Hispano-Moresque
Encyclopedia
Hispano-Moresque ware is a style of initially Islamic pottery
created in Al Andalus or Muslim Spain, which continued to be produced under Christian rule in styles blending Islamic and European elements. It was the most elaborate and luxurious pottery being produced in Europe until the Italian maiolica
industry developed sophisticated styles in the 15th century, and was exported over most of Europe. The industry's most successful period was the 14th and 15th centuries.
Around 711, the Moors
conquered Spain
. Over the following centuries, they introduced two ceramic
techniques to Europe
: glazing
with an opaque
white tin-glaze
, and lustreware, which imitates metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze
which is then fired again. Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadith
s, with the result that pottery and glass were used for tableware by Muslim elites, when Christian medieval elites still normally used metal for both dishes and cups.
At first centred on Málaga
in the south, and using typical Islamic decoration, by the 15th century the largest production was around Valencia, which had long been reconquered
by the Kingdom of Aragon
. Wares from Manises
and other Valencian towns were mainly for the Christian market, and exported very widely.
in southern Spain. This is the major centre whose best-known wares were produced in a Muslim kingdom, as opposed to by a workforce presumed to be largely Muslim, or Morisco
, under Christian rule. It was already celebrated for its gold
lustrewares in the 14th century, and remained under Muslim rule until 1487, shortly before the fall of Granada
, the last Moorish kingdom. Murcia
, Almería
, and perhaps Granada itself were also early centres of production. This pottery stayed much closer to styles seen in other Islamic countries, although much of it was being exported to Christian markets, as can be seen by the coats of arms on many pieces.
At least one authority, Alan Caiger-Smith
, excludes this pottery from the term "Hispano-Moresque", but most who use the term at all use it to include Malaga and Andalucian wares from the Islamic period as well as the Valencian pottery. When Spanish medieval pottery was first studied in the 19th century, there was awareness of the Valencian centres but very little of the Andalucian ones, and there has been a steady re-attribution of types of pottery formerly attributed to Manises to Malaga and the south, which was still continuing in the 1980s, following archaeological discoveries in Malaga, and scientific analysis of the clays used.
Though other types of painted pottry, not usually called Hispano-Moresque ware, were produced in Al-Andaluz earlier, firm evidence of lustreware production is not found before the early or mid-13th century, when it may have been begun by Egyptian potters escaping political disturbances. Already it was being exported, as some of the earliest evidence is bowls set as decoration into the facades of churches in Pisa
when they were built. An import from Malaga through Sandwich, Kent
in England for the Spanish-born Queen Eleanor of Castile
was recorded in 1289, consisting of "42 bowls, 10 dishes, and 4 earthenware jars of foreign colour (extranei coloris)". Malagan ware was also exported to the Islamic world, and has been found at Fustat (medieval Cairo
) and elsewhere.
The best known and most impressive examples of Andalucian wares are the Alhambra vases, a number of very large vases made to stand in niches in the Alhambra
in Granada
, and perhaps elsewhere. These are very atypical in Islamic pottery in having only a decorative function, with no practical purpose, and are "by far" the largest pieces of lustreware known. They are based on traditional shapes descended from the ancient amphora
, but at about 115 to 170 cm tall are close to the height of a human. They are thought to come from a range of dates covering the late 14th and the 15th centuries, and the decoration and precise shape of the body is different in each surviving example. According to Alan Caiger-Smith, "few other pots in the world make such a strong physical impression". All are now in museums, five in Spain and others in St Petersburg, Berlin
, Washington D.C., Stockholm
and Palermo
; various large fragments also survive. Lustre tiles are also still in place at the Alhambra. The "Fortuny Tablet", a unique plaque measuring 90 x 44 cm, has a garden-like design, inside a border with an inscription praising Yusuf III, Sultan of Granada
(r. 1408-1417). Its design resembles that of some Spanish carpets.
