Hayward Gallery
Encyclopedia
The Hayward Gallery is an art gallery
within the Southbank Centre, part of an area of major arts venues on the South Bank
of the River Thames
, in central London
, England
. It is sited adjacent to the other Southbank Centre buildings (the Royal Festival Hall
and the Queen Elizabeth Hall
/Purcell Room
) and also the Royal National Theatre
and British Film Institute
. Following a rebranding of the South Bank Centre to Southbank Centre in early 2007, the Hayward Gallery was known as the Hayward until early 2011.
and opened on 9 July 1968. Its massing and extensive use of exposed concrete construction are typical of Brutalist architecture
. The initial concept was designed, with the Queen Elizabeth Hall and Purcell Room, as an addition to the Southbank Centre arts complex by team leader Norman Engleback, assisted by Ron Herron and Warren Chalk, two members of the later founded group Archigram
, of the Department of Architecture and Civic Design of the Greater London Council
. Warren Chalk then developed the site plan and connective first floor walkways, while Ron Herron worked on the acoustics for the Queen Elizabeth Hall. Alan Waterhouse, then Dennis Crompton, worked on the designs for the Hayward. The building is named after Sir Isaac Hayward
, a former leader of the London County Council
, the GLC's predecessor. Joanna Drew was the founding Director. Ralph Rugoff is the current Director (as of mid 2006).
, but management then passed to Southbank Centre. The gallery is also the base of the Arts Council's National Touring Exhibitions
programme, as it was, until 2002, of the Arts Council Collection. Unlike British galleries receiving state funding support, but in common with other temporary exhibitions at British galleries, the Hayward charges admission fees. The Hayward's exhibition policy embraces visual art from all periods, and past shows have included the works of Leonardo da Vinci
, Edvard Munch
and the French Impressionists. Recently the programme has tended to concentrate on surveys of contemporary art
which complement the spaces and powerful concrete structure of the building, such as those of works by Dan Flavin
and Antony Gormley
.
It has hosted two surveys of works from the Arts Council Collection
: British Art 1940–1980 and How to Improve the World: 60 Years of British Art.
in 2007.
The two levels of the gallery open to the public are linked by a pair of cast concrete staircases. These staircases, and lavatories at an intermediate level, are accommodated in a concrete box in between the eastern and western parts of the indoor galleries. One of these staircases also runs down to street level with access (now emergency only) to Belvedere Road; the other extends down into the private entrance foyer, at lower level, on the north side of the building. This almost hidden private entrance is located below the foyer and external walkway on the north facade, above the car park and near the overhanging Purcell Room auditorium. The screens advertising the British Film Institute
and Museum of the Moving Image which enclosed the car park by the central access road were removed in 2008, giving a more open feel to the ground level area at the west end.
The building originally had a very small main foyer area with cast aluminium doors similar to those of the Queen Elizabeth Hall. In 2003, the foyer of the building was remodelled with a larger glass-fronted foyer, designed by the Haworth Tompkins
architectural practice, and including a new oval shaped glass pavilion designed by Dan Graham
above a new cafe in the projecting former office space at the east end. A shop had been added earlier inside the north-west end of the lower gallery.
The two upper galleries can use heavily filtered natural light from the glass pyramids on their flat roofs. Three concrete towers run vertically through the middle of the structure and contain the passenger lift, service lift and service duct. The kinetic light sculpture
, which responds to wind force, on the roof of the passenger lift tower, was retained from an exhibition in 1971.
The roof terrace at the south end and linking bridge to the Queen Elizabeth Hall foyer building is closed to the public, which makes impossible some of the more interesting pedestrian circulation opportunities of the original design, although these have been opened for the Summer of Fun festival in 2011.
The walkway above Belvedere Road with access from Waterloo Bridge
widens to the west, following the line of Belvedere Road and accommodating the stairs to the external terrace, but following a different line from the upper gallery walls. The angled plan shape of the concrete sculpture court in the south corner reflects the change in angle of the site between Waterloo Bridge and Festival Square. In this way, despite its seemingly uncompromising form, the building responds to its site.
The south-west corner of the building at street level is occupied by an electrical switch room. A car park occupies most of the lower ground level. A plant room occupies the lower level at the east end, above the car park, with a great concrete exhaust stack by Waterloo Bridge.
The high-level walkway system which linked the Hayward to the Hungerford Bridge
area was partly removed in spring 1999, leaving a curious truncated end on Festival Square, and poorer access from Festival Square. This is exacerbated by the positioning of the car park and loading bay entrances, a legacy of the original 1960's design ideas about vertical separation of pedestrian and vehicle traffic. Among the tricks of the building is the different lines of the walls at ground level and walkway level on this facade, which reconcile the differing axes of the Hayward and the Royal Festival Hall.
