Jazz at the Philharmonic
Encyclopedia
Jazz at the Philharmonic, or JATP, (1944–1983) was the title of a series of jazz concerts, tours and recordings produced by Norman Granz
.
Over the years, Jazz at the Philharmonic featured many of the era's preeminent musicians, including Louie Bellson
, Ray Brown
, Benny Carter
, Nat "King" Cole
, Sonny Criss
, Buddy DeFranco
, Harry "Sweets" Edison, Roy Eldridge
, Herb Ellis
, Ella Fitzgerald
, Stan Getz
, Dizzy Gillespie
, Lionel Hampton
, Bill Harris
, Coleman Hawkins
, J.C. Heard, Billie Holiday
, Helen Humes
, The Modern Jazz Quartet, Illinois Jacquet
, J. J. Johnson, Hank Jones
, Jo Jones
, Barney Kessel
, Kenny Kersey
, Gene Krupa
, Lou Levy
, Meade Lux Lewis
, Shelly Manne
, Fats Navarro
, Charlie Parker
, Oscar Peterson
, Flip Phillips
, Buddy Rich
, Charlie Shavers
, Willie Smith
, Sonny Stitt
, Slim Gaillard
, Clark Terry
, Tommy Turk
, T-Bone Walker
, Ben Webster
, Lee Young
and Lester Young
.
, and featured Illinois Jacquet
, Jack McVea
, J. J. Johnson, Shorty Sherock
, Nat "King" Cole, Les Paul
, Johnny Miller, Meade Lux Lewis
, Bumps Myers, Joe Sullivan
, Buddy Rich, Randall Miller, Bud Hatch, Marie Bryant, Red Callender
, Lee Young and Carolyn Richards.
Illinois Jacquet, Nat "King" Cole and Les Paul, in particular, created a sensation. The title of the concert had been shortened by the printer of the advertising supplements from "A Jazz Concert at the Philharmonic Auditorium" to "Jazz at the Philharmonic".
Norman Granz organised the concert with about $300 of borrowed money. Only one copy of the first concert program is known to exist.
Norman Granz recorded many JATP concerts, and sold or leased (from 1945 to 1947) the recordings to Asch/Disc/Stinson Records (record producer Moses Asch's labels). Later, from 1948 to 1953, Granz leased the recordings to Mercury Records, and later reissued/issued them on Norgran (founded 1953), from 1953 on Clef (founded 1946), and from 1956 on Verve (founded 1956), at the time, his own labels.
In the 1970s, Granz kept the spirit of the JATP alive on his many jam session style records for his Pablo label (founded 1973), also used for previously unissued JATP concerts. In 1987, he sold Pablo Records to Fantasy Records.
The JATP concerts featured Swing and Bop musicians. They were among the first high-profile performances to feature racially integrated bands, and Granz cancelled some bookings rather than have the musicians perform for segregated audiences.
JATP Tours - USA and Canada (1945–1957):
1st National Tour: Late Fall/Winter of 1945-46. 2nd National Tour: Spring, 1946. 3rd National Tour: Fall, 1946. 4th National Tour: Spring, 1947. 5th National Tour: Fall, 1947. 6th National Tour: Spring, 1948. 7th National Tour: Fall, 1948. 8th National Tour: Spring, 1949. 9th National Tour: Fall, 1949. 10th National Tour: Fall, 1950. 11th National Tour: Fall, 1951. 12th National Tour: Fall, 1952. 13th National Tour (USA, Canada, Hawaii, Australia and Japan): Fall, 1953. 14th National Tour: Fall, 1954. 16th National Tour (Note: the 15th National Tour, in the fall of 1955, was renamed: 16th National Tour, just weeks before the start of the JATP Tour): Fall, 1955. 17th National Tour: Fall, 1956. 18th National Tour: Fall, 1957.
JATP Tours - Europe (1952–1959):
1st European Tour: Spring, 1952. 2nd European Tour (Only two concerts in the UK: London, March 8): Spring, 1953. 3rd European Tour: Spring, 1954. 4th European Tour: Spring, 1955. 5th European Tour: Spring, 1956. 6th European Tour: Spring, 1957. 7th European Tour (1st UK Tour!): Spring, 1958. 8th European Tour: Spring, 1959.
Jazz at the Philharmonic ceased touring the United States and Canada, after the JATP concerts in the fall of 1957 (One final North American Tour in 1967!), but continued intermittently mainly in Europe and Japan until 1983, with the very last JATP concerts being performed in October, 1983, in Tokyo, Japan.
Recordings held by Verve Records of the first five years (1944–1949) of JATP have been issued in a Deluxe 10 CD Box Set.