After Yusuf's throne was inherited by a eight year-old in 1418, the Nasrid kingdom went into a decline before its final conquest, and the production of fine pottery seems to cease abruptly about 1450, even though the name obra de Malequa ("Malaga work") continued to be used in Valencia for lustreware long afterwards.
Valencia
and its suburbs Manises and Paterna
became important centres after potters migrated there from the south; the city had returned to Christian rule from 1238, and the immigration of skilled potters had been going on since at least the mid-14th century. In 1362 a cardinal commissioned floor-tiles in "obra de Malicha" ("Malaga work", probably meaning lustreware) for the Pope's Palais des Papes
in Avignon
from two masters in Manises, at least one with an Arabic name (though "Juan" as his forename). In 1484 a German traveller mentioned vessels "which are made by the Moorish potters".
It seems that the local lords of Manises, the family of Buyl, encouraged the immigration, and may have acted as distributors and agents for the product; certainly when Maria of Castile
, Queen of Aragon, wanted to order a large service in 1454, she wrote to the Buyl lord for him to arrange it. Several Buyl's had served as ambassadors, to Granada as well as Christian courts, giving them contacts in many markets. They seem to have taken a 10% royalty on all sales of pottery, and enjoyed a very high income from these. The largest deposit of Manises ware found by archaeology, apart from Manises itself, comes from Sluis
in the Netherlands
, then part of the territories of the wealthy Duchy of Burgundy
. Manises also had clay
and a cave nearby where a special sand used as a raw material for glazes was extracted.
in Catalonia
in northern Spain, which was only under Muslim rule until 801, became a centre for pottery much later, probably receiving immigrant potters from the Valencia area or Andalucia. It was important at first for wares resembling the brown and green decorated pottery of Paterna and in the 16th century for lustreware in a "warm silvery-gold", either reflecting different materials available, or a deliberate change in style. Several other towns began to produce lustreware in the same period.
monogram in the centre, the naturalistic vine-leaf decoration of the dish shown at top is derived from Gothic art
, probably via the border decoration of illuminated manuscript
s. No pieces have yet been found that are signed (as many pieces from other Islamic regions are), and hardly any dated, so heraldry
, especially when pieces are assumed to have been commissioned to celebrate a wedding, is important evidence for dating. The pieces "had to be spectacular and elegant, yet every category of vessel had a particular use" and on grand occasions all might be used, even though the largest platters spent most of the time on display propped up vertically on sideboards, as is shown in some contemporary paintings.
Andalucian designs use a repertoire of geometric motifs, many of which probably had a religious significance of which Christian buyers remained unaware. These are usually contained in painted compartments. Pseudo-Kufic
script is used, as well as inscriptions in proper Arabic. The dominant colours of gold and blue perhaps represent the sun and sky; other colours available, such as brown, green and yellow, are much less used. From about 1400 some elements, including the depiction of animals, which were probably first used for export wares seem to have become popular among local Muslim buyers also; two of the later "Alhambra vases" described above have pairs of gazelle
s. By then the Nasrid kings of Granada had given themselves heraldic arms in the Christian way, which are also seen on pottery.
Many large Valencian dishes with typical complicated designs centring on a coat of arms are also decorated on the underside with boldly-painted animal figures occupying the whole space, often also taken from heraldry. Of Manises ware, Alan Caiger-Smith
has written, "the sustained production of fine pieces at Manises during the years 1380–1430 is without parallel in the history of ceramics. Many of these vessels will keep their place among the world's finest pottery for ever; regardless of changes and outlook." Hispano-Moresque shapes of the fifteenth century included the albarello
(a tall jar), large serving dishes with coats of arms, made for wealthy people all over Europe, jugs (some on high feet, the citra and the grealet), a deep-sided dish (the lebrillo de alo) and the eared bowl (cuenco de oreja). Hispano-Moresque wares had a considerable influence on early Italian maiolica
, indeed two possible derivations of the name have connections with it. Towards the end of the century designs began to incorporate raised elements in imitation of European silverware shapes, such as gadrooning
. Tiles were made in all centres, and the small ceramic tombstone of an Andalucian student who died in 1409 is one of the very few precisely datable pieces.
commissions with personalized heraldry, were demanded by the expanding lesser nobility and bourgeoisie
, both the size of pieces and their quality of decoration declined, with painting becoming more routine repetitions of simple motifs. The Italian maiolica industry, largely developed in imitation of the Spanish, was developing in directions where Valencia could or would not follow. That the Italian figurative Renaissance painting was not attempted in Spain is perhaps not surprising, but Valencia only joined the Italians in copying simpler shapes from metalware, the Italians being more ambitious.
