International Gothic
Encyclopedia
International Gothic is a phase of Gothic art
which developed in Burgundy, Bohemia
, France
and northern Italy
in the late 14th century and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod
at the end of the 19th century.
In this period, artists and portable works such as illuminated manuscript
s traveled widely around the continent, creating a common aesthetic among the royalty and higher nobility and considerably reducing the variation in national styles among works produced for the courtly elites. The main influences were northern France
, the Duchy of Burgundy
, the Imperial
court in Prague
, and Italy. Royal marriages such as that between Richard II of England
and Anne of Bohemia
also helped to spread the style.
It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially in its decorative elements, could still be found until the early 16th century, as no alternative decorative vocabulary emerged to replace it before Renaissance Classicism. Usage of the terms by art historians varies somewhat, with some using the term more restrictively than others. Some art historians feel the term is "in many ways ... not very helpful.. since it tends to skate over both differences and details of transmission."
in Prague, which for a brief period became a leading force in the development of European art. Charles came from the Luxembourg dynasty, was tutored by the future Pope Clement VI
, and as a youth spent seven years at the French court, as well as visiting Italy twice. This and family relationships gave him intimate links with the various courts of France, including that of the Avignon Papacy
, and from 1363 the separate Valois Duchy of Burgundy
under Philip the Bold
. The Bohemian style initially lacked the elongated figures of other centres, but had a richness and sweetness in female figures that were very influential. Charles had at least one Italian altarpiece, apparently made in Italy and sent to Prague, near where it remains today in his showpiece Karlštejn Castle. For St. Vitus Cathedral
in Prague, he first used a French architect, and then the German Peter Parler
.
Much of the development of the style occurred in Italy, and it probably spread north of the Alps to influence France partly through the colony of Italian artists attached to the Papal Court at Avignon, and the works displayed from the residence there in the 1330s and 1340s of Simone Martini
, a Sienese
precursor of the style. Republicn Siena
had a large influence on the development of the style, but kept to its own dignified Gothic style throughout the period, and afterwards, while the flamboyant Visconti
court at Milan, also closely related to the French royal family, was the most important Italian centre of the courtly style. As the style developed in Northern Europe, Italian artists were in turn influenced by it.
by them, as with a miniature of Jean, Duc de Berry, and some of his relatives, being welcomed by Saint Peter in the Grandes Heures du Duc de Berry. From this period come the earliest surviving panel portraits of monarchs, and royal manuscripts show a greatly increased number of realistic portraits of the monarch who commissioned them.
, where the style was long-lasting, local varieties of it are often known as Perpendicular architecture in England, and as Sondergotik
in Germany and Central Europe, Flamboyant Gothic in France
, and later the Manueline
in Portugal
, and the Isabelline
in Spain
.
, the beginnings of real landscape painting are seen. Decoration became increasingly ornate as the style developed in Northern Europe, whereas in Italy the increased sophistication of figure painting was absorbed into Early Renaissance painting
.
In sculpture the leading Italian artists remained closer to classicism, and were less affected by the movement; Lorenzo Ghiberti
is in many respects close to the style, but already seems infused with Early Renaissance classicism. Claus Sluter
was the leading sculptor in Burgundy, and was one artist able to use the style with a strongly monumental effect. Most sculptors are unknown, and the style tended to survive longer in Northern sculpture than painting, as the detailed realism of Early Netherlandish painting
was harder to translate into sculpture. Smaller painted wood figures, most often of the Madonna, were significant, and being relatively portable, probably helped to disseminate the style across Europe.
Notable painters included Master Theoderic and the Master of the Třeboň Altarpiece
in Bohemia, the Master of the Parement
, Jacquemart de Hesdin
and the Netherlandish Limbourg brothers
in France, and Gentile da Fabriano
, Lorenzo Monaco
and Pisanello
in Italy, the last taking the style into the Early Renaissance. In Burgundy Jean Malouel
, Melchior Broederlam
and Henri Bellechose
were succeeded by Robert Campin
and Jan van Eyck
who took Early Netherlandish painting in the direction of greater illusionism. Master Bertram
and Conrad von Soest
were leading regional masters in Germany, working largely for city burghers. Surviving panel paintings of the best quality from before 1390 are very rare except from Italy and the Prague court. Many of these artists moved between countries or regions during their careers, exposing them to the styles of other centres. In particular Broederlam had spent some years in Italy, and it has been speculated that the Master of the Parement was himself Bohemian, as his known French works are very few, and extremely close to Bohemian art.
Illuminated manuscript
s remained important vehicles of the style, and in works like the Sherborne Missal
were the main English contribution, apart from the stained glass
of John Thornton
in York Minster
and of Thomas Glazier
in Oxford
and elsewhere. Nottingham alabaster
carvings, produced in considerable quantities by workshops to standard patterns, were exported all over Western Europe to value-conscious parish churches. The Hours of Gian Galeazzo Visconti
from Milan
was a key work, as was the Wenceslas Bible (with the text in German) of Charles IV's son. Both, like the Sherborne Missal, are marked by extravagantly decorated borders. John, Duke of Berry
, son and brother of French kings, was the most extravagant commissioner of manuscripts, and the main employer of the Limbourg Brothers and Jacquemart de Hesdin, as well as using many other artists. Other large-scale collectors included Wenceslas
, the son of Charles IV, John of Lancaster, 1st Duke of Bedford
, son of Henry IV of England
and "Regent" of English-occupied France, and the Dukes of Burgundy. In the fifteenth century the cities of Flanders
, especially Bruges
, came to outstrip Paris as a centre of both manuscript illumination and panel painting.
-weaving centers of Arras
and Tournai
as well as Paris, where tapestry production was permanently disordered by the English occupation of 1418-36. Under the consistent patronage of the Dukes of Burgundy, their courtly International Gothic style, elongated figures, rich details of attire, crowded composition, with figures disposed in tiers, owe their inspiration to manuscript illuminators and directly to painters: Baudouin de Bailleul, a painter established at Arras, supplied cartoon
s for tapestry workshops there and at Tournai, where elements of a local style are hard to distinguish (Weigert, p. 44). The Chatsworth Hunts (Victoria and Albert Museum
) are inspired by Gaston de Foix
's book on hunting and the many weavings of Trojan War
cycles by contemporary romances.
Tapestry too was an art that was portable. Suites accompanied their seigneurial owners from one unheated and empty château to another. Tapestry weavers themselves could be induced to move workshops, though they remained tied to the accessibility of English wool. Religious and secular subjects vied in this essentially secular art.
A medium of Late Gothic style that is easily overlooked because it has virtually entirely disappeared is that of painted hangings, which served as a less expensive substitute for woven hangings but could be produced, with appropriate themes, on short notice.
of Lorenzo Monaco, and sculpture and miniatures in many countries show very stylised tall figures, the older men with imposingly long beards and swaying figures. Exotic clothes, based loosely on those of the contemporary Middle East or Byzantine Empire
, are worn by figures in biblical scenes; many figures seem to be included just to show off these costumes. The number of figures in many standard religious scenes is greatly increased; the Magi have large retinues, and the Crucifixion often becomes a crowded event. This innovation was to survive the style itself.
(below) in Florence in 1423, "the culminating work of International Gothic painting", was almost immediately followed by the painting of the Brancacci Chapel
by Masolino and Masaccio
(1424–26), which was recognised as a breakthrough to a new style. In similar fashion the Limbourg brothers' masterpiece the Très Riches Heures du Duc de Berry
was followed within a few years by the Turin-Milan Hours
, a continuation of a manuscript started decades before by the Parement Master for the Duke of Berry, which despite a Gothic framework pioneered a very different style of painting. But outside Florence and the leading courts the International Gothic still held sway, gradually developing in directions that once again diverged considerably between Italy and Europe north of the Alps.
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
which developed in Burgundy, Bohemia
Bohemia
Bohemia is a historical region in central Europe, occupying the western two-thirds of the traditional Czech Lands. It is located in the contemporary Czech Republic with its capital in Prague...
, France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
and northern Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
in the late 14th century and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod
Louis Courajod
Louis Charles Jean Courajod was a French art historian, museum curator and connoisseur-collector, who was born and died in Paris.....
at the end of the 19th century.
