Kamal ud-Din Behzad
Encyclopedia
Kamāl ud-Dīn Behzād also known as Kamal al-din Bihzad or Kamaleddin Behzad , was a painter of Persian miniature
s and head of the royal ateliers in Herat
and Tabriz
during the late Timurid
and early Safavid periods.
, Afghanistan
under the Timurids
, and later in Tabriz
under the Safavid dynasty. An orphan, he was raised by the prominent painter Mirak Naqqash, and was a protege of Mir Ali Shir Nava'i. His major patrons in Herat were the Timurid sultan Husayn Bayqarah
(ruled 1469 - 1506) and other amirs in his circle. After the fall of the Timurids, he was employed by Shah Ismail I Safavi in Tabriz, where, as director of the royal atelier, he had a decisive impact on the development of later Safavid painting.
Behzad died in 1535 and his tomb is located in Herat
, in Saeede Mukhtar which is located in north of Herat city on the top of a hill. A statue of Behzad is placed in 2-Kamal Tomb
.
painters, though he is more accurately understood as the director of a workshop (or kitabkhāna) producing manuscript illuminations in a style he conceived. Persian painting of the period frequently uses an arrangement of geometric architectural elements as the structural or compositional context in which the figures are arranged. Behzad is equally skilled with the organic areas of landscape, but where he uses the traditional geometric style Behzad stretches that compositional device in a couple ways. One is that he often uses open, unpatterned empty areas around which action moves. Also he pins his compositions to a mastery at moving the eye of the observer around the picture plane in a quirky organic flow. The gestures of figures and objects are not only uniquely natural, expressive and active, they are arranged to keep moving the eye throughout the picture plane. He uses value (dark-light contrast) more emphatically, and skillfully than other medieval miniaturists. Another quality common to his work is narrative playfulness: the almost hidden eye and partial face of Bahram as he peers out the blinds to watch the frolicing girls in the pool below, the upright goat that looks like a demon along the edge of the horizon in a story about an old woman confronting the sins of Sanjar, the amazing cosmopolitan variety of humans working on the wall in the sample image. This surprising individuality of character and narrative creativity are some qualities that distinguish Bezhad's works and that match their literary intent. Behzad also uses Sufi symbolism and symbolic colour to convey meaning. He introduced greater naturalism to Persian painting, particularly in the depiction of more individualised figures and the use of realistic gestures and expressions.
Behzad's most famous works include "The Seduction of Yusuf" from Sa'di
's Bustan of 1488, and paintings from the British Library's Nizami manuscript of 1494-95 - particularly scenes from Layla and Majnun
and the Haft Paykar (see accompanying image). The attribution of specific paintings to Behzad himself is often problematic (and, many academics would now argue, unimportant), but the majority of works commonly attributed to him date from 1488 to 1495.
He is also mentioned in Orhan Pamuk
's famous novel "My Name is Red" as one of the greatest Persian miniature painters.
Persian miniature
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...
s and head of the royal ateliers in Herat
Herat
Herāt is the capital of Herat province in Afghanistan. It is the third largest city of Afghanistan, with a population of about 397,456 as of 2006. It is situated in the valley of the Hari River, which flows from the mountains of central Afghanistan to the Karakum Desert in Turkmenistan...
and Tabriz
Tabriz
Tabriz is the fourth largest city and one of the historical capitals of Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former...
during the late Timurid
Timurid Dynasty
The Timurids , self-designated Gurkānī , were a Persianate, Central Asian Sunni Muslim dynasty of Turko-Mongol descent whose empire included the whole of Iran, modern Afghanistan, and modern Uzbekistan, as well as large parts of contemporary Pakistan, North India, Mesopotamia, Anatolia and the...
and early Safavid periods.
Biography
Behzad was born, lived and worked in HeratHerat
Herāt is the capital of Herat province in Afghanistan. It is the third largest city of Afghanistan, with a population of about 397,456 as of 2006. It is situated in the valley of the Hari River, which flows from the mountains of central Afghