Indian Camp
Encyclopedia
"Indian Camp" is a short story written by Ernest Hemingway
. The story was first published in 1924 in Ford Madox Ford
's literary magazine Transatlantic Review
in Paris and republished by Boni & Liveright
in the American edition of Hemingway's first volume of short stories In Our Time
(1925). The first of Hemingway's stories to feature the semi-autobiographical character Nick Adams
—a child in this story—"Indian Camp" is told from his point of view.
In the story Nick Adams' father, a country doctor, has been summoned to a Native American
or "Indian" camp to deliver a pregnant woman of her baby. At the camp, the father is forced to perform an emergency caesarean section
using a jack-knife, with Nick as his assistant. Afterward, the woman's husband is discovered dead, having slit his throat during the operation. The story shows the emergence of Hemingway's understated style
and his use of counterpoint. An initiation story, "Indian Camp" includes themes such as childbirth and fear of death which permeate much of Hemingway's subsequent work. When the story was published, the quality of writing was noted and praised, and scholars consider "Indian Camp" an important story in the Hemingway canon
.
, his father, his uncle and their Indian guides row across a lake to a nearby Indian camp. Nick's father, a doctor, has been called out to deliver a baby for a woman who has been in labor for days. At the camp, they find the woman in a cabin lying on a bottom bunkbed; her husband lies above her with an injured foot. Nick's father is forced to perform a caesarian operation on the woman with a jack-knife
because the baby is in the breech
position; he asks Nick to assist by holding a basin. The woman screams throughout the operation, and when Nick's uncle tries to hold her down, she bites him. After the baby is delivered, Nick's father turns to the woman's husband on the top bunk and finds that he fatally slit his throat with a straight razor
during the operation. Nick is sent out of the cabin, and his uncle leaves with two Natives, not to return. The story ends with only Nick and his father on the lake, rowing away from the camp. Nick asks his father why the woman's husband killed himself, and silently tells himself that he will never die.
lived in Paris where he was foreign correspondent for the Toronto Star
. When Hadley became pregnant they returned to Toronto. Hemingway biographer Kenneth Lynn suggests that Hadley's childbirth became the inspiration for the story. She went into labor while Hemingway was on a train, returning from New York. Lynn believes Hemingway likely was terrified Hadley would not survive the birth, and he became "beside himself with fear ... about the extent of her suffering and swamped by a sense of helplessness at the realization that he would probably arrive too late to be of assistance to her". Hemingway wrote "Indian Camp" a few months after John Hemingway
was born in Toronto on October 10, 1923.
While they were in Toronto, Hemingway's first book, Three Stories and Ten Poems, was published in Paris, followed months later by a second volume, in our time (without capitals), which included 18 short vignettes
presented as untitled chapters. Hemingway, Hadley, and their son (nicknamed Bumby) returned to Paris in January 1924, moving into a new apartment on the Rue Notre Dame des Champs. With Ezra Pound
, Hemingway helped Ford Madox Ford
edit his newly launched literary magazine, Transatlantic Review
, which published pieces by modernists
such as Pound, John Dos Passos
, James Joyce
, Gertrude Stein
, as well as Hemingway.
"Indian Camp" began as a 29-page untitled manuscript that Hemingway cut to seven pages; at first he called the story "One Night Last Summer". In 1924, the seven-page story titled "Indian Camp" was published by the Transatlantic Review in the "Works in Progress" section, along with a piece from James Joyce's manuscript Finnegans Wake
. A year later on October 5, 1925, "Indian Camp" was republished by Boni & Liveright
in New York, in an expanded American edition of Hemingway's first collection of short stories titled In Our Time
, (with capitals) with a print-run of 1335 copies.
"Indian Camp" was later included in Hemingway's collection The Fifth Column and the First Forty-Nine Stories
published in October 1938. Two collections of short stories published after Hemingway's death included "Indian Camp": The Nick Adams Stories
(1972) and The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition
(1987). The Nick Adams Stories (1972), edited by Philip Young, included the story fragment titled "Three Shots" that Hemingway originally cut from "Indian Camp".