In this period, artists and portable works such as illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s traveled widely around the continent, creating a common aesthetic among the royalty and higher nobility and considerably reducing the variation in national styles among works produced for the courtly elites. The main influences were northern France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
, the Duchy of Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
, the Imperial
Holy Roman Emperor
The Holy Roman Emperor is a term used by historians to denote a medieval ruler who, as German King, had also received the title of "Emperor of the Romans" from the Pope...
court in Prague
Prague
Prague is the capital and largest city of the Czech Republic. Situated in the north-west of the country on the Vltava river, the city is home to about 1.3 million people, while its metropolitan area is estimated to have a population of over 2.3 million...
, and Italy. Royal marriages such as that between Richard II of England
Richard II of England
Richard II was King of England, a member of the House of Plantagenet and the last of its main-line kings. He ruled from 1377 until he was deposed in 1399. Richard was a son of Edward, the Black Prince, and was born during the reign of his grandfather, Edward III...
and Anne of Bohemia
Anne of Bohemia
Anne of Bohemia was Queen of England as the first wife of King Richard II. A member of the House of Luxembourg, she was the eldest daughter of Charles IV, Holy Roman Emperor, and Elizabeth of Pomerania....
also helped to spread the style.
It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially in its decorative elements, could still be found until the early 16th century, as no alternative decorative vocabulary emerged to replace it before Renaissance Classicism. Usage of the terms by art historians varies somewhat, with some using the term more restrictively than others. Some art historians feel the term is "in many ways ... not very helpful.. since it tends to skate over both differences and details of transmission."
Development
The important Bohemian version of the style developed in the court of Charles IV, Holy Roman EmperorCharles IV, Holy Roman Emperor
Charles IV , born Wenceslaus , was the second king of Bohemia from the House of Luxembourg, and the first king of Bohemia to also become Holy Roman Emperor....
in Prague, which for a brief period became a leading force in the development of European art. Charles came from the Luxembourg dynasty, was tutored by the future Pope Clement VI
Pope Clement VI
Pope Clement VI , bornPierre Roger, the fourth of the Avignon Popes, was pope from May 1342 until his death in December of 1352...
, and as a youth spent seven years at the French court, as well as visiting Italy twice. This and family relationships gave him intimate links with the various courts of France, including that of the Avignon Papacy
Avignon Papacy
The Avignon Papacy was the period from 1309 to 1376 during which seven Popes resided in Avignon, in modern-day France. This arose from the conflict between the Papacy and the French crown....
, and from 1363 the separate Valois Duchy of Burgundy
Duchy of Burgundy
The Duchy of Burgundy , was heir to an ancient and prestigious reputation and a large division of the lands of the Second Kingdom of Burgundy and in its own right was one of the geographically larger ducal territories in the emergence of Early Modern Europe from Medieval Europe.Even in that...
under Philip the Bold
Philip the Bold
Philip the Bold , also Philip II, Duke of Burgundy , was the fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg. By his marriage to Margaret III, Countess of Flanders, he also became Count Philip II of Flanders, Count Philip IV of Artois and Count-Palatine Philip IV...
. The Bohemian style initially lacked the elongated figures of other centres, but had a richness and sweetness in female figures that were very influential. Charles had at least one Italian altarpiece, apparently made in Italy and sent to Prague, near where it remains today in his showpiece Karlštejn Castle. For St. Vitus Cathedral
St. Vitus Cathedral
Saint Vitus' Cathedral is as a Roman Catholic cathedral in Prague, and the seat of the Archbishop of Prague. The full name of the cathedral is St. Vitus, St. Wenceslas and St. Adalbert Cathedral...
in Prague, he first used a French architect, and then the German Peter Parler
Peter Parler
Peter Parler, , Schwäbisch Gmünd – July 13, 1399, Prague) was a German architect, best known for building Saint Vitus Cathedral and Charles Bridge in Prague, where he lived from about 1356....
.
Much of the development of the style occurred in Italy, and it probably spread north of the Alps to influence France partly through the colony of Italian artists attached to the Papal Court at Avignon, and the works displayed from the residence there in the 1330s and 1340s of Simone Martini
Simone Martini
Simone Martini was an Italian painter born in Siena.He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style....
