Hans Namuth
Encyclopedia
Hans Namuth was a German-born photographer. Namuth specialized in portraiture
, photographing many artists, including abstract expressionist Jackson Pollock
. His photos of Pollock at work in his studio increased Pollock's fame and recognition and led to a greater understanding of his work and techniques. Namuth used his outgoing personality and persistence to photograph many important artistic figures at work in their studios.
Namuth photographed many other painters such as Willem de Kooning
, Robert Rauschenberg
, and Mark Rothko
and architects such as Frank Lloyd Wright
, Philip Johnson
, and Louis Kahn
. Namuth focused on his rapport with his subjects, getting many reclusive figures such as Clyfford Still
to agree to be photographed. Namuth's work not only captured his subjects in their studios with their works, but also captured the relationship between photographer and subject as well as the subjects' levels of self-consciousness. Besides famous art figures, Namuth photographed the Mam people
of Todos Santos
, whose native lifestyles were being overrun by Western influences. Namuth died in a Long Island
car crash in 1990.
, Germany. His interests in his youth were mainly politics and the arts. Namuth cites his mother as most responsible for encouraging his interest in music and the arts. As a teenager, Namuth became familiar with German expressionism
and French impressionism through the Folkwang Museum. Namuth's father joined the Nazi Party in 1931 after becoming disillusioned due to an economic decline. This contrasted with the political views of his son, who found himself drawn to the liberal German Youth Movement
. After Hans Namuth was arrested and briefly jailed for distributing anti-Nazi materials in July 1933, Namuth's father intervened and arranged for him to be sent to Paris. During his time in Paris, Namuth took an assortment of jobs including newspaper boy, researcher, and dishwasher.
Namuth befriended many German expatriates in Paris, including photographer Georg Reisner. In 1935, Reisner invited Namuth to assist him with his studio in Port de Pollença
, Spain, and introduced the 20-year-old Namuth to photography. After several months, the two returned to Paris, supporting themselves with photojournalism and occasional portraits. Namuth and Reisner were sent to cover the Workers' Olympiad in July 1936 by French magazine Vu, which put them in Barcelona during the opening stages of the Spanish Civil War
. Over the next nine months, the two photographed the war, providing photos to European publications. Namuth and Reisner returned to Paris in 1937 and continued their careers as photographers until 1939. While in Paris, Namuth studied with Joseph Breitenbach, who taught him the technical aspects of photography. After increased tension and hostilities between France and Germany, Namuth and his fellow German expatriates were interned, though Namuth joined the French Foreign Legion
to avoid his confinement. After being discharged in 1940, Namuth fled to Marseilles and escaped to the United States with the help of journalist Varian Fry
and his Emergency Rescue Committee. He arrived in New York City in 1941 and planned to join the Office of Strategic Services
in 1943 out of a desire "to do something about everything". However, he had fallen in love with French-born Guatemalan Carmen Herrera and delayed his enlistment until he was drafted for World War II
in December 1943. After completing basic training, Namuth joined the intelligence services and worked as an interrogator and interpreter in England, France, and Czechoslovakia. Upon returning to Germany in 1945 to gather war criminals, Namuth realized, "I really had cut my navel cord completely and totally, not just with my home and family but with the country as such. I was completely out of it." Namuth did not return to Germany until 1970.
With the conclusion of World War II, Namuth left the army, having been awarded the Purple Heart
and Croix de Guerre
. Namuth returned to New York determined to raise enough money for his family while keeping photography as a hobby. After working for a paper research company for about a year and a half, the company went bankrupt, leaving Namuth without a job. Namuth realized he had been "doing something that really was not my dish", and decided to return full-time to photography. He set up his kitchen as a darkroom
and began doing location work for architecture magazines, as he had been interested in architecture and design. Namuth was introduced to Alexey Brodovitch
, a photographer, instructor, and art director of Harper's Bazaar
. Namuth began taking Brodovitch's classes at The New School of Social Research, where he learned how to develop ideas and how to engage the concepts of his images from Brodovitch. He began working for Harper's Bazaar, doing fashion photography, and later children's fashion photography.
