Jan Mabuse
Encyclopedia
Jan Mabuse was the name adopted (from his birthplace, Maubeuge
) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut
), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503.
or Henegouwen (County of Hainaut
) called Maubuse. Other scholars have determined he was the son of a bookbinder who received his training at Maubeuge Abbey
, while the RKD mentions there is evidence to support a claim that he was born in Duurstede Castle
. He is registered in the Antwerp Guild of Saint Luke
in 1503. From 1508-9 he traveled to Rome and in 1509-17 he is registered in Middelburg
. According to Van Mander he was one of the first Flemish artists to bring back the Italian manner of painting with lots of nudity in historical allegories. From 1517-24 he is registered at Duurstede Castle where according to the RKD, he had Jan van Scorel
as pupil. From 1524 onwards he returned to Middelburg as court painter
to Adolf of Burgundy
.
He was a contemporary of Lucas van Leyden
, and was influenced by artists who came before him, such as Roger van der Weyden
, the great master of Tournai
and Brussels
, and like him, his compositions were usually framed in architectural backgrounds.
and Scawby
. The bright and decided contrasts of pigment in colored reliefs are like Hans Memling
, and the cornered and packed drapery are like Van der Weyden, while the bold but Socratic cast of face are like the works of Quentin Matsys
. At Scawby he illustrates the legend of the count of Toulouse, who parted with his worldly goods to assume the frock of a hermit. His altarpiece of the Descent from the Cross
with heavy double doors in Middelburg was admired by Albrecht Dürer
before the church itself was hit by lightning. This is possibly the work now in the Hermitage
, though Van Mander stated the lightning destroyed it and describes another Descent of the Cross in the possession of Mr. Magnus of Delft in 1604.
At Castle Howard, the Earl of Carlisle
had obtained The Adoration of the Kings previously created for the Grandmontines
, which throws together some thirty figures on an architectural background, varied in detail, massive in shape and fanciful in ornament. This painting is now on display at the National Gallery
, which bought it in 1911, and is known today as one of the earliest depictions of a black man (as Balthazar) in western art. Gossaert surprises the viewer with pompous costume and flaring contrasts of tone. His figures, like pieces on a chess-board, are often rigid and conventional. The landscape which shows through the colonnades is adorned with towers and steeples in the minute fashion of Van der Weyden. After a residence of a few years at Antwerp, Mabuse took service with Philip of Burgundy, bastard of Philip the Good
, at that time lord of Somerdyk and admiral of Zeeland. One of his pictures had already become celebrated: a Descent from the Cross (50 figures), on the high altar of Tongerlo Abbey
.
Philip of Burgundy ordered Mabuse to execute a replica for the church of Middelburg, and the value which was then set on the picture is apparent from the fact that Durer came expressly to Middelburg (1521) to see it. In 1568 the altarpiece perished by fire. In 1508 Mabuse accompanied Philip of Burgundy on his Italian mission to the pope, and by this accident an important revolution was effected in the art of the Netherlands. Mabuse appears to have chiefly studied in Italy the cold and polished works of the Leonardesques. He not only brought home a new style, but he also introduced the fashion of travelling to Italy; and from that time till the age of Rubens and Van Dyck it was considered proper that all Flemish painters should visit the peninsula. The Flemings grafted Italian mannerisms on their own stock, and the cross turned out so unfortunately that for a century Flemish art lost all trace of originality.
In the summer of 1509 Philip returned to the Netherlands, and, retiring to his seat of Suytburg in Zeeland
, surrendered himself to the pleasures of planning decorations for his castle and ordering pictures of Mabuse and Jacopo de' Barbari
. Being in constant communication with the court of Margaret of Austria at Mechelen
, he gave the artists in his employ fair chances of promotion. Barbari was made court painter to the regent, whilst Mabuse received less important commissions. Records prove that Mabuse painted a portrait of Leonora of Portugal, and other small pieces, for Charles V
in 1516.