, a Sienese
Sienese School
The Sienese School of painting flourished in Siena, Italy between the 13th and 15th centuries and for a time rivaled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art...
precursor of the style. Republicn Siena
Republic of Siena
The Republic of Siena , was a state originating from the city of Siena in Tuscany, Central Italy.It existed for over four hundreds years, from the late 11th century until the year 1555, when was defeated by the rival Duchy of Florence in alliance with the Spanish crown...
had a large influence on the development of the style, but kept to its own dignified Gothic style throughout the period, and afterwards, while the flamboyant Visconti
House of Visconti
Visconti is the family name of two important Italian noble dynasties of the Middle Ages. There are two distinct Visconti families: The first one in the Republic of Pisa in the mid twelfth century who achieved prominence first in Pisa, then in Sardinia where they became rulers of Gallura...
court at Milan, also closely related to the French royal family, was the most important Italian centre of the courtly style. As the style developed in Northern Europe, Italian artists were in turn influenced by it.
Royal portraits
A number of central works of International Gothic work are votive portraits of monarchs with a sacred figure - in some cases being received into HeavenHeaven
Heaven, the Heavens or Seven Heavens, is a common religious cosmological or metaphysical term for the physical or transcendent place from which heavenly beings originate, are enthroned or inhabit...
by them, as with a miniature of Jean, Duc de Berry, and some of his relatives, being welcomed by Saint Peter in the Grandes Heures du Duc de Berry. From this period come the earliest surviving panel portraits of monarchs, and royal manuscripts show a greatly increased number of realistic portraits of the monarch who commissioned them.
Survey
Architecture
In architectureGothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
, where the style was long-lasting, local varieties of it are often known as Perpendicular architecture in England, and as Sondergotik
Sondergotik
Sondergotik is the style of Late Gothic architecture prevalent in Austria, Bavaria, and Bohemia between 1350 and 1550...
in Germany and Central Europe, Flamboyant Gothic in France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
, and later the Manueline
Manueline
The Manueline, or Portuguese late Gothic, is the sumptuous, composite Portuguese style of architectural ornamentation of the first decades of the 16th century, incorporating maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral...
in Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
, and the Isabelline
Isabelline Gothic
Isabelline Gothic , is a style of the Crown of Castile during the reign of the Catholic Monarchs, who represents the transition between late Gothic and early Renaissance, with original features and decorative influences of Mudéjar art, Flanders and in a lesser extent, Italy.The Isabelline style...
in Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
.
Painting and sculpture
In painting and sculpture, the style is sometimes known in German as the "Schöne Stil" or "Weicher Stil" ("Beautiful style" or "Soft style"). Stylistic features are a dignified elegance, which replaces monumentality, along with rich decorative colouring, elongated figures and flowing lines. It also makes a more practised use of perspective, modelling, and setting. Figures begin to be given more space in their settings, and interest is taken in realistically depicted plants and animals. In some works, above all the famous calendar scenes of the Très Riches Heures du Duc de BerryTrès Riches Heures du Duc de Berry
The Très Riches Heures du Duc de Berry or simply the Très Riches Heures is a richly decorated book of hours commissioned by John, Duke of Berry, around 1410...
, the beginnings of real landscape painting are seen. Decoration became increasingly ornate as the style developed in Northern Europe, whereas in Italy the increased sophistication of figure painting was absorbed into Early Renaissance painting
Early Renaissance painting
Renaissance art is the painting, sculpture and decorative arts of that period of European history known as the Renaissance, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science...
.
In sculpture the leading Italian artists remained closer to classicism, and were less affected by the movement; Lorenzo Ghiberti
Lorenzo Ghiberti
Lorenzo Ghiberti , born Lorenzo di Bartolo, was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.-Early life:...
is in many respects close to the style, but already seems infused with Early Renaissance classicism. Claus Sluter
Claus Sluter
Claus Sluter was a sculptor of Dutch origin. He was the most important northern European sculptor of his age and is considered a pioneer of the "northern realism" of the Early Netherlandish painting that came into full flower with the work of Jan van Eyck and others in the next generation.Sluter...
was the leading sculptor in Burgundy, and was one artist able to use the style with a strongly monumental effect. Most sculptors are unknown, and the style tended to survive longer in Northern sculpture than painting, as the detailed realism of Early Netherlandish painting
Early Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...
was harder to translate into sculpture. Smaller painted wood figures, most often of the Madonna, were significant, and being relatively portable, probably helped to disseminate the style across Europe.