, but was convinced by his teacher Alexey Brodovitch that Pollock was an important painter. In July 1950, Namuth approached Pollock and asked to photograph the artist working in his studio. Pollock agreed, encouraged by his wife, Lee Krasner
, who was aware of the importance of media coverage. The resulting images helped to demystify Pollock's famous "drip" technique of painting, revealing it to be a deliberative process rather than a random splashing of paint. They "helped transform Pollock from a talented, cranky loner into the first media-driven superstar of American contemporary art, the jeans-clad, chain-smoking poster boy of abstract expressionism
," according to acclaimed culture critic Ferdinand Protzman. Not satisfied with black and white stills, Namuth wanted to create a color film that managed to focus on Pollock and his painting at the same time, partially because he found more interest in Pollock's image than in his art. His solution was to have Pollock paint on a large sheet of glass as Namuth filmed from underneath the work. As Namuth could not afford professional lighting, the film was shot outside Pollock's Long Island home. This documentary (co-produced with Paul Falkenberg) is considered one of the most influential for artists.
In November 1950, Namuth and Pollock's relationship came to an abrupt conclusion. After coming in from the cold-weather shoot of the glass painting, Pollock, who had been treated in the 1930s for alcoholism
, poured himself a tumbler of bourbon whiskey
after supposedly having been sober for two years. An argument between Namuth and Pollock ensued with each calling the other a "phony", culminating in Pollock overturning a table of food and dinnerware in front of several guests. From then on, Pollock reverted to a more figure-oriented style of painting, leading some to say that Namuth's sessions robbed Pollock of his rawness and made Pollock come to feel disingenuous about doing things for the camera that he had originally done spontaneously. Art critic Jonathan Jones
suggests that by filming Pollock, Namuth "broke the myth of trance" and by framing Pollock's work in the larger surrounding landscape, destroyed Pollock's view that his paintings were boundless. Jeffrey Potter, a close friend of Pollock's, described Namuth as commanding, frequently telling Pollock when to start and stop painting. According to Potter, Pollock "felt what was happening was phony." Namuth himself describes Pollock as being "very nervous and very self-conscious" of the filming at the time, but less so when Pollock discussed it in a later interview.
During his time with Pollock, Hans Namuth had created two films and captured more than 500 photographs of the artist. These photos were first published in 1951 in Portfolio, a journal edited by Alexey Brodovitch and Franz Zachary. After the death of Pollock in 1956, Namuth's photos grew in popularity and were often used in articles about the painter in place of Pollock's artwork itself. Art historian Barbara Rose
states that the photographs changed art by focusing on the creation of art rather than the final product alone. Younger artists such as Bruce Nauman
, Richard Serra
, and Robert Morris
were able not only to view Pollock's paintings, but, with Namuth's images, to see Pollock in the act of painting, giving rise to the popularity of Process Art
. These photos have also allowed art historians to dissect the details of Pollock's method. For example, art historian Pepe Karmel found that Pollock's painting in Namuth's first black-and-white film began with several careful drippings forming two humanoid figures and a wolf before being covered beneath several layers of paint.
and Mark Rothko
. During the construction of de Kooning's studio over the years, Namuth photographed its progress as well as de Kooning's paintings from this period. Namuth took an especially large number of photos of de Kooning's Reclining Man, possibly indicating the painting's importance to Namuth or de Kooning. Namuth photographed many architects including Frank Lloyd Wright
, Walter Gropius
, and Louis Kahn
.
in 1946 out of interest in his wife's native land and Namuth photographed the native Mam people
of Todos Santos
. Namuth returned in 1978 to survey the damage of an earthquake and was shocked to find the native customs of the Mam threatened by influences such as alcoholism. Namuth published these black-and-white photos in his 1989 book, Los Todos Santeros, in an effort to catalog and preserve images of the town's population and customs. He began to work regularly for Art News in 1979, producing 19 covers for the magazine over four years. Namuth died in 1990 in a Long Island
automobile accident not far from where Pollock had similarly died in a car crash.
