Ignazio Collino
Encyclopedia
Ignazio Collino was an Italian
sculptor, active in the late-Baroque
period, mainly in the region of the Piedmont
.
Along with his brother, Filippo Collino (1737–1801), Ignazio worked in a restrained formal style, intermediate between Baroque and Neoclassicism
. A royal subsidy provided by Carlo Emanuele III of Savoy
enabled him to apprentice in sculpture with François Ladatte and in drawing with Claudio Francesco Beaumont
. He was sent to Rome in 1754 to work with fellow-Lombard Giovanni Battista Maini
, who was a trainee of Camillo Rusconi
. In Rome, he copied many antique originals. In 1767, they relocated back to Turin to run the school of sculpture. He provided much sculpture for royal tombs of the House of Savoy at the Basilica of Superga
, including the Monument for Carlo Emanuele III (1773). Giovanni Battista Bernero
was one of his pupils.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
sculptor, active in the late-Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
period, mainly in the region of the Piedmont
Piedmont
Piedmont is one of the 20 regions of Italy. It has an area of 25,402 square kilometres and a population of about 4.4 million. The capital of Piedmont is Turin. The main local language is Piedmontese. Occitan is also spoken by a minority in the Occitan Valleys situated in the Provinces of...
.
Along with his brother, Filippo Collino (1737–1801), Ignazio worked in a restrained formal style, intermediate between Baroque and Neoclassicism
Neoclassicism
Neoclassicism is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of Ancient Greece or Ancient Rome...
. A royal subsidy provided by Carlo Emanuele III of Savoy
Charles Emmanuel III of Sardinia
Charles Emmanuel III was the Duke of Savoy and King of Sardinia from 1730 until his death.-Biography:...
enabled him to apprentice in sculpture with François Ladatte and in drawing with Claudio Francesco Beaumont
Claudio Francesco Beaumont
Cavaliere Claudio Francesco Beaumont, was born in Turin. After studying some time in his native city, he went to Rome, and applied himself to copying the works of Raphael, the Carracci, and Guido Reni. He appears to have had little respect for the Roman painters of his time, except Trevisani,...
. He was sent to Rome in 1754 to work with fellow-Lombard Giovanni Battista Maini
Giovanni Battista Maini
Giovanni Battista Maini was an Italian sculptor of the Late-Baroque period, active mainly in Rome.He was born in Cassano Magnago in Lombardy, and died in Rome. He may have had contacts with Foggini in Florence. By 1708, he had moved to Rome where he joined the large studio of Camillo Rusconi,...
, who was a trainee of Camillo Rusconi
Camillo Rusconi
Camillo Rusconi was an Italian sculptor of the late Baroque in Rome. His style displays both features of Baroque and Neoclassicism. He has been described as a Carlo Maratta in marble.-Biography:...
. In Rome, he copied many antique originals. In 1767, they relocated back to Turin to run the school of sculpture. He provided much sculpture for royal tombs of the House of Savoy at the Basilica of Superga
Basilica of Superga
The Basilica of Superga is a church in the vicinity of Turin.It was built from 1717 to 1731 for Victor Amadeus II of Savoy by Filippo Juvarra, at the top of the hill of Superga, to fulfill a vow the duke had made during the Battle of Turin...
, including the Monument for Carlo Emanuele III (1773). Giovanni Battista Bernero
Giovanni Battista Bernero
Giovanni Battista Bernero was an Italian late-Baroque sculptor who worked, mainly in Piedmont, in a formalized restrained style, intermediate between baroque and Neoclassicism.He was born in Cavallerleone in Piedmont...
was one of his pupils.