Notable painters included Master Theoderic and the Master of the Třeboň Altarpiece
Master of the Trebon Altarpiece
The Master of the Třeboň Altarpiece, sometimes called the Master of Wittingau, was a Bohemian painter active in Prague around 1380-1390. His name is derived from an altarpiece from the church of Saint Eligius at the Augustinian convent of Třeboň...
in Bohemia, the Master of the Parement
Master of the Parement
The Master of the Parement of Narbonne, often referred to more briefly as the Master of the Parement or Parement Master is the name given to an artist of uncertain identity who flourished in France in the late 14th century and early 15th century. He belongs to the period of medieval painting...
, Jacquemart de Hesdin
Jacquemart de Hesdin
Jacquemart de Hesdin was a French miniature painter working in the International Gothic style. In English, he is also called Jacquemart of Hesdin. During his lifetime, his name was spelt in a number of ways, including as Jacquemart de Odin.-Background:Jacquemart was a painter from Artois...
and the Netherlandish Limbourg brothers
Limbourg brothers
The Limbourg brothers, or in Dutch Gebroeders van Limburg , were famous Dutch miniature painters from the city of Nijmegen. They were active in the early 15th century in France and Burgundy, working in the style known as International Gothic...
in France, and Gentile da Fabriano
Gentile da Fabriano
Gentile da Fabriano was an Italian painter known for his participation in the International Gothic style. He worked in various places in central Italy, mostly in Tuscany. His best known works are his Adoration of the Magi and the Flight into Egypt.-Biography:Gentile was born in or near Fabriano,...
, Lorenzo Monaco
Lorenzo Monaco
Lorenzo Monaco was an Italian painter of the late Gothic-early Renaissance age.-Biography:...
and Pisanello
Pisanello
Pisanello , known professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento...
in Italy, the last taking the style into the Early Renaissance. In Burgundy Jean Malouel
Jean Malouel
Jean Malouel, or Jan Maelwael in his native Dutch, was a Netherlandish artist, sometimes classified as French, who was the court painter of Philip the Bold, Duke of Burgundy and his successor John the Fearless, working in the International Gothic style.-Documented life:He was presumably born in...
, Melchior Broederlam
Melchior Broederlam
Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed. He worked mostly for Philip the Bold, Duke of Burgundy, and is documented from 1381 to 1409...
and Henri Bellechose
Henri Bellechose
Henri Bellechose was a painter from the South Netherlands. He was one of the most significant artists at the beginning of panel painting in Northern Europe, and among the earliest artists of Early Netherlandish painting.-Biography:Bellechose was an artist who came from the South Netherlands to...
were succeeded by Robert Campin
Robert Campin
Robert Campin , now usually identified as the artist known as the Master of Flémalle, is usually considered the first great master of Early Netherlandish painting...
and Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....
who took Early Netherlandish painting in the direction of greater illusionism. Master Bertram
Master Bertram
Master Bertram , also known as Meister Bertram and Master of Minden, was a German International Gothic painter primarily of religious art. His most famous surviving work is the large Grabow Altarpiece in the Kunsthalle Hamburg, the largest and most important North German painting of the period...
and Conrad von Soest
Conrad von Soest
Conrad von Soest, also Konrad in modern texts, or in Middle High German Conrad van Sost or "von Soyst", Conrad von Soest, also Konrad in modern texts, or in Middle High German Conrad van Sost or "von Soyst", Conrad von Soest, also Konrad in modern texts, or in Middle High German Conrad van Sost...
were leading regional masters in Germany, working largely for city burghers. Surviving panel paintings of the best quality from before 1390 are very rare except from Italy and the Prague court. Many of these artists moved between countries or regions during their careers, exposing them to the styles of other centres. In particular Broederlam had spent some years in Italy, and it has been speculated that the Master of the Parement was himself Bohemian, as his known French works are very few, and extremely close to Bohemian art.
Illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s remained important vehicles of the style, and in works like the Sherborne Missal
Sherborne Missal
The Sherborne Missal is a 15th century English illuminated manuscript missal in the British Library that has survived in excellent condition. It weighs 20 kg and has 347 leaves. It was commissioned by Abbott Robert Bruyning of Sherborne, and was made for use at Sherborne Abbey...
were the main English contribution, apart from the stained glass
Stained glass
The term stained glass can refer to coloured glass as a material or to works produced from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant buildings...
of John Thornton
John Thornton (glass painter)
John Thornton of Coventry was a master glazier and stained glass artist active in England during the 15th century. The output of his workshop includes some of the finest English medieval glass.-Biography:...
