Hoysaleswara temple
Encyclopedia
Hoysaleswara temple is a temple dedicated to Hindu
God Shiva
. It was built in Halebidu
(in modern Karnataka
state) during the Hoysala Empire
rule in the 12th century by King Vishnuvardhana
. The construction was completed in 1121 CE. During the early 14th century, Halebidu was sacked and looted by Muslim
invaders from northern India and the temple fell into a state of ruin and neglect. Previously known as Dorasamudra or Dwarasamudra, Halebidu is 16 km from Belur
, 31 km from Hassan
and 149 km from Mysore, in the state of Karnataka, India
.
which was built in the middle of the 11th century and received water through channels from an ancient anecut (dam) built over the Yagachi river. The tank preceded the temple by nearly seventy five years. It is one of the largest temples dedicated to God Shiva in South India.
(two shrined), one for "Hoysaleswara" and the other for "Shantaleswara" (after Shantala Devi, queen of king Vishnuvardhana) and is built with chloritic chist (Soapstone
, also known as potstone). The temple complex as a whole is elevated on a jagati
(platform), a feature that became popular in contemporary Hoysala designs. The two shrines which are adjoining, face east and each have a mantapa (hall) in front. The two mantapas are connected giving a large and imposing view of the hall. Individually, each shrine is smaller than the one at the Chennakesava Temple
at Belur and contains a simple linga, the universal symbol of Shiva. The plan of the inside of the temple is simple but the exterior looks different because of the introduction of many projections and recesses in the walls. The towers of the shrines that are missing must have followed the star shape of the shrine, just as in many existing well-preserved towers in other Hoysala temples. The superstructure of the vestibule (which connects the shrine to the mantapa), called sukanasi, and the row of decorated miniature roofs above the eaves of the hall are all missing. The temple was built at a height that provided the architects sufficient horizontal and vertical space to depict large and small sculptures. The overall effect of the vertical and horizontal lines, the play of the outline, the effect of light and shade and the plan of the projections and recesses all amounts to a "marvellous exhibition of human labor to be found even in the patient east and surpasses anything in Gothic art
". The outer walls of these temples contain an intricate array of stone sculptures. The temple of Halebidu, has been described as an "outstanding example of Hindu architecture" and as the "supreme climax of Indian architecture".
The temple has four porches for entry and the one normally used by visitors as main entry today is actually a lateral entrance (north). There is one entry on the south side and two on the east side, facing two large detached open pavilions whose ceiling is supported by lathe
turned pillars. All entry porches have miniature shrines as flanking. In addition there is a sanctuary for the Sun God Surya
, whose image stands 7 ft (2.1 m) tall. The pavilions enshrine large images of Nandi, the bull, an attendant of Shiva. The pavilions share the same jagati
as the main temple. As in the Chennakesava temple, this temple originally had an open mantapa to which, outer walls with pierced window screens made with the same material were erected, making the mantapa a closed one. The window screens are devoid of any art work. The interior of the temple is quite plain except for the lathe turned pillars that run in rows between the north and south entrances. The four pillars in front of each shrine are the most ornate and the only ones that have madanika
sculptures in their pillar brackets. There are no other madanikas in the temple.
on the left hand side of the south entrance and ending with another image of Ganesha on the right hand side of the north entrance. In all there are 240 such images. Perhaps no other Hoysala temple is as sculpturally articulate as this is and these sculptures are "second to none in all of India". The most intricate of all sculptures are found in the lintels over two of the doorways, one on the south side doorway and the other on one of the eastern doorways.
that run around the temple. The top eaves is at the roof of the temple and the second eaves about a meter below. In between there are decorated miniature towers (aedicule). Below the lower eaves are the wall sculptures and eight friezes. This type of relief work is called horizontal treatment. Each of the eight friezes carries an array of decoration. Going from the bottom where the temple wall meets the platform, the lowest frieze depicts charging elephants which symbolise strength and stability, above which, in order, are friezes with lions which symbolise courage, floral scrolls as decoration, horses for speed, another band of floral scrolls, depiction of Hindu epics, makara (beasts) and finally a frieze with hansas (swans). No two animals are alike in a total frieze span of over 200 m. In the epic frieze, the epics are not continuous as they are mixed with other depictions. After the construction of this temple, Hoysala architects used this new kind of horizontal treatment only 50 years later, making it a standard style, but with six friezes.
. A devoted officer, he took his life and that of his wife and other bodyguards after the death of his master. This event is narrated in an old Kannada inscription on the pillar. An 8 ft (2.4 m) tall sculpture of Ganesha including the platform rests at the South entrance.
Hinduism
Hinduism is the predominant and indigenous religious tradition of the Indian Subcontinent. Hinduism is known to its followers as , amongst many other expressions...
God Shiva
Shiva
Shiva is a major Hindu deity, and is the destroyer god or transformer among the Trimurti, the Hindu Trinity of the primary aspects of the divine. God Shiva is a yogi who has notice of everything that happens in the world and is the main aspect of life. Yet one with great power lives a life of a...