The Reconquista
captured Valencia for the third and final time in 1238, and Malaga was one of the last cities to fall, in 1487. The remaining Islamic Mudéjar
and converted Morisco
populations were expelled from Spain in 1496 and 1609 respectively, the latter Expulsion of the Moriscos
involving a third of the population in the province of Valencia. But many of the craftsmen had long been Christians in any case, and the Hispano-Moresque style survived in the province of Valencia, although showing an immediate drop in quality. Later wares usually have a coarse reddish-buff body, dark blue decoration and luster; by now their position as the most prestigious European pottery had been lost to Italian and other producers.
Wares continued to be produced in a slow decline, now relying on relatively local demand for tiles and other decorated items, including votive offering
s. There were still said to be thirty working kilns at Manises around 1800, by which time the first efforts to revive the industry's former glory had already been made. The secrets of the techniques for making high-quality wares were largely lost, and after Carlos III of Spain took a personal interest a report was commissioned in 1785 to record the methods then being used, lest more was lost. By the 1870s a market had developed for pieces as close to the early work as could be managed, and a number of new firms were set up, some of which continue today, although little original work in the tradition is done.
textile
s with geometric patterns woven in Al-Andalus, and sometimes to refer to Mudéjar
or other work in other media, such as carpets, an industry which followed a similar pattern to pottery in Spain. The Metropolitan Museum of Art
uses the term to describe a gilded parade helmet in its collection.
Islamic pottery
Medieval Islamic pottery occupied a geographical position between Chinese ceramics and the pottery of the Byzantine Empire and Europe. For most of the period it can fairly be said to have been between the two in terms of aesthetic achievement and influence as well, borrowing from China and...
created in Al Andalus or Muslim Spain, which continued to be produced under Christian rule in styles blending Islamic and European elements. It was the most elaborate and luxurious pottery being produced in Europe until the Italian maiolica
Maiolica
Maiolica is Italian tin-glazed pottery dating from the Renaissance. It is decorated in bright colours on a white background, frequently depicting historical and legendary scenes.-Name:...
industry developed sophisticated styles in the 15th century, and was exported over most of Europe. The industry's most successful period was the 14th and 15th centuries.
Around 711, the Moors
Moors
The description Moors has referred to several historic and modern populations of the Maghreb region who are predominately of Berber and Arab descent. They came to conquer and rule the Iberian Peninsula for nearly 800 years. At that time they were Muslim, although earlier the people had followed...
conquered Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
. Over the following centuries, they introduced two ceramic
Pottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
techniques to Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
: glazing
Ceramic glaze
Glaze is a layer or coating of a vitreous substance which has been fired to fuse to a ceramic object to color, decorate, strengthen or waterproof it.-Use:...
with an opaque
Opacity (optics)
Opacity is the measure of impenetrability to electromagnetic or other kinds of radiation, especially visible light. In radiative transfer, it describes the absorption and scattering of radiation in a medium, such as a plasma, dielectric, shielding material, glass, etc...
white tin-glaze
Tin-glazing
Tin-glazing is the process of giving ceramic items a tin-based glaze which is white, glossy and opaque, normally applied to red or buff earthenware. The opacity and whiteness of tin glaze make it valued by its ability to decorate with colour....
