History of ballet
Encyclopedia
Ballet is a formalized form of dance
with its origins in the Italian Renaissance
courts of the 15th and 16th centuries. It quickly spread to the French court
of Catherine de' Medici
where it was developed even further. In the late 17th century Louis XIV
founded the Académie Royale de Musique (the Paris Opera
) within which emerged the first professional theatrical ballet company
, the Paris Opera Ballet
. The predominance of French
in the vocabulary of ballet
reflects this history. Theatrical ballet soon became an independent form of art, although still frequently maintaining a close association with opera
, and spread from the heart of Europe to other nations. The Royal Danish Ballet
and the Imperial Ballet
of the Russian Empire
were founded in the 1740s and began to flourish, especially after about 1850. In 1907 the Russian ballet in turn moved back to France, where the Ballets Russes
of Sergei Diaghilev
and its successors were particularly influential. Soon ballet spread around the world with the formation of new companies, including London's The Royal Ballet (1931), the San Francisco Ballet
(1933), American Ballet Theatre
(1937), The Australian Ballet (1940), the New York City Ballet
(1948), the National Ballet of Canada
(1951), and the Delhi
Ballet (2002).
In the 20th century styles of ballet continued to develop and strongly influence broader concert dance
, for example, in the United States
choreographer George Balanchine
developed what is now known as neoclassical ballet
, subsequent developments have included contemporary ballet
and post-structural
ballet, for example seen in the work of William Forsythe
in Germany.
The etymology
of the word "ballet" reflects its history. The word ballet comes from French
and was borrowed into English around the 17th century. The French word in turn has its origins in Italian
balletto, a diminutive
of ballo (dance). Ballet ultimately traces back to Latin
ballare, meaning "to dance".
court as an outgrowth of court pageantry in Italy
, where aristocratic weddings were lavish celebrations. Court musicians and dancers collaborated to provide elaborate entertainment for them. A ballet of the Renaissance was a far cry from the form of theatrical entertainment known to audiences today. Tutus, ballet slippers and pointe work were not yet used. The choreography was adapted from court dance steps. Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. Early ballet was participatory, with the audience joining the dance towards the end.
Domenico da Piacenza
(c. 1400–c. 1470) was one of the first dancing masters. Along with his students, Antonio Cornazzano
and Guglielmo Ebreo, he was trained in dance and responsible for teaching nobles the art. Da Piacenza left one work: De arte saltandi et choreus ducendi (On the art of dancing and conducting dances), which was put together by his students.
In 1489 Galeazzo, Duke of Milan
, married Isabella of Aragon in Tortona
. An elaborate dance entertainment was arranged for the celebrations by the Italian dance master Bergonzio di Botta. The dances were linked by a slim narrative concerning Jason
and the Argonauts
, and each corresponded to a different course for the dinner. Tristano Calco of Milan wrote about the event, and it was considered so impressive, that many similar spectacles were
organized elsewhere.
Ballet was further shaped by the French ballet de cour, which consisted of social dances performed by the nobility in tandem with music, speech, verse, song, pageant, decor and costume. When Catherine de' Medici
, an Italian aristocrat with an interest in the arts, married the French crown heir Henry II
, she brought her enthusiasm for dance to France and provided financial support. Catherine's glittering entertainments
supported the aims of court politics and usually were organized around mythological themes. The first ballet de cour was the Ballet Comique de la Reine
(1581), which was choreographed and directed by Balthasar de Beaujoyeulx
. It was commissioned by Louise of Lorraine, queen consort of King Henry III
, son of Catherine, to celebrate the marriage of Henry's favorite the Duke de Joyeuse
to Marguerite de Lorraine, the sister of Queen Louise. The ballet lasted for more than five hours and was danced by twenty four dancers: twelve naiad
es and twelve pages.
In the same year, the publication of Fabritio Caroso
's Il Ballarino, a technical manual on court dancing, both performance and social, helped to establish Italy
as a centre of technical ballet development.
during the reign of Louis XIV
, who was passionate about dance. Pierre Beauchamp
, the man who codified the five positions of the feet and arms, was the king's personal dance teacher and favorite partner in ballet de cour in the 1650s. In 1661 Louis XIV, who was determined to reverse a decline in dance standards that began in the 17th century, established the Académie Royale de Danse
. Beauchamp was appointed Intendant des ballets du roi and in 1680 became the director of the dance academy, a position he held until 1687.
Jean-Baptiste Lully
, an Italian violinist, dancer, choreographer, and composer, who joined the court of Louis XIV in 1652, played a significant role in establishing the general direction ballet would follow for the next century. Supported and admired by King Louis XIV, Lully often cast the king in his ballets. The title of Sun King for the French monarch, originated in Louis XIV's role in Lully's Ballet de la Nuit (1653). Lully's main contribution to ballet were his nuanced compositions. His understanding of movement and dance allowed him to compose specifically for ballet, with musical phrasings that complemented physical movements. Lully also collaborated with the French playwright
Molière
. Together, they took an Italian theatre style, the commedia dell'arte, and adapted it into their work for a French audience, creating the comédie-ballet
. Among their greatest productions, with Beauchamp as the choreographer, was Le Bourgeois Gentilhomme
(1670).
In 1669 Louis XIV, who had retired as a dancer, founded the Académie d'Opéra with Pierre Perrin
as director. Beauchamp was the first ballet-master of the Opéra and created the dances for the new company's first production Pomone with music by Robert Cambert
. Later, after Perrin went bankrupt, the king reestablished the Opéra as the Académie royale de Musique and made Lully the director. Beauchamp was one of the principal choreographers. In this position Lully, with his librettist Philippe Quinault
, created a new genre, the tragédie en musique, each act of which featured a divertissement that was a miniature ballet scene. With almost all his important creations Jean-Baptiste Lully brought together music and drama with Italian and French dance elements. His oeuvre created a legacy which would define the future of ballet.
. Central to this advance was the seminal work of Jean-Georges Noverre
, Lettres sur la danse et les ballets (1760), which focused on developing the ballet d'action
, in which the movements of the dancers are designed to express character and assist in the narrative. At this time, women played a secondary role as dancers, encumbered as they were with hoops, corsets, wigs and high heels.
Reforms were made in ballet composition by composers such as Christoph Gluck. Finally, ballet was divided into three formal techniques sérieux, demi-caractère and comique. Ballet also began to be featured in operas as interludes called divertissements.
The 19th century was a period of great social change, which was reflected in ballet by a shift away from the aristocratic sensibilities that had dominated earlier periods through romantic ballet
. Ballerinas such as Geneviève Gosselin
, Marie Taglioni
and Fanny Elssler
experimented with new techniques such as pointework that gave the ballerina prominence as the ideal stage figure. Professional librettists began crafting the stories in ballets. Teachers like Carlo Blasis
codified ballet technique in the basic form that is still used today. The ballet boxed toe shoe was invented to support pointe work.