Hemingway biographer Philip Young writes that Hemingway's emphasis in "Indian Camp" was not primarily on the woman who gives birth or the father who commits suicide, but on young Nick Adams, who witnesses these events and becomes a "badly scarred and nervous young man". In "Indian Camp", Hemingway begins the events that shape the Adams persona. Young considers this single Hemingway story to hold the "master key" to "what its author was up to for some thirty-five years of his writing career". Critic Howard Hannum agrees. He believes the trauma of birth and suicide Hemingway paints in "Indian Camp" rendered a leitmotif
that gave Hemingway a unified framework for the Nick Adams stories.
"Indian Camp" is also about the fear of death. The section cut from the story highlights Nick's fear; the published version underscores it in a less obvious manner. In the cut section, later published as "Three Shots", the night before being taken to the Indian camp Nick is left alone in the forest, where he is "overwhelmed by thoughts of death". Critic Paul Strong speculates that Hemingway may have intended the narrative to be structured so that Nick's father chose to take his fearful son to the Indian camp where Nick faced the grisly reality of death, which can have done "little to assuage Nick's fears." Hannum believes Hemingway is intentionally vague about the details of the birth but not the death; he speculates that Nick would have likely "blocked out much of the caesarian but he had clearly seen the father's head tilted back".
Critics have questioned why the woman's husband kills himself. Strong finds the arguments that the husband is driven to suicide by the wife's screaming to be problematic because the suicide occurs at the moment the screams are silenced. He points to Hemingway's statement in Death in the Afternoon
, "if two people love each other there can be no happy end to it", as evidence that the husband may have killed himself because he is "driven frantic by his wife's pain, and perhaps his own".
The story also shows the innocence of childhood; Nick Adams believes he will live forever and be a child forever; he is a character who sees his life "stretching ahead." At the end of the story, in the boat with his father, Nick denies death when he says he will never die. "Indian Camp" shows Hemingway's early fascination with suicide and with the conflict between fathers and sons. Young thinks there is an unavoidable focus on the fact that the two people the principal characters are based on—the father, Clarence Hemingway, and the boy, Ernest Hemingway—end up committing suicide. Kenneth Lynn writes that the irony to modern readers is that both characters in "that boat on the lake would one day do away with themselves". Hemingway shot himself on July 2, 1961; his father shot himself on December 6, 1928.
. The young father's role is to "deflate the doctor", who finds victory in slicing open the woman's belly to deliver the infant, and to provide a counterpoint to the mother's strength and resilience. The father's suicide serves as a symbolic rejection of the white doctor whose skill is necessary, but who brings with him destruction. In her paper "Screaming Through Silence: The Violence of Race in 'Indian Camp'", Amy Strong writes "Indian Camp" is about domination; the husband kills himself at the moment his wife is cut open by a white doctor. She thinks the theme of domination exists on more than one level: Nick is dominated by his father; the white outsiders dominate in the Indian camp; and the white doctor "has cut into the woman, like the early settlers leaving a gash in the tree."
According to Hemingway scholar Thomas Strychacz, in the story Hemingway presents a re-enactment of the arrival of Europeans in the New World and the subsequent doctrine of manifest destiny
. The white men in the story arrive on the water and are met at a beach by natives. The native husband and father of the baby loses everything, causing him to kill himself: his home is overtaken, and his wife ripped apart. The white doctor tells his son to ignore the woman's screams: "her screams are not important. I don't hear them because they are not important." The doctor's victory is to control nature by delivering a baby, diminished by the father's suicide who through his death symbolically takes back control from the white doctor.
Meyers claims the story is not autobiographical though it is an early example of Hemingway's ability to tell stories "true to life." In the story, Nick Adams' father, who is portrayed as "professionally cool", is based on Hemingway's own father, Clarence Hemingway. Hemingway's paternal uncle, George, appears in the story, and is treated unsympathetically. Hannum suggests George may have been the child's father, writing that in the story remains the "never-resolved implication of the paternity of the Indian child". During the surgery the mother bites Uncle George, the Indians laugh at him, and he leaves when the father is found dead.
Jackson Benson writes in "Ernest Hemingway: The Life as Fiction and the Fiction as Life" that critics should refrain from finding connections between Hemingway's life and fiction and instead focus on how he uses biographical events to transform life into art. He believes the events in a writer's life have only a vague relationship to the fiction, like a dream from which a drama emerges. Of Hemingway's earliest stories, Benson claims "his early fiction, his best, has often been compared to a compulsive nightmare". In his essay "On Writing", Hemingway wrote that "Indian Camp" was a story in which imaginary events were made to seem real: "Everything good he'd ever written he'd made up .... Of course he'd never seen an Indian woman having a baby. That was what made it good."
writes that Hemingway learned from his short stories how to "get the most from the least, how to prune language, how to multiply intensities, and how to tell nothing but the truth in a way that allowed for telling more than the truth". The style has become known as the iceberg theory
, because, as Baker describes it, in Hemingway's writing the hard facts float above water while the supporting structure, including the symbolism, operates out of sight. Benson believes Hemingway used autobiographical details as framing device
s to write about life in general—not only his life. The concept of the iceberg theory is sometimes referred to as the "theory of omission". Hemingway believed the writer could describe one thing though an entirely different thing occurs below the surface.
Hemingway learned from Ezra Pound
how to achieve a stripped-down style and how to incorporate the concepts of imagism
in his prose. He said Pound "had taught him more 'about how to write and how not to write' than any son of a bitch alive"; and his friend James Joyce told him "to pare down his work to the essentials". The prose is spare and lacks a clear symbolism
. Instead of more conventional literary allusion
s, Hemingway relied on repetitive metaphor
s or metonymy
to build images. The caesarian is repeatedly associated with words such as "the blanket" and "the bunk" in a series of objective correlative
s, a technique Hemingway may have learned from T.S. Eliot. Tetlow believes in this early story Hemingway ignored character development; he simply places a character in a setting, and adds descriptive detail such as a screaming woman, men smoking tobacco, and an infected wound, which give a sense of truth.
"Indian Camp" is constructed in three parts: the first places Nick and his father on a dark lake; the second takes place in the squalid and cramped cabin amid terrifying action; and the third shows Nick and his father back on the lake—bathed in sunlight. Hemingway's use of counterpoint is evident when, for example, at the end, Nick trails his hand in lake water that "felt warm in the sharp chill of the morning". Paul Strong believes the deleted section may have provided context and additional counterpoint to the plot, with Nick's aloneness in the "stillness of the night" juxtaposed against the middle scene, crowded with people. Paul Smith writes that by cutting the piece, Hemingway focuses on the story's central point: the life and death initiation rituals, familiar to the residents of the Indian camp but alien to young Nick. Unable to express his feelings fully, in the end, Nick trails his hand in the water and "felt quite sure that he would never die".
In the 1970s Carlos Baker wrote of the stories from In Our Time, and specifically "Indian Camp", that they were a remarkable achievement. Hemingway scholars, such as Benson, rank "Indian Camp" as one of Hemingway's "greatest short stories," a story that is described as "best known", "violent" and "dramatic". In 1992, Frederick Busch wrote in The New York Times
that Hemingway had gone out of fashion. While his antisemitism, racism, violence, and attitudes toward women and homosexuals made him a politically incorrect writer, he turned violence into art unlike any other American writer of his time by showing that "the making of art is a matter of life or death, no less". Busch believes Hemingway's characters either faced life or chose death, a choice shown most starkly in "Indian Camp". The saving of a life in "Indian Camp" is at the center of much of Hemingway's fiction, Busch writes, and adds power to his fiction.
Ernest Hemingway
Ernest Miller Hemingway was an American author and journalist. His economic and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the...
. The story was first published in 1924 in Ford Madox Ford
Ford Madox Ford
Ford Madox Ford was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature...
's literary magazine Transatlantic Review
Transatlantic Review
Transatlantic Review was a literary journal founded and edited by Joseph F. McCrindle in 1959, and published at first in Rome, then London and New York...
in Paris and republished by Boni & Liveright
Boni & Liveright
Boni & Liveright was a publishing house established in 1916 in New York City by Albert Boni and Horace Liveright which made a name by publishing work considered avant-garde and in so doing published work by many modernist authors. They attracted attention from the Society for Suppression of Vice...
in the American edition of Hemingway's first volume of short stories In Our Time
In Our Time (book)
In Our Time is the first collection of short stories by Ernest Hemingway published by Boni & Liveright in New York in 1925, after a smaller edition of the book, titled in our time, had been published in Paris in 1924...
