Jim Morin
Encyclopedia
Jim Morin is a painter
of more than 30 years, usually working in the medium of oil, and the editorial cartoonist at the Miami Herald since 1978. Morin won the Pulitzer Prize
for editorial cartooning in 1996, he shared the Pulitzer with the Miami Herald Editorial Board in 1983 and was a Pulitzer finalist in 1977 and 1990. In 2007, he won the prestigious Herblock Prize
.
Internationally he has won the Thomas Nast Award, given every three years. Nationally, he has also been awarded the 2000 John Fischetti Award, the 1996 National Press Foundation Berryman Award, the 1992National Cartoonist SocietyEditorial Cartoon Award, and the Overseas Press Club
Awards in 1990 and 1979. He is syndicated nationally and internationally by CWS/The New York Times Syndicate. He is also the author of several books.
Upon awarding the Herblock Prize to Morin, Harry Katz, the Herb Block Foundation curator, praised Morin for his "impressive, unrelenting barrage of cartoons and caricatures displaying artistry, courage and conviction."
Morin has only in recent years begun to show his paintings. The Coral Springs Museum of Art exhibited a large body of his work in its two-month show, "Jim Morin -- Art of Politics Drawings & Paintings" in 2008. His canvasses have been exhibited in Miami group shows at the Museum of Science, the Art Collector's Gallery, the Don Webb Gallery, the Virginia Miller Gallery and Patou Fine Art. He had a one-man show at the Futernick Gallery in Miami in 2006. On the web, his paintings can be viewed on his website and at that of Absolute Arts.
Morin's watercolor work is evident in his book, "Jim Morin's Field Guide to Birds." He is also the author of "Line of Fire, Political Cartoons by Jim Morin," "Bushed" and "Ambushed." (The latter two cartoon collections contained words by Walter C. Clements.) His work has also been shown in compendiums of political cartoons and on the PBS documentary, "The American Presidents."
His cartoons have been exhibited worldwide, most recently at the University of Miami's Lowe Art Museum, where he spoke to a packed and standing audience. His retrospective exhibition of cartoons at the International Museum of Cartoon Art hung for nine months due to popular demand.
Morin's cartoons and caricatures run in newspapers in states including New York, Alaska, Colorado, Ohio, Oregon, California, Michigan, Arkansas, Tennessee, Virginia, Washington, D.C., Texas, Canada, Europe, the Middle East, in national magazines, various books and on Internet sites and magazines. His cartoons have included extensive comment on eight U.S. presidents: Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H.W. Bush, Bill Clinton, George W. Bush and Barack Obama. Morin has been interviewed on CNN, WFOR, NPR, Sky News (the 24-hour European television news station), Comcast Newsmakers and several other television programs.
Morin commented on his cartoon work prior to the 2008 election: "The consensus among cartoonists is that caricature is created solely through exaggerating physical features relative to the appearance of the subject. I've never agreed with this slide-rule approach. Caricature is a visual commentary on what kind of man or woman that politician is. Just as important as physical appearance is how they sound, what they say, what they stand for, their accomplishments or lack thereof, and so on. Caricatures are not mere likenesses; they are psychological
portraits that stem from something deeper than human anatomy.
"Cartoonists are always asked during an election how they like drawing candidates. The better time to ask this question is four years after the election. Caricatures evolve over time the same way an administration does. My George W. Bush drawings when he was running in 1999 are a far cry from what they are now. With each scandal, screw-up, flip-flop and outrage, he grew angrier, meaner and very much smaller. When Gerald Ford first took over the presidency, cartoonists were whining about his 'dull' physical appearance. Yet when Ford tripped down the stairs of Air Force One, at the same time proposing to fight against inflation with WIN buttons, those caricatures of him started to gel really fast. Richard Nixon? Say no more! He's the perfect storm of personality, policy and appearance.
