Jaque de Cambrai
Encyclopedia
Jaque de Cambrai sometimes Jacques, was a trouvère
from Cambrai
. He composed four chansons courtoises, one pastourelle
, six devotional chansons, and one Marian rotrouenge
. The Berne manuscript, in which most of his works are uniquely preserved, notes that his Haute dame, com rose et lis was modelled on (i.e. a contrafactum
of) Ausi com l'unicorne sui by Theobald I of Navarre
and Mere, douce creature on Quant voi la glaie meure by Raoul de Soissons
. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jaque's works, only his rotrouenge, the Retrowange novelle, has no model mentioned in the manuscripts; its rubric
reads only "Jaikes de Cambrai—De Notre Dame" (Jaque of Cambrai—On Our Lady).
Jaque's devotional songs emphasise Jesus' humanity
and his Passion
. These may be directed at the Cathars, who denied Christ's humanity. Jaque was one of the last medieval French poets to express his devotion to Mary primarily through chansons, that is, modelled on the chansons courtoises or love songs. After him the tendency was to use the serventois and even later the chant royal
.
Trouvère
Trouvère , sometimes spelled trouveur , is the Northern French form of the word trobador . It refers to poet-composers who were roughly contemporary with and influenced by the troubadours but who composed their works in the northern dialects of France...
from Cambrai
Cambrai
Cambrai is a commune in the Nord department in northern France. It is a sub-prefecture of the department.Cambrai is the seat of an archdiocese whose jurisdiction was immense during the Middle Ages. The territory of the Bishopric of Cambrai, roughly coinciding with the shire of Brabant, included...
. He composed four chansons courtoises, one pastourelle
Pastourelle
The pastourelle is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a wit battle and who displays general coyness. The narrator usually has sexual relations, either consensual or...
, six devotional chansons, and one Marian rotrouenge
Rotrouenge
In the Middle Ages, the rotrouenge or retroencha was a recognised type of lyric poetry, although no existing source defines the genre clearly. There are four conserved troubadour poems, all with refrains and three by Guiraut Riquier with music, that are labelled retronchas in the chansonniers...
. The Berne manuscript, in which most of his works are uniquely preserved, notes that his Haute dame, com rose et lis was modelled on (i.e. a contrafactum
Contrafactum
In vocal music, contrafactum refers to "the substitution of one text for another without substantial change to the music"....
of) Ausi com l'unicorne sui by Theobald I of Navarre
Theobald I of Navarre
Theobald I , called the Troubadour, the Chansonnier, and the Posthumous, was Count of Champagne from birth and King of Navarre from 1234...
and Mere, douce creature on Quant voi la glaie meure by Raoul de Soissons
Raoul de Soissons
Raoul de Soissons was a French nobleman, Crusader, and trouvère. He was the second son of Raoul le Bon, Count of Soissons, and became the Sire de Coeuvres in 1232. Raoul participated in three Crusades....
. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jaque's works, only his rotrouenge, the Retrowange novelle, has no model mentioned in the manuscripts; its rubric
Rubric
A rubric is a word or section of text which is traditionally written or printed in red ink to highlight it. The word derives from the , meaning red ochre or red chalk, and originates in Medieval illuminated manuscripts from the 13th century or earlier...
reads only "Jaikes de Cambrai—De Notre Dame" (Jaque of Cambrai—On Our Lady).
Jaque's devotional songs emphasise Jesus' humanity
Hypostatic union
Hypostatic union is a technical term in Christian theology employed in mainstream Christology to describe the union of Christ's humanity and divinity in one hypostasis.The First Council of Ephesus recognised this doctrine and affirmed its importance, stating that the...
and his Passion
Passion (Christianity)
The Passion is the Christian theological term used for the events and suffering – physical, spiritual, and mental – of Jesus in the hours before and including his trial and execution by crucifixion...
. These may be directed at the Cathars, who denied Christ's humanity. Jaque was one of the last medieval French poets to express his devotion to Mary primarily through chansons, that is, modelled on the chansons courtoises or love songs. After him the tendency was to use the serventois and even later the chant royal
Chant royal
The Chant Royal is a poetic form that is a variation of the ballad form and consists of five eleven-line stanzas with a rhyme scheme a-b-a-b-c-c-d-d-e-d-E and a five-line envoi rhyming d-d-e-d-E or a seven-line envoi c-c-d-d-e-d-E...
.
Table of Marian poems and their models
The following table is derived from O'Sullivan.Incipit Incipit Incipit is a Latin word meaning "it begins". The incipit of a text, such as a poem, song, or book, is the first few words of its opening line. In music, it can also refer to the opening notes of a composition. Before the development of titles, texts were often referred to by their incipits... |
Genre Genre Genre , Greek: genos, γένος) is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria. Genres are formed by conventions that change over time... |
Model (contrafactum Contrafactum In vocal music, contrafactum refers to "the substitution of one text for another without substantial change to the music".... of:) |
Composer of model |
---|---|---|---|
Grant talen ai k'a chanteir me retraie, Marian chanson | chanson | Loaus amors et desiriés de joie | Colart le Boutellier Colart le Boutellier Colart le Boutellier was a well-connected trouvère from Arras. There are no references to him independent of his own and others' songs, found in the chansonniers. One of these depicts the known coat-of-arms used by the Boutillier family, one of the petty noble clans of Arras, and assigns it to... |
Haute dame, com rose et lis | chanson | Ausi conme unicorne sui | Theobald I of Navarre Theobald I of Navarre Theobald I , called the Troubadour, the Chansonnier, and the Posthumous, was Count of Champagne from birth and King of Navarre from 1234... |
Kant je plus pens a commencier chanson | chanson | Tuit mi desir et tuit mi grief torment | Theobald I of Navarre |
Loeir m'estuet la roïne | chanson | De bone amor et de loial amie (me vient) | Gace Brulé Gace Brulé Gace Brulé , French trouvère, was a native of Champagne.His name is simply a description of his Blazonry. He owned land in Groslière and had dealings with the Knights Templar, and received a gift from the future Louis VIII. These facts are known from documents from the time... |
Meire, douce creature | chanson | Quant voi la glaie meüre | Raoul de Soissons Raoul de Soissons Raoul de Soissons was a French nobleman, Crusader, and trouvère. He was the second son of Raoul le Bon, Count of Soissons, and became the Sire de Coeuvres in 1232. Raoul participated in three Crusades.... |
O Dame, ke Deu portais | chanson | Aïmans fins et verais | Gauthier d'Espinal |
Retrowange novelle | rotrouenge | probably none, possibly pastourelle Pastourelle The pastourelle is a typically Old French lyric form concerning the romance of a shepherdess. In most of the early pastourelles, the poet knight meets a shepherdess who bests him in a wit battle and who displays general coyness. The narrator usually has sexual relations, either consensual or... or ballette |