(1925). The first of Hemingway's stories to feature the semi-autobiographical character Nick Adams
Nick Adams (character)
Nick Adams is a fictional character, the protagonist of two dozen short stories by American author Ernest Hemingway, written in the 1920s and 30s...
—a child in this story—"Indian Camp" is told from his point of view.
In the story Nick Adams' father, a country doctor, has been summoned to a Native American
Native Americans in the United States
Native Americans in the United States are the indigenous peoples in North America within the boundaries of the present-day continental United States, parts of Alaska, and the island state of Hawaii. They are composed of numerous, distinct tribes, states, and ethnic groups, many of which survive as...
or "Indian" camp to deliver a pregnant woman of her baby. At the camp, the father is forced to perform an emergency caesarean section
Caesarean section
A Caesarean section, is a surgical procedure in which one or more incisions are made through a mother's abdomen and uterus to deliver one or more babies, or, rarely, to remove a dead fetus...
using a jack-knife, with Nick as his assistant. Afterward, the woman's husband is discovered dead, having slit his throat during the operation. The story shows the emergence of Hemingway's understated style
Iceberg Theory
The Iceberg Theory is a term used to describe the writing style of American writer Ernest Hemingway. Hemingway is best known for works such as The Sun Also Rises, A Farewell to Arms, and The Old Man and the Sea...
and his use of counterpoint. An initiation story, "Indian Camp" includes themes such as childbirth and fear of death which permeate much of Hemingway's subsequent work. When the story was published, the quality of writing was noted and praised, and scholars consider "Indian Camp" an important story in the Hemingway canon
Canon (fiction)
In the context of a work of fiction, the term canon denotes the material accepted as "official" in a fictional universe's fan base. It is often contrasted with, or used as the basis for, works of fan fiction, which are not considered canonical...
.
Plot summary
The story begins in the pre-dawn hours as the young Nick AdamsNick Adams (character)
Nick Adams is a fictional character, the protagonist of two dozen short stories by American author Ernest Hemingway, written in the 1920s and 30s...
, his father, his uncle and their Indian guides row across a lake to a nearby Indian camp. Nick's father, a doctor, has been called out to deliver a baby for a woman who has been in labor for days. At the camp, they find the woman in a cabin lying on a bottom bunkbed; her husband lies above her with an injured foot. Nick's father is forced to perform a caesarian operation on the woman with a jack-knife
Pocket knife
A pocket knife is a folding knife with one or more blades that fit inside the handle that can still fit in a pocket. It is also known as a jackknife or jack-knife...
because the baby is in the breech
Breech birth
A breech birth is the birth of a baby from a breech presentation. In the breech presentation the baby enters the birth canal with the buttocks or feet first as opposed to the normal head first presentation....
position; he asks Nick to assist by holding a basin. The woman screams throughout the operation, and when Nick's uncle tries to hold her down, she bites him. After the baby is delivered, Nick's father turns to the woman's husband on the top bunk and finds that he fatally slit his throat with a straight razor
Straight razor
A straight razor is a razor with a blade that can fold into its handle. They are also called open razors and cut-throat razors.Although straight razors were once the principal method of manual shaving, they have been largely overshadowed by the safety razor, incorporating a disposable blade...
during the operation. Nick is sent out of the cabin, and his uncle leaves with two Natives, not to return. The story ends with only Nick and his father on the lake, rowing away from the camp. Nick asks his father why the woman's husband killed himself, and silently tells himself that he will never die.
Background and publication history
In the early 1920s, Hemingway and his wife HadleyHadley Richardson
Elizabeth Hadley Richardson married writer Ernest Hemingway in 1921. She was born the youngest daughter to a St. Louis family. After Hadley fell out of a window as a child, her mother became overprotective and curtailed her activities from then on...
lived in Paris where he was foreign correspondent for the Toronto Star
Toronto Star
The Toronto Star is Canada's highest-circulation newspaper, based in Toronto, Ontario, Canada. Its print edition is distributed almost entirely within the province of Ontario...