But his only signed pictures of this period are the Neptune and Amphitrite of 1516 at Berlin, and the Madonna, with a portrait of Jean Carondelet
of 1517, at the Louvre, both of which suggest that Vasari
only spoke by hearsay of the progress made by Mabuse in the true method of producing pictures full of mythological nude figures and poesies. It is difficult to find anything more coarse or misshapen than the Amphitrite
, unless it is the grotesque and ungainly drayman who figures for Neptune. In later forms of the same subject—the Adam and Eve at Hampton Court
, or its feebler replica at Berlin and Venus and Amor (Royal Museums of Fine Arts of Belgium
, Brussels)—there is more nudity, combined with realism of the commonest type.
Happily, Mabuse was capable of higher efforts. His St Luke painting the portrait of the Virgin in Sanct Veit at Prague, a variety of the same subject in the Belvedere at Vienna, the Madonna of the Baring collection in London, or the numerous repetitions of Christ and the scoffers (Ghent and Antwerp), all prove that travel had left many of Mabuse's fundamental peculiarities unaltered. His figures still retain the character of stone; his architecture is as rich and varied, his tones are as strong as ever. But bright contrasts of gaudy tints are replaced by soberer greys; and a cold haze, the sfumato
of the Milanese, pervades the surfaces. It is but seldom that these features fail to obtrude. When they least show, the master displays a brilliant palette combined with smooth surface and incisive outlines. In this form the Madonnas of Munich and Vienna (1527), the likeness of a girl weighing gold pieces (Berlin), and the portraits of the children of the king of Denmark at Hampton Court, are fair specimens of his skill.
As early as 1523, when Christian II of Denmark
came to the Netherlands, he asked Mabuse to paint the likenesses of his dwarfs. In 1528 he requested the artist to furnish to Jean de Hare the design for his queen Isabellas tomb in the abbey of St Pierre near Ghent. It was no doubt at this time that Mabuse completed the portraits of John, Dorothy and Christine, children of Christian II, which came into the collection of Henry VIII
. No doubt, also, these portraits are identical with those of three children at Hampton Court, which were long known and often copied as likenesses of Prince Arthur, Prince Henry and Princess Margaret of England. One of the copies at Wilton, inscribed with the forged name of Hans Holbein
, ye father, and the false date of 1495, has often been cited as a proof that Mabuse came to England in the reign of Henry VII
; but the statement rests on no foundation whatever.
At the period when these portraits were executed Mabuse lived at Middelburg
. But he dwelt at intervals elsewhere. When Philip of Burgundy became bishop of Utrecht, and settled at Duurstede Castle
, in 1517, he was accompanied by Mabuse, who helped to decorate the new palace of his master. At Philip's death, in 1524, Mabuse designed and erected his tomb in the church of Wijk bij Duurstede
. He finally retired to Middelburg, where he took service with Philip's brother, Adolph, lord of Veeren.
Carel van Mander
's biography accuses Mabuse of an unruly life; yet it describes the solid education he must have had to learn his trade so well. It also describes the splendid appearance of Gossaert, dressed in gold brocade, as he accompanied Lucas van Leyden
on a pleasure trip to Ghent, Mechelen and Antwerp in 1527.
The works of Mabuse are those of a hardworking and patient artist; the number of his still extant pictures practically demonstrates that he was not a debauchee. The marriage of his daughter with the painter Henry van der Heyden of Leuven proves that he had a home, and did not live habitually in taverns. His death at Antwerp is recorded in the portrait engraved by Jerome Cock.
Maubeuge
Maubeuge is a commune in the Nord department in northern France.It is situated on both banks of the Sambre , east of Valenciennes and about from the Belgian border.-History:...
) by the Flemish painter Jan Gossaert; or Jennyn van Hennegouwe (Hainaut
County of Hainaut
The County of Hainaut was a historical region in the Low Countries with its capital at Mons . In English sources it is often given the archaic spelling Hainault....
), as he called himself when he matriculated in the guild of St Luke, at Antwerp, in 1503.
Biography
Little is known of his early life. One of his earliest biographers, Karel van Mander, claimed he was from a small town in ArtoisArtois
Artois is a former province of northern France. Its territory has an area of around 4000 km² and a population of about one million. Its principal cities are Arras , Saint-Omer, Lens and Béthune.-Location:...
or Henegouwen (County of Hainaut
County of Hainaut
The County of Hainaut was a historical region in the Low Countries with its capital at Mons . In English sources it is often given the archaic spelling Hainault....