in York Minster
York Minster
York Minster is a Gothic cathedral in York, England and is one of the largest of its kind in Northern Europe alongside Cologne Cathedral. The minster is the seat of the Archbishop of York, the second-highest office of the Church of England, and is the cathedral for the Diocese of York; it is run by...
and of Thomas Glazier
Thomas Glazier
Thomas Glazier of Oxford was a master glazier active in England during the late 14th and early 15th century; he is one of the earliest identifiable stained glass artists, and is considered a leading proponent of the International Gothic style....
in Oxford
Oxford
The city of Oxford is the county town of Oxfordshire, England. The city, made prominent by its medieval university, has a population of just under 165,000, with 153,900 living within the district boundary. It lies about 50 miles north-west of London. The rivers Cherwell and Thames run through...
and elsewhere. Nottingham alabaster
Nottingham Alabaster
Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century until the early sixteenth century...
carvings, produced in considerable quantities by workshops to standard patterns, were exported all over Western Europe to value-conscious parish churches. The Hours of Gian Galeazzo Visconti
Hours of Gian Galeazzo Visconti
The Hours of Giangaleazzo Visconti is a Roman-liturgy illuminated book of the Hours, produced in two volumes in Milan for Gian Galeazzo Visconti. It was begun in 1388 by Giovannino de' Grassi and completed around 1428 by Belbello da Pavia during the reign of Gian's son Filippo Maria Visconti.It is...
from Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
was a key work, as was the Wenceslas Bible (with the text in German) of Charles IV's son. Both, like the Sherborne Missal, are marked by extravagantly decorated borders. John, Duke of Berry
John, Duke of Berry
John of Valois or John the Magnificent was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. He was the third son of King John II of France and Bonne of Luxemburg; his brothers were King Charles V of France, Duke Louis I of Anjou and Duke Philip the Bold of Burgundy...
, son and brother of French kings, was the most extravagant commissioner of manuscripts, and the main employer of the Limbourg Brothers and Jacquemart de Hesdin, as well as using many other artists. Other large-scale collectors included Wenceslas
Wenceslaus, King of the Romans
Wenceslaus ) was, by election, German King from 1376 and, by inheritance, King of Bohemia from 1378. He was the third Bohemian and second German monarch of the Luxembourg dynasty...
, the son of Charles IV, John of Lancaster, 1st Duke of Bedford
John of Lancaster, 1st Duke of Bedford
John of Lancaster, 1st Duke of Bedford, KG , also known as John Plantagenet, was the third surviving son of King Henry IV of England by Mary de Bohun, and acted as Regent of France for his nephew, King Henry VI....
, son of Henry IV of England
Henry IV of England
Henry IV was King of England and Lord of Ireland . He was the ninth King of England of the House of Plantagenet and also asserted his grandfather's claim to the title King of France. He was born at Bolingbroke Castle in Lincolnshire, hence his other name, Henry Bolingbroke...
and "Regent" of English-occupied France, and the Dukes of Burgundy. In the fifteenth century the cities of Flanders
Flanders
Flanders is the community of the Flemings but also one of the institutions in Belgium, and a geographical region located in parts of present-day Belgium, France and the Netherlands. "Flanders" can also refer to the northern part of Belgium that contains Brussels, Bruges, Ghent and Antwerp...
, especially Bruges
Bruges
Bruges is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium. It is located in the northwest of the country....
, came to outstrip Paris as a centre of both manuscript illumination and panel painting.
Tapestry
Another vehicle of International Gothic was provided by the tapestryTapestry
Tapestry is a form of textile art, traditionally woven on a vertical loom, however it can also be woven on a floor loom as well. It is composed of two sets of interlaced threads, those running parallel to the length and those parallel to the width ; the warp threads are set up under tension on a...