. When Hadley became pregnant they returned to Toronto. Hemingway biographer Kenneth Lynn suggests that Hadley's childbirth became the inspiration for the story. She went into labor while Hemingway was on a train, returning from New York. Lynn believes Hemingway likely was terrified Hadley would not survive the birth, and he became "beside himself with fear ... about the extent of her suffering and swamped by a sense of helplessness at the realization that he would probably arrive too late to be of assistance to her". Hemingway wrote "Indian Camp" a few months after John Hemingway
Jack Hemingway
John "Jack" Hadley Nicanor Hemingway was an American writer and conservationist. He was born in Toronto, Canada, the only child of American writer Ernest Hemingway's marriage to his first wife Hadley Richardson. He would later gain two half-brothers from Hemingway's second marriage to Pauline...
was born in Toronto on October 10, 1923.
While they were in Toronto, Hemingway's first book, Three Stories and Ten Poems, was published in Paris, followed months later by a second volume, in our time (without capitals), which included 18 short vignettes
Vignette (literature)
In theatrical script writing, sketch stories, and poetry, a vignette is a short impressionistic scene that focuses on one moment or gives a trenchant impression about a character, an idea, or a setting and sometimes an object...
presented as untitled chapters. Hemingway, Hadley, and their son (nicknamed Bumby) returned to Paris in January 1924, moving into a new apartment on the Rue Notre Dame des Champs. With Ezra Pound
Ezra Pound
Ezra Weston Loomis Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry...
, Hemingway helped Ford Madox Ford
Ford Madox Ford
Ford Madox Ford was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature...
edit his newly launched literary magazine, Transatlantic Review
Transatlantic Review
Transatlantic Review was a literary journal founded and edited by Joseph F. McCrindle in 1959, and published at first in Rome, then London and New York...
, which published pieces by modernists
Modernism
Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society...
such as Pound, John Dos Passos
John Dos Passos
John Roderigo Dos Passos was an American novelist and artist.-Early life:Born in Chicago, Illinois, Dos Passos was the illegitimate son of John Randolph Dos Passos , a distinguished lawyer of Madeiran Portuguese descent, and Lucy Addison Sprigg Madison of Petersburg, Virginia. The elder Dos Passos...
, James Joyce
James Joyce
James Augustine Aloysius Joyce was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century...
, Gertrude Stein
Gertrude Stein
Gertrude Stein was an American writer, poet and art collector who spent most of her life in France.-Early life:...
, as well as Hemingway.
"Indian Camp" began as a 29-page untitled manuscript that Hemingway cut to seven pages; at first he called the story "One Night Last Summer". In 1924, the seven-page story titled "Indian Camp" was published by the Transatlantic Review in the "Works in Progress" section, along with a piece from James Joyce's manuscript Finnegans Wake
Finnegans Wake
Finnegans Wake is a novel by Irish author James Joyce, significant for its experimental style and resulting reputation as one of the most difficult works of fiction in the English language. Written in Paris over a period of seventeen years, and published in 1939, two years before the author's...
. A year later on October 5, 1925, "Indian Camp" was republished by Boni & Liveright
Boni & Liveright
Boni & Liveright was a publishing house established in 1916 in New York City by Albert Boni and Horace Liveright which made a name by publishing work considered avant-garde and in so doing published work by many modernist authors. They attracted attention from the Society for Suppression of Vice...
in New York, in an expanded American edition of Hemingway's first collection of short stories titled In Our Time
In Our Time (book)
In Our Time is the first collection of short stories by Ernest Hemingway published by Boni & Liveright in New York in 1925, after a smaller edition of the book, titled in our time, had been published in Paris in 1924...
, (with capitals) with a print-run of 1335 copies.
"Indian Camp" was later included in Hemingway's collection The Fifth Column and the First Forty-Nine Stories
The Fifth Column and the First Forty-Nine Stories
The Fifth Column and the First Forty-Nine Stories is an anthology of writings by Ernest Hemingway published by Scribner's on 14 October 1938....
published in October 1938. Two collections of short stories published after Hemingway's death included "Indian Camp": The Nick Adams Stories
The Nick Adams Stories (book)
The Nick Adams Stories is a volume of short stories written by Ernest Hemingway . Hemingway's short stories which featured the character Nick Adams were compiled in one volume and republished posthumously in 1972. The Nick Adams Stories includes 24 stories and sketches, 8 of which were previously...
