Jean Maillard
Encyclopedia
Jean Maillard was a French
composer
of the Renaissance
.
While little is known with certainty about his life, he may have been associated with the French royal court, since he wrote at least one motet
for them. Most likely he lived and worked in Paris
, based on evidence of his print editions, which were prepared there. Since later in his career he set verse by Huguenot
poet Guillaume Guéroult, as well as Clement Marot
, he may have either become a Protestant or had Protestant sympathies; this could explain his disappearance from Paris around 1570. If he did leave the city then, his destination is unknown. No record of him after that year has been found.
Maillard is mentioned by Rabelais in Gargantua and Pantagruel
, and also by Ronsard in his Livre des Mélanges (1560 and 1572). He was evidently famous during his time, and many of his motets were used as source material for parody mass
es by composers as distinguished as Palestrina
; in addition Lassus
reworked some of his music. Claude Goudimel
also used a secular chanson
of Maillard's as source material for a mass
.
Six of Maillard's masses have survived, and two others are known to have been lost. Considerable other music of his has survived in printed editions, including eighty-six motets, settings of the Magnificat
, lamentations
, chansons spirituelles, and secular chanson
s. Stylistically, his sacred music is more closely related to the contemporary Franco-Flemish idiom of pervasive, dense, complex polyphony
than to the relatively clear and succinct style of his fellow French composers. In particular, he used short motifs in close imitation
, and often used strict canonic devices. About half of his motets are for four voices; the rest are for five or six, with one motet for seven voices. Many of his motets have the cantus firmus
in long note values in the highest voice, while the other voices carry on in a polyphonic, imitative texture.
His Missa pro mortuis was an early Requiem
mass, and one of the only examples from France in the 16th century.
Unlike his sacred music, his secular music was in the prevailing popular idiom of the 1540s.
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
of the Renaissance
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
.
While little is known with certainty about his life, he may have been associated with the French royal court, since he wrote at least one motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
for them. Most likely he lived and worked in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
, based on evidence of his print editions, which were prepared there. Since later in his career he set verse by Huguenot
Huguenot
The Huguenots were members of the Protestant Reformed Church of France during the 16th and 17th centuries. Since the 17th century, people who formerly would have been called Huguenots have instead simply been called French Protestants, a title suggested by their German co-religionists, the...
poet Guillaume Guéroult, as well as Clement Marot
Clément Marot
Clément Marot was a French poet of the Renaissance period.-Youth:Marot was born at Cahors, the capital of the province of Quercy, some time during the winter of 1496-1497. His father, Jean Marot , whose more correct name appears to have been des Mares, Marais or Marets, was a Norman from the Caen...
, he may have either become a Protestant or had Protestant sympathies; this could explain his disappearance from Paris around 1570. If he did leave the city then, his destination is unknown. No record of him after that year has been found.
Maillard is mentioned by Rabelais in Gargantua and Pantagruel
Gargantua and Pantagruel
The Life of Gargantua and of Pantagruel is a connected series of five novels written in the 16th century by François Rabelais. It is the story of two giants, a father and his son and their adventures, written in an amusing, extravagant, satirical vein...
, and also by Ronsard in his Livre des Mélanges (1560 and 1572). He was evidently famous during his time, and many of his motets were used as source material for parody mass
Parody mass
A parody mass is a musical setting of the mass, typically from the 16th century, that uses multiple voices of another pre-existing piece of music, such as a fragment of a motet or a secular chanson, as part of its melodic material. It is distinguished from the two other most prominent types of...
es by composers as distinguished as Palestrina
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...
; in addition Lassus
Orlande de Lassus
Orlande de Lassus was a Franco-Flemish composer of the late Renaissance...
reworked some of his music. Claude Goudimel
Claude Goudimel
Claude Goudimel was a French composer, music editor and publisher, and music theorist of the Renaissance.-Biography:...
also used a secular chanson
Chanson
A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specialising in chansons is known as a "chanteur" or "chanteuse" ; a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.-Chanson de geste:The...
of Maillard's as source material for a mass
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...
.
Six of Maillard's masses have survived, and two others are known to have been lost. Considerable other music of his has survived in printed editions, including eighty-six motets, settings of the Magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...
, lamentations
Lamentations (music)
The Lamentations of Jeremiah the Prophet have been set by various composers.-England:Thomas Tallis made two famous sets of the Lamentations. Scored for five voices , they show a sophisticated use of imitation, and are noted for their expressiveness. The settings are of the first two lessons for...
, chansons spirituelles, and secular chanson
Chanson
A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specialising in chansons is known as a "chanteur" or "chanteuse" ; a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.-Chanson de geste:The...
s. Stylistically, his sacred music is more closely related to the contemporary Franco-Flemish idiom of pervasive, dense, complex polyphony
Polyphony
In music, polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice or music with one dominant melodic voice accompanied by chords ....
than to the relatively clear and succinct style of his fellow French composers. In particular, he used short motifs in close imitation
Imitation (music)
In music, imitation is when a melody in a polyphonic texture is repeated shortly after its first appearance in a different voice, usually at a different pitch. The melody may vary through transposition, inversion, or otherwise, but retain its original character...
, and often used strict canonic devices. About half of his motets are for four voices; the rest are for five or six, with one motet for seven voices. Many of his motets have the cantus firmus
Cantus firmus
In music, a cantus firmus is a pre-existing melody forming the basis of a polyphonic composition.The plural of this Latin term is , though the corrupt form canti firmi is also attested...
in long note values in the highest voice, while the other voices carry on in a polyphonic, imitative texture.
His Missa pro mortuis was an early Requiem
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead , is a Mass celebrated for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal...
mass, and one of the only examples from France in the 16th century.
Unlike his sacred music, his secular music was in the prevailing popular idiom of the 1540s.