Romanticism was a reaction against formal constraints and the mechanics of industrialization.[22] The zeitgeist led choreographers to compose romantic ballets that appeared light, airy and free that would act as a contrast to the reductionist science that had, in the words of Poe, "driven the hamadryad from the woods". These "unreal" ballets portrayed women as fragile unearthly beings, ethereal creatures
who could be lifted effortlessly and almost seemed to float in the air. Ballerinas began to wear costumes with pastel, flowing skirts that bared the shins. The stories revolved around uncanny, folkloric spirits. An example of one such romantic ballet is La Sylphide
, one of the oldest romantic ballets still danced today.
. Russia has a recognized tradition of ballet, and Russian ballet
has had great importance in its country throughout history.
After 1850, ballet began to wane in Paris, but it flourished in Denmark
and Russia
thanks to masters such as August Bournonville
, Jules Perrot
, Arthur Saint-Léon
, Enrico Cecchetti
and Marius Petipa
. In the late nineteenth century, orientalism
was in vogue. Colonialism brought awareness of Asian and African cultures, but distorted with disinformation and fantasy. The East was often perceived as a faraway place where anything was possible, provided it was lavish, exotic and decadent.
Petipa appealed to popular taste with The Pharaoh's Daughter
(1862), and later The Talisman
(1889), and La Bayadère
(1877). Petipa is best remembered for his collaborations with Tchaikovsky. He used his music for his choreography of The Nutcracker
(1892, though this is open to some debate among historians), The Sleeping Beauty
(1890), and the definitive revival of Swan Lake
(1895, with Lev Ivanov
). These works were all drawn from European folklore.
The classical tutu
began to appear at this time. It consisted of a short, stiff skirt supported by layers of crinoline or tulle that revealed the acrobatic legwork, combined with a wide gusset that served to preserve modesty.
Sergei Diaghilev
brought ballet full-circle back to Paris when he opened his company, Ballets Russes
. It was made up of dancers from the Russian exile community in Paris after the Revolution.
Diaghilev and composer Igor Stravinsky
combined their talents to bring Russian folklore to life in The Firebird
and Petrushka
. The most controversial work of the Ballets Russes was The Rite of Spring
. Many Americans associate Rite of Spring with the dinosaur episode in Walt Disney's Fantasia
, but the ballet's modern music and theme of human sacrifice shocked audiences so much they rioted.
After the “golden age” of Petipa, Michel Fokine
began his career in St. Petersburg but moved to Paris and worked with Diaghilev and the Ballets Russes.
Russian ballet continued development under Soviet rule. There was little talent left in the country after the Revolution, but it was enough to seed a new generation. After stagnation in the 1920s, by the mid-1930s that new generation of dancers and choreographers appeared on the scene. The technical perfection and precision of dance was promoted (and demanded) by Agrippina Vaganova
, who had been taught by Petipa and Cecchetti and headed the Vaganova Ballet Academy, the school to prepare dancers for the Kirov Ballet in St. Petersburg/Leningrad.
Ballet was popular with the public. Both the Moscow-based Bolshoi and the St. Petersburg (then Leningrad)-based Kirov ballet companies were active. Ideological pressure forced the creation of many socialist realist pieces, most of which made little impression on the public and were removed from the repertoire of both companies later.
Some pieces of that era, however, were remarkable. The Romeo and Juliet
by Prokofiev and Lavrovsky is a masterpiece. The Flames of Paris
, while it shows all the faults of socialist realist art, pioneered the active use of the corps de ballet in the performance and required stunning virtuosity. The ballet version of the Pushkin poem, The Fountain of Bakhchisarai
with music from Boris Asafiev
and choreography by Rostislav Zakharov
was also a hit.
The well-known ballet Cinderella, for which Prokofiev provided the music, is also the product of the Soviet ballet. During the Soviet era, these pieces were mostly unknown outside the Soviet Union
and later outside of the Eastern Bloc
. However, after the collapse of the Soviet Union they got more recognition.
The 1999 North American premiere of The Fountain of Bakhchisarai by the Kirov Ballet in New York was an outstanding success, for example. The Soviet era of the Russian Ballet put a lot of emphasis on technique, virtuosity and strength. It demanded strength usually above the norm of contemporary Western dancers. The talent of their prima ballerinas such as Galina Ulanova
,Natalya Dudinskaya and Maya Plisetskaya
and choreographers such as Pyotr Gusev
can only be marvelled when watching restored old footage.
Russian companies, particularly after World War II
engaged in multiple tours all over the world that revitalized ballet in the West.
From Paris, after disagreements with Diaghilev, Fokine went to Sweden and then the USA and settled in New York. He believed that traditional ballet offered little more than prettiness and athletic display. For Fokine that was not enough. In addition to technical virtuosity he demanded drama, expression and historical authenticity. The choreographer must research the period and cultural context of the setting and reject the traditional tutu in favour of accurate period costuming.
Fokine choreographed Sheherazade
and Cleopatra. He also reworked Petrouchka and The Firebird. One of his most famous works was The Dying Swan
, performed by Anna Pavlova. Beyond her talents as a ballerina, Pavlova had the theatrical gifts to fulfill Fokine's vision of ballet as drama. Legend has it that Pavlova identified so much with the swan role that she requested her swan costume from her deathbed.
George Balanchine
developed state-of-the-art technique in America by opening a school in Chicago
and more importantly, in New York
. He adapted ballet to the new media, movies and television
. A prolific worker, Balanchine rechoreographed classics such as Swan Lake and Sleeping Beauty as well as creating new ballets. He produced original interpretations of the dramas of William Shakespeare
such as Romeo and Juliet
, The Merry Widow
and A Midsummer Night's Dream
. In Jewels Balanchine broke with the narrative tradition and dramatized a theme rather than a plot. Today, partly thanks to Balanchine, ballet is one of the most well-preserved dances in the world.
Barbara Karinska was a Russian emigree and a skilled seamstress who collaborated with Balanchine to elevate the art of costume design from a secondary role to an integral part of a ballet performance. She introduced the bias cut and a simplified classic tutu that allowed the dancer more freedom of movement. With meticulous attention to detail, she decorated her tutus with beadwork, embroidery, crochet and appliqué.
is often considered to have been the first pioneer of what is now known as neoclassical ballet
, a style of dance between classical ballet and today's contemporary ballet. Tim Scholl, author of From Petipa to Balanchine, considers George Balanchine
's Apollo in 1928 to be the first neoclassical ballet. Apollo represented a return to form in response to Serge Diaghilev's abstract ballets. "Apollo" and other works are still performed today, predominantly by the New York City Ballet
. However, other companies are able to pay a fee and have one of George Balanchine
's works set on their own dancers.
. Following Baryshnikov's appointment as artistic director of American Ballet Theatre
in 1980, he worked with various modern choreographers, most notably Twyla Tharp
. Tharp choreographed Push Comes To Shove for ABT and Baryshnikov in 1976; in 1986 she created In The Upper Room for her own company. Both these pieces were considered innovative for their use of distinctly modern movements melded with the use of pointe shoes and classically-trained dancers—for their use of "contemporary ballet".
