Hoste da Reggio
Encyclopedia
Hoste da Reggio (c. 1520–1569) was an Italian composer of the Renaissance
, active in Milan
and elsewhere in northern Italy. He was well-known for his madrigal
s, which were published in several collections in Venice
.
, hired him in the 1540s; the exact post is not known but may have involved overseeing the music at the church of Santa Maria della Scala. He stayed in the good graces of the Gonzaga
family, but when the governor was deposed by the Duke of Alba
in 1554 during the Italian War of 1551–1559 he lost his job.
In 1555 he acquired a prebend at S. Calimero, also in Milan, and three years later he attained the prestigious position of maestro di cappella (choir director, the highest musical post) at Milan Cathedral. In 1563 he resumed his previous duties at S. Calimero, staying there until 1567, when he left Milan for Bergamo
, where he served as maestro di cappella at Santa Maria Maggiore. He died there after only two years.
Unusually for Renaissance composers, a painting survives of him. It is anonymous, and in a private collection in Brescia
: it shows him, dressed as a priest, holding open one of his books of madrigals.
Some of the methods of madrigal composition common around 1550 which can be found in Hoste include chromaticism
, unusual chord progressions, especially around cadences, and note nere (black-note) writing. In the note nere style, quick passages (written in filled-in notes, i.e. "black" notes) alternate with slower-moving sections, often in extreme contrast. Another stylistic strain evident in Hoste's writing is the "arioso" manner, in which one or more of the voices sings in a more declamatory style, anticipating later developments in the century such as the solo madrigal, and an increasing importance of sopran o and bass parts; prior to this time, especially in the contrapuntal
style of the Franco-Flemish school
in the 1540s, absolute evenness of parts was an ideal, in which no one part predominated in the texture.
Occasionally he used a repeating melody in the soprano line, with the lower parts accompanying it differently each time it recurs. This most likely shows the influence of Francesco Corteccia
, the famous musician and madrigalist to the Medici
in Florence
, who was consciously melding art and popular music styles. The procedure of using a simple repeating line in this manner was to be revived in the Baroque era, most often as a ground bass, and again in the cantata
s of J.S. Bach.
Hoste also published a book of magnificat
s and motet
s; this one collection of sacred music (1550) appeared in Milan instead of Venice.
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
, active in Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
and elsewhere in northern Italy. He was well-known for his madrigal
Madrigal (music)
A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six....
s, which were published in several collections in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
.
Life
He was from Reggio nell'Emilia, the son of an innkeeper. Little is known about him prior to 1540, but he received a good musical education. In 1540 he was in Milan, and during the 1540s he made the acquaintance of the nobility and the ecclesiastical powers there. The governor of Milan, Ferrante GonzagaFerrante Gonzaga
Ferrante I Gonzaga was an Italian condottiero, a member of the House of Gonzaga and the founder of the branch of the Gonzaga of Guastalla.-Biography:...
, hired him in the 1540s; the exact post is not known but may have involved overseeing the music at the church of Santa Maria della Scala. He stayed in the good graces of the Gonzaga
House of Gonzaga
The Gonzaga family ruled Mantua in Northern Italy from 1328 to 1708.-History:In 1433, Gianfrancesco I assumed the title of Marquis of Mantua, and in 1530 Federico II received the title of Duke of Mantua. In 1531, the family acquired the Duchy of Monferrato through marriage...
family, but when the governor was deposed by the Duke of Alba
Fernando Álvarez de Toledo, 3rd Duke of Alba
Don Fernando Álvarez de Toledo y Pimentel, 3rd Duke of Alba was a Spanish general and governor of the Spanish Netherlands , nicknamed "the Iron Duke" in the Low Countries because of his harsh and cruel rule there and his role in the execution of his political opponents and the massacre of several...
in 1554 during the Italian War of 1551–1559 he lost his job.
In 1555 he acquired a prebend at S. Calimero, also in Milan, and three years later he attained the prestigious position of maestro di cappella (choir director, the highest musical post) at Milan Cathedral. In 1563 he resumed his previous duties at S. Calimero, staying there until 1567, when he left Milan for Bergamo
Bergamo
Bergamo is a town and comune in Lombardy, Italy, about 40 km northeast of Milan. The comune is home to over 120,000 inhabitants. It is served by the Orio al Serio Airport, which also serves the Province of Bergamo, and to a lesser extent the metropolitan area of Milan...
, where he served as maestro di cappella at Santa Maria Maggiore. He died there after only two years.
Unusually for Renaissance composers, a painting survives of him. It is anonymous, and in a private collection in Brescia
Brescia
Brescia is a city and comune in the region of Lombardy in northern Italy. It is situated at the foot of the Alps, between the Mella and the Naviglio, with a population of around 197,000. It is the second largest city in Lombardy, after the capital, Milan...
: it shows him, dressed as a priest, holding open one of his books of madrigals.
Music and influence
Hoste da Reggio's style showed many of the characteristics of the mid-century madrigal, which was at that time evolving along several different paths. He published his madrigals in five volumes in Venice between 1547 and 1554.Some of the methods of madrigal composition common around 1550 which can be found in Hoste include chromaticism
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. Chromaticism is in contrast or addition to tonality or diatonicism...
, unusual chord progressions, especially around cadences, and note nere (black-note) writing. In the note nere style, quick passages (written in filled-in notes, i.e. "black" notes) alternate with slower-moving sections, often in extreme contrast. Another stylistic strain evident in Hoste's writing is the "arioso" manner, in which one or more of the voices sings in a more declamatory style, anticipating later developments in the century such as the solo madrigal, and an increasing importance of sopran o and bass parts; prior to this time, especially in the contrapuntal
Counterpoint
In music, counterpoint is the relationship between two or more voices that are independent in contour and rhythm and are harmonically interdependent . It has been most commonly identified in classical music, developing strongly during the Renaissance and in much of the common practice period,...
style of the Franco-Flemish school
Franco-Flemish School
In music, the Franco-Flemish School or more precisely the Netherlandish School refers, somewhat imprecisely, to the style of polyphonic vocal music composition in Europe in the 15th and 16th centuries, and to the composers who wrote it...
in the 1540s, absolute evenness of parts was an ideal, in which no one part predominated in the texture.
Occasionally he used a repeating melody in the soprano line, with the lower parts accompanying it differently each time it recurs. This most likely shows the influence of Francesco Corteccia
Francesco Corteccia
Francesco Corteccia was an Italian composer, organist, and teacher of the Renaissance. Not only was he one of the best known of the early composers of madrigals, and an important native Italian composer during a period of domination by composers from the Low Countries, but he was the most...
, the famous musician and madrigalist to the Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
, who was consciously melding art and popular music styles. The procedure of using a simple repeating line in this manner was to be revived in the Baroque era, most often as a ground bass, and again in the cantata
Cantata
A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir....
s of J.S. Bach.
Hoste also published a book of magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...
s and motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
s; this one collection of sacred music (1550) appeared in Milan instead of Venice.