-weaving centers of Arras
Arras
Arras is the capital of the Pas-de-Calais department in northern France. The historic centre of the Artois region, its local speech is characterized as a Picard dialect...
and Tournai
Tournai
Tournai is a Walloon city and municipality of Belgium located 85 kilometres southwest of Brussels, on the river Scheldt, in the province of Hainaut....
as well as Paris, where tapestry production was permanently disordered by the English occupation of 1418-36. Under the consistent patronage of the Dukes of Burgundy, their courtly International Gothic style, elongated figures, rich details of attire, crowded composition, with figures disposed in tiers, owe their inspiration to manuscript illuminators and directly to painters: Baudouin de Bailleul, a painter established at Arras, supplied cartoon
Cartoon
A cartoon is a form of two-dimensional illustrated visual art. While the specific definition has changed over time, modern usage refers to a typically non-realistic or semi-realistic drawing or painting intended for satire, caricature, or humor, or to the artistic style of such works...
s for tapestry workshops there and at Tournai, where elements of a local style are hard to distinguish (Weigert, p. 44). The Chatsworth Hunts (Victoria and Albert Museum
Victoria and Albert Museum
The Victoria and Albert Museum , set in the Brompton district of The Royal Borough of Kensington and Chelsea, London, England, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects...
) are inspired by Gaston de Foix
Gaston III of Foix-Béarn
Gaston III/X of Foix-Béarn, also Gaston Fébus or Gaston Phoebus was the 11th count of Foix, and viscount of Béarn . Officially, he was Gaston III of Foix and Gaston X of Béarn.-Early life:...
's book on hunting and the many weavings of Trojan War
Trojan War
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including the Iliad...
cycles by contemporary romances.
Tapestry too was an art that was portable. Suites accompanied their seigneurial owners from one unheated and empty château to another. Tapestry weavers themselves could be induced to move workshops, though they remained tied to the accessibility of English wool. Religious and secular subjects vied in this essentially secular art.
A medium of Late Gothic style that is easily overlooked because it has virtually entirely disappeared is that of painted hangings, which served as a less expensive substitute for woven hangings but could be produced, with appropriate themes, on short notice.
Peak of the movement
In a period lasting approximately between 1390 and 1420 there was a particularly close correspondence between works produced far apart in Europe. In the north the miniatures of the Très Riches Heures Limbourg brothers, in Italy the Adoration of the MagiAdoration of the Magi (Lorenzo Monaco)
The Adoration of the Magi is a tempera on panel painting by the Italian late Gothic artist Lorenzo Monaco, now housed in the Uffizi Gallery in Florence.-History:...
of Lorenzo Monaco, and sculpture and miniatures in many countries show very stylised tall figures, the older men with imposingly long beards and swaying figures. Exotic clothes, based loosely on those of the contemporary Middle East or Byzantine Empire
Byzantine Empire
The Byzantine Empire was the Eastern Roman Empire during the periods of Late Antiquity and the Middle Ages, centred on the capital of Constantinople. Known simply as the Roman Empire or Romania to its inhabitants and neighbours, the Empire was the direct continuation of the Ancient Roman State...
, are worn by figures in biblical scenes; many figures seem to be included just to show off these costumes. The number of figures in many standard religious scenes is greatly increased; the Magi have large retinues, and the Crucifixion often becomes a crowded event. This innovation was to survive the style itself.
Ending of the international moment
The unveiling of Gentile da Fabriano's Adoration of the MagiAdoration of the Magi (Gentile da Fabriano)
The Adoration of the Magi is a painting by the Italian artist Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence, Italy, is considered his finest work, and has been described as "the culminating work of International Gothic painting"....
(below) in Florence in 1423, "the culminating work of International Gothic painting", was almost immediately followed by the painting of the Brancacci Chapel
Brancacci Chapel
The Brancacci Chapel is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by...
by Masolino and Masaccio
Masaccio
Masaccio , born Tommaso di Ser Giovanni di Simone, was the first great painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense...
(1424–26), which was recognised as a breakthrough to a new style. In similar fashion the Limbourg brothers' masterpiece the Très Riches Heures du Duc de Berry
Très Riches Heures du Duc de Berry
The Très Riches Heures du Duc de Berry or simply the Très Riches Heures is a richly decorated book of hours commissioned by John, Duke of Berry, around 1410...
was followed within a few years by the Turin-Milan Hours
Turin-Milan Hours
The Turin-Milan Hours is an incomplete illuminated manuscript, despite its name not strictly a book of hours, of exceptional quality and importance, with a very complicated history both during and after its production...
, a continuation of a manuscript started decades before by the Parement Master for the Duke of Berry, which despite a Gothic framework pioneered a very different style of painting. But outside Florence and the leading courts the International Gothic still held sway, gradually developing in directions that once again diverged considerably between Italy and Europe north of the Alps.