The Jazz at the Philharmonic recordings were selected by the Library of Congress
as a 2010 addition to the National Recording Registry
, which selects recordings annually that are "culturally, historically, or aesthetically significant".
Norman Granz
Norman Granz was an American jazz music impresario and producer.Granz was a fundamental figure in American jazz, especially from about 1947 to 1960...
.
Over the years, Jazz at the Philharmonic featured many of the era's preeminent musicians, including Louie Bellson
Louie Bellson
Luigi Paulino Alfredo Francesco Antonio Balassoni , better known by the stage name Louie Bellson , was an Italian-American jazz drummer...
, Ray Brown
Ray Brown (musician)
Raymond Matthews Brown was an American jazz double bassist.-Biography:Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one...
, Benny Carter
Benny Carter
Bennett Lester Carter was an American jazz alto saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. He was a major figure in jazz from the 1930s to the 1990s, and was recognized as such by other jazz musicians who called him King...
, Nat "King" Cole
Nat King Cole
Nathaniel Adams Coles , known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. Although an accomplished pianist, he owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres...
, Sonny Criss
Sonny Criss
William "Sonny" Criss was an American jazz musician.An alto saxophonist of prominence during the bebop era of jazz, he was one of many players influenced by Charlie Parker.-Biography:...
, Buddy DeFranco
Buddy DeFranco
Boniface Ferdinand Leonard "Buddy" DeFranco is an American jazz clarinet player.-Biography:DeFranco began his professional career just as swing music and big bands — many of which were led by clarinetists like Artie Shaw, Benny Goodman and Woody Herman — were fading in popularity...
, Harry "Sweets" Edison, Roy Eldridge
Roy Eldridge
Roy David Eldridge , nicknamed "Little Jazz" was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos and his strong influence on Dizzy Gillespie mark him as one of the most exciting musicians of the swing era and a...
, Herb Ellis
Herb Ellis
Mitchell Herbert "Herb" Ellis was an American jazz guitarist. Perhaps best known for his 1950s membership in the trio of pianist Oscar Peterson, Ellis was also a staple of west-coast studio recording sessions, and was described by critic Scott Yanow as "an excellent bop-based guitarist with a...
, Ella Fitzgerald
Ella Fitzgerald
Ella Jane Fitzgerald , also known as the "First Lady of Song" and "Lady Ella," was an American jazz and song vocalist...
, Stan Getz
Stan Getz
Stanley Getz was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott...
, Dizzy Gillespie
Dizzy Gillespie
John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
, Lionel Hampton
Lionel Hampton
Lionel Leo Hampton was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy...
, Bill Harris
Bill Harris (musician)
Bill Harris was a jazz trombonist.-Biography:Early in his career, Harris performed with Benny Goodman, Charlie Barnet, and Eddie Condon. He is renowned for his broad, thick tone and quick vibrato that remained for the duration of each tone. He went on to join Woody Herman's First Herd in 1944...
, Coleman Hawkins
Coleman Hawkins
Coleman Randolph Hawkins was an American jazz tenor saxophonist. Hawkins was one of the first prominent jazz musicians on his instrument. As Joachim E. Berendt explained, "there were some tenor players before him, but the instrument was not an acknowledged jazz horn"...
, J.C. Heard, Billie Holiday
Billie Holiday
Billie Holiday was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing...
, Helen Humes
Helen Humes
Helen Humes was an American jazz and blues singer.Humes was successively a teenaged blues singer, band vocalist with Count Basie, saucy R&B diva and a mature interpreter of the classy popular song.-Career:...
, The Modern Jazz Quartet, Illinois Jacquet
Illinois Jacquet
Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo....
, J. J. Johnson, Hank Jones
Hank Jones
Henry "Hank" Jones was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored him with the NEA Jazz Masters Award...
, Jo Jones
Jo Jones
Jo Jones was an American jazz drummer.Known as Papa Jo Jones in his later years, he was sometimes confused with another influential jazz drummer, Philly Joe Jones...
, Barney Kessel
Barney Kessel
Barney Kessel was an American jazz guitarist born in Muskogee, Oklahoma, USA. Generally considered to be one of the greatest jazz guitarists of the 20th century, he was noted in particular for his vast knowledge of chords and inversions and chord-based melodies...
, Kenny Kersey
Ken Kersey
Ken Kersey was a Canadian jazz pianist who spent most of his life working in the United States....
, Gene Krupa
Gene Krupa
Gene Krupa was an American jazz and big band drummer and composer, known for his highly energetic and flamboyant style.-Biography:...
, Lou Levy
Lou Levy (pianist)
Louis A. Levy , generally known as Lou Levy, was a bebop-based pianist who worked with many top jazz artists, later coming to embrace the cool jazz medium and playing in that style as well .Levy was born to Jewish parents in Chicago and started playing piano when he was 12...