The full archive of Namuth's work is located at the Center for Creative Photography
(CCP) at the University of Arizona
in Tucson
, which also manages the copyright of his work.
, who took two years to be convinced. He generally managed to put his subject at ease well enough so that they could work naturally in their environments without any artificial stiffness. Largely because of this, self-conscious artists such as Clyfford Still
and Saul Steinberg
agreed to be subjects for Namuth's photography. However, critic Sarah Boxer suggests that it is difficult to view photos of such artists without considering the possibility that they were trying to gain fame in a manner similar to Pollock. Though Namuth developed personal relationships with many of his subjects, art critic Hilton Kramer
describes Namuth as "something of a hero worshiper."
Namuth's photographs included objects related to his subjects, such as paint tubes, items from around their homes, and their works of art. His photos also captured his own interactions with subjects, showing how comfortable they were at the time of shooting. Some subjects, such as Frank Stella
, seemed to be intoxicated with the idea of being photographed by Namuth, while others, including Mark Rothko and Robert Rauschenberg
, ignored Namuth during their photo sessions. Other photographs exude tension between photographer and subject, as if Namuth were an unwelcome guest in their workspace, as in the cases of artists Louise Nevelson and Jasper Johns
. Often, Namuth's subjects are uncomfortable in front of the camera, as were architects Eero Saarinen
and Buckminster Fuller
. Almost all of Namuth's images of male artists, with the notable exception of Pollock, appear to be taking contemplative or otherwise self-absorbed poses.
Portrait photography
Portrait photography or portraiture is the capture by means of photography of the likeness of a person or a small group of people , in which the face and expression is predominant. The objective is to display the likeness, personality, and even the mood of the subject...
, photographing many artists, including abstract expressionist Jackson Pollock
Jackson Pollock
Paul Jackson Pollock , known as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement. During his lifetime, Pollock enjoyed considerable fame and notoriety. He was regarded as a mostly reclusive artist. He had a volatile personality, and...
. His photos of Pollock at work in his studio increased Pollock's fame and recognition and led to a greater understanding of his work and techniques. Namuth used his outgoing personality and persistence to photograph many important artistic figures at work in their studios.
Namuth photographed many other painters such as Willem de Kooning
Willem de Kooning
Willem de Kooning was a Dutch American abstract expressionist artist who was born in Rotterdam, the Netherlands....
, Robert Rauschenberg
Robert Rauschenberg
Robert Rauschenberg was an American artist who came to prominence in the 1950s transition from Abstract Expressionism to Pop Art. Rauschenberg is well-known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations...
, and Mark Rothko
Mark Rothko
Mark Rothko, born Marcus Rothkowitz , was a Russian-born American painter. He is classified as an abstract expressionist, although he himself rejected this label, and even resisted classification as an "abstract painter".- Childhood :Mark Rothko was born in Dvinsk, Vitebsk Province, Russian...
and architects such as Frank Lloyd Wright
Frank Lloyd Wright
Frank Lloyd Wright was an American architect, interior designer, writer and educator, who designed more than 1,000 structures and completed 500 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture...
, Philip Johnson
Philip Johnson
Philip Cortelyou Johnson was an influential American architect.In 1930, he founded the Department of Architecture and Design at the Museum of Modern Art in New York City, and later , as a trustee, he was awarded an American Institute of Architects Gold Medal and the first Pritzker Architecture...
, and Louis Kahn
Louis Kahn
Louis Isadore Kahn was an American architect, based in Philadelphia, Pennsylvania, United States. After working in various capacities for several firms in Philadelphia, he founded his own atelier in 1935...
