James Ward (artist)
Encyclopedia
James Ward R.A.
, was a painter, particularly of animals, and an engraver.
the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland
; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate Gallery
, London
), completed in 1814 or 1815 and depicting Gordale Scar
(Yorkshire
) as an example of the sublime
, is considered his masterpiece and a masterpiece of English
Romantic
painting
.
Ward devoted much of the period 1815-1821 to the painting of a gigantic work titled Waterloo Allegory (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.
One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett
family of Wynchnor Park
, Staffordshire
. One of Ward's best-known portraits was his "Theophilus Levett Hunting at Wychnor, Staffordshire" of 1817. Another was Ward's 1811 painting entitled "The Reverend Thomas Levett and His Favourite Dogs, Cock-Shooting." Ward also painted a group portrait of three Levett children—John, Theophilus and Frances Levett. (For the Levetts, see link to the Ward exhibit at the Yale Center for British Art.)
In 1830, Ward moved to Cheshunt
(Hertfordshire
) with his second wife, but he continued to work, particularly on religious themes. A stroke in 1855 ended his work, and he died in poverty.
James Ward was one of the outstanding artists of the day, his singular style and great skill set him above most of his contemporaries, markedly influencing the growth of British art. Regarded as one of the great animal painters of his time, James produced history paintings, portraits, landscapes and genre. He started off as an engraver, trained by William, who later engraved much of his work. The partnership of William and James Ward produced the best that English art had to offer, their great technical skill and artistry having led to images that reflect the grace and charm of the era. He was admitted for membership into the Royal Academy
in 1811.
One of Ward's best-known paintings, The Deer Stealer, was commissioned in 1823 for the sum of 500 guineas by Ward patron Theophilus Levett. When the work was finished, Levett pronounced himself delighted with the results, and consequently raised the commission to 600 guineas. Subsequently Ward was said to have been offered 1,000 guineas for the painting by 'a nobleman,' which offer he declined. The painting now hangs in the Tate Gallery
in London
.
James and Mary Ann Ward had several children including
James Ward was the paternal grandfather of the painter Henrietta Ward
and the great-grandfather of Leslie Ward
, the Vanity Fair caricaturist.
Royal Academy
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and...
, was a painter, particularly of animals, and an engraver.
Biography
Born in London, and younger brother of William WardWilliam Ward (engraver)
William Ward, ARA was an English engraver, the son of James and Rachael Ward, and elder brother of James Ward.William Ward was appointed engraver to the Duke of York, the Prince of Wales, and associate engraver to the Royal Academy....
the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland
George Morland
George Morland was an English painter of animals and rustic scenes.-Life:Morland was born in London, the 3rd son of Henry Robert Morland , artist, engraver and picture restorer...
; from that time, it was Rubens. From 1810 or so, Ward started to paint horses within landscapes; slightly later, he turned to very large-scale landscapes, of which Gordale Scar (Tate Gallery
Tate Gallery
The Tate is an institution that houses the United Kingdom's national collection of British Art, and International Modern and Contemporary Art...
, London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
), completed in 1814 or 1815 and depicting Gordale Scar
Gordale Scar
Gordale Scar is a dramatic limestone ravine 1 mile or 1.5 km NE of Malham, North Yorkshire, England. It contains two waterfalls and has overhanging limestone cliffs over 100 metres high. The gorge was formed by water from melting glaciers...
(Yorkshire
Yorkshire
Yorkshire is a historic county of northern England and the largest in the United Kingdom. Because of its great size in comparison to other English counties, functions have been increasingly undertaken over time by its subdivisions, which have also been subject to periodic reform...
) as an example of the sublime
Sublime (philosophy)
In aesthetics, the sublime is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual or artistic...
, is considered his masterpiece and a masterpiece of English
England
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west, with the North Sea to the east and the English Channel to the south separating it from continental...
Romantic
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
painting
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
.
Ward devoted much of the period 1815-1821 to the painting of a gigantic work titled Waterloo Allegory (now lost); this neither was much praised nor brought in the revenue Ward had hoped for. The experience may have embittered him, and the deaths of his first wife and a daughter were among other tragedies. Like many artists of the time, Ward sought commissions from wealthy gentry of their favorite horses, their favorite hunting dogs or their children.
One such family that Ward painted and drew repeatedly, and whom he counted among his friends, were the Levett
Levett
Levett is an Anglo-Norman territorial surname deriving from the village of Livet-en-Ouche, now Jonquerets-de-Livet, in Eure, Normandy. Ancestors of the earliest Levett family in England, the de Livets were lords of the village of Livet, and undertenants of the de Ferrers, among the most powerful of...
family of Wynchnor Park
Wychnor Hall
Wychnor Hall is an early 18th century country house near Burton on Trent, Staffordshire. Formerly owned by the Levett family, descendants of Theophilus Levett, Steward of the city of Lichfield in the early eighteenth century, the hall has been converted to a Country Club. It is a Grade II listed...