, and lustreware, which imitates metallic finishes with iridescent effects. Hispano-Moresque wares use both processes, applying the paint as an overglaze
Overglaze
Is more usually called on-glaze and refers to:* The outer layer or coat of glaze on a piece of ceramics.* Also, a decoration, usually enamel, applied over a glaze....
which is then fired again. Lustreware was a speciality of Islamic pottery, at least partly because the use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadith
Hadith
The term Hadīth is used to denote a saying or an act or tacit approval or criticism ascribed either validly or invalidly to the Islamic prophet Muhammad....
s, with the result that pottery and glass were used for tableware by Muslim elites, when Christian medieval elites still normally used metal for both dishes and cups.
At first centred on Málaga
Málaga
Málaga is a city and a municipality in the Autonomous Community of Andalusia, Spain. With a population of 568,507 in 2010, it is the second most populous city of Andalusia and the sixth largest in Spain. This is the southernmost large city in Europe...
in the south, and using typical Islamic decoration, by the 15th century the largest production was around Valencia, which had long been reconquered
Reconquista
The Reconquista was a period of almost 800 years in the Middle Ages during which several Christian kingdoms succeeded in retaking the Muslim-controlled areas of the Iberian Peninsula broadly known as Al-Andalus...
by the Kingdom of Aragon
Kingdom of Aragon
The Kingdom of Aragon was a medieval and early modern kingdom in the Iberian Peninsula, corresponding to the modern-day autonomous community of Aragon, in Spain...
. Wares from Manises
Manises
Manises is a municipality in the comarca of Horta Oest in the Valencian Community, Spain. Located in the province of Valencia, it had 30,508 inhabitants in 2009 and is famous for its pottery and house in the municipality the Valencia Airport....
and other Valencian towns were mainly for the Christian market, and exported very widely.
Centres of production
Andalucia
The earliest major centre of fine pottery in Al-Andaluz was MálagaMálaga
Málaga is a city and a municipality in the Autonomous Community of Andalusia, Spain. With a population of 568,507 in 2010, it is the second most populous city of Andalusia and the sixth largest in Spain. This is the southernmost large city in Europe...
in southern Spain. This is the major centre whose best-known wares were produced in a Muslim kingdom, as opposed to by a workforce presumed to be largely Muslim, or Morisco
Morisco
Moriscos or Mouriscos , meaning "Moorish", were the converted Christian inhabitants of Spain and Portugal of Muslim heritage. Over time the term was used in a pejorative sense applied to those nominal Catholics who were suspected of secretly practicing Islam.-Demographics:By the beginning of the...
, under Christian rule. It was already celebrated for its gold
Gold
Gold is a chemical element with the symbol Au and an atomic number of 79. Gold is a dense, soft, shiny, malleable and ductile metal. Pure gold has a bright yellow color and luster traditionally considered attractive, which it maintains without oxidizing in air or water. Chemically, gold is a...
lustrewares in the 14th century, and remained under Muslim rule until 1487, shortly before the fall of Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
, the last Moorish kingdom. Murcia
Murcia
-History:It is widely believed that Murcia's name is derived from the Latin words of Myrtea or Murtea, meaning land of Myrtle , although it may also be a derivation of the word Murtia, which would mean Murtius Village...
, Almería
Almería
Almería is a city in Andalusia, Spain, on the Mediterranean Sea. It is the capital of the province of the same name.-Toponym:Tradition says that the name Almería stems from the Arabic المرية Al-Mariyya: "The Mirror", comparing it to "The Mirror of the Sea"...
, and perhaps Granada itself were also early centres of production. This pottery stayed much closer to styles seen in other Islamic countries, although much of it was being exported to Christian markets, as can be seen by the coats of arms on many pieces.
At least one authority, Alan Caiger-Smith
Alan Caiger-Smith
Alan Caiger-Smith MBE is a British studio potter and writer on pottery.- Life and work :He was born in Buenos Aires, Argentina. He studied at the Camberwell School of Arts and Crafts and read history at King's College, Cambridge...