Tharp also worked with the Joffrey Ballet
company, founded in 1957 by Robert Joffrey
. She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques. The Joffrey Ballet continued to perform numerous contemporary pieces, many choreographed by co-founder Gerald Arpino
.
Today there are many explicitly contemporary ballet companies and choreographers. These include Alonzo King
and his company, Alonzo King's Lines Ballet; Nacho Duato and Compañia Nacional de Danza; William Forsythe, who has worked extensively with the Frankfurt Ballet and today runs The Forsythe Company
; and Jiří Kilián, currently the artistic director of the Nederlands Dans Theatre
. Traditionally "classical" companies, such as the Kirov Ballet and the Paris Opera Ballet
, also regularly perform contemporary works.
after Agrippina Vaganova
, and the Legat Method, after Nikolai Legat. The well-known Cecchetti method
is based on technique developed and taught by the Italian dancer Enrico Cecchetti
(1850–1928). Another European system, based on the teaching methods of Frenchman Auguste Vestris
, was that developed in Copenhagen by August Bournonville
(1805–1879). The system is taught chiefly as a tradition in Bournonville's own country of Denmark.
Dance
Dance is an art form that generally refers to movement of the body, usually rhythmic and to music, used as a form of expression, social interaction or presented in a spiritual or performance setting....
with its origins in the Italian Renaissance
Italian Renaissance
The Italian Renaissance began the opening phase of the Renaissance, a period of great cultural change and achievement in Europe that spanned the period from the end of the 13th century to about 1600, marking the transition between Medieval and Early Modern Europe...
courts of the 15th and 16th centuries. It quickly spread to the French court
Noble court
The court of a monarch, or at some periods an important nobleman, is a term for the extended household and all those who regularly attended on the ruler or central figure...
of Catherine de' Medici
Catherine de' Medici
Catherine de' Medici was an Italian noblewoman who was Queen consort of France from 1547 until 1559, as the wife of King Henry II of France....
where it was developed even further. In the late 17th century Louis XIV
Louis XIV of France
Louis XIV , known as Louis the Great or the Sun King , was a Bourbon monarch who ruled as King of France and Navarre. His reign, from 1643 to his death in 1715, began at the age of four and lasted seventy-two years, three months, and eighteen days...
founded the Académie Royale de Musique (the Paris Opera
Paris Opera
The Paris Opera is the primary opera company of Paris, France. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique...
) within which emerged the first professional theatrical ballet company
Ballet company
A ballet company is a group of dancers who perform ballet, plus managerial and support staff. Most major ballet companies employ dancers on a year-round basis, except in the United States, where contracts for part of the year are the norm...
, the Paris Opera Ballet
Paris Opera Ballet
The Paris Opera Ballet is the oldest national ballet company in the world, and many European and international ballet companies can trace their origins to it...
. The predominance of French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
in the vocabulary of ballet
Glossary of ballet
Ballet is a formalized type of dance; ballet dance is usually performed on stage as part of a ballet dance work which includes mime, acting, and is set to music...
reflects this history. Theatrical ballet soon became an independent form of art, although still frequently maintaining a close association with opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
, and spread from the heart of Europe to other nations. The Royal Danish Ballet
Royal Danish Ballet
The Royal Danish Ballet is one of the oldest ballet companies in the world. Based in Copenhagen, Denmark, it originates from 1748, when the Royal Danish Theatre was founded, and was finally organized in 1771 in response to the great popularity of French and Italian styles of dance...
and the Imperial Ballet
Mariinsky Ballet
The Mariinsky Ballet is a classical ballet company based at the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies...
of the Russian Empire
Russian Empire
The Russian Empire was a state that existed from 1721 until the Russian Revolution of 1917. It was the successor to the Tsardom of Russia and the predecessor of the Soviet Union...
were founded in the 1740s and began to flourish, especially after about 1850. In 1907 the Russian ballet in turn moved back to France, where the Ballets Russes
Ballets Russes
The Ballets Russes was an itinerant ballet company from Russia which performed between 1909 and 1929 in many countries. Directed by Sergei Diaghilev, it is regarded as the greatest ballet company of the 20th century. Many of its dancers originated from the Imperial Ballet of Saint Petersburg...
of Sergei Diaghilev
Sergei Diaghilev
Sergei Pavlovich Diaghilev , usually referred to outside of Russia as Serge, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.-Early life and career:...
and its successors were particularly influential. Soon ballet spread around the world with the formation of new companies, including London's The Royal Ballet (1931), the San Francisco Ballet
San Francisco Ballet
The San Francisco Ballet is a ballet company, founded in 1933 as the San Francisco Opera Ballet. The company is currently based in the War Memorial Opera House, San Francisco, under the direction of Helgi Tomasson. SFB is the first professional ballet company in the United States...
(1933), American Ballet Theatre
American Ballet Theatre
American Ballet Theatre , based in New York City, was one of the foremost ballet companies of the 20th century. It continues as a leading dance company in the world today...
(1937), The Australian Ballet (1940), the New York City Ballet
New York City Ballet
New York City Ballet is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Leon Barzin was the company's first music director. Balanchine and Jerome Robbins are considered the founding choreographers of the company...
(1948), the National Ballet of Canada
National Ballet of Canada
The National Ballet of Canada is Canada's largest ballet troupe. It was founded by Celia Franca in 1951 and is based in Toronto, Ontario. Based upon the unity of Canadian trained dancers in the tradition and style of England's Royal Ballet, The National is regarded as one of the premier classical...
(1951), and the Delhi
Delhi
Delhi , officially National Capital Territory of Delhi , is the largest metropolis by area and the second-largest by population in India, next to Mumbai. It is the eighth largest metropolis in the world by population with 16,753,265 inhabitants in the Territory at the 2011 Census...
Ballet (2002).
In the 20th century styles of ballet continued to develop and strongly influence broader concert dance
Concert dance
Concert dance is dance performed for an audience. It is frequently performed in a theatre setting, though this is not a requirement, and it is usually choreographed and performed to set music.By contrast, social dance and participation dance may be performed without an audience and, typically, these...
, for example, in the United States
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
choreographer George Balanchine
George Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
developed what is now known as neoclassical ballet
Neoclassical ballet
Neoclassical balletis the style of 20th century classical ballet exemplified by the works of George Balanchine. It draws on the advanced technique of 19th century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting...
, subsequent developments have included contemporary ballet
Contemporary ballet
Contemporary ballet is a form of dance which incorporates elements of both classical ballet and modern dance. It takes its technique and use of pointework from classical ballet, although it permits a greater range of movement that may not adhere to the strict body lines set forth by schools of...
and post-structural
Post-structuralism
Post-structuralism is a label formulated by American academics to denote the heterogeneous works of a series of French intellectuals who came to international prominence in the 1960s and '70s...
ballet, for example seen in the work of William Forsythe
William Forsythe (dancer)
William Forsythe is an American dancer and choreographer resident in Frankfurt am Main in Hessen. He is known internationally for his work with the Ballett Frankfurt and The Forsythe Company...
in Germany.