) called Maubuse. Other scholars have determined he was the son of a bookbinder who received his training at Maubeuge Abbey
Maubeuge Abbey
Mauberge Abbey was a women's religious house at Maubeuge, in what is now northern France, close to the present border with Belgium. It is best known today as the abbey built by Saint Aldegonde, and the educational institution for the young Jan Gossaert, a renaissance painter known as Mabuse after...
, while the RKD mentions there is evidence to support a claim that he was born in Duurstede Castle
Duurstede Castle
Castle Duurstede is a medieval castle in Wijk bij Duurstede in the province of Utrecht in the Netherlands.-Origin and development:The castle originated in the 13th century. Around 1270, Zweder I van Zuylen van Abcoude built a freestanding keep on a raised and moated site near the lost city Dorestad...
. He is registered in the Antwerp Guild of Saint Luke
Guild of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the...
in 1503. From 1508-9 he traveled to Rome and in 1509-17 he is registered in Middelburg
Middelburg
Middelburg is a municipality and a city in the south-western Netherlands and the capital of the province of Zeeland. It is situated in the Midden-Zeeland region. It has a population of about 48,000.- History of Middelburg :...
. According to Van Mander he was one of the first Flemish artists to bring back the Italian manner of painting with lots of nudity in historical allegories. From 1517-24 he is registered at Duurstede Castle where according to the RKD, he had Jan van Scorel
Jan van Scorel
Jan van Scorel was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands.-Biography:He was born in Schoorl, north of Alkmaar and close to Egmond Abbey...
as pupil. From 1524 onwards he returned to Middelburg as court painter
Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were often given the office of valet de chambre...
to Adolf of Burgundy
Adolf of Burgundy
Adolf of Burgundy was Lord of Veere and admiral of the Netherlands.He was a son of Philip of Burgundy-Beveren and Anna of Borselen. In 1517 he succeeded Philip of Burgundy-Blaton, who became Bishop of Utrecht, as admiral of the Netherlands until 1540.In 1509 he married Anna of Bergen, daughter of...
.
He was a contemporary of Lucas van Leyden
Lucas van Leyden
Lucas van Leyden , also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter, born and mainly active in Leiden...
, and was influenced by artists who came before him, such as Roger van der Weyden
Roger van der Weyden
Rogier van der Weyden or Rogier de le Pasture was an Early Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his...
, the great master of Tournai
Tournai
Tournai is a Walloon city and municipality of Belgium located 85 kilometres southwest of Brussels, on the river Scheldt, in the province of Hainaut....
and Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
, and like him, his compositions were usually framed in architectural backgrounds.
Works
Mabuse shows Antwerp influence in the large altar-pieces previously located at Castle HowardCastle Howard
Castle Howard is a stately home in North Yorkshire, England, north of York. One of the grandest private residences in Britain, most of it was built between 1699 and 1712 for the 3rd Earl of Carlisle, to a design by Sir John Vanbrugh...
and Scawby
Scawby
Scawby is a village and civil parish in North Lincolnshire, England. According to the 2001 census it had a population of 2,277. It is located south west of Brigg just off the A15 and A18. Scawby Brook, just outside Brigg, is also within the parish....
. The bright and decided contrasts of pigment in colored reliefs are like Hans Memling
Hans Memling
Hans Memling was a German-born Early Netherlandish painter.-Life and works:Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden...
, and the cornered and packed drapery are like Van der Weyden, while the bold but Socratic cast of face are like the works of Quentin Matsys
Quentin Matsys
Quentin Matsys was a painter in the Flemish tradition and a founder of the Antwerp school. He was born at Leuven, where legend states he was trained as an ironsmith before becoming a painter...
. At Scawby he illustrates the legend of the count of Toulouse, who parted with his worldly goods to assume the frock of a hermit. His altarpiece of the Descent from the Cross
Descent from the Cross
The Descent from the Cross , or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion . In Byzantine art the topic became popular in the 9th century, and in the West from the...
with heavy double doors in Middelburg was admired by Albrecht Dürer
Albrecht Dürer
Albrecht Dürer was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since...
before the church itself was hit by lightning. This is possibly the work now in the Hermitage
Hermitage Museum
The State Hermitage is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums of the world, it was founded in 1764 by Catherine the Great and has been opened to the public since 1852. Its collections, of which only a small part is on permanent display,...