, excludes this pottery from the term "Hispano-Moresque", but most who use the term at all use it to include Malaga and Andalucian wares from the Islamic period as well as the Valencian pottery. When Spanish medieval pottery was first studied in the 19th century, there was awareness of the Valencian centres but very little of the Andalucian ones, and there has been a steady re-attribution of types of pottery formerly attributed to Manises to Malaga and the south, which was still continuing in the 1980s, following archaeological discoveries in Malaga, and scientific analysis of the clays used.
Though other types of painted pottry, not usually called Hispano-Moresque ware, were produced in Al-Andaluz earlier, firm evidence of lustreware production is not found before the early or mid-13th century, when it may have been begun by Egyptian potters escaping political disturbances. Already it was being exported, as some of the earliest evidence is bowls set as decoration into the facades of churches in Pisa
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
when they were built. An import from Malaga through Sandwich, Kent
Sandwich, Kent
Sandwich is a historic town and civil parish on the River Stour in the Non-metropolitan district of Dover, within the ceremonial county of Kent, south-east England. It has a population of 6,800....
in England for the Spanish-born Queen Eleanor of Castile
Eleanor of Castile
Eleanor of Castile was the first queen consort of Edward I of England. She was also Countess of Ponthieu in her own right from 1279 until her death in 1290, succeeding her mother and ruling together with her husband.-Birth:...
was recorded in 1289, consisting of "42 bowls, 10 dishes, and 4 earthenware jars of foreign colour (extranei coloris)". Malagan ware was also exported to the Islamic world, and has been found at Fustat (medieval Cairo
Cairo
Cairo , is the capital of Egypt and the largest city in the Arab world and Africa, and the 16th largest metropolitan area in the world. Nicknamed "The City of a Thousand Minarets" for its preponderance of Islamic architecture, Cairo has long been a centre of the region's political and cultural life...
) and elsewhere.
The best known and most impressive examples of Andalucian wares are the Alhambra vases, a number of very large vases made to stand in niches in the Alhambra
Alhambra
The Alhambra , the complete form of which was Calat Alhambra , is a palace and fortress complex located in the Granada, Andalusia, Spain...
in Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
, and perhaps elsewhere. These are very atypical in Islamic pottery in having only a decorative function, with no practical purpose, and are "by far" the largest pieces of lustreware known. They are based on traditional shapes descended from the ancient amphora
Amphora
An amphora is a type of vase-shaped, usually ceramic container with two handles and a long neck narrower than the body...
, but at about 115 to 170 cm tall are close to the height of a human. They are thought to come from a range of dates covering the late 14th and the 15th centuries, and the decoration and precise shape of the body is different in each surviving example. According to Alan Caiger-Smith, "few other pots in the world make such a strong physical impression". All are now in museums, five in Spain and others in St Petersburg, Berlin
Berlin
Berlin is the capital city of Germany and is one of the 16 states of Germany. With a population of 3.45 million people, Berlin is Germany's largest city. It is the second most populous city proper and the seventh most populous urban area in the European Union...
, Washington D.C., Stockholm
Stockholm
Stockholm is the capital and the largest city of Sweden and constitutes the most populated urban area in Scandinavia. Stockholm is the most populous city in Sweden, with a population of 851,155 in the municipality , 1.37 million in the urban area , and around 2.1 million in the metropolitan area...
and Palermo
Palermo
Palermo is a city in Southern Italy, the capital of both the autonomous region of Sicily and the Province of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old...
; various large fragments also survive. Lustre tiles are also still in place at the Alhambra. The "Fortuny Tablet", a unique plaque measuring 90 x 44 cm, has a garden-like design, inside a border with an inscription praising Yusuf III, Sultan of Granada
Yusuf III, Sultan of Granada
Yusuf III was the thirteenth Nasrid Nasrid ruler of the Moorish Emirate of Granada in Al-Andalus on the Iberian Peninsula from 1408 to 1417. He inherited the throne from his brother, Muhammed VII, and was a noted builder and poet....
(r. 1408-1417). Its design resembles that of some Spanish carpets.