In 2011, the Hayward Gallery was added to the protected list by the World Monument Fund, despite being refused listed building status in the UK.
, in the early 1990s would have involved covering all three buildings in a great wave-shaped glass roof, which would have linked the Royal Festival Hall to Waterloo Bridge. This did not proceed due to its reliance on a high level of lottery
funding, likely high cost, and the opposition of the Twentieth Century Society who saw it as damaging to the setting of the individual buildings underneath the canopy.
Art gallery
An art gallery or art museum is a building or space for the exhibition of art, usually visual art.Museums can be public or private, but what distinguishes a museum is the ownership of a collection...
within the Southbank Centre, part of an area of major arts venues on the South Bank
South Bank
South Bank is an area of London, England located immediately adjacent to the south side of the River Thames. It forms a long and narrow section of riverside development that is within the London Borough of Lambeth to the border with the London Borough of Southwark and was formerly simply known as...
of the River Thames
River Thames
The River Thames flows through southern England. It is the longest river entirely in England and the second longest in the United Kingdom. While it is best known because its lower reaches flow through central London, the river flows alongside several other towns and cities, including Oxford,...
, in central London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
, England
England
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west, with the North Sea to the east and the English Channel to the south separating it from continental...
. It is sited adjacent to the other Southbank Centre buildings (the Royal Festival Hall
Royal Festival Hall
The Royal Festival Hall is a 2,900-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge. It is a Grade I listed building - the first post-war building to become so protected...
and the Queen Elizabeth Hall
Queen Elizabeth Hall
The Queen Elizabeth Hall is a music venue on the South Bank in London, United Kingdom that hosts daily classical, jazz, and avant-garde music and dance performances. The QEH forms part of Southbank Centre arts complex and stands alongside the Royal Festival Hall, which was built for the Festival...
/Purcell Room
Purcell Room
The Purcell Room is a concert and performance venue which forms part of the Southbank Centre, one of central London's leading cultural complexes. It is named after the 17th century English composer Henry Purcell and has 370 seats....
) and also the Royal National Theatre
Royal National Theatre
The Royal National Theatre in London is one of the United Kingdom's two most prominent publicly funded theatre companies, alongside the Royal Shakespeare Company...
and British Film Institute
British Film Institute
The British Film Institute is a charitable organisation established by Royal Charter to:-Cinemas:The BFI runs the BFI Southbank and IMAX theatre, both located on the south bank of the River Thames in London...
. Following a rebranding of the South Bank Centre to Southbank Centre in early 2007, the Hayward Gallery was known as the Hayward until early 2011.
Description
The Hayward Gallery was built by Higgs and HillHiggs and Hill
Higgs and Hill was a major British construction company responsible for building some of London's finest buildings.-History:The Company was established in 1874 by the merger of the firm of Thomas Hill with the firm of William Higgs...
and opened on 9 July 1968. Its massing and extensive use of exposed concrete construction are typical of Brutalist architecture
Brutalist architecture
Brutalist architecture is a style of architecture which flourished from the 1950s to the mid 1970s, spawned from the modernist architectural movement.-The term "brutalism":...
. The initial concept was designed, with the Queen Elizabeth Hall and Purcell Room, as an addition to the Southbank Centre arts complex by team leader Norman Engleback, assisted by Ron Herron and Warren Chalk, two members of the later founded group Archigram
Archigram
Archigram was an avant-garde architectural group formed in the 1960s - based at the Architectural Association, London - that was futurist, anti-heroic and pro-consumerist, drawing inspiration from technology in order to create a new reality that was solely expressed through hypothetical projects...
, of the Department of Architecture and Civic Design of the Greater London Council
Greater London Council
The Greater London Council was the top-tier local government administrative body for Greater London from 1965 to 1986. It replaced the earlier London County Council which had covered a much smaller area...
. Warren Chalk then developed the site plan and connective first floor walkways, while Ron Herron worked on the acoustics for the Queen Elizabeth Hall. Alan Waterhouse, then Dennis Crompton, worked on the designs for the Hayward. The building is named after Sir Isaac Hayward
Isaac Hayward
Sir Isaac James Hayward was Leader of the London County Council from 1947 until it was abolished in 1965....
, a former leader of the London County Council
London County Council
London County Council was the principal local government body for the County of London, throughout its 1889–1965 existence, and the first London-wide general municipal authority to be directly elected. It covered the area today known as Inner London and was replaced by the Greater London Council...
, the GLC's predecessor. Joanna Drew was the founding Director. Ralph Rugoff is the current Director (as of mid 2006).
Exhibitions
The Hayward hosts three/four major temporary modern or contemporary exhibitions each year and does not house any permanent collections. From 1968 to 1986, the gallery was managed by the Arts Council of Great BritainArts Council of Great Britain
The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. The Arts Council of Great Britain was divided in 1994 to form the Arts Council of England , the Scottish Arts Council, and the Arts Council of Wales...
