporated into Sufi practice, but the idea of changing states dates back to the pre-Islamic religions that were dominant in the Near Eastern-Mediterranean region.

Ḥāl in Sufism

Since aḥwāl are considered in Sufism to be gifts from God, there is nothing on the part of human beings that can be done to ensure that they are granted, for man is merely the receiver. Yet, unlike material gifts given among men, man cannot do anything to avoid experiencing these special states. No prerequisites have been determined for man to receive any particular ḥāl since it has been noted that even the unreligious occasionally experience states that have been granted by God. The explanation given for this phenomenon follows from the idea that there is an overabundance of divine grace and, thus, it must necessarily come into contact with nonbelievers at times. Likewise, those that are in the early stages of their spirituality may experience different ḥāl just as much as the more advanced Sufis.

When enduring a particular ḥāl, such as that of ecstasy, one must note that only those who have already experienced that state can truly comprehend what it is like. As well, for the one experiencing a state of ecstasy to be understood, only those that are in a similar state will understand what is being said. This also applies to one’s work since someone who is viewing a piece of art or reading a particular passage must be in the same ḥāl as the creator was at the time of work’s creation. Failing to do this will only result in a lack of understanding between the creator and his audience.

It is generally thought that aḥwāl are only experienced intermittently for a short time, but others such as ‘Abd al-Karīm ibn Hawāzin al-Qushayrī argue that each state is continuous, and that there is a necessary succession from one state to the other. For him, once a state has been granted by God, man maintains that state, or condition, until he has been given a new state that is spiritually higher than the previous. Others would argue that his definition of a state actually pertains to a station (maqām) which is a completely separate notion in Sufism. His reason for making this claim, however, comes from a hadith given by Muhammad, as well as an explanation of that hadith from ad-Daqqaq. The passage is written as follows:

“My heart becomes shrouded, so that I ask God Most High for pardon seventy times a day. In regard to this hadith, I hears Abu ‘Ali ad-Daqqaq, God’s mercy upon him, say: “The prophet (God’s mercy and blessings upon him) was continually rising in his states. When he rose from one condition (ḥāla) to a higher one, he might glance at the condition he has risen beyond, and he would count it as a covering or shroud in relationship to what he had attained. His states were continually being intensified."

Given this passage from Muhammad, it would appear that Qushayrī is correct in making his claim, but many Sufis still consider each state to come and go like a flash of lightning. Still others would claim that while most aḥwāl are short-lived, the more advanced aḥwāl can remain with man for a longer period of time.

Ḥāl of murāqaba (‘watching’)

This ḥāl is one in which its receiver can experience a feeling of joy or of fear depending on which aspect of God has been revealed to him.

Ḥāl of qurb (‘nearness’)

Experiencing this ḥāl causes one to lose consciousness of his acts, and to concentrate only on the acts of God.The spirit Awliah Allah (Friends of GOD ) after death or in life can give there qurb and suhbat to the seekers of God.There attention towards the salik (seeker) or student causes the state of estacsy(wajd) but if somone gets control its more better and fruitfull.

Ḥāl of wajd (‘ecstasy')

A state that is described by its opposites, as the one experiencing it can feel either fear or love, sorrow or joy, or contentment or restlessness.

Ḥāl of sukr (‘intoxication’)

Followed by a ḥāl of ṣahw (‘sobriety’), this state is characterized by an association with God that inhibits man from being fully aware of his surroundings.

Ḥāl of wudd (‘intimacy’)

A state that includes a feeling of awe coupled with content from the divine presence that fills the receiver’s heart.

Other Aḥwāl

Additional aḥwāl found in Sufism include: grief, expansion, vexation, contraction, or need.

Distinction from Maqām
Maqam
- Musical structures :* Arabic maqam, melodic modes* Mugam genre of Azeri-speaking cultures* Maqam al-iraqi genre of Iraq* Weekly Maqam prayer services of Sephardic Jewish culture* Makam, melody types of Turkey* Muqam, melody type of Uyghur culture...

 

Generally in Sufism there is a clear distinction between the various aḥwāl given by God and the Sufi term for a station, maqām
Maqam
- Musical structures :* Arabic maqam, melodic modes* Mugam genre of Azeri-speaking cultures* Maqam al-iraqi genre of Iraq* Weekly Maqam prayer services of Sephardic Jewish culture* Makam, melody types of Turkey* Muqam, melody type of Uyghur culture...

. The main difference between the two terms is the idea that a ḥāl is a gift from God, and cannot be sought after, whereas a maqām is only attained through rigorous spiritual practice. In this way, a maqām is something that can be pursued and whose attainment relies heavily on the actions of man. As well, once one has achieved a particular station, they remain in that station until they have moved onto a higher one; thus making it more permanent that the different aḥwāl that man can experience.

Ḥāl Outside of Sufism

Outside the realm of Sufism, the term ḥāl is used more generally in Arabic and Persian to describe any positive experience of one’s soul that transcends reality. In other words, it could be thought of as a state in which man has an unexplained feeling. In this sense such states are not necessarily linked with a divine experience, or encounter, and they are always desired states.

Ḥāl in the Persian Arts

As the Persian use of a ḥāl simply constitutes a leaving of one’s normal consciousness, it maintains a great importance when speaking of Persian art, both musically and visually. In fact, it has become so common in among Persian artists that it is now used synonymously with an artist’s ability to achieve authenticity (eṣālat). It is therefore possible for one to make the statement that an artist ‘has ḥāl’, ‘plays with ḥāl’, or even that he is ‘experiencing his own ḥāl.’ Especially in Persian music ḥāl is significant because musicians tend to follow the notion that the harmonies and melodies found in their works are able to bring a listener from one state to another. Reaching certain states also allows the musician himself to perform a piece exactly as it was originally written, either by him or someone else. This idea is heavily based on the Sufi use of the term, though it does not follow it entirely.

Resources

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