. Namuth focused on his rapport with his subjects, getting many reclusive figures such as Clyfford Still
Clyfford Still
Clyfford Still was an American painter, and one of the leading figures of Abstract Expressionism.-Biography:...
to agree to be photographed. Namuth's work not only captured his subjects in their studios with their works, but also captured the relationship between photographer and subject as well as the subjects' levels of self-consciousness. Besides famous art figures, Namuth photographed the Mam people
Mam people
The Mam are a Native American people in the western highlands of Guatemala and in south-western Mexico.Most Mam live in Guatemala, in the departments of Huehuetenango, San Marcos, and Quetzaltenango...
of Todos Santos
Todos Santos Cuchumatán
Todos Santos Cuchumatán is a municipality in the Guatemalan department of Huehuetenango. It is situated in the Sierra de los Cuchumatanes at an elevation of 2,500 m . The municipality covers an area of approximately 269 km2 and is formed by the town of Todos Santos Cuchumatán, 6 villages, and 69...
, whose native lifestyles were being overrun by Western influences. Namuth died in a Long Island
Long Island
Long Island is an island located in the southeast part of the U.S. state of New York, just east of Manhattan. Stretching northeast into the Atlantic Ocean, Long Island contains four counties, two of which are boroughs of New York City , and two of which are mainly suburban...
car crash in 1990.
Early life
Hans Namuth was born March 17, 1915 in EssenEssen
- Origin of the name :In German-speaking countries, the name of the city Essen often causes confusion as to its origins, because it is commonly known as the German infinitive of the verb for the act of eating, and/or the German noun for food. Although scholars still dispute the interpretation of...
, Germany. His interests in his youth were mainly politics and the arts. Namuth cites his mother as most responsible for encouraging his interest in music and the arts. As a teenager, Namuth became familiar with German expressionism
Expressionism
Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas...
and French impressionism through the Folkwang Museum. Namuth's father joined the Nazi Party in 1931 after becoming disillusioned due to an economic decline. This contrasted with the political views of his son, who found himself drawn to the liberal German Youth Movement
German Youth Movement
The German Youth Movement is a collective term for a cultural and educational movement that started in 1896. It consists of numerous associations of young people that focus on outdoor activities. The movement included German Scouting and the Wandervogel...
. After Hans Namuth was arrested and briefly jailed for distributing anti-Nazi materials in July 1933, Namuth's father intervened and arranged for him to be sent to Paris. During his time in Paris, Namuth took an assortment of jobs including newspaper boy, researcher, and dishwasher.
Namuth befriended many German expatriates in Paris, including photographer Georg Reisner. In 1935, Reisner invited Namuth to assist him with his studio in Port de Pollença
Port de Pollença
Port de Pollença is a small town in north-eastern Mallorca, Spain, situated on the Bay of Pollença. It is located about six kilometres east of the inland town of Pollença and two kilometres southeast of Cala Sant Vicenç....
, Spain, and introduced the 20-year-old Namuth to photography. After several months, the two returned to Paris, supporting themselves with photojournalism and occasional portraits. Namuth and Reisner were sent to cover the Workers' Olympiad in July 1936 by French magazine Vu, which put them in Barcelona during the opening stages of the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...
. Over the next nine months, the two photographed the war, providing photos to European publications. Namuth and Reisner returned to Paris in 1937 and continued their careers as photographers until 1939. While in Paris, Namuth studied with Joseph Breitenbach, who taught him the technical aspects of photography. After increased tension and hostilities between France and Germany, Namuth and his fellow German expatriates were interned, though Namuth joined the French Foreign Legion
French Foreign Legion
The French Foreign Legion is a unique military service wing of the French Army established in 1831. The foreign legion was exclusively created for foreign nationals willing to serve in the French Armed Forces...
to avoid his confinement. After being discharged in 1940, Namuth fled to Marseilles and escaped to the United States with the help of journalist Varian Fry
Varian Fry
Varian Mackey Fry was an American journalist. Fry ran a rescue network in Vichy France that helped approximately 2,000 to 4,000 anti-Nazi and Jewish refugees to escape Nazi Germany and the Holocaust.-Early life:...