After Yusuf's throne was inherited by a eight year-old in 1418, the Nasrid kingdom went into a decline before its final conquest, and the production of fine pottery seems to cease abruptly about 1450, even though the name obra de Malequa ("Malaga work") continued to be used in Valencia for lustreware long afterwards.
Valencia
Valencia
Valencia (city in Spain)
Valencia or València is the capital and most populous city of the autonomous community of Valencia and the third largest city in Spain, with a population of 809,267 in 2010. It is the 15th-most populous municipality in the European Union...
and its suburbs Manises and Paterna
Paterna
Paterna is a municipality in the province of Valencia in the Valencian Community, Spain. It is located northeast of the comarca of La Huerta de Valencia, 5 km northwest of Valencia, and on the left bank of the river Turia...
became important centres after potters migrated there from the south; the city had returned to Christian rule from 1238, and the immigration of skilled potters had been going on since at least the mid-14th century. In 1362 a cardinal commissioned floor-tiles in "obra de Malicha" ("Malaga work", probably meaning lustreware) for the Pope's Palais des Papes
Palais des Papes
The Palais des Papes is a historical palace in Avignon, southern France, one of the largest and most important medieval Gothic buildings in Europe....
in Avignon
Avignon
Avignon is a French commune in southeastern France in the départment of the Vaucluse bordered by the left bank of the Rhône river. Of the 94,787 inhabitants of the city on 1 January 2010, 12 000 live in the ancient town centre surrounded by its medieval ramparts.Often referred to as the...
from two masters in Manises, at least one with an Arabic name (though "Juan" as his forename). In 1484 a German traveller mentioned vessels "which are made by the Moorish potters".
It seems that the local lords of Manises, the family of Buyl, encouraged the immigration, and may have acted as distributors and agents for the product; certainly when Maria of Castile
Maria of Castile
Maria of Castile was Queen consort of Aragon and Naples as the spouse of Alfonso V of Aragon. Maria acted as the regent of Aragon during the reign of her spouse, as he was absent during most of his reign; her regencies lasted between 1420 and 1423 and between 1432 and 1458...
, Queen of Aragon, wanted to order a large service in 1454, she wrote to the Buyl lord for him to arrange it. Several Buyl's had served as ambassadors, to Granada as well as Christian courts, giving them contacts in many markets. They seem to have taken a 10% royalty on all sales of pottery, and enjoyed a very high income from these. The largest deposit of Manises ware found by archaeology, apart from Manises itself, comes from Sluis
Sluis
Sluis is the name of both a municipality and a town located in the west of Zeelandic Flanders, in the south-western part of the Netherlands....
in the Netherlands
Netherlands
The Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders...
, then part of the territories of the wealthy Duchy of Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
. Manises also had clay
Clay
Clay is a general term including many combinations of one or more clay minerals with traces of metal oxides and organic matter. Geologic clay deposits are mostly composed of phyllosilicate minerals containing variable amounts of water trapped in the mineral structure.- Formation :Clay minerals...
and a cave nearby where a special sand used as a raw material for glazes was extracted.
Catalonia
BarcelonaBarcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
in Catalonia
Catalonia
Catalonia is an autonomous community in northeastern Spain, with the official status of a "nationality" of Spain. Catalonia comprises four provinces: Barcelona, Girona, Lleida, and Tarragona. Its capital and largest city is Barcelona. Catalonia covers an area of 32,114 km² and has an...
in northern Spain, which was only under Muslim rule until 801, became a centre for pottery much later, probably receiving immigrant potters from the Valencia area or Andalucia. It was important at first for wares resembling the brown and green decorated pottery of Paterna and in the 16th century for lustreware in a "warm silvery-gold", either reflecting different materials available, or a deliberate change in style. Several other towns began to produce lustreware in the same period.