"Hillary was (and will be) a great joy to draw. She has always struck me as someone playing a leader as opposed to actually being one. Her speeches sound as if she is trying to be someone else—JFK, Roosevelt, Reagan, Bill or Barack. The phoniness is inescapable. Cartoonists focus on her rabbit-like front teeth, but for me Hillary's ruthless ambition can be seen in her piercing eyes. The only downside of her: her ever-changing hairstyle drives caricaturists nuts.
"McCain is fun to draw because we know him already to some extent: the 'maverick,' independent thinker, unpredictability, volcanic temper, goofiness, bad jokes. After having drawn him many times, I once put a very long distance between the bottom of his nose and his mouth. For some reason, it worked, it visually said 'John McCain.' That exaggeration makes no sense when you measure his facial features, but it feels appropriate when you hear the sound of his voice.
"Barack Obama is problematic because we don't know him yet and therefore have little of substance to go on. Race, by the way, has nothing to do with it. Caricature is colorblind, and everyone is treated with equal malice. The more Obama resorts to platitudes, flip-flops, verbal bumbles and fumbles, the more his caricature will evolve and stretch. This current lack of familiarity is one reason why drawings of Obama are now fairly literal with little exaggeration. If he is elected, that will change and it will be a change you can believe in."
Morin began drawing at age seven and studied painting and drawing at Syracuse University under Jerome Witkin. "He was the only teacher I had who saw cartoons as paintings, as art," Morin says. "Painting has made me more conscious...my paintings affect my drawings and vice versa."
Morin was raised outside of Boston. He lives with his wife, the writer, Danielle Flood, in Florida.
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
of more than 30 years, usually working in the medium of oil, and the editorial cartoonist at the Miami Herald since 1978. Morin won the Pulitzer Prize
Pulitzer Prize
The Pulitzer Prize is a U.S. award for achievements in newspaper and online journalism, literature and musical composition. It was established by American publisher Joseph Pulitzer and is administered by Columbia University in New York City...
for editorial cartooning in 1996, he shared the Pulitzer with the Miami Herald Editorial Board in 1983 and was a Pulitzer finalist in 1977 and 1990. In 2007, he won the prestigious Herblock Prize
Herblock Prize
The Herblock Prize for editorial cartooning is an annual $15,000 after-tax cash prize, and a sterling silver Tiffany trophy....
.
Internationally he has won the Thomas Nast Award, given every three years. Nationally, he has also been awarded the 2000 John Fischetti Award, the 1996 National Press Foundation Berryman Award, the 1992National Cartoonist SocietyEditorial Cartoon Award, and the Overseas Press Club
Overseas Press Club
The Overseas Press Club of America was founded in 1939 in New York City by a group of foreign correspondents. The wire service reporter Carol Weld was a founding member...
Awards in 1990 and 1979. He is syndicated nationally and internationally by CWS/The New York Times Syndicate. He is also the author of several books.
Upon awarding the Herblock Prize to Morin, Harry Katz, the Herb Block Foundation curator, praised Morin for his "impressive, unrelenting barrage of cartoons and caricatures displaying artistry, courage and conviction."
Morin has only in recent years begun to show his paintings. The Coral Springs Museum of Art exhibited a large body of his work in its two-month show, "Jim Morin -- Art of Politics Drawings & Paintings" in 2008. His canvasses have been exhibited in Miami group shows at the Museum of Science, the Art Collector's Gallery, the Don Webb Gallery, the Virginia Miller Gallery and Patou Fine Art. He had a one-man show at the Futernick Gallery in Miami in 2006. On the web, his paintings can be viewed on his website and at that of Absolute Arts.
Morin's watercolor work is evident in his book, "Jim Morin's Field Guide to Birds." He is also the author of "Line of Fire, Political Cartoons by Jim Morin," "Bushed" and "Ambushed." (The latter two cartoon collections contained words by Walter C. Clements.) His work has also been shown in compendiums of political cartoons and on the PBS documentary, "The American Presidents."