, though Van Mander stated the lightning destroyed it and describes another Descent of the Cross in the possession of Mr. Magnus of Delft in 1604.
At Castle Howard, the Earl of Carlisle
Earl of Carlisle
Earl of Carlisle is a title that has been created three times in the Peerage of England. The first creation came in 1322 when the soldier Andrew Harclay, 1st Baron Harclay was made Earl of Carlisle. He had already been summoned to Parliament as Lord Harclay in 1321...
had obtained The Adoration of the Kings previously created for the Grandmontines
Grandmontines
Grandmontines were the monks of the Order of Grandmont, a religious order founded by Saint Stephen of Thiers, towards the end of the 11th century. The order was named after its motherhouse, Grandmont Abbey in the homonymous village, now part of the commune of Saint-Sylvestre, in the department of...
, which throws together some thirty figures on an architectural background, varied in detail, massive in shape and fanciful in ornament. This painting is now on display at the National Gallery
National gallery
The National Gallery is an art gallery on Trafalgar Square, London, United Kingdom.National Gallery may also refer to:*Armenia: National Gallery of Armenia, Yerevan*Australia:**National Gallery of Australia, Canberra...
, which bought it in 1911, and is known today as one of the earliest depictions of a black man (as Balthazar) in western art. Gossaert surprises the viewer with pompous costume and flaring contrasts of tone. His figures, like pieces on a chess-board, are often rigid and conventional. The landscape which shows through the colonnades is adorned with towers and steeples in the minute fashion of Van der Weyden. After a residence of a few years at Antwerp, Mabuse took service with Philip of Burgundy, bastard of Philip the Good
Philip III, Duke of Burgundy
Philip the Good KG , also Philip III, Duke of Burgundy was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty . During his reign Burgundy reached the height of its prosperity and prestige and became a leading center of the arts...
, at that time lord of Somerdyk and admiral of Zeeland. One of his pictures had already become celebrated: a Descent from the Cross (50 figures), on the high altar of Tongerlo Abbey
Tongerlo Abbey
Tongerlo Abbey is a Premonstratensian monastery at Tongerlo in Westerlo near Antwerp, Belgium.-History:It was founded in 1128 in honour of the Blessed Virgin Mary, by Giselbert of Kasterlee, who not only gave the land, but also himself became a lay brother in the new community. The first monks were...
.
Philip of Burgundy ordered Mabuse to execute a replica for the church of Middelburg, and the value which was then set on the picture is apparent from the fact that Durer came expressly to Middelburg (1521) to see it. In 1568 the altarpiece perished by fire. In 1508 Mabuse accompanied Philip of Burgundy on his Italian mission to the pope, and by this accident an important revolution was effected in the art of the Netherlands. Mabuse appears to have chiefly studied in Italy the cold and polished works of the Leonardesques. He not only brought home a new style, but he also introduced the fashion of travelling to Italy; and from that time till the age of Rubens and Van Dyck it was considered proper that all Flemish painters should visit the peninsula. The Flemings grafted Italian mannerisms on their own stock, and the cross turned out so unfortunately that for a century Flemish art lost all trace of originality.
In the summer of 1509 Philip returned to the Netherlands, and, retiring to his seat of Suytburg in Zeeland
Zeeland
Zeeland , also called Zealand in English, is the westernmost province of the Netherlands. The province, located in the south-west of the country, consists of a number of islands and a strip bordering Belgium. Its capital is Middelburg. With a population of about 380,000, its area is about...
, surrendered himself to the pleasures of planning decorations for his castle and ordering pictures of Mabuse and Jacopo de' Barbari
Jacopo de' Barbari
Jacopo de' Barbari, sometimes known or referred to as de'Barbari, de Barberi, de Barbari, Barbaro, Barberino, Barbarigo or Barberigo , was an Italian painter and printmaker with a highly individual style. He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist...