The etymology
Etymology
Etymology is the study of the history of words, their origins, and how their form and meaning have changed over time.For languages with a long written history, etymologists make use of texts in these languages and texts about the languages to gather knowledge about how words were used during...
of the word "ballet" reflects its history. The word ballet comes from French
French language
French is a Romance language spoken as a first language in France, the Romandy region in Switzerland, Wallonia and Brussels in Belgium, Monaco, the regions of Quebec and Acadia in Canada, and by various communities elsewhere. Second-language speakers of French are distributed throughout many parts...
and was borrowed into English around the 17th century. The French word in turn has its origins in Italian
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
balletto, a diminutive
Diminutive
In language structure, a diminutive, or diminutive form , is a formation of a word used to convey a slight degree of the root meaning, smallness of the object or quality named, encapsulation, intimacy, or endearment...
of ballo (dance). Ballet ultimately traces back to Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
ballare, meaning "to dance".
Renaissance – Italy and France
Ballet originated in the RenaissanceRenaissance
The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...
court as an outgrowth of court pageantry in Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
, where aristocratic weddings were lavish celebrations. Court musicians and dancers collaborated to provide elaborate entertainment for them. A ballet of the Renaissance was a far cry from the form of theatrical entertainment known to audiences today. Tutus, ballet slippers and pointe work were not yet used. The choreography was adapted from court dance steps. Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. Early ballet was participatory, with the audience joining the dance towards the end.
Domenico da Piacenza
Domenico da Piacenza
Domenico da Piacenza was an Italian Renaissance dancing master. Domenico da Piacenza was born sometime around 1400 in Piacenza, where he grew up and began teaching dance...
(c. 1400–c. 1470) was one of the first dancing masters. Along with his students, Antonio Cornazzano
Antonio Cornazzano
Antonio Cornazzano was an Italian poet, writer, biographer, and dancing master.-Antonio Cornazzano:In the city of Piacenza, which was then in the Duchy of Milan, Antonio Cornazzano was born probably in 1432...
and Guglielmo Ebreo, he was trained in dance and responsible for teaching nobles the art. Da Piacenza left one work: De arte saltandi et choreus ducendi (On the art of dancing and conducting dances), which was put together by his students.
In 1489 Galeazzo, Duke of Milan
Gian Galeazzo Sforza
Gian Galeazzo Sforza was the sixth Duke of Milan.Born in Abbiategrasso, he was only 7 years old when in 1476 his father, Galeazzo Maria Sforza, was assassinated and Gian Galeazzo became the Duke of Milan...
, married Isabella of Aragon in Tortona
Tortona
Tortona is a comune of Piemonte, in the Province of Alessandria, Italy. Tortona is sited on the right bank of the Scrivia between the plain of Marengo and the foothills of the Ligurian Apennines.-History:...
. An elaborate dance entertainment was arranged for the celebrations by the Italian dance master Bergonzio di Botta. The dances were linked by a slim narrative concerning Jason
Jason
Jason was a late ancient Greek mythological hero from the late 10th Century BC, famous as the leader of the Argonauts and their quest for the Golden Fleece. He was the son of Aeson, the rightful king of Iolcus...
and the Argonauts
Argonauts
The Argonauts ) were a band of heroes in Greek mythology who, in the years before the Trojan War, accompanied Jason to Colchis in his quest to find the Golden Fleece. Their name comes from their ship, the Argo, which was named after its builder, Argus. "Argonauts", therefore, literally means...
, and each corresponded to a different course for the dinner. Tristano Calco of Milan wrote about the event, and it was considered so impressive, that many similar spectacles were
organized elsewhere.
Ballet was further shaped by the French ballet de cour, which consisted of social dances performed by the nobility in tandem with music, speech, verse, song, pageant, decor and costume. When Catherine de' Medici
Catherine de' Medici
Catherine de' Medici was an Italian noblewoman who was Queen consort of France from 1547 until 1559, as the wife of King Henry II of France....
, an Italian aristocrat with an interest in the arts, married the French crown heir Henry II
Henry II of France
Henry II was King of France from 31 March 1547 until his death in 1559.-Early years:Henry was born in the royal Château de Saint-Germain-en-Laye, near Paris, the son of Francis I and Claude, Duchess of Brittany .His father was captured at the Battle of Pavia in 1525 by his sworn enemy,...
, she brought her enthusiasm for dance to France and provided financial support. Catherine's glittering entertainments
Catherine de' Medici's court festivals
Catherine de' Medici's court festivals were a series of lavish and spectacular entertainments, sometimes called "magnificences", laid on by Catherine de' Medici, the queen consort of France from 1547 to 1559 and queen mother from 1559 until her death in 1589...
supported the aims of court politics and usually were organized around mythological themes. The first ballet de cour was the Ballet Comique de la Reine
Ballet Comique de la Reine
The Ballet Comique de la Reine was a court entertainment, now considered to be the first ballet de cour. It was staged in Paris, France, in 1581 for the court of Catherine de' Medici. It was produced and choreographed by Balthasar de Beaujoyeulx and danced by Queen Louise and the women of the court...
(1581), which was choreographed and directed by Balthasar de Beaujoyeulx
Balthasar de Beaujoyeulx
Balthasar de Beaujoyeulx , originally Baldassare de Belgiojoso was an Italian violinist, composer, and choreographer.-Career:...
. It was commissioned by Louise of Lorraine, queen consort of King Henry III
Henry III of France
Henry III was King of France from 1574 to 1589. As Henry of Valois, he was the first elected monarch of the Polish-Lithuanian Commonwealth with the dual titles of King of Poland and Grand Duke of Lithuania from 1573 to 1575.-Childhood:Henry was born at the Royal Château de Fontainebleau,...
, son of Catherine, to celebrate the marriage of Henry's favorite the Duke de Joyeuse
Anne de Joyeuse
Anne de Batarnay de Joyeuse, Baron d'Arques, Vicomte then Duke of Joyeuse was a royal favourite and active participant in the French Wars of Religion....
to Marguerite de Lorraine, the sister of Queen Louise. The ballet lasted for more than five hours and was danced by twenty four dancers: twelve naiad
Naiad
In Greek mythology, the Naiads or Naiades were a type of nymph who presided over fountains, wells, springs, streams, and brooks....
es and twelve pages.
In the same year, the publication of Fabritio Caroso
Fabritio Caroso
Fabritio Caroso da Sermoneta was an Italian Renaissance dancing master and a composer or transcriber of dance music.His dance manual Il Ballarino was published in 1581, with a subsequent edition, significantly different, Nobiltà di Dame, printed in 1600 and again after his death in 1630...
's Il Ballarino, a technical manual on court dancing, both performance and social, helped to establish Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
as a centre of technical ballet development.