, Meade Lux Lewis
Meade Lux Lewis
Meade Lux Lewis was a American pianist and composer, noted for his work in the boogie-woogie style. His best known work, "Honky Tonk Train Blues", has been recorded in various contexts, often in a big band arrangement...
, Shelly Manne
Shelly Manne
Shelly Manne , born Sheldon Manne in New York City, was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz and fusion, as well as contributing...
, Fats Navarro
Fats Navarro
Theodore "Fats" Navarro was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the 1940s. He had a strong stylistic influence on many other players, most notably Clifford Brown.-Life:Navarro was born in Key West, Florida, to Cuban-Black-Chinese parentage...
, Charlie Parker
Charlie Parker
Charles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....
, Oscar Peterson
Oscar Peterson
Oscar Emmanuel Peterson was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, "O.P." by his friends. He released over 200 recordings, won seven Grammy Awards, and received other numerous awards and honours over the course of his career...
, Flip Phillips
Flip Phillips
Flip Phillips was an American jazz tenor saxophone and clarinet player. He is best remembered for his work with Jazz at the Philharmonic from 1946 to 1957.-Biography:...
, Buddy Rich
Buddy Rich
Bernard "Buddy" Rich was an American jazz drummer and bandleader. Rich was billed as "the world's greatest drummer" and was known for his virtuosic technique, power, groove, and speed.-Early life:...
, Charlie Shavers
Charlie Shavers
Charles James Shavers , known as Charlie Shavers, was an American swing era jazz trumpet player who played at one time or another with Dizzy Gillespie, Roy Eldridge, Johnny Dodds, Jimmy Noone, Sidney Bechet, Midge Williams and Billie Holiday...
, Willie Smith
Willie Smith (alto saxophonist)
William McLeish Smith was one of the major alto saxophone players of the swing era. He also played clarinet and sang. He is generally referred to as Willie Smith.-Biography:...
, Sonny Stitt
Sonny Stitt
Edward "Sonny" Stitt was an American jazz saxophonist of the bebop/hard bop idiom. He was also one of the best-documented saxophonists of his generation, recording over 100 albums in his lifetime...
, Slim Gaillard
Slim Gaillard
Bulee "Slim" Gaillard was an American jazz singer, songwriter, pianist, and guitarist, noted for his vocalese singing and word play in a language he called "Vout"...
, Clark Terry
Clark Terry
Clark Terry is an American swing and bop trumpeter, a pioneer of the fluegelhorn in jazz, educator, NEA Jazz Masters inductee, and recipient of the 2010 Grammy Lifetime Achievement Award...
, Tommy Turk
Tommy Turk
Tommy Turk was a jazz trombonist from Johnstown, Pennsylvania.He did notable playing for Jazz at the Philharmonic and can be heard on several CDs with Charlie Parker...
, T-Bone Walker
T-Bone Walker
Aaron Thibeaux "T-Bone" Walker was a critically acclaimed American blues guitarist, singer, songwriter and multi-instrumentalist, who was one of the most influential pioneers and innovators of the jump blues and electric blues sound. He is the first musician recorded playing blues with the...
, Ben Webster
Ben Webster
Benjamin Francis Webster , a.k.a. "The Brute" or "Frog," was an influential American jazz tenor saxophonist. Webster, born in Kansas City, Missouri, was considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young...
, Lee Young
Lee Young
Lee Young was an American jazz drummer and singer. His musical family included his father Willis Young and his older brother, saxophonist Lester Young. In 1944 he played with Norman Granz's first "Jazz at the Philharmonic" concert.-Early life and education:Young was born in 1914 in New Orleans,...
and Lester Young
Lester Young
Lester Willis Young , nicknamed "Prez", was an American jazz tenor saxophonist and clarinetist. He also played trumpet, violin, and drums....
.
Concerts and Tours
The very first concert was held on Sunday, July 2, 1944, at the Philharmonic Auditorium, Los AngelesLos Angeles, California
Los Angeles , with a population at the 2010 United States Census of 3,792,621, is the most populous city in California, USA and the second most populous in the United States, after New York City. It has an area of , and is located in Southern California...
, and featured Illinois Jacquet
Illinois Jacquet
Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo....
, Jack McVea
Jack McVea
Jack McVea was an American swing, blues, and rhythm and blues woodwind player; he played clarinet and tenor and baritone saxophone...
, J. J. Johnson, Shorty Sherock
Shorty Sherock
Clarence "Shorty" Sherock was a prominent swing jazz trumpeter.Sherock attended the Illinois Military Academy before becoming a soloist with Jimmy Dorsey's orchestra and later with Gene Krupa's Orchestra, together with saxophonist Sam Donahue.He was a featured soloist at the first concert of...