. Being in constant communication with the court of Margaret of Austria at Mechelen
Mechelen
Mechelen Footnote: Mechelen became known in English as 'Mechlin' from which the adjective 'Mechlinian' is derived...
, he gave the artists in his employ fair chances of promotion. Barbari was made court painter to the regent, whilst Mabuse received less important commissions. Records prove that Mabuse painted a portrait of Leonora of Portugal, and other small pieces, for Charles V
Charles V, Holy Roman Emperor
Charles V was ruler of the Holy Roman Empire from 1519 and, as Charles I, of the Spanish Empire from 1516 until his voluntary retirement and abdication in favor of his younger brother Ferdinand I and his son Philip II in 1556.As...
in 1516.
But his only signed pictures of this period are the Neptune and Amphitrite of 1516 at Berlin, and the Madonna, with a portrait of Jean Carondelet
Jean Carondelet
Jean II Carondelet , was a Burgundian cleric, politician, jurist and one of the most important advisors to Charles V, Holy Roman Emperor. He was a patron of Erasmus and a brother of Ferry Carondelet.-Life:...
of 1517, at the Louvre, both of which suggest that Vasari
Giorgio Vasari
Giorgio Vasari was an Italian painter, writer, historian, and architect, who is famous today for his biographies of Italian artists, considered the ideological foundation of art-historical writing.-Biography:...
only spoke by hearsay of the progress made by Mabuse in the true method of producing pictures full of mythological nude figures and poesies. It is difficult to find anything more coarse or misshapen than the Amphitrite
Amphitrite
In ancient Greek mythology, Amphitrite was a sea-goddess and wife of Poseidon. Under the influence of the Olympian pantheon, she became merely the consort of Poseidon, and was further diminished by poets to a symbolic representation of the sea...
, unless it is the grotesque and ungainly drayman who figures for Neptune. In later forms of the same subject—the Adam and Eve at Hampton Court
Hampton Court Palace
Hampton Court Palace is a royal palace in the London Borough of Richmond upon Thames, Greater London; it has not been inhabited by the British royal family since the 18th century. The palace is located south west of Charing Cross and upstream of Central London on the River Thames...
, or its feebler replica at Berlin and Venus and Amor (Royal Museums of Fine Arts of Belgium
Royal Museums of Fine Arts of Belgium
The Royal Museums of Fine Arts of Belgium , is one of the most famous museums in Belgium.-The museum:...
, Brussels)—there is more nudity, combined with realism of the commonest type.
Happily, Mabuse was capable of higher efforts. His St Luke painting the portrait of the Virgin in Sanct Veit at Prague, a variety of the same subject in the Belvedere at Vienna, the Madonna of the Baring collection in London, or the numerous repetitions of Christ and the scoffers (Ghent and Antwerp), all prove that travel had left many of Mabuse's fundamental peculiarities unaltered. His figures still retain the character of stone; his architecture is as rich and varied, his tones are as strong as ever. But bright contrasts of gaudy tints are replaced by soberer greys; and a cold haze, the sfumato
Sfumato
Sfumato is one of the four canonical painting modes of the Renaissance .The most prominent practitioner of sfumato was Leonardo da Vinci, and his famous painting of the Mona Lisa exhibits the technique. Leonardo da Vinci described sfumato as "without lines or borders, in the manner of smoke or...
of the Milanese, pervades the surfaces. It is but seldom that these features fail to obtrude. When they least show, the master displays a brilliant palette combined with smooth surface and incisive outlines. In this form the Madonnas of Munich and Vienna (1527), the likeness of a girl weighing gold pieces (Berlin), and the portraits of the children of the king of Denmark at Hampton Court, are fair specimens of his skill.
As early as 1523, when Christian II of Denmark
Christian II of Denmark
Christian II was King of Denmark, Norway and Sweden , during the Kalmar Union.-Background:...
came to the Netherlands, he asked Mabuse to paint the likenesses of his dwarfs. In 1528 he requested the artist to furnish to Jean de Hare the design for his queen Isabellas tomb in the abbey of St Pierre near Ghent. It was no doubt at this time that Mabuse completed the portraits of John, Dorothy and Christine, children of Christian II, which came into the collection of Henry VIII
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...