17th century – France and Court Dance
Ballet developed as a performance-focused art form in FranceFrance
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
during the reign of Louis XIV
Louis XIV of France
Louis XIV , known as Louis the Great or the Sun King , was a Bourbon monarch who ruled as King of France and Navarre. His reign, from 1643 to his death in 1715, began at the age of four and lasted seventy-two years, three months, and eighteen days...
, who was passionate about dance. Pierre Beauchamp
Pierre Beauchamp
Pierre Beauchamp was a French choreographer, dancer and composer, and the probable inventor of Beauchamp-Feuillet notation.-Biography:...
, the man who codified the five positions of the feet and arms, was the king's personal dance teacher and favorite partner in ballet de cour in the 1650s. In 1661 Louis XIV, who was determined to reverse a decline in dance standards that began in the 17th century, established the Académie Royale de Danse
Académie Royale de Danse
The Académie Royale de Danse, founded by letters patent on the initiative of King Louis XIV of France in March 1661, was the first dance institution established in the Western world...
. Beauchamp was appointed Intendant des ballets du roi and in 1680 became the director of the dance academy, a position he held until 1687.
Jean-Baptiste Lully
Jean-Baptiste Lully
Jean-Baptiste de Lully was an Italian-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French Baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in...
, an Italian violinist, dancer, choreographer, and composer, who joined the court of Louis XIV in 1652, played a significant role in establishing the general direction ballet would follow for the next century. Supported and admired by King Louis XIV, Lully often cast the king in his ballets. The title of Sun King for the French monarch, originated in Louis XIV's role in Lully's Ballet de la Nuit (1653). Lully's main contribution to ballet were his nuanced compositions. His understanding of movement and dance allowed him to compose specifically for ballet, with musical phrasings that complemented physical movements. Lully also collaborated with the French playwright
Playwright
A playwright, also called a dramatist, is a person who writes plays.The term is not a variant spelling of "playwrite", but something quite distinct: the word wright is an archaic English term for a craftsman or builder...
Molière
Molière
Jean-Baptiste Poquelin, known by his stage name Molière, was a French playwright and actor who is considered to be one of the greatest masters of comedy in Western literature...
. Together, they took an Italian theatre style, the commedia dell'arte, and adapted it into their work for a French audience, creating the comédie-ballet
Comédie-ballet
Comédie-ballet is a genre of French drama which mixes a spoken play with interludes containing music and dance.-History:The first example of the genre is considered to be Les fâcheux, with words by Molière, performed in honour of Louis XIV at Vaux-le-Vicomte, the residence of Nicolas Fouquet, in...
. Among their greatest productions, with Beauchamp as the choreographer, was Le Bourgeois Gentilhomme
Le Bourgeois Gentilhomme
Le Bourgeois gentilhomme is a five-act comédie-ballet—a play intermingled with music, dance and singing—by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors...
(1670).
In 1669 Louis XIV, who had retired as a dancer, founded the Académie d'Opéra with Pierre Perrin
Pierre Perrin
Pierre Perrin was a French poet and librettist.Sometimes known as L'Abbé Perrin although he never belonged to the clergy...
as director. Beauchamp was the first ballet-master of the Opéra and created the dances for the new company's first production Pomone with music by Robert Cambert
Robert Cambert
Robert Cambert was a French composer principally of opera. His opera Pomone was the first actual opera in French.Born in Paris in 1628, he studied music under Chambonnières, His first position was as organist at the church of St. Honor in Paris...
. Later, after Perrin went bankrupt, the king reestablished the Opéra as the Académie royale de Musique and made Lully the director. Beauchamp was one of the principal choreographers. In this position Lully, with his librettist Philippe Quinault
Philippe Quinault
Philippe Quinault , French dramatist and librettist, was born in Paris.- Biography :Quinault was educated by the liberality of François Tristan l'Hermite, the author of Marianne. Quinault's first play was produced at the Hôtel de Bourgogne in 1653, when he was only eighteen...
, created a new genre, the tragédie en musique, each act of which featured a divertissement that was a miniature ballet scene. With almost all his important creations Jean-Baptiste Lully brought together music and drama with Italian and French dance elements. His oeuvre created a legacy which would define the future of ballet.
18th century – France and development as an art form
The 18th century was a period of advance in the technical standards of ballet and the period when ballet became a serious dramatic art form on par with the operaOpera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
. Central to this advance was the seminal work of Jean-Georges Noverre
Jean-Georges Noverre
Jean-Georges Noverre was a French dancer and balletmaster, and is generally considered the creator of ballet d'action, a precursor of the narrative ballets of the 19th century...
, Lettres sur la danse et les ballets (1760), which focused on developing the ballet d'action
Ballet d'action
Ballet d'action is a ballet movement started by French choreographer Jean Georges Noverre in 1760. It involves expression of character and emotion through dancers' bodies and faces, rather than through elaborate costumes and props...
, in which the movements of the dancers are designed to express character and assist in the narrative. At this time, women played a secondary role as dancers, encumbered as they were with hoops, corsets, wigs and high heels.
Reforms were made in ballet composition by composers such as Christoph Gluck. Finally, ballet was divided into three formal techniques sérieux, demi-caractère and comique. Ballet also began to be featured in operas as interludes called divertissements.
Ballet in the late nineteenth and twentieth century
The 19th century was a period of great social change, which was reflected in ballet by a shift away from the aristocratic sensibilities that had dominated earlier periods through romantic ballet
Romantic ballet
The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her...
. Ballerinas such as Geneviève Gosselin
Geneviève Gosselin
Geneviève-Adélaïde Gosselin was a French ballet dancer.-Life:Daughter of a ballet master, she was the eldest sister of many renowned dancers of the Ballet de l'Opéra de Paris in the 1810s, 1820s and 1830s - Constance Gosselin, wife of the dancer Anatole ; Louis Gosselin, premier danseur at Paris...
, Marie Taglioni
Marie Taglioni
Marie Taglioni was a famous Italian/Swedish ballerina of the Romantic ballet era, a central figure in the history of European dance.-Biography:...
and Fanny Elssler
Fanny Elssler
Fanny Elssler - 27 November 1884), born Franziska Elßler, was an Austrian ballerina of the 'Romantic Period'.- Life :Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's...
experimented with new techniques such as pointework that gave the ballerina prominence as the ideal stage figure. Professional librettists began crafting the stories in ballets. Teachers like Carlo Blasis
Carlo Blasis
Carlo Blasis was an Italian dancer, choreographer and dance theoretician. He is well known for his very rigorous dance classes, sometimes lasting four hours long.Blasis was born in Naples...
codified ballet technique in the basic form that is still used today. The ballet boxed toe shoe was invented to support pointe work.