and his Emergency Rescue Committee. He arrived in New York City in 1941 and planned to join the Office of Strategic Services
Office of Strategic Services
The Office of Strategic Services was a United States intelligence agency formed during World War II. It was the wartime intelligence agency, and it was a predecessor of the Central Intelligence Agency...
in 1943 out of a desire "to do something about everything". However, he had fallen in love with French-born Guatemalan Carmen Herrera and delayed his enlistment until he was drafted for World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
in December 1943. After completing basic training, Namuth joined the intelligence services and worked as an interrogator and interpreter in England, France, and Czechoslovakia. Upon returning to Germany in 1945 to gather war criminals, Namuth realized, "I really had cut my navel cord completely and totally, not just with my home and family but with the country as such. I was completely out of it." Namuth did not return to Germany until 1970.
With the conclusion of World War II, Namuth left the army, having been awarded the Purple Heart
Purple Heart
The Purple Heart is a United States military decoration awarded in the name of the President to those who have been wounded or killed while serving on or after April 5, 1917 with the U.S. military. The National Purple Heart Hall of Honor is located in New Windsor, New York...
and Croix de Guerre
Croix de guerre
The Croix de guerre is a military decoration of France. It was first created in 1915 and consists of a square-cross medal on two crossed swords, hanging from a ribbon with various degree pins. The decoration was awarded during World War I, again in World War II, and in other conflicts...
. Namuth returned to New York determined to raise enough money for his family while keeping photography as a hobby. After working for a paper research company for about a year and a half, the company went bankrupt, leaving Namuth without a job. Namuth realized he had been "doing something that really was not my dish", and decided to return full-time to photography. He set up his kitchen as a darkroom
Darkroom
A darkroom is a room that can be made completely dark to allow the processing of light sensitive photographic materials, including photographic film and photographic paper. Darkrooms have been created and used since the inception of photography in the early 19th century...
and began doing location work for architecture magazines, as he had been interested in architecture and design. Namuth was introduced to Alexey Brodovitch
Alexey Brodovitch
Alexey Brodovitch was a Russian-born photographer, designer and instructor who is most famous for his art direction of fashion magazine Harper's Bazaar from 1938 to 1958.- Early life in Russia :...
, a photographer, instructor, and art director of Harper's Bazaar
Harper's Bazaar
Harper’s Bazaar is an American fashion magazine, first published in 1867. Harper’s Bazaar is published by Hearst and, as a magazine, considers itself to be the style resource for “women who are the first to buy the best, from casual to couture.”...
. Namuth began taking Brodovitch's classes at The New School of Social Research, where he learned how to develop ideas and how to engage the concepts of his images from Brodovitch. He began working for Harper's Bazaar, doing fashion photography, and later children's fashion photography.
Jackson Pollock
Hans Namuth was not initially interested in the work of Jackson PollockJackson Pollock
Paul Jackson Pollock , known as Jackson Pollock, was an influential American painter and a major figure in the abstract expressionist movement. During his lifetime, Pollock enjoyed considerable fame and notoriety. He was regarded as a mostly reclusive artist. He had a volatile personality, and...
, but was convinced by his teacher Alexey Brodovitch that Pollock was an important painter. In July 1950, Namuth approached Pollock and asked to photograph the artist working in his studio. Pollock agreed, encouraged by his wife, Lee Krasner
Lee Krasner
Lee Krasner was an influential abstract expressionist painter in the second half of the 20th century. On October 25, 1945, she married artist Jackson Pollock, who was also influential in the Abstract Expressionism movement....
, who was aware of the importance of media coverage. The resulting images helped to demystify Pollock's famous "drip" technique of painting, revealing it to be a deliberative process rather than a random splashing of paint. They "helped transform Pollock from a talented, cranky loner into the first media-driven superstar of American contemporary art, the jeans-clad, chain-smoking poster boy of abstract expressionism
Abstract expressionism
Abstract expressionism was an American post–World War II art movement. It was the first specifically American movement to achieve worldwide influence and put New York City at the center of the western art world, a role formerly filled by Paris...