. No doubt, also, these portraits are identical with those of three children at Hampton Court, which were long known and often copied as likenesses of Prince Arthur, Prince Henry and Princess Margaret of England. One of the copies at Wilton, inscribed with the forged name of Hans Holbein
Hans Holbein the Elder
Hans Holbein was a German painter.He was born in Augsburg, Bavaria and died in Isenheim, Alsace. He and his brother Sigismund Holbein painted religious works in the late Gothic style...
, ye father, and the false date of 1495, has often been cited as a proof that Mabuse came to England in the reign of Henry VII
Henry VII of England
Henry VII was King of England and Lord of Ireland from his seizing the crown on 22 August 1485 until his death on 21 April 1509, as the first monarch of the House of Tudor....
; but the statement rests on no foundation whatever.
At the period when these portraits were executed Mabuse lived at Middelburg
Middelburg
Middelburg is a municipality and a city in the south-western Netherlands and the capital of the province of Zeeland. It is situated in the Midden-Zeeland region. It has a population of about 48,000.- History of Middelburg :...
. But he dwelt at intervals elsewhere. When Philip of Burgundy became bishop of Utrecht, and settled at Duurstede Castle
Duurstede Castle
Castle Duurstede is a medieval castle in Wijk bij Duurstede in the province of Utrecht in the Netherlands.-Origin and development:The castle originated in the 13th century. Around 1270, Zweder I van Zuylen van Abcoude built a freestanding keep on a raised and moated site near the lost city Dorestad...
, in 1517, he was accompanied by Mabuse, who helped to decorate the new palace of his master. At Philip's death, in 1524, Mabuse designed and erected his tomb in the church of Wijk bij Duurstede
Wijk bij Duurstede
- The city of Wijk bij Duurstede :The city is located on the Rhine. At Wijk bij Duurstede, the Kromme Rijn branches off, and the main branch is called Lek River downstream from Wijk bij Duurstede....
. He finally retired to Middelburg, where he took service with Philip's brother, Adolph, lord of Veeren.
Carel van Mander
Carel van Mander
Karel van Mander was a Flemish-born Dutch painter and poet, who is mainly remembered as a biographer of Netherlandish artists in his Schilder-boeck. As an artist he played an important role in Northern Mannerism in the Netherlands....
's biography accuses Mabuse of an unruly life; yet it describes the solid education he must have had to learn his trade so well. It also describes the splendid appearance of Gossaert, dressed in gold brocade, as he accompanied Lucas van Leyden
Lucas van Leyden
Lucas van Leyden , also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch engraver and painter, born and mainly active in Leiden...
on a pleasure trip to Ghent, Mechelen and Antwerp in 1527.
The works of Mabuse are those of a hardworking and patient artist; the number of his still extant pictures practically demonstrates that he was not a debauchee. The marriage of his daughter with the painter Henry van der Heyden of Leuven proves that he had a home, and did not live habitually in taverns. His death at Antwerp is recorded in the portrait engraved by Jerome Cock.
See also
- Renaissance in the NetherlandsRenaissance in the NetherlandsThe Renaissance in the Low Countries is the cultural period that roughly corresponds to the 16th century in the Low Countries. In 1500 the Seventeen Provinces were in a personal union under the Burgundian Dukes, and with the Flemish cities as centers of gravity, culturally and economically formed...
- Early Renaissance paintingEarly Renaissance paintingRenaissance art is the painting, sculpture and decorative arts of that period of European history known as the Renaissance, emerging as a distinct style in Italy in about 1400, in parallel with developments which occurred in philosophy, literature, music and science...
- Madonna and Child Playing With the VeilMadonna and Child Playing With the VeilThe Madonna and Child Playing With the Veil, is a devotional painting finished around 1520-1530 by the Flemish High Renaissance painter Jan Gossaert...
, a much copied theme that he invented and copied himself several times.
Further Reading
- Nadine M. Orenstein, 'Jan Gossaert’s Mocking of Christ: A Reversal of States', Print Quarterly, XXVIII, 2011, 249-55
External links
- Works and literature at PubHist