, but management then passed to Southbank Centre. The gallery is also the base of the Arts Council's National Touring Exhibitions
National Touring Exhibitions
National Touring Exhibitions is a programme managed and funded by the Arts Council England that it aims to provide access to high-quality contemporary and historical travelling exhibitions throughout the UK. The programme organises 2-3 major art exhibitions a year and has a further dozen that...
programme, as it was, until 2002, of the Arts Council Collection. Unlike British galleries receiving state funding support, but in common with other temporary exhibitions at British galleries, the Hayward charges admission fees. The Hayward's exhibition policy embraces visual art from all periods, and past shows have included the works of Leonardo da Vinci
Leonardo da Vinci
Leonardo di ser Piero da Vinci was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist and writer whose genius, perhaps more than that of any other figure, epitomized the Renaissance...
, Edvard Munch
Edvard Munch
Edvard Munch was a Norwegian Symbolist painter, printmaker and an important forerunner of expressionist art. His best-known composition, The Scream, is part of a series The Frieze of Life, in which Munch explored the themes of love, fear, death, melancholia, and anxiety.- Childhood :Edvard Munch...
and the French Impressionists. Recently the programme has tended to concentrate on surveys of contemporary art
Contemporary art
Contemporary art can be defined variously as art produced at this present point in time or art produced since World War II. The definition of the word contemporary would support the first view, but museums of contemporary art commonly define their collections as consisting of art produced...
which complement the spaces and powerful concrete structure of the building, such as those of works by Dan Flavin
Dan Flavin
Dan Flavin was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.-Early life and career:...
and Antony Gormley
Antony Gormley
Antony Mark David Gormley OBE RA is a British sculptor. His best known works include the Angel of the North, a public sculpture in the North of England, commissioned in 1995 and erected in February 1998, Another Place on Crosby Beach near Liverpool, and Event Horizon, a multi-part site...
.
It has hosted two surveys of works from the Arts Council Collection
Arts Council Collection
The Arts Council Collection is the largest loan collection of modern and contemporary British art in the world. With presently over 7500 works of art spanning more than sixty years, the Collection can be seen in exhibitions and displays at home and abroad, as well as through long-term loans to...
: British Art 1940–1980 and How to Improve the World: 60 Years of British Art.
Architecture
The design brief was for five gallery spaces, two levels of indoor galleries and three outdoor sculpture courts (the massive concrete trays at the upper level) in order to house the Arts Council collection. The intended outdoor display of sculpture against the background of the London skyline appears to have been impractical and the sculpture courts have been little used and usually closed to the public until the Blind Light exhibition of works by Antony GormleyAntony Gormley
Antony Mark David Gormley OBE RA is a British sculptor. His best known works include the Angel of the North, a public sculpture in the North of England, commissioned in 1995 and erected in February 1998, Another Place on Crosby Beach near Liverpool, and Event Horizon, a multi-part site...
in 2007.
The two levels of the gallery open to the public are linked by a pair of cast concrete staircases. These staircases, and lavatories at an intermediate level, are accommodated in a concrete box in between the eastern and western parts of the indoor galleries. One of these staircases also runs down to street level with access (now emergency only) to Belvedere Road; the other extends down into the private entrance foyer, at lower level, on the north side of the building. This almost hidden private entrance is located below the foyer and external walkway on the north facade, above the car park and near the overhanging Purcell Room auditorium. The screens advertising the British Film Institute
British Film Institute
The British Film Institute is a charitable organisation established by Royal Charter to:-Cinemas:The BFI runs the BFI Southbank and IMAX theatre, both located on the south bank of the River Thames in London...
and Museum of the Moving Image which enclosed the car park by the central access road were removed in 2008, giving a more open feel to the ground level area at the west end.
The building originally had a very small main foyer area with cast aluminium doors similar to those of the Queen Elizabeth Hall. In 2003, the foyer of the building was remodelled with a larger glass-fronted foyer, designed by the Haworth Tompkins
Haworth Tompkins
Haworth Tompkins was formed in 1991 by architects Graham Haworth [b. 1960] and Steve Tompkins [b. 1959].Based in London, the studio has worked on projects across public, private and subsidised sectors including schools, galleries, theatres, housing, offices, shops and factories...
architectural practice, and including a new oval shaped glass pavilion designed by Dan Graham
Dan Graham
Dan Graham , is a conceptual artist now working out of New York City. He is an influential figure in the field of contemporary art, both a practitioner of conceptual art and an art critic and theorist. His art career began in 1964 when he moved to New York and opened the John Daniels Gallery....
above a new cafe in the projecting former office space at the east end. A shop had been added earlier inside the north-west end of the lower gallery.