, Nat "King" Cole, Les Paul
Les Paul
Lester William Polsfuss —known as Les Paul—was an American jazz and country guitarist, songwriter and inventor. He was a pioneer in the development of the solid-body electric guitar which made the sound of rock and roll possible. He is credited with many recording innovations...
, Johnny Miller, Meade Lux Lewis
Meade Lux Lewis
Meade Lux Lewis was a American pianist and composer, noted for his work in the boogie-woogie style. His best known work, "Honky Tonk Train Blues", has been recorded in various contexts, often in a big band arrangement...
, Bumps Myers, Joe Sullivan
Joe Sullivan
Michael Joseph "Joe" O'Sullivan was an American jazz pianist.Sullivan was the ninth child of Irish immigrant parents. He studied classical piano for 12 years and at age 17, he began to play popular music in a club where he was exposed to jazz...
, Buddy Rich, Randall Miller, Bud Hatch, Marie Bryant, Red Callender
Red Callender
Red Callender, , was a jazz bass and tuba player, famous for turning down a chance to work with Duke Ellington's Orchestra and the Louis Armstrong All-Stars....
, Lee Young and Carolyn Richards.
Illinois Jacquet, Nat "King" Cole and Les Paul, in particular, created a sensation. The title of the concert had been shortened by the printer of the advertising supplements from "A Jazz Concert at the Philharmonic Auditorium" to "Jazz at the Philharmonic".
Norman Granz organised the concert with about $300 of borrowed money. Only one copy of the first concert program is known to exist.
Norman Granz recorded many JATP concerts, and sold or leased (from 1945 to 1947) the recordings to Asch/Disc/Stinson Records (record producer Moses Asch's labels). Later, from 1948 to 1953, Granz leased the recordings to Mercury Records, and later reissued/issued them on Norgran (founded 1953), from 1953 on Clef (founded 1946), and from 1956 on Verve (founded 1956), at the time, his own labels.
In the 1970s, Granz kept the spirit of the JATP alive on his many jam session style records for his Pablo label (founded 1973), also used for previously unissued JATP concerts. In 1987, he sold Pablo Records to Fantasy Records.
The JATP concerts featured Swing and Bop musicians. They were among the first high-profile performances to feature racially integrated bands, and Granz cancelled some bookings rather than have the musicians perform for segregated audiences.
JATP Tours - USA and Canada (1945–1957):
1st National Tour: Late Fall/Winter of 1945-46. 2nd National Tour: Spring, 1946. 3rd National Tour: Fall, 1946. 4th National Tour: Spring, 1947. 5th National Tour: Fall, 1947. 6th National Tour: Spring, 1948. 7th National Tour: Fall, 1948. 8th National Tour: Spring, 1949. 9th National Tour: Fall, 1949. 10th National Tour: Fall, 1950. 11th National Tour: Fall, 1951. 12th National Tour: Fall, 1952. 13th National Tour (USA, Canada, Hawaii, Australia and Japan): Fall, 1953. 14th National Tour: Fall, 1954. 16th National Tour (Note: the 15th National Tour, in the fall of 1955, was renamed: 16th National Tour, just weeks before the start of the JATP Tour): Fall, 1955. 17th National Tour: Fall, 1956. 18th National Tour: Fall, 1957.
JATP Tours - Europe (1952–1959):
1st European Tour: Spring, 1952. 2nd European Tour (Only two concerts in the UK: London, March 8): Spring, 1953. 3rd European Tour: Spring, 1954. 4th European Tour: Spring, 1955. 5th European Tour: Spring, 1956. 6th European Tour: Spring, 1957. 7th European Tour (1st UK Tour!): Spring, 1958. 8th European Tour: Spring, 1959.
Jazz at the Philharmonic ceased touring the United States and Canada, after the JATP concerts in the fall of 1957 (One final North American Tour in 1967!), but continued intermittently mainly in Europe and Japan until 1983, with the very last JATP concerts being performed in October, 1983, in Tokyo, Japan.
Recordings held by Verve Records of the first five years (1944–1949) of JATP have been issued in a Deluxe 10 CD Box Set.
The Jazz at the Philharmonic recordings were selected by the Library of Congress
Library of Congress
The Library of Congress is the research library of the United States Congress, de facto national library of the United States, and the oldest federal cultural institution in the United States. Located in three buildings in Washington, D.C., it is the largest library in the world by shelf space and...
as a 2010 addition to the National Recording Registry
National Recording Registry
The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States." The registry was established by the National Recording Preservation Act of 2000, which created the National Recording...
, which selects recordings annually that are "culturally, historically, or aesthetically significant".