Half Caste (poem)
Encyclopedia
Half-Caste is a poem by John Agard
John Agard
John Agard is an Afro-Guyanese playwright, poet and children's writer, now living in the United Kingdom.-Background:...

, which looks at people's ideas and usage of the word 'half-caste'. The poem is taken from Agard's 2005 collection of the same name, in which he explores a range of issues affecting black and mixed-race identity in the UK. Since 2002 the poem has been in the AQA Anthology
AQA Anthology
The AQA Anthology is a collection of poems and short texts which are studied in English schools for GCSE English and English Literature, produced by the Assessment and Qualifications Alliance...

.

Message

Half Caste attempts to challenge the reader to reconsider their preconceptions of mixed race identities: John Agard wrote "this is not as an opposition of half, half, half on a person's total human complexity implies that some sort of 'purity' has been subverted. A child of mixed race is a tangible, loving expression of human beings from different cultural backgrounds getting together - that should be seen not as something threatening, but as something enriching..."

Style

The poem is written in a mixture of English dialects; Standard English
Standard English
Standard English refers to whatever form of the English language is accepted as a national norm in an Anglophone country...

, Caribbean
Caribbean
The Caribbean is a crescent-shaped group of islands more than 2,000 miles long separating the Gulf of Mexico and the Caribbean Sea, to the west and south, from the Atlantic Ocean, to the east and north...

 and Creole
Creole language
A creole language, or simply a creole, is a stable natural language developed from the mixing of parent languages; creoles differ from pidgins in that they have been nativized by children as their primary language, making them have features of natural languages that are normally missing from...

 forms are all used. The "yu" which runs throughout the poem appears to be directed at the reader, whose assumed prejudices towards people of mixed-race descent, and in particular the belief that "purity" is superior to heterogeneity, are critiqued and ultimately shown to be fallacious. Agard explores this idea through a series of apparently lighthearted images, all of which in some way appeal to the cultural pretensions of a (white) reader who views a "half-caste" person as in some way inferior to themselves. He offers, for example, the analogy of English weather, a Tchaikovsky
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...

symphony and paintings by Picasso. In all three cases he argues that it is the heterogeneity of the images that lend them their peculiar force and cultural resonance.

In the second half of the poem Agard turns the "half" around to focus on the reader and how he, Agard, has been perceived in the past. His argument is, essentially, that people have only used part of their perceptive faculties, and, as such, he can only extend "half a hand" to them. It is, Agard believes, up to the reader to extend their own mode of seeing to be able to comprehend the meaning of a "half-caste" person, and only then will he "tell yu / de other half / of my story."
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