, Staffordshire
Staffordshire
Staffordshire is a landlocked county in the West Midlands region of England. For Eurostat purposes, the county is a NUTS 3 region and is one of four counties or unitary districts that comprise the "Shropshire and Staffordshire" NUTS 2 region. Part of the National Forest lies within its borders...
. One of Ward's best-known portraits was his "Theophilus Levett Hunting at Wychnor, Staffordshire" of 1817. Another was Ward's 1811 painting entitled "The Reverend Thomas Levett and His Favourite Dogs, Cock-Shooting." Ward also painted a group portrait of three Levett children—John, Theophilus and Frances Levett. (For the Levetts, see link to the Ward exhibit at the Yale Center for British Art.)
In 1830, Ward moved to Cheshunt
Cheshunt
Cheshunt is a town in Hertfordshire, England with a population of around 52,000 according to the United Kingdom's 2001 Census. It is a dormitory town and part of the Greater London Urban Area and London commuter belt served by Cheshunt railway station...
(Hertfordshire
Hertfordshire
Hertfordshire is a ceremonial and non-metropolitan county in the East region of England. The county town is Hertford.The county is one of the Home Counties and lies inland, bordered by Greater London , Buckinghamshire , Bedfordshire , Cambridgeshire and...
) with his second wife, but he continued to work, particularly on religious themes. A stroke in 1855 ended his work, and he died in poverty.
James Ward was one of the outstanding artists of the day, his singular style and great skill set him above most of his contemporaries, markedly influencing the growth of British art. Regarded as one of the great animal painters of his time, James produced history paintings, portraits, landscapes and genre. He started off as an engraver, trained by William, who later engraved much of his work. The partnership of William and James Ward produced the best that English art had to offer, their great technical skill and artistry having led to images that reflect the grace and charm of the era. He was admitted for membership into the Royal Academy
Royal Academy
The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and...
in 1811.
One of Ward's best-known paintings, The Deer Stealer, was commissioned in 1823 for the sum of 500 guineas by Ward patron Theophilus Levett. When the work was finished, Levett pronounced himself delighted with the results, and consequently raised the commission to 600 guineas. Subsequently Ward was said to have been offered 1,000 guineas for the painting by 'a nobleman,' which offer he declined. The painting now hangs in the Tate Gallery
Tate Gallery
The Tate is an institution that houses the United Kingdom's national collection of British Art, and International Modern and Contemporary Art...
in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
.
Family
James was the son of James and Rachael Ward. He was first married to Mary Ann Ward (no known relation) in 1794 and after her death to Charlotte Fritche in 1827(supposedly a relative of his first wife).James and Mary Ann Ward had several children including
- Matilda Louisa Ward, who married the artist John Jackson.
- George Raphael Ward, b. 1798, d. 1879
James Ward was the paternal grandfather of the painter Henrietta Ward
Henrietta Ward
Henrietta Mary Ada Ward was a notable English historical and genre painter of the Victorian era and the early twentieth century.-Life and work:...
and the great-grandfather of Leslie Ward
Leslie Ward
Sir Leslie Matthew Ward , was a British portrait artist and caricaturist who drew or painted numerous portraits which were regularly published by Vanity Fair, under the pseudonyms "Spy" and "Drawl".-Background:...
, the Vanity Fair caricaturist.
Further reading
- Beckett, Oliver. The Life and Work of James Ward, RA. Book Guild, 1995.
- Farr, Dennis. James Ward 1769–1859. London: Arts Council, 1960.
- Frankau, Julia. Eighteenth century artists and engravers: William Ward A.R.A., James Ward R.A.: Their Lives and Works. London: Macmillan, 1904.
- Fussell, G. E. James Ward R.A., Animal Painter 1769–1859 and His England. London: Michael Joseph, 1974. ISBN 0-7181-1242-3
- Grundy, Reginald. James Ward, R.A.: His Life and Works with a Catalogue of his Engravings and Pictures. London, 1909. (An extra number of The Connoisseur.)
- Nygren, Edward J. James Ward's "Gordale Scar": An Essay in the Sublime. London: Tate, 1982. ISBN 0-905005-93-7
- Opening address, The Art of James Ward, Yale Center for British Art, New Haven, Conn., May 20, 2004, curator Angus Trumble