Style
Much, in Valencia most, of the pottery was clearly made for a Christian market, as it includes coats of arms and other Western elements in the decoration. As well as the Christian IHSIHS
IHS may refer to:* A common Christogram based on the first three letters of "Jesus" in Greek .* Abbreviation for the In hoc signo vinces legend.* IBM HTTP Server...
monogram in the centre, the naturalistic vine-leaf decoration of the dish shown at top is derived from Gothic art
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
, probably via the border decoration of illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s. No pieces have yet been found that are signed (as many pieces from other Islamic regions are), and hardly any dated, so heraldry
Heraldry
Heraldry is the profession, study, or art of creating, granting, and blazoning arms and ruling on questions of rank or protocol, as exercised by an officer of arms. Heraldry comes from Anglo-Norman herald, from the Germanic compound harja-waldaz, "army commander"...
, especially when pieces are assumed to have been commissioned to celebrate a wedding, is important evidence for dating. The pieces "had to be spectacular and elegant, yet every category of vessel had a particular use" and on grand occasions all might be used, even though the largest platters spent most of the time on display propped up vertically on sideboards, as is shown in some contemporary paintings.
Andalucian designs use a repertoire of geometric motifs, many of which probably had a religious significance of which Christian buyers remained unaware. These are usually contained in painted compartments. Pseudo-Kufic
Pseudo-Kufic
Pseudo-Kufic, or Kufesque, also sometimes Pseudo-Arabic, refers to imitations of the Arabic Kufic script, or sometimes Arabic cursive script, made in a non-Arabic context, during the Middle-Ages or the Renaissance: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing...
script is used, as well as inscriptions in proper Arabic. The dominant colours of gold and blue perhaps represent the sun and sky; other colours available, such as brown, green and yellow, are much less used. From about 1400 some elements, including the depiction of animals, which were probably first used for export wares seem to have become popular among local Muslim buyers also; two of the later "Alhambra vases" described above have pairs of gazelle
Gazelle
A gazelle is any of many antelope species in the genus Gazella, or formerly considered to belong to it. Six species are included in two genera, Eudorcas and Nanger, which were formerly considered subgenera...
s. By then the Nasrid kings of Granada had given themselves heraldic arms in the Christian way, which are also seen on pottery.
Many large Valencian dishes with typical complicated designs centring on a coat of arms are also decorated on the underside with boldly-painted animal figures occupying the whole space, often also taken from heraldry. Of Manises ware, Alan Caiger-Smith
Alan Caiger-Smith
Alan Caiger-Smith MBE is a British studio potter and writer on pottery.- Life and work :He was born in Buenos Aires, Argentina. He studied at the Camberwell School of Arts and Crafts and read history at King's College, Cambridge...
has written, "the sustained production of fine pieces at Manises during the years 1380–1430 is without parallel in the history of ceramics. Many of these vessels will keep their place among the world's finest pottery for ever; regardless of changes and outlook." Hispano-Moresque shapes of the fifteenth century included the albarello
Albarello
An albarello is a type of maiolica earthenware jar, originally a medicinal jar designed to hold apothecaries' ointments and dry drugs. The development of this type of pharmacy jar had its roots in the Middle East during the time of the Islamic conquests....
(a tall jar), large serving dishes with coats of arms, made for wealthy people all over Europe, jugs (some on high feet, the citra and the grealet), a deep-sided dish (the lebrillo de alo) and the eared bowl (cuenco de oreja). Hispano-Moresque wares had a considerable influence on early Italian maiolica
Maiolica
Maiolica is Italian tin-glazed pottery dating from the Renaissance. It is decorated in bright colours on a white background, frequently depicting historical and legendary scenes.-Name:...
, indeed two possible derivations of the name have connections with it. Towards the end of the century designs began to incorporate raised elements in imitation of European silverware shapes, such as gadrooning
Gadrooning
Gadrooning is any decorative motif consisting of convex curves in a series. In furniture and other interior accessories, the term is applied to, among other things an ornamental carved band of tapered, curving and alternating concave and convex sections, usually diverging obliquely either side of a...
. Tiles were made in all centres, and the small ceramic tombstone of an Andalucian student who died in 1409 is one of the very few precisely datable pieces.