," according to acclaimed culture critic Ferdinand Protzman. Not satisfied with black and white stills, Namuth wanted to create a color film that managed to focus on Pollock and his painting at the same time, partially because he found more interest in Pollock's image than in his art. His solution was to have Pollock paint on a large sheet of glass as Namuth filmed from underneath the work. As Namuth could not afford professional lighting, the film was shot outside Pollock's Long Island home. This documentary (co-produced with Paul Falkenberg) is considered one of the most influential for artists.
In November 1950, Namuth and Pollock's relationship came to an abrupt conclusion. After coming in from the cold-weather shoot of the glass painting, Pollock, who had been treated in the 1930s for alcoholism
Alcoholism
Alcoholism is a broad term for problems with alcohol, and is generally used to mean compulsive and uncontrolled consumption of alcoholic beverages, usually to the detriment of the drinker's health, personal relationships, and social standing...
, poured himself a tumbler of bourbon whiskey
Bourbon whiskey
Bourbon is a type of American whiskey – a barrel-aged distilled spirit made primarily from corn. The name of the spirit derives from its historical association with an area known as Old Bourbon, around what is now Bourbon County, Kentucky . It has been produced since the 18th century...
after supposedly having been sober for two years. An argument between Namuth and Pollock ensued with each calling the other a "phony", culminating in Pollock overturning a table of food and dinnerware in front of several guests. From then on, Pollock reverted to a more figure-oriented style of painting, leading some to say that Namuth's sessions robbed Pollock of his rawness and made Pollock come to feel disingenuous about doing things for the camera that he had originally done spontaneously. Art critic Jonathan Jones
Jonathan Jones (journalist)
Jonathan Jones is an English journalist and art critic who has been writing for The Guardian since 1999.He was on the jury for the 2009 Turner Prize.-External links:*...
suggests that by filming Pollock, Namuth "broke the myth of trance" and by framing Pollock's work in the larger surrounding landscape, destroyed Pollock's view that his paintings were boundless. Jeffrey Potter, a close friend of Pollock's, described Namuth as commanding, frequently telling Pollock when to start and stop painting. According to Potter, Pollock "felt what was happening was phony." Namuth himself describes Pollock as being "very nervous and very self-conscious" of the filming at the time, but less so when Pollock discussed it in a later interview.
During his time with Pollock, Hans Namuth had created two films and captured more than 500 photographs of the artist. These photos were first published in 1951 in Portfolio, a journal edited by Alexey Brodovitch and Franz Zachary. After the death of Pollock in 1956, Namuth's photos grew in popularity and were often used in articles about the painter in place of Pollock's artwork itself. Art historian Barbara Rose
Barbara Rose
Barbara Rose is an American art historian and art critic. She was educated at Smith College, Barnard College and Columbia University. She was married to artist Frank Stella between 1961 and 1969...
states that the photographs changed art by focusing on the creation of art rather than the final product alone. Younger artists such as Bruce Nauman
Bruce Nauman
Bruce Nauman is a contemporary American artist. His practice spans a broad range of media including sculpture, photography, neon, video, drawing, printmaking, and performance. Nauman lives in Galisteo, New Mexico....
, Richard Serra
Richard Serra
Richard Serra is an American minimalist sculptor and video artist known for working with large-scale assemblies of sheet metal. Serra was involved in the Process Art Movement.-Early life and education:...
, and Robert Morris
Robert Morris (artist)
Robert Morris is an American sculptor, conceptual artist and writer. He is regarded as one of the most prominent theorists of Minimalism along with Donald Judd but he has also made important contributions to the development of performance art, land art, the Process Art movement and installation...
were able not only to view Pollock's paintings, but, with Namuth's images, to see Pollock in the act of painting, giving rise to the popularity of Process Art
Process art
Process art is an artistic movement as well as a creative sentiment and world view where the end product of art and craft, the objet d’art, is not the principal focus. The 'process' in process art refers to the process of the formation of art: the gathering, sorting, collating, associating, and...