Romanticism was a reaction against formal constraints and the mechanics of industrialization.[22] The zeitgeist led choreographers to compose romantic ballets that appeared light, airy and free that would act as a contrast to the reductionist science that had, in the words of Poe, "driven the hamadryad from the woods". These "unreal" ballets portrayed women as fragile unearthly beings, ethereal creatures
Ethereal being
Ethereal beings, according to some belief systems and occult theories, are mystic entities that usually are not made of ordinary matter. Despite the fact that they are believed to be essentially incorporeal, they do interact in physical shapes with the material universe and travel between the...
who could be lifted effortlessly and almost seemed to float in the air. Ballerinas began to wear costumes with pastel, flowing skirts that bared the shins. The stories revolved around uncanny, folkloric spirits. An example of one such romantic ballet is La Sylphide
La Sylphide
La Sylphide is one of the world's oldest surviving romantic ballets. There were two versions of the ballet; the version choreographed by the Danish balletmaster August Bournonville is the only version known to have survived....
, one of the oldest romantic ballets still danced today.
Russia
While France was instrumental in early ballet, other countries and cultures soon adopted the art form, most notably RussiaRussia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
. Russia has a recognized tradition of ballet, and Russian ballet
Russian ballet
Russian ballet is a form of ballet characteristic of or originating from Russia. In the early 19th century, the theaters were opened up to anyone who could afford a ticket. There was a seating section called a rayok, or 'paradise gallery', that consisted of simple wooden benches...
has had great importance in its country throughout history.
After 1850, ballet began to wane in Paris, but it flourished in Denmark
Denmark
Denmark is a Scandinavian country in Northern Europe. The countries of Denmark and Greenland, as well as the Faroe Islands, constitute the Kingdom of Denmark . It is the southernmost of the Nordic countries, southwest of Sweden and south of Norway, and bordered to the south by Germany. Denmark...
and Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
thanks to masters such as August Bournonville
August Bournonville
August Bournonville was a Danish ballet master and choreographer. August was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet.August was...
, Jules Perrot
Jules Perrot
Jules-Joseph Perrot was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia...
, Arthur Saint-Léon
Arthur Saint-Leon
Arthur Saint-Léon was the Maître de Ballet of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet Coppélia.-Biography:...
, Enrico Cecchetti
Enrico Cecchetti
Enrico Cecchetti was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in...
and Marius Petipa
Marius Petipa
Victor Marius Alphonse Petipa was a French ballet dancer, teacher and choreographer. Petipa is considered to be the most influential ballet master and choreographer of ballet that has ever lived....
. In the late nineteenth century, orientalism
Orientalism
Orientalism is a term used for the imitation or depiction of aspects of Eastern cultures in the West by writers, designers and artists, as well as having other meanings...
was in vogue. Colonialism brought awareness of Asian and African cultures, but distorted with disinformation and fantasy. The East was often perceived as a faraway place where anything was possible, provided it was lavish, exotic and decadent.
Petipa appealed to popular taste with The Pharaoh's Daughter
The Pharaoh's Daughter
The Pharaoh's Daughter , is a ballet choreographed by Marius Petipa, to the music of Cesare Pugni, with libretto by Jules-Henri Vernoy de Saint-Georges from Théophile Gautier's Le Roman de la Momie...
(1862), and later The Talisman
The Talisman (ballet)
The Talisman - Fantastic ballet in 4 Acts-7 Scenes, with choreography by Marius Petipa, and music by Riccardo Drigo. Libretto by Konstantin Augustovich Tarnovsky and Marius Petipa....
(1889), and La Bayadère
La Bayadère
La Bayadère is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. La Bayadère was first performed by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on...
(1877). Petipa is best remembered for his collaborations with Tchaikovsky. He used his music for his choreography of The Nutcracker
The Nutcracker
The Nutcracker is a two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky. The libretto is adapted from E.T.A. Hoffmann's story "The Nutcracker and the Mouse King". It was given its première at the Mariinsky Theatre in St...
(1892, though this is open to some debate among historians), The Sleeping Beauty
The Sleeping Beauty Ballet
The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was by Pyotr Tchaikovsky . The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La...
(1890), and the definitive revival of Swan Lake
Swan Lake
Swan Lake ballet, op. 20, by Pyotr Tchaikovsky, composed 1875–1876. The scenario, initially in four acts, was fashioned from Russian folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger...
(1895, with Lev Ivanov
Lev Ivanov
Lev Ivanovich Ivanov was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet....
). These works were all drawn from European folklore.
The classical tutu
Tutu
Tutu may refer to:* Ballet tutu, a type of costume for ballet performances* Tutu , poisonous New Zealand plants of the genus Coriaria* Tutu , a 1986 album by Miles Davis* Tūtū, a composition by Liliuokalani of Hawaii...
began to appear at this time. It consisted of a short, stiff skirt supported by layers of crinoline or tulle that revealed the acrobatic legwork, combined with a wide gusset that served to preserve modesty.
Sergei Diaghilev
Sergei Diaghilev
Sergei Pavlovich Diaghilev , usually referred to outside of Russia as Serge, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.-Early life and career:...
brought ballet full-circle back to Paris when he opened his company, Ballets Russes
Ballets Russes
The Ballets Russes was an itinerant ballet company from Russia which performed between 1909 and 1929 in many countries. Directed by Sergei Diaghilev, it is regarded as the greatest ballet company of the 20th century. Many of its dancers originated from the Imperial Ballet of Saint Petersburg...
. It was made up of dancers from the Russian exile community in Paris after the Revolution.
Diaghilev and composer Igor Stravinsky
Igor Stravinsky
Igor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
combined their talents to bring Russian folklore to life in The Firebird
The Firebird
The Firebird is a 1910 ballet created by the composer Igor Stravinsky and choreographer Michel Fokine. The ballet is based on Russian folk tales of the magical glowing bird of the same name that is both a blessing and a curse to its captor....
and Petrushka
Petrushka
Petrouchka or Petrushka is a ballet with music by Russian composer Igor Stravinsky, composed in 1910–11 and revised in 1947....
. The most controversial work of the Ballets Russes was The Rite of Spring
The Rite of Spring
The Rite of Spring, original French title Le sacre du printemps , is a ballet with music by Igor Stravinsky; choreography by Vaslav Nijinsky; and concept, set design and costumes by Nicholas Roerich...
. Many Americans associate Rite of Spring with the dinosaur episode in Walt Disney's Fantasia
Fantasia (film)
Fantasia is a 1940 American animated film produced by Walt Disney and released by Walt Disney Productions. The third feature in the Walt Disney Animated Classics series, the film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are...
, but the ballet's modern music and theme of human sacrifice shocked audiences so much they rioted.
After the “golden age” of Petipa, Michel Fokine
Michel Fokine
Michel Fokine was a groundbreaking Russian choreographer and dancer.-Biography:...
began his career in St. Petersburg but moved to Paris and worked with Diaghilev and the Ballets Russes.
Russian ballet continued development under Soviet rule. There was little talent left in the country after the Revolution, but it was enough to seed a new generation. After stagnation in the 1920s, by the mid-1930s that new generation of dancers and choreographers appeared on the scene. The technical perfection and precision of dance was promoted (and demanded) by Agrippina Vaganova
Agrippina Vaganova
Agrippina Yakovlevna Vaganova was an outstanding Russian ballet teacher who developed the Vaganova method - the technique which derived from the teaching methods of the old Imperial Ballet School under the Premier Maître de Ballet Marius Petipa throughout the mid to late 19th century, though...