(1972) and The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition
The Complete Short Stories of Ernest Hemingway
The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition, is a posthumous collection of Ernest Hemingway's short fiction, published in 1987...
(1987). The Nick Adams Stories (1972), edited by Philip Young, included the story fragment titled "Three Shots" that Hemingway originally cut from "Indian Camp".
Initiation and fear of death
"Indian Camp" is an initiation story. Nick's father (Dr. Adams) exposes his young son to childbirth and, unintentionally, to violent death—an experience that causes Nick to equate childbirth with death. Hemingway critic Wendolyn Tetlow maintains that in "Indian Camp", sexuality culminates in "butchery-style" birth and bloody death, and that Nick's anxiety is obvious when he turns away from the butchery. The story reaches a climax when Nick's "heightened awareness" of evil causes him to turn away from the experience. Although Nick may not want to watch the caesarian, his father insists he watch; he does not want his son to be initiated into an adult world but rather to witness that world with toughness, writes Thomas Strychacz.| Inside on a wooden bunk lay a young Indian woman. She had been trying to have her baby for two days ... She screamed just as Nick and the two Indians followed his father and Uncle George into the shanty .... In the upper bunk was her husband. He had cut his foot very badly with an axe three days before .... The room smelled very bad. |
| — "Indian Camp" |
Hemingway biographer Philip Young writes that Hemingway's emphasis in "Indian Camp" was not primarily on the woman who gives birth or the father who commits suicide, but on young Nick Adams, who witnesses these events and becomes a "badly scarred and nervous young man". In "Indian Camp", Hemingway begins the events that shape the Adams persona. Young considers this single Hemingway story to hold the "master key" to "what its author was up to for some thirty-five years of his writing career". Critic Howard Hannum agrees. He believes the trauma of birth and suicide Hemingway paints in "Indian Camp" rendered a leitmotif
Leitmotif
A leitmotif , sometimes written leit-motif, is a musical term , referring to a recurring theme, associated with a particular person, place, or idea. It is closely related to the musical idea of idée fixe...
that gave Hemingway a unified framework for the Nick Adams stories.
"Indian Camp" is also about the fear of death. The section cut from the story highlights Nick's fear; the published version underscores it in a less obvious manner. In the cut section, later published as "Three Shots", the night before being taken to the Indian camp Nick is left alone in the forest, where he is "overwhelmed by thoughts of death". Critic Paul Strong speculates that Hemingway may have intended the narrative to be structured so that Nick's father chose to take his fearful son to the Indian camp where Nick faced the grisly reality of death, which can have done "little to assuage Nick's fears." Hannum believes Hemingway is intentionally vague about the details of the birth but not the death; he speculates that Nick would have likely "blocked out much of the caesarian but he had clearly seen the father's head tilted back".
Critics have questioned why the woman's husband kills himself. Strong finds the arguments that the husband is driven to suicide by the wife's screaming to be problematic because the suicide occurs at the moment the screams are silenced. He points to Hemingway's statement in Death in the Afternoon
Death in the Afternoon
Death in the Afternoon is a non-fiction book by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting. It was originally published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting...
, "if two people love each other there can be no happy end to it", as evidence that the husband may have killed himself because he is "driven frantic by his wife's pain, and perhaps his own".
The story also shows the innocence of childhood; Nick Adams believes he will live forever and be a child forever; he is a character who sees his life "stretching ahead." At the end of the story, in the boat with his father, Nick denies death when he says he will never die. "Indian Camp" shows Hemingway's early fascination with suicide and with the conflict between fathers and sons. Young thinks there is an unavoidable focus on the fact that the two people the principal characters are based on—the father, Clarence Hemingway, and the boy, Ernest Hemingway—end up committing suicide. Kenneth Lynn writes that the irony to modern readers is that both characters in "that boat on the lake would one day do away with themselves". Hemingway shot himself on July 2, 1961; his father shot himself on December 6, 1928.
