The Iconostasis of Cathedral of the Archangel Michael is a traditional Russian iconostasis

Iconostasis

In Eastern Christianity an iconostasis is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. Iconostasis also refers to a portable icon stand that can be placed anywhere within a church...

, which dates from 1678-81. The iconostasis, which has been preserved to our day, is located in The Cathedral of the Archangel

Cathedral of the Archangel

The Cathedral of the Archangel is a Russian Orthodox church dedicated to the Archangel Michael. It is located in Cathedral Square of the Moscow Kremlin in Russia between the Great Kremlin Palace and the Ivan the Great Bell Tower. It was the main necropolis for members of the Tsars of Russia until...

 in the Kremlin

Kremlin

A kremlin , same root as in kremen is a major fortified central complex found in historic Russian cities. This word is often used to refer to the best-known one, the Moscow Kremlin, or metonymically to the government that is based there...

 of Moscow

History

The large iconostasis, 13 meters high, dates from 1678-81. Ninety-two painters selected by Simon Ushakov

Simon Ushakov

Simon Fyodorovich Ushakov was a leading Russian graphic artist of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is associated with the comprehensive reform of the Russian Orthodox Church undertaken by Patriarch Nikon.-Biography:We know almost nothing about the early...

, the famous icon painter of the 17th century, took part in painting the murals of Archangel Cathedral. The paintings in the Archangel Cathedral are monumental showing the obvious tendency of the masters to spaciousness and simultaneously to simple and clear composition unburdened by subject-matter detail. The faces are painted in the soft painting technique typical of 17th century icon painting. The color scheme is simple, including gold, yellow, green, light-blue, blue, pink, and red.

Details

The iconostasis of the Archangel’s Cathedral consists of four tiers – local, festive, deisis and prophets. All the icons of the iconostasis, except two icons of the local row – “The Annunciation of Ustyug” and “Archangel Michael in deeds” – were created by royal painters (“isografs”) in 1679-1681. All the other icons, following the medieval Christian tradition were left unsigned.
The wooden frame of the iconostasis was created in the reign of Theodore Alexeevich by a team of carvers. It is crafted in the Baroque

Baroque

The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...

style.

Prophets

All the prophets are depicted standing and holding open scrolls with prophetic scripture. The central image of the row is the monumental icon of "Our Lady" sitting an a throne with the Child on her lap.

deises

The deisis row includes both the traditional, five-figured key (Saviour Almighty, Our Lady, John the Precursor, Archangel Michael, Archangel Gabriel) and icons of the twelve Apostles (six from each side).

Local

There are two images on the Local tier, on either side of King's Gatee: “Our Lady the Favoured Heaven” and “saviour the Great Pontiff”.

Festive

The festive row depicts the events from New Testament that are celebrated in the church. they include Christmas, Candelas Day, Epiphany, the Resurrection of Lazarus, Enter into Jerusalem, and the Crucifixion

"Archangel Michael"

The icon that the church draws its name from, "Archangel Michael" is the most ancient one. It was painted c. 1399 and adorned the iconostasis of the preceding Archangel’s Church. The icon, the oldest in the iconostasis, is believed to have been created for Princess Eudoxia, the wife of Dmitri Donskoi to the memory the victory in the Battle of Kulikovo.