, who had been taught by Petipa and Cecchetti and headed the Vaganova Ballet Academy, the school to prepare dancers for the Kirov Ballet in St. Petersburg/Leningrad.
Ballet was popular with the public. Both the Moscow-based Bolshoi and the St. Petersburg (then Leningrad)-based Kirov ballet companies were active. Ideological pressure forced the creation of many socialist realist pieces, most of which made little impression on the public and were removed from the repertoire of both companies later.
Some pieces of that era, however, were remarkable. The Romeo and Juliet
Romeo and Juliet
Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
by Prokofiev and Lavrovsky is a masterpiece. The Flames of Paris
Flames of Paris
Flames of Paris is a classical ballet with music by musicologist and composer Boris Asafiev based on songs of the French Revolution, and originally choreographed by Vasily Vainonen, with design by Vladimir Dmitriev. The four-act ballet is based on a book by Felix Gras...
, while it shows all the faults of socialist realist art, pioneered the active use of the corps de ballet in the performance and required stunning virtuosity. The ballet version of the Pushkin poem, The Fountain of Bakhchisarai
The Fountain of Bakhchisarai
The Fountain of Bakhchisarai is a Russian ballet inspired by the 1823 poem by Alexander Pushkin of the same title....
with music from Boris Asafiev
Boris Asafiev
Boris Vladimirovich Asafyev was a Russian and Soviet composer, writer, musicologist, musical critic and one of founders of Soviet musicology.Asafyev had a strong influence on Soviet music. His compositions include ballets, operas, symphonies, concertos and chamber music...
and choreography by Rostislav Zakharov
Rostislav Zakharov
Rostislav Vladimirovich Zakharov was a Russian choreographer, dancer, ballet and opera director. He was a professor of Russian Academy of the Arts in Moscow...
was also a hit.
The well-known ballet Cinderella, for which Prokofiev provided the music, is also the product of the Soviet ballet. During the Soviet era, these pieces were mostly unknown outside the Soviet Union
Soviet Union
The Soviet Union , officially the Union of Soviet Socialist Republics , was a constitutionally socialist state that existed in Eurasia between 1922 and 1991....
and later outside of the Eastern Bloc
Eastern bloc
The term Eastern Bloc or Communist Bloc refers to the former communist states of Eastern and Central Europe, generally the Soviet Union and the countries of the Warsaw Pact...
. However, after the collapse of the Soviet Union they got more recognition.
The 1999 North American premiere of The Fountain of Bakhchisarai by the Kirov Ballet in New York was an outstanding success, for example. The Soviet era of the Russian Ballet put a lot of emphasis on technique, virtuosity and strength. It demanded strength usually above the norm of contemporary Western dancers. The talent of their prima ballerinas such as Galina Ulanova
Galina Ulanova
Galina Sergeyevna Ulánova is frequently cited as being one of the greatest 20th Century ballerinas. Her flat in Moscow is designated a national museum, and there are monuments to her in Saint Petersburg and Stockholm....
,Natalya Dudinskaya and Maya Plisetskaya
Maya Plisetskaya
Maya Mikhailovna Plisetskaya , born is a Russian ballet dancer, frequently cited as one of the greatest ballerinas of the 20th century. Maya danced during the Soviet era at the same time as the great Galina Ulanova, and took over from her as prima ballerina assoluta of the Bolshoi in 1960...
and choreographers such as Pyotr Gusev
Pyotr Gusev
Pyotr Andreyevich Gusev was a ballet dancer, teacher and choreographer. He was born on 29. December, 1904 in St. Petersburg. He studied at the St. Petersburg School of Choreography under Alexandr Shiryayev. He was a friend of George Balanchine and joined his Young Ballet group. He graduated in...
can only be marvelled when watching restored old footage.
Russian companies, particularly after World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
engaged in multiple tours all over the world that revitalized ballet in the West.
The United States of America
Following the move of the Ballets Russes to France, ballet began to have a broader influence, particularly in the United States of America.From Paris, after disagreements with Diaghilev, Fokine went to Sweden and then the USA and settled in New York. He believed that traditional ballet offered little more than prettiness and athletic display. For Fokine that was not enough. In addition to technical virtuosity he demanded drama, expression and historical authenticity. The choreographer must research the period and cultural context of the setting and reject the traditional tutu in favour of accurate period costuming.
Fokine choreographed Sheherazade
Scheherazade (Rimsky-Korsakov)
Sheherazade , Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888. Based on One Thousand and One Nights, sometimes known as The Arabian Nights, this orchestral work combines two features common to Russian music and of Rimsky-Korsakov in particular: dazzling, colourful...
and Cleopatra. He also reworked Petrouchka and The Firebird. One of his most famous works was The Dying Swan
The Dying Swan
The Dying Swan is a ballet choreographed by Mikhail Fokine in 1905 to Camille Saint-Saëns's cello solo Le Cygne from Le Carnaval des Animaux as a pièce d'occasion for the ballerina Anna Pavlova. The short ballet follows the last moments in the life of a swan, and was first presented in St....
, performed by Anna Pavlova. Beyond her talents as a ballerina, Pavlova had the theatrical gifts to fulfill Fokine's vision of ballet as drama. Legend has it that Pavlova identified so much with the swan role that she requested her swan costume from her deathbed.
George Balanchine
George Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
developed state-of-the-art technique in America by opening a school in Chicago
Chicago
Chicago is the largest city in the US state of Illinois. With nearly 2.7 million residents, it is the most populous city in the Midwestern United States and the third most populous in the US, after New York City and Los Angeles...
and more importantly, in New York
New York
New York is a state in the Northeastern region of the United States. It is the nation's third most populous state. New York is bordered by New Jersey and Pennsylvania to the south, and by Connecticut, Massachusetts and Vermont to the east...
. He adapted ballet to the new media, movies and television
Television
Television is a telecommunication medium for transmitting and receiving moving images that can be monochrome or colored, with accompanying sound...
. A prolific worker, Balanchine rechoreographed classics such as Swan Lake and Sleeping Beauty as well as creating new ballets. He produced original interpretations of the dramas of William Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
such as Romeo and Juliet
Romeo and Juliet
Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young star-crossed lovers whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular archetypal stories of young, teenage lovers.Romeo and Juliet belongs to a...
, The Merry Widow
The Merry Widow
The Merry Widow is an operetta by the Austro–Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play,...
and A Midsummer Night's Dream
A Midsummer Night's Dream
A Midsummer Night's Dream is a play that was written by William Shakespeare. It is believed to have been written between 1590 and 1596. It portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta...
. In Jewels Balanchine broke with the narrative tradition and dramatized a theme rather than a plot. Today, partly thanks to Balanchine, ballet is one of the most well-preserved dances in the world.