. It was built in Halebidu
Halebidu
Halebidu is located in Hassan District, Karnataka, India. Halebidu was the regal capital of the Hoysala Empire in the 12th century. It is home to one of the best examples of Hoysala architecture in the ornate Hoysaleswara and Kedareswara temples. Halebidu literally means ruined city...
(in modern Karnataka
Karnataka
Karnataka , the land of the Kannadigas, is a state in South West India. It was created on 1 November 1956, with the passing of the States Reorganisation Act and this day is annually celebrated as Karnataka Rajyotsava...
state) during the Hoysala Empire
Hoysala Empire
The Hoysala Empire was a prominent South Indian Kannadiga empire that ruled most of the modern day state of Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur but was later moved to Halebidu....
rule in the 12th century by King Vishnuvardhana
Vishnuvardhana
Vishnuvardhana was an emperor of the Hoysala Empire in present day Indian state of Karnataka. Vishnuvardhana took the first step in consolidating the Hoysala Empire in South India through a series of battles against his overlords, the Western Chalukya empire...
. The construction was completed in 1121 CE. During the early 14th century, Halebidu was sacked and looted by Muslim
Muslim
A Muslim, also spelled Moslem, is an adherent of Islam, a monotheistic, Abrahamic religion based on the Quran, which Muslims consider the verbatim word of God as revealed to prophet Muhammad. "Muslim" is the Arabic term for "submitter" .Muslims believe that God is one and incomparable...
invaders from northern India and the temple fell into a state of ruin and neglect. Previously known as Dorasamudra or Dwarasamudra, Halebidu is 16 km from Belur
Belur, Karnataka
Belur is a Town Municipal Council in Hassan district in the state of Karnataka, India.-History:Belur was the early capital of the Hoysala Empire. With Halebidu which is only 16 km away, this is one of the major tourist destinations in Karnataka, India. Belur is located in Hassan district...
, 31 km from Hassan
Hassan (Indian city)
Hassan is a city and district headquarters of Hassan district in the Indian state of Karnataka. The town is situated 934 mts above sea level with fine weather similar to Bangalore. The town is home to the Master Control Facility of the Indian Space Research Organisation . It was founded in the...
and 149 km from Mysore, in the state of Karnataka, India
India
India , officially the Republic of India , is a country in South Asia. It is the seventh-largest country by geographical area, the second-most populous country with over 1.2 billion people, and the most populous democracy in the world...
.
History
From records it is known that the temple derives its name from the Hoysala ruler at that time, King Vishnuvardhana Hoysaleswara, though interestingly, the construction of the temple was initiated and financed by wealthy Shaiva citizens of the city, prominent among whom were Ketamalla and Kesarasetti. The temple building activity was taken up in competition to the construction of the Chennakesava Temple at Belur, a Vaishnava temple. The temple faces a large tankTemple tank
Temple tanks are wells or reservoirs built as part of the temple complex in Indian temples. Bathing in the sacred waters of these tanks is thought to cure disease and maladies...
which was built in the middle of the 11th century and received water through channels from an ancient anecut (dam) built over the Yagachi river. The tank preceded the temple by nearly seventy five years. It is one of the largest temples dedicated to God Shiva in South India.
Temple plan
The temple is a simple dvikuta vimanaSikhara
Śikhara, a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India. Sikhara over the sanctum sanctorum where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.In south...
(two shrined), one for "Hoysaleswara" and the other for "Shantaleswara" (after Shantala Devi, queen of king Vishnuvardhana) and is built with chloritic chist (Soapstone
Soapstone
Soapstone is a metamorphic rock, a talc-schist. It is largely composed of the mineral talc and is thus rich in magnesium. It is produced by dynamothermal metamorphism and metasomatism, which occurs in the areas where tectonic plates are subducted, changing rocks by heat and pressure, with influx...
, also known as potstone). The temple complex as a whole is elevated on a jagati
Jagati (temple)
Jagati is a term used in Indian temple architecture. A Jagati is a raised surface, platform or terrace upon which the temple is placed....
(platform), a feature that became popular in contemporary Hoysala designs. The two shrines which are adjoining, face east and each have a mantapa (hall) in front. The two mantapas are connected giving a large and imposing view of the hall. Individually, each shrine is smaller than the one at the Chennakesava Temple
Chennakesava Temple
The Chennakesava Temple originally called Vijayanarayana Temple was built on the banks of the Yagachi River in Belur, an early capital of the Hoysala Empire. Belur is 40 km from Hassan city and 220 km from Bangalore, in Hassan district of Karnataka state, India. Chennakesava literally...
at Belur and contains a simple linga, the universal symbol of Shiva. The plan of the inside of the temple is simple but the exterior looks different because of the introduction of many projections and recesses in the walls. The towers of the shrines that are missing must have followed the star shape of the shrine, just as in many existing well-preserved towers in other Hoysala temples. The superstructure of the vestibule (which connects the shrine to the mantapa), called sukanasi, and the row of decorated miniature roofs above the eaves of the hall are all missing. The temple was built at a height that provided the architects sufficient horizontal and vertical space to depict large and small sculptures. The overall effect of the vertical and horizontal lines, the play of the outline, the effect of light and shade and the plan of the projections and recesses all amounts to a "marvellous exhibition of human labor to be found even in the patient east and surpasses anything in Gothic art
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
". The outer walls of these temples contain an intricate array of stone sculptures. The temple of Halebidu, has been described as an "outstanding example of Hindu architecture" and as the "supreme climax of Indian architecture".