Decline and revival
Alan Caiger-Smith describes the Valencian industry as the victim of its own success; as the wares initially produced for the very top of society, usually as bespokeBespoke
Bespoke is a term employed in a variety of applications to mean an item custom-made to the buyer's specification...
commissions with personalized heraldry, were demanded by the expanding lesser nobility and bourgeoisie
Bourgeoisie
In sociology and political science, bourgeoisie describes a range of groups across history. In the Western world, between the late 18th century and the present day, the bourgeoisie is a social class "characterized by their ownership of capital and their related culture." A member of the...
, both the size of pieces and their quality of decoration declined, with painting becoming more routine repetitions of simple motifs. The Italian maiolica industry, largely developed in imitation of the Spanish, was developing in directions where Valencia could or would not follow. That the Italian figurative Renaissance painting was not attempted in Spain is perhaps not surprising, but Valencia only joined the Italians in copying simpler shapes from metalware, the Italians being more ambitious.
The Reconquista
Reconquista
The Reconquista was a period of almost 800 years in the Middle Ages during which several Christian kingdoms succeeded in retaking the Muslim-controlled areas of the Iberian Peninsula broadly known as Al-Andalus...
captured Valencia for the third and final time in 1238, and Malaga was one of the last cities to fall, in 1487. The remaining Islamic Mudéjar
Mudéjar
Mudéjar is the name given to individual Moors or Muslims of Al-Andalus who remained in Iberia after the Christian Reconquista but were not converted to Christianity...
and converted Morisco
Morisco
Moriscos or Mouriscos , meaning "Moorish", were the converted Christian inhabitants of Spain and Portugal of Muslim heritage. Over time the term was used in a pejorative sense applied to those nominal Catholics who were suspected of secretly practicing Islam.-Demographics:By the beginning of the...
populations were expelled from Spain in 1496 and 1609 respectively, the latter Expulsion of the Moriscos
Expulsion of the Moriscos
On April 9, 1609, King Philip III of Spain decreed the Expulsion of the Moriscos . The Moriscos were the descendants of the Muslim population that converted to Christianity under threat of exile from Ferdinand and Isabella in 1502...
involving a third of the population in the province of Valencia. But many of the craftsmen had long been Christians in any case, and the Hispano-Moresque style survived in the province of Valencia, although showing an immediate drop in quality. Later wares usually have a coarse reddish-buff body, dark blue decoration and luster; by now their position as the most prestigious European pottery had been lost to Italian and other producers.
Wares continued to be produced in a slow decline, now relying on relatively local demand for tiles and other decorated items, including votive offering
Votive offering
A votive deposit or votive offering is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for broadly religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural...
s. There were still said to be thirty working kilns at Manises around 1800, by which time the first efforts to revive the industry's former glory had already been made. The secrets of the techniques for making high-quality wares were largely lost, and after Carlos III of Spain took a personal interest a report was commissioned in 1785 to record the methods then being used, lest more was lost. By the 1870s a market had developed for pieces as close to the early work as could be managed, and a number of new firms were set up, some of which continue today, although little original work in the tradition is done.
Other uses of the term
The term "Hispano-Moresque" is also used to describe figured silkSilk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The best-known type of silk is obtained from the cocoons of the larvae of the mulberry silkworm Bombyx mori reared in captivity...
textile
Textile
A textile or cloth is a flexible woven material consisting of a network of natural or artificial fibres often referred to as thread or yarn. Yarn is produced by spinning raw fibres of wool, flax, cotton, or other material to produce long strands...
s with geometric patterns woven in Al-Andalus, and sometimes to refer to Mudéjar
Mudéjar
Mudéjar is the name given to individual Moors or Muslims of Al-Andalus who remained in Iberia after the Christian Reconquista but were not converted to Christianity...
or other work in other media, such as carpets, an industry which followed a similar pattern to pottery in Spain. The Metropolitan Museum of Art
Metropolitan Museum of Art
The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...
uses the term to describe a gilded parade helmet in its collection.