Il Trespolo tutore is a comic opera

Comic opera

Comic opera denotes a sung dramatic work of a light or comic nature, usually with a happy ending.Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria...

 in three acts by the Italian

Italy

Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 composer Alessandro Stradella

Alessandro Stradella

Alessandro Stradella was an Italian composer of the middle baroque. He enjoyed a dazzling career as a freelance composer, writing on commission, collaborating with distinguished poets, producing over three hundred works in a variety of genres.-Life:Not much is known about his early life, but he...

 with a libretto

Libretto

A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

 by Giovanni Cosimo Villifranchi

Giovanni Cosimo Villifranchi

Giovanni Cosimo Villifranchi was, according to Robert Lamar Weaver, "the most productive and creative Italian comic librettist in the second half of the 17th century." He wrote the majority of comic works performed at the Villa Pratolino during the last quarter of the seventeenth century...

. It was first performed at the Teatro Falcone, Genoa

Genoa

Genoa |Ligurian]] Zena ; Latin and, archaically, English Genua) is a city and an important seaport in northern Italy, the capital of the Province of Genoa and of the region of Liguria....

 on 30 or 31 January, 1679. It is considered one of the first Italian comic operas.

Roles

Role	Voice type	Premiere Cast
Trespolo	bass	Giovanni Battista Petriccioli
Artemisia his pupil	soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...	Caterina Angela Botteghi
Ciro	castrato Castrato A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...  (soprano)	Marcantonio Orrigoni
Nino Ciro's brother	castrato (contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above... )	Francesco Vallerini
Simona nurse and servant to Nino	tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...  (en travesti En travesti Travesti is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. Some sources regard 'travesti' as an Italian term, some as French. Depending on sources, the term may be given as travesty, travesti, or en travesti... )	Francesco Guerra
Despina Simona's daughter	soprano	Annuccia

Synopsis

Artemisia is in love with her tutor Trespolo but he is too dull-witted to realise this and is in love with the serving-maid Despina instead. Two brothers, Ciro and Nino, are in love with Artemisia; one of them goes mad and the other, who has been insane, is cured. The plot becomes more and more farcically complicated until, in the end, Trespolo marries Despina and Artemisia marries Ciro.

Sources

• Amadeus Almanac (30 January 1679), accessed 5 January 2009
• The Viking Opera Guide ed. Holden (Viking, 1993)
• Del Teatro (in Italian)
• Magazine de l'opéra baroque (in French)