The temple has four porches for entry and the one normally used by visitors as main entry today is actually a lateral entrance (north). There is one entry on the south side and two on the east side, facing two large detached open pavilions whose ceiling is supported by lathe
Lathe
A lathe is a machine tool which rotates the workpiece on its axis to perform various operations such as cutting, sanding, knurling, drilling, or deformation with tools that are applied to the workpiece to create an object which has symmetry about an axis of rotation.Lathes are used in woodturning,...
turned pillars. All entry porches have miniature shrines as flanking. In addition there is a sanctuary for the Sun God Surya
Surya
Surya Suraya or Phra Athit is the chief solar deity in Hinduism, one of the Adityas, son of Kasyapa and one of his wives, Aditi; of Indra; or of Dyaus Pitar . The term Surya also refers to the Sun, in general. Surya has hair and arms of gold...
, whose image stands 7 ft (2.1 m) tall. The pavilions enshrine large images of Nandi, the bull, an attendant of Shiva. The pavilions share the same jagati
Jagati (temple)
Jagati is a term used in Indian temple architecture. A Jagati is a raised surface, platform or terrace upon which the temple is placed....
as the main temple. As in the Chennakesava temple, this temple originally had an open mantapa to which, outer walls with pierced window screens made with the same material were erected, making the mantapa a closed one. The window screens are devoid of any art work. The interior of the temple is quite plain except for the lathe turned pillars that run in rows between the north and south entrances. The four pillars in front of each shrine are the most ornate and the only ones that have madanika
Salabhanjika
Salabhanjika refers to the sculpture of a woman, displaying stylized feminine features, standing near a tree and grasping a branch. The name of these figures comes from the Sanskrit śālabañjika meaning 'breaking a branch of a sala tree'...
sculptures in their pillar brackets. There are no other madanikas in the temple.
Sculptures
The Hoysaleswara temple is most well-known for its wall sculptures that run all along the outer wall, starting with an image of dancing GaneshaGanesha
Ganesha , also spelled Ganesa or Ganesh, also known as Ganapati , Vinayaka , and Pillaiyar , is one of the deities best-known and most widely worshipped in the Hindu pantheon. His image is found throughout India and Nepal. Hindu sects worship him regardless of affiliations...
on the left hand side of the south entrance and ending with another image of Ganesha on the right hand side of the north entrance. In all there are 240 such images. Perhaps no other Hoysala temple is as sculpturally articulate as this is and these sculptures are "second to none in all of India". The most intricate of all sculptures are found in the lintels over two of the doorways, one on the south side doorway and the other on one of the eastern doorways.
Horizontal treatment
In this temple, the Hoysala architects have broken from the tradition of using five friezes as the base of the temple, below the large wall sculptures and the window screens. The outer walls have two eavesEaves
The eaves of a roof are its lower edges. They usually project beyond the walls of the building to carry rain water away.-Etymology:"Eaves" is derived from Old English and is both the singular and plural form of the word.- Function :...
that run around the temple. The top eaves is at the roof of the temple and the second eaves about a meter below. In between there are decorated miniature towers (aedicule). Below the lower eaves are the wall sculptures and eight friezes. This type of relief work is called horizontal treatment. Each of the eight friezes carries an array of decoration. Going from the bottom where the temple wall meets the platform, the lowest frieze depicts charging elephants which symbolise strength and stability, above which, in order, are friezes with lions which symbolise courage, floral scrolls as decoration, horses for speed, another band of floral scrolls, depiction of Hindu epics, makara (beasts) and finally a frieze with hansas (swans). No two animals are alike in a total frieze span of over 200 m. In the epic frieze, the epics are not continuous as they are mixed with other depictions. After the construction of this temple, Hoysala architects used this new kind of horizontal treatment only 50 years later, making it a standard style, but with six friezes.
Garuda pillar
Another interesting object in the temple complex is the rare Garuda Sthamba (Garuda pillar). These are different from virgals (hero stones). Garudas were elite bodyguards of the kings and queens. They moved and lived with the royal family and their only purpose was to protect their master. Upon the death of their master, they committed suicide. The rare pillar on the south side depicts heroes brandishing knives and cutting their own heads. The inscription honors Kuruva Lakshma, a bodyguard of Veera Ballala IIVeera Ballala II
Veera Ballala II was the greatest monarch of the Hoysala Empire. This is proven by his successes against the Seuna, Southern Kalachuri, and the waning Kalyani Chalukya dynasties. He caused the demise of the Kalyani Chalukya dynasty. His period also saw prolific literary activity in Kannada. He...
. A devoted officer, he took his life and that of his wife and other bodyguards after the death of his master. This event is narrated in an old Kannada inscription on the pillar. An 8 ft (2.4 m) tall sculpture of Ganesha including the platform rests at the South entrance.