Ian Duhig
Encyclopedia

Life

He was the eighth of eleven children born to Irish parents. He graduated from Leeds University.

He worked for 15 years with homeless people.

He is a writer and teacher of creating writing at various institutions, including the Arvon Foundation.

Duhig writes occasional articles for magazines and newspapers including Moving Worlds, the Sunday Times and the Independent on Sunday. He has also worked on a variety of commissions, particularly involving music. He wrote 'In the Key of H' with the contemporary composer Christopher Fox for the Ilkley Festival, co-operating again with Fox on an insert to 'The Play of Daniel', which can be heard on Fox's DVD 'A Glimpse of Sion's Glory'. He was commissioned by the Clerks, a vocal consort specializing in pre-baroque music, to write new poems for 'Le Roman de Fauvel', which was first performed at the Queen Elizabeth Hall on the South Bank in 2007, and enthusiastically reviewed in the New York Times when performed in that city in 2009.

Duhig is an anthologised short story writer, represented in the award-winning 'The New Uncanny' from Comma Press, a creative updating of Freud's famous essay with other writers including A.S Byatt and Hanif Kureishi. He has also written for radio and the stage, the latter most recently with Rommi Smith, directed by Polly Thomas, on 'God Comes Home' at the West Yorkshire Playhouse in 2009. This considered the ramifications of the case of David Oluwale, a homeless Nigerian immigrant to Leeds, who died after a campaign of persecution by two local policemen. Duhig has written poems about this tragic story, one of which appears in Kester Aspden's 'The Hounding of David Oluwale', published by Jonathan Cape.

Awards

  • 1987 National Poetry Competition
    National Poetry Competition
    The National Poetry Competition is an annual poetry prize established in 1978. It is run by the UK-based Poetry Society and accepts entries from all over the world, with over 10,000 poems being submitted to the competition each year...

      for Nineteen Hundred and Nineteen
  • 1989 Northern Poetry Competition  for Splenditello
  • 1991 Forward Poetry Prize
    Forward Poetry Prize
    The Forward Poetry Prizes were created in 1991. The aim of the prizes is to extend the audience for contemporary poetry. Until the T.S. Eliot Prize remuneration was increased to £15,000 plus £1000 to each of nine runners-up, the Forward was the United Kingdom's most valuable annual poetry...

     (shortlist) for The Bradford Count
  • 1991 Whitbread Poetry Award
    1991 Whitbread Awards
    -References:*...

     (shortlist) for The Bradford Count
  • 1995 T. S. Eliot Prize
    T. S. Eliot Prize
    The T. S. Eliot Prize for Poetry is awarded by the Poetry Book Society to "the best collection of new verse in English first published in the UK or the Republic of Ireland" in any particular year. The Prize was inaugurated in 1993 in celebration of the Poetry Book Society's 40th birthday and in...

     (shortlist) The Mersey Goldfish
  • 1998 Arts Council Writers' Award
  • 2000 National Poetry Competition for "The Lammas Hireling"
  • 2001 Cholmondeley Award
    Cholmondeley Award
    The Cholmondeley Award is an annual award for poetry given by the Society of Authors in the United Kingdom. Awards honour distinguished poets, from a fund endowed by the late Dowager Marchioness of Cholmondeley in 1966...

  • 2001 Forward Best Single Poem Prize for "The Lammas Hireling"
  • 2002 Forward Poetry Prize (shortlist) for "Rosary"
  • 2003 Forward Poetry Prize (shortlist) for The Lammas Hireling
  • 2003 T. S. Eliot Prize (shortlist) for The Lammas Hireling
  • 2007 Costa Poetry Award (shortlist) The Speed of Dark
  • 2007 T. S. Eliot Prize (shortlist) for The Speed of Dark
  • 2008 Shirley Jackson Award for Best Anthology as contributor to 'The New Uncanny', Comma Press (short story)
  • Royal Literary Fund fellowships at Trinity and All Saints College, Leeds University, Bradford University.

Teaching Fellowships at Lancaster and Leeds Universities. Northern Arts Literary Fellow 2000, International Writer Fellow, Trinity College Dublin 2003.
  • Fellow of the Royal Society of Literature

Anthologies

  • 'Modern Irish Poetry', editor Patrick Crotty, Blackstaff 1995
  • 'Emergency Kit', editors Jo Shapcott and Matthew Sweeney, Faber and Faber 1996
  • 'The Firebox: Poetry in Britain and Ireland After 1945', editor Sean O'Brien, Picador 1998
  • 'The Penguin Book of Poetry from Britain and Ireland Since 1945', edited by Simon Armitage and Robert Crawford, Viking 1998
  • 'The Bloodaxe Book of 20th Century Poetry, editor Edna Longley, Bloodaxe 2000
  • 'Irish Writing in the Twentieth Century: A Reader', editor David Pierce, Cork University Press, 2000

  • 'The Book of Leeds' (short stories), editors Maria Crossan and Tom Palmer, Comma 2006
  • 'The New Uncanny' (short stories), editor Ra Page, Comma 2008

Essays

  • 'The Irish Boomerang' in Poetry Ireland Review, August 2003
  • 'The Holy City' in Moving Worlds, August 2009

Reviews

Among recent writers indebted to the modernist masters in that respect are Paul Muldoon
Paul Muldoon
Paul Muldoon is an Irish poet. He has published over thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. He held the post of Oxford Professor of Poetry from 1999 - 2004. At Princeton University he is both the Howard G. B. Clark ’21 Professor in the Humanities and...

, WN Herbert and Ian Duhig: erudite and venturesome poets who specialise in a complexity which has one puzzling and laughing together.

The Celtic input into this tradition of humorous difficulty is intriguing. Muldoon is an Ulsterman, Herbert a Scot, Duhig the London-born child of Irish Catholic parents. Duhig is the most economical. The Lammas Hireling, shortlisted for this year's TS Eliot Prize, is his fourth book in 12 years and, at 69 pages, his longest by a short head. In his last volume, Nominies, he seemed to opt for a more direct and accessible style. This book requires greater concentration.


The lightness of touch and the humour of this collection are subversive in contexts where many might fear to speak. Without pretension or presumption, 'The Speed of Dark' stands up against some of the worst aspects of "civilisation" and stands with the very best of contemporary poetry. Fran Brearton, 'From the Horse's Mouth', the Guardian, 2007.

External links

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