Barbara Karinska was a Russian emigree and a skilled seamstress who collaborated with Balanchine to elevate the art of costume design from a secondary role to an integral part of a ballet performance. She introduced the bias cut and a simplified classic tutu that allowed the dancer more freedom of movement. With meticulous attention to detail, she decorated her tutus with beadwork, embroidery, crochet and appliqué.
Neoclassical ballet
George BalanchineGeorge Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
is often considered to have been the first pioneer of what is now known as neoclassical ballet
Neoclassical ballet
Neoclassical balletis the style of 20th century classical ballet exemplified by the works of George Balanchine. It draws on the advanced technique of 19th century Russian Imperial dance, but strips it of its detailed narrative and heavy theatrical setting...
, a style of dance between classical ballet and today's contemporary ballet. Tim Scholl, author of From Petipa to Balanchine, considers George Balanchine
George Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
's Apollo in 1928 to be the first neoclassical ballet. Apollo represented a return to form in response to Serge Diaghilev's abstract ballets. "Apollo" and other works are still performed today, predominantly by the New York City Ballet
New York City Ballet
New York City Ballet is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Leon Barzin was the company's first music director. Balanchine and Jerome Robbins are considered the founding choreographers of the company...
. However, other companies are able to pay a fee and have one of George Balanchine
George Balanchine
George Balanchine , born Giorgi Balanchivadze in Saint Petersburg, Russia, to a Georgian father and a Russian mother, was one of the 20th century's most famous choreographers, a developer of ballet in the United States, co-founder and balletmaster of New York City Ballet...
's works set on their own dancers.
Contemporary
One dancer who trained with Balanchine and absorbed much of this neo-classical style was Mikhail BaryshnikovMikhail Baryshnikov
Mikhail Nikolaevich Baryshnikov is a Soviet and American dancer, choreographer, and actor, often cited alongside Vaslav Nijinsky and Rudolf Nureyev as one of the greatest ballet dancers of the 20th century. After a promising start in the Kirov Ballet in Leningrad, he defected to Canada in 1974...
. Following Baryshnikov's appointment as artistic director of American Ballet Theatre
American Ballet Theatre
American Ballet Theatre , based in New York City, was one of the foremost ballet companies of the 20th century. It continues as a leading dance company in the world today...
in 1980, he worked with various modern choreographers, most notably Twyla Tharp
Twyla Tharp
Twyla Tharp is an American dancer and choreographer, who lives and works in New York City.-Early years:Tharp was born in 1941 on a farm in Portland, Indiana, and was named after Twila Thornburg, the "Pig Princess" of the 89th Annual Muncie Fair in Indiana.she spend hours working on it to help her...
. Tharp choreographed Push Comes To Shove for ABT and Baryshnikov in 1976; in 1986 she created In The Upper Room for her own company. Both these pieces were considered innovative for their use of distinctly modern movements melded with the use of pointe shoes and classically-trained dancers—for their use of "contemporary ballet".
Tharp also worked with the Joffrey Ballet
Joffrey Ballet
The Joffrey Ballet is a dance company in Chicago, Illinois, founded in 1956. From 1995 to 2004, the company was known as The Joffrey Ballet of Chicago. The company regularly performs classical ballets including Romeo & Juliet and The Nutcracker, while balancing those classics with pioneering modern...
company, founded in 1957 by Robert Joffrey
Robert Joffrey
Robert Joffrey was an American dancer, teacher, producer and choreographer, known for his highly imaginative modern ballets...
. She choreographed Deuce Coupe for them in 1973, using pop music and a blend of modern and ballet techniques. The Joffrey Ballet continued to perform numerous contemporary pieces, many choreographed by co-founder Gerald Arpino
Gerald Arpino
Gerald Arpino was an American dancer and choreographer. He was the artistic director and co-founder of The Joffrey Ballet.-Life and career:...
.
Today there are many explicitly contemporary ballet companies and choreographers. These include Alonzo King
Alonzo King
Alonzo King is an American dancer and choreographer working in San Francisco, California. He is known for founding a contemporary ballet company, Alonzo King LINES Ballet, in 1982....
and his company, Alonzo King's Lines Ballet; Nacho Duato and Compañia Nacional de Danza; William Forsythe, who has worked extensively with the Frankfurt Ballet and today runs The Forsythe Company
The Forsythe Company
The Forsythe Company is a dance ensemble of eighteen dancers based in Dresden, Germany. It was founded in 2005 by William Forsythe following the closure of the Frankfurt Ballet...
; and Jiří Kilián, currently the artistic director of the Nederlands Dans Theatre
Nederlands Dans Theatre
Nederlands Dans Theater is a Dutch contemporary dance company. NDT is headquartered at the Lucent Danstheater in The Hague...
. Traditionally "classical" companies, such as the Kirov Ballet and the Paris Opera Ballet
Paris Opera Ballet
The Paris Opera Ballet is the oldest national ballet company in the world, and many European and international ballet companies can trace their origins to it...
, also regularly perform contemporary works.
Development of ballet method
The most notable ballet methods are named after their originator. For example, two prevailing systems from Russia are known as the Vaganova methodVaganova method
The Vaganova method is a ballet technique and training system devised by the Russian dancer and pedagogue Agrippina Vaganova . Fusing elements of traditional French technique from the romantic era, with the athleticism and virtuosity of the Italian school, the method is designed to work the body...
after Agrippina Vaganova
Agrippina Vaganova
Agrippina Yakovlevna Vaganova was an outstanding Russian ballet teacher who developed the Vaganova method - the technique which derived from the teaching methods of the old Imperial Ballet School under the Premier Maître de Ballet Marius Petipa throughout the mid to late 19th century, though...
, and the Legat Method, after Nikolai Legat. The well-known Cecchetti method
Cecchetti method
The Cecchetti method is a ballet technique and training system devised by the Italian ballet master and pedagogue Enrico Cecchetti . The Cecchetti method, is a strict training system with special concern for anatomy within the confines of classical ballet technique, and seeks to develop the...
is based on technique developed and taught by the Italian dancer Enrico Cecchetti
Enrico Cecchetti
Enrico Cecchetti was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in...
(1850–1928). Another European system, based on the teaching methods of Frenchman Auguste Vestris
Auguste Vestris
Marie-Jean-Augustin Vestris, known as Auguste Vestris was a French dancer.Born in Paris as the illegitimate son of Gaëtan Vestris and of Marie Allard, he was dubbed "le dieu de la danse", , a popular title bestowed on the leading male dancer of each generation...
, was that developed in Copenhagen by August Bournonville
August Bournonville
August Bournonville was a Danish ballet master and choreographer. August was the son of Antoine Bournonville, a dancer and choreographer trained under the French choreographer, Jean Georges Noverre, and the nephew of Julie Alix de la Fay, née Bournonville, of the Royal Swedish Ballet.August was...
(1805–1879). The system is taught chiefly as a tradition in Bournonville's own country of Denmark.