Primitivism, race, and autobiography
In his essay "Hemingway's Primitivism and 'Indian Camp Jeffrey Meyers writes that Hemingway was very clear about the husband's role, because in this story he was writing about a familiar subject—the experiences of his boyhood in MichiganMichigan
Michigan is a U.S. state located in the Great Lakes Region of the United States of America. The name Michigan is the French form of the Ojibwa word mishigamaa, meaning "large water" or "large lake"....
. The young father's role is to "deflate the doctor", who finds victory in slicing open the woman's belly to deliver the infant, and to provide a counterpoint to the mother's strength and resilience. The father's suicide serves as a symbolic rejection of the white doctor whose skill is necessary, but who brings with him destruction. In her paper "Screaming Through Silence: The Violence of Race in 'Indian Camp'", Amy Strong writes "Indian Camp" is about domination; the husband kills himself at the moment his wife is cut open by a white doctor. She thinks the theme of domination exists on more than one level: Nick is dominated by his father; the white outsiders dominate in the Indian camp; and the white doctor "has cut into the woman, like the early settlers leaving a gash in the tree."
According to Hemingway scholar Thomas Strychacz, in the story Hemingway presents a re-enactment of the arrival of Europeans in the New World and the subsequent doctrine of manifest destiny
Manifest Destiny
Manifest Destiny was the 19th century American belief that the United States was destined to expand across the continent. It was used by Democrat-Republicans in the 1840s to justify the war with Mexico; the concept was denounced by Whigs, and fell into disuse after the mid-19th century.Advocates of...
. The white men in the story arrive on the water and are met at a beach by natives. The native husband and father of the baby loses everything, causing him to kill himself: his home is overtaken, and his wife ripped apart. The white doctor tells his son to ignore the woman's screams: "her screams are not important. I don't hear them because they are not important." The doctor's victory is to control nature by delivering a baby, diminished by the father's suicide who through his death symbolically takes back control from the white doctor.
Meyers claims the story is not autobiographical though it is an early example of Hemingway's ability to tell stories "true to life." In the story, Nick Adams' father, who is portrayed as "professionally cool", is based on Hemingway's own father, Clarence Hemingway. Hemingway's paternal uncle, George, appears in the story, and is treated unsympathetically. Hannum suggests George may have been the child's father, writing that in the story remains the "never-resolved implication of the paternity of the Indian child". During the surgery the mother bites Uncle George, the Indians laugh at him, and he leaves when the father is found dead.
Jackson Benson writes in "Ernest Hemingway: The Life as Fiction and the Fiction as Life" that critics should refrain from finding connections between Hemingway's life and fiction and instead focus on how he uses biographical events to transform life into art. He believes the events in a writer's life have only a vague relationship to the fiction, like a dream from which a drama emerges. Of Hemingway's earliest stories, Benson claims "his early fiction, his best, has often been compared to a compulsive nightmare". In his essay "On Writing", Hemingway wrote that "Indian Camp" was a story in which imaginary events were made to seem real: "Everything good he'd ever written he'd made up .... Of course he'd never seen an Indian woman having a baby. That was what made it good."
Writing style
Hemingway biographer Carlos BakerCarlos Baker
Carlos Baker was an American writer, biographer and former Woodrow Wilson Professor of Literature at Princeton University. He earned his B.A., M.A. and Ph.D at Dartmouth, Harvard, and Princeton respectively. Baker's published works included several novels and books of poetry and various literary...
writes that Hemingway learned from his short stories how to "get the most from the least, how to prune language, how to multiply intensities, and how to tell nothing but the truth in a way that allowed for telling more than the truth". The style has become known as the iceberg theory
Iceberg Theory
The Iceberg Theory is a term used to describe the writing style of American writer Ernest Hemingway. Hemingway is best known for works such as The Sun Also Rises, A Farewell to Arms, and The Old Man and the Sea...