The two upper galleries can use heavily filtered natural light from the glass pyramids on their flat roofs. Three concrete towers run vertically through the middle of the structure and contain the passenger lift, service lift and service duct. The kinetic light sculpture
Sculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
, which responds to wind force, on the roof of the passenger lift tower, was retained from an exhibition in 1971.
The roof terrace at the south end and linking bridge to the Queen Elizabeth Hall foyer building is closed to the public, which makes impossible some of the more interesting pedestrian circulation opportunities of the original design, although these have been opened for the Summer of Fun festival in 2011.
The walkway above Belvedere Road with access from Waterloo Bridge
Waterloo Bridge
Waterloo Bridge is a road and foot traffic bridge crossing the River Thames in London, England between Blackfriars Bridge and Hungerford Bridge. The name of the bridge is in memory of the British victory at the Battle of Waterloo in 1815...
widens to the west, following the line of Belvedere Road and accommodating the stairs to the external terrace, but following a different line from the upper gallery walls. The angled plan shape of the concrete sculpture court in the south corner reflects the change in angle of the site between Waterloo Bridge and Festival Square. In this way, despite its seemingly uncompromising form, the building responds to its site.
The south-west corner of the building at street level is occupied by an electrical switch room. A car park occupies most of the lower ground level. A plant room occupies the lower level at the east end, above the car park, with a great concrete exhaust stack by Waterloo Bridge.
The high-level walkway system which linked the Hayward to the Hungerford Bridge
Hungerford Bridge
The Hungerford Bridge crosses the River Thames in London, and lies between Waterloo Bridge and Westminster Bridge. It is a steel truss railway bridge—sometimes known as the Charing Cross Bridge—flanked by two more recent, cable-stayed, pedestrian bridges that share the railway bridge's...
area was partly removed in spring 1999, leaving a curious truncated end on Festival Square, and poorer access from Festival Square. This is exacerbated by the positioning of the car park and loading bay entrances, a legacy of the original 1960's design ideas about vertical separation of pedestrian and vehicle traffic. Among the tricks of the building is the different lines of the walls at ground level and walkway level on this facade, which reconcile the differing axes of the Hayward and the Royal Festival Hall.
In 2011, the Hayward Gallery was added to the protected list by the World Monument Fund, despite being refused listed building status in the UK.
Future
Southbank Centre and Arts Council are considering the future of the Hayward building, together with the Queen Elizabeth Hall and Purcell Room which stand between the Hayward and the River Thames. A proposed scheme selected from an architectural competition, designed by Richard RogersRichard Rogers
Richard George Rogers, Baron Rogers of Riverside CH Kt FRIBA FCSD is a British architect noted for his modernist and functionalist designs....
, in the early 1990s would have involved covering all three buildings in a great wave-shaped glass roof, which would have linked the Royal Festival Hall to Waterloo Bridge. This did not proceed due to its reliance on a high level of lottery
National Lottery (United Kingdom)
The National Lottery is the state-franchised national lottery in the United Kingdom and the Isle of Man.It is operated by Camelot Group, to whom the licence was granted in 1994, 2001 and again in 2007. The lottery is regulated by the National Lottery Commission, and was established by the then...
funding, likely high cost, and the opposition of the Twentieth Century Society who saw it as damaging to the setting of the individual buildings underneath the canopy.
Further reading
- ARUP JOURNAL: South Bank Arts Centre; Architects: H. Bennett, Greater London Council chief architect 1967 July, pp. 20-31
- ARCHITECTURAL REVIEW: South Bank Arts Centre, London borough of Lambeth; Architects: H. Bennett, architect to the Greater London Council vol. 144, no. 857, 1968 July, pp. 14-30
- INTERIOR DESIGN: Hayward Art Gallery, South Bank Art Centre, London; Architect: H. Bennett, architect to the Greater London Council 1968 September, pp. 49-54
- OFFICIAL ARCHITECTURE & PLANNING: South Bank Cultural Centre, London borough of Lambeth; Architect: H. Bennett, chief architect of the Greater London Council 1969 August, pp. 918-923
- THE ARCHITECTS' JOURNAL: No. 3441, Vol. 133. March 30, 1961, pp. 469-478
External links
- Southbank Centre website (Exhibition and activities information)
- Arts Guardian website (Article on Ralph Rugoff, Director of the Hayward)
- Saatchi Gallery website blog (Interview with Ralph Rugoff)
- Haworth Tompkins architectural partnership (Architects of new foyer, of 2003, photographs under Built Works)
- Explore-london.co.uk website (Photographs, including Hayward)
- Archives in London and the M25 Area website (Archive information about the Hayward)
- "Artificial Lightning" by Disinformation at The Hayward
- Institute of International Visual Arts website (Collection and access information)
- Artfacts.Net website (General information)
- Culture24 website (general information)
- Flickr group dedicated to pictures of the Southbank Centre