His cartoons have been exhibited worldwide, most recently at the University of Miami's Lowe Art Museum, where he spoke to a packed and standing audience. His retrospective exhibition of cartoons at the International Museum of Cartoon Art hung for nine months due to popular demand.
Morin's cartoons and caricatures run in newspapers in states including New York, Alaska, Colorado, Ohio, Oregon, California, Michigan, Arkansas, Tennessee, Virginia, Washington, D.C., Texas, Canada, Europe, the Middle East, in national magazines, various books and on Internet sites and magazines. His cartoons have included extensive comment on eight U.S. presidents: Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H.W. Bush, Bill Clinton, George W. Bush and Barack Obama. Morin has been interviewed on CNN, WFOR, NPR, Sky News (the 24-hour European television news station), Comcast Newsmakers and several other television programs.
Morin commented on his cartoon work prior to the 2008 election: "The consensus among cartoonists is that caricature is created solely through exaggerating physical features relative to the appearance of the subject. I've never agreed with this slide-rule approach. Caricature is a visual commentary on what kind of man or woman that politician is. Just as important as physical appearance is how they sound, what they say, what they stand for, their accomplishments or lack thereof, and so on. Caricatures are not mere likenesses; they are psychological
portraits that stem from something deeper than human anatomy.
"Cartoonists are always asked during an election how they like drawing candidates. The better time to ask this question is four years after the election. Caricatures evolve over time the same way an administration does. My George W. Bush drawings when he was running in 1999 are a far cry from what they are now. With each scandal, screw-up, flip-flop and outrage, he grew angrier, meaner and very much smaller. When Gerald Ford first took over the presidency, cartoonists were whining about his 'dull' physical appearance. Yet when Ford tripped down the stairs of Air Force One, at the same time proposing to fight against inflation with WIN buttons, those caricatures of him started to gel really fast. Richard Nixon? Say no more! He's the perfect storm of personality, policy and appearance.
"Hillary was (and will be) a great joy to draw. She has always struck me as someone playing a leader as opposed to actually being one. Her speeches sound as if she is trying to be someone else—JFK, Roosevelt, Reagan, Bill or Barack. The phoniness is inescapable. Cartoonists focus on her rabbit-like front teeth, but for me Hillary's ruthless ambition can be seen in her piercing eyes. The only downside of her: her ever-changing hairstyle drives caricaturists nuts.
"McCain is fun to draw because we know him already to some extent: the 'maverick,' independent thinker, unpredictability, volcanic temper, goofiness, bad jokes. After having drawn him many times, I once put a very long distance between the bottom of his nose and his mouth. For some reason, it worked, it visually said 'John McCain.' That exaggeration makes no sense when you measure his facial features, but it feels appropriate when you hear the sound of his voice.
"Barack Obama is problematic because we don't know him yet and therefore have little of substance to go on. Race, by the way, has nothing to do with it. Caricature is colorblind, and everyone is treated with equal malice. The more Obama resorts to platitudes, flip-flops, verbal bumbles and fumbles, the more his caricature will evolve and stretch. This current lack of familiarity is one reason why drawings of Obama are now fairly literal with little exaggeration. If he is elected, that will change and it will be a change you can believe in."
Morin began drawing at age seven and studied painting and drawing at Syracuse University under Jerome Witkin. "He was the only teacher I had who saw cartoons as paintings, as art," Morin says. "Painting has made me more conscious...my paintings affect my drawings and vice versa."
Morin was raised outside of Boston. He lives with his wife, the writer, Danielle Flood, in Florida.
External links
- http://www.jimmorinpaintings.com
- http://www.miamiherald.com
- Pulitzer Prize
- http://www.herbblockfoundation.org
- http://editorialcartoonists.com/news/article.cfm/115/
- http://www.johnfischetti.org/
- http://www.nationalpress.org/
- NCS Awards
- http://www.opcofamerica.org/
- http://www.csmart.org/
- http://www.jimmorinpaintings.com
- http://www.absolutearts.com