. These photos have also allowed art historians to dissect the details of Pollock's method. For example, art historian Pepe Karmel found that Pollock's painting in Namuth's first black-and-white film began with several careful drippings forming two humanoid figures and a wolf before being covered beneath several layers of paint.
Other artists
The popularity drawn from his work with Pollock helped Namuth gain access to other members of the abstract expressionist movement including Willem de KooningWillem de Kooning
Willem de Kooning was a Dutch American abstract expressionist artist who was born in Rotterdam, the Netherlands....
and Mark Rothko
Mark Rothko
Mark Rothko, born Marcus Rothkowitz , was a Russian-born American painter. He is classified as an abstract expressionist, although he himself rejected this label, and even resisted classification as an "abstract painter".- Childhood :Mark Rothko was born in Dvinsk, Vitebsk Province, Russian...
. During the construction of de Kooning's studio over the years, Namuth photographed its progress as well as de Kooning's paintings from this period. Namuth took an especially large number of photos of de Kooning's Reclining Man, possibly indicating the painting's importance to Namuth or de Kooning. Namuth photographed many architects including Frank Lloyd Wright
Frank Lloyd Wright
Frank Lloyd Wright was an American architect, interior designer, writer and educator, who designed more than 1,000 structures and completed 500 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture...
, Walter Gropius
Walter Gropius
Walter Adolph Georg Gropius was a German architect and founder of the Bauhaus School who, along with Ludwig Mies van der Rohe and Le Corbusier, is widely regarded as one of the pioneering masters of modern architecture....
, and Louis Kahn
Louis Kahn
Louis Isadore Kahn was an American architect, based in Philadelphia, Pennsylvania, United States. After working in various capacities for several firms in Philadelphia, he founded his own atelier in 1935...
.
Later work
Namuth and his wife had first visited GuatemalaGuatemala
Guatemala is a country in Central America bordered by Mexico to the north and west, the Pacific Ocean to the southwest, Belize to the northeast, the Caribbean to the east, and Honduras and El Salvador to the southeast...
in 1946 out of interest in his wife's native land and Namuth photographed the native Mam people
Mam people
The Mam are a Native American people in the western highlands of Guatemala and in south-western Mexico.Most Mam live in Guatemala, in the departments of Huehuetenango, San Marcos, and Quetzaltenango...
of Todos Santos
Todos Santos Cuchumatán
Todos Santos Cuchumatán is a municipality in the Guatemalan department of Huehuetenango. It is situated in the Sierra de los Cuchumatanes at an elevation of 2,500 m . The municipality covers an area of approximately 269 km2 and is formed by the town of Todos Santos Cuchumatán, 6 villages, and 69...
. Namuth returned in 1978 to survey the damage of an earthquake and was shocked to find the native customs of the Mam threatened by influences such as alcoholism. Namuth published these black-and-white photos in his 1989 book, Los Todos Santeros, in an effort to catalog and preserve images of the town's population and customs. He began to work regularly for Art News in 1979, producing 19 covers for the magazine over four years. Namuth died in 1990 in a Long Island
Long Island
Long Island is an island located in the southeast part of the U.S. state of New York, just east of Manhattan. Stretching northeast into the Atlantic Ocean, Long Island contains four counties, two of which are boroughs of New York City , and two of which are mainly suburban...
automobile accident not far from where Pollock had similarly died in a car crash.
The full archive of Namuth's work is located at the Center for Creative Photography
Center for Creative Photography
The Center for Creative Photography , established in 1975 and located on the University of Arizona campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Harry Callahan and Garry...