, because, as Baker describes it, in Hemingway's writing the hard facts float above water while the supporting structure, including the symbolism, operates out of sight. Benson believes Hemingway used autobiographical details as framing device
Framing device
The term framing device refers to the usage of the same single action, scene, event, setting, or any element of significance at both the beginning and end of an artistic, musical, or literary work. The repeated element thus creates a ‘frame’ within which the main body of work can develop.The...
s to write about life in general—not only his life. The concept of the iceberg theory is sometimes referred to as the "theory of omission". Hemingway believed the writer could describe one thing though an entirely different thing occurs below the surface.
Hemingway learned from Ezra Pound
Ezra Pound
Ezra Weston Loomis Pound was an American expatriate poet and critic and a major figure in the early modernist movement in poetry...
how to achieve a stripped-down style and how to incorporate the concepts of imagism
Imagism
Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry. This was in contrast to their contemporaries, the Georgian poets,...
in his prose. He said Pound "had taught him more 'about how to write and how not to write' than any son of a bitch alive"; and his friend James Joyce told him "to pare down his work to the essentials". The prose is spare and lacks a clear symbolism
Symbolism (arts)
Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts. In literature, the style had its beginnings with the publication Les Fleurs du mal by Charles Baudelaire...
. Instead of more conventional literary allusion
Allusion
An allusion is a figure of speech that makes a reference to, or representation of, people, places, events, literary work, myths, or works of art, either directly or by implication. M. H...
s, Hemingway relied on repetitive metaphor
Metaphor
A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels." Metaphor may also be used for any rhetorical figures of speech that achieve their effects via...
s or metonymy
Metonymy
Metonymy is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept...
to build images. The caesarian is repeatedly associated with words such as "the blanket" and "the bunk" in a series of objective correlative
Objective correlative
An objective correlative is a literary term referring to a symbolic article used to provide explicit, rather than implicit, access to such traditionally inexplicable concepts as emotion or colour.- Origin of terminology :Popularized by T. S...
s, a technique Hemingway may have learned from T.S. Eliot. Tetlow believes in this early story Hemingway ignored character development; he simply places a character in a setting, and adds descriptive detail such as a screaming woman, men smoking tobacco, and an infected wound, which give a sense of truth.
"Indian Camp" is constructed in three parts: the first places Nick and his father on a dark lake; the second takes place in the squalid and cramped cabin amid terrifying action; and the third shows Nick and his father back on the lake—bathed in sunlight. Hemingway's use of counterpoint is evident when, for example, at the end, Nick trails his hand in lake water that "felt warm in the sharp chill of the morning". Paul Strong believes the deleted section may have provided context and additional counterpoint to the plot, with Nick's aloneness in the "stillness of the night" juxtaposed against the middle scene, crowded with people. Paul Smith writes that by cutting the piece, Hemingway focuses on the story's central point: the life and death initiation rituals, familiar to the residents of the Indian camp but alien to young Nick. Unable to express his feelings fully, in the end, Nick trails his hand in the water and "felt quite sure that he would never die".
Reception and legacy
Hemingway's writing style attracted attention when in our time (without capitals) was published in Paris in 1924—in a small-print run from Ezra Pound's modernist series through Three Mountains Press. Edmund Wilson described the writing as "of the first distinction", enough to bring attention to Hemingway. When "Indian Camp" was published, it received considerable praise. Ford Madox Ford regarded "Indian Camp" as an important early story by a young writer. Critics in the United States claimed Hemingway reinvigorated the short story by his use of declarative sentences and his crisp style. Hemingway admits In Our Time is a collection of stories with "pretty good unity" and generally critics agree.In the 1970s Carlos Baker wrote of the stories from In Our Time, and specifically "Indian Camp", that they were a remarkable achievement. Hemingway scholars, such as Benson, rank "Indian Camp" as one of Hemingway's "greatest short stories," a story that is described as "best known", "violent" and "dramatic". In 1992, Frederick Busch wrote in The New York Times
The New York Times
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization...
that Hemingway had gone out of fashion. While his antisemitism, racism, violence, and attitudes toward women and homosexuals made him a politically incorrect writer, he turned violence into art unlike any other American writer of his time by showing that "the making of art is a matter of life or death, no less". Busch believes Hemingway's characters either faced life or chose death, a choice shown most starkly in "Indian Camp". The saving of a life in "Indian Camp" is at the center of much of Hemingway's fiction, Busch writes, and adds power to his fiction.