(CCP) at the University of Arizona
University of Arizona
The University of Arizona is a land-grant and space-grant public institution of higher education and research located in Tucson, Arizona, United States. The University of Arizona was the first university in the state of Arizona, founded in 1885...
in Tucson
Tucson, Arizona
Tucson is a city in and the county seat of Pima County, Arizona, United States. The city is located 118 miles southeast of Phoenix and 60 miles north of the U.S.-Mexico border. The 2010 United States Census puts the city's population at 520,116 with a metropolitan area population at 1,020,200...
, which also manages the copyright of his work.
Subject interaction and technique
Namuth found that the rapport he developed with his subjects was integral to making them feel comfortable being photographed while working. While Namuth was known to be a technically skilled photographer, his sociable and outgoing personality contributed largely to his notability in the New York art scene. Namuth was also persistent when persuading his subjects to agree to be photographed, including sculptor Joseph CornellJoseph Cornell
Joseph Cornell was an American artist and sculptor, one of the pioneers and most celebrated exponents of assemblage...
, who took two years to be convinced. He generally managed to put his subject at ease well enough so that they could work naturally in their environments without any artificial stiffness. Largely because of this, self-conscious artists such as Clyfford Still
Clyfford Still
Clyfford Still was an American painter, and one of the leading figures of Abstract Expressionism.-Biography:...
and Saul Steinberg
Saul Steinberg
Saul Steinberg was a Romanian-born American cartoonist and illustrator, best known for his work for The New Yorker.-Biography:...
agreed to be subjects for Namuth's photography. However, critic Sarah Boxer suggests that it is difficult to view photos of such artists without considering the possibility that they were trying to gain fame in a manner similar to Pollock. Though Namuth developed personal relationships with many of his subjects, art critic Hilton Kramer
Hilton Kramer
Hilton Kramer is a U.S. art critic and cultural commentator.Kramer was educated at Syracuse University, Columbia University, Harvard University, Indiana University and the New School for Social Research. He worked as the editor of Arts Magazine, art critic for The Nation, and from 1965 to 1982,...
describes Namuth as "something of a hero worshiper."
Namuth's photographs included objects related to his subjects, such as paint tubes, items from around their homes, and their works of art. His photos also captured his own interactions with subjects, showing how comfortable they were at the time of shooting. Some subjects, such as Frank Stella
Frank Stella
Frank Stella is an American painter and printmaker, significant within the art movements of minimalism and post-painterly abstraction.-Biography:...
, seemed to be intoxicated with the idea of being photographed by Namuth, while others, including Mark Rothko and Robert Rauschenberg
Robert Rauschenberg
Robert Rauschenberg was an American artist who came to prominence in the 1950s transition from Abstract Expressionism to Pop Art. Rauschenberg is well-known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations...
, ignored Namuth during their photo sessions. Other photographs exude tension between photographer and subject, as if Namuth were an unwelcome guest in their workspace, as in the cases of artists Louise Nevelson and Jasper Johns
Jasper Johns
Jasper Johns, Jr. is an American contemporary artist who works primarily in painting and printmaking.-Life:Born in Augusta, Georgia, Jasper Johns spent his early life in Allendale, South Carolina with his paternal grandparents after his parents' marriage failed...
. Often, Namuth's subjects are uncomfortable in front of the camera, as were architects Eero Saarinen
Eero Saarinen
Eero Saarinen was a Finnish American architect and industrial designer of the 20th century famous for varying his style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism.-Biography:Eero Saarinen shared the same birthday as his father,...
and Buckminster Fuller
Buckminster Fuller
Richard Buckminster “Bucky” Fuller was an American systems theorist, author, designer, inventor, futurist and second president of Mensa International, the high IQ society....
. Almost all of Namuth's images of male artists, with the notable exception of Pollock, appear to be taking contemplative or otherwise self-absorbed poses.
External links
- Hans Namuth: Portraits - An exhibition at the National Portrait GalleryNational Portrait Gallery (United States)The National Portrait Gallery is an art gallery in Washington, D.C., administered by the Smithsonian Institution. Its collections focus on images of famous individual Americans.-Building:...
- A postcard by Namuth to artist Joseph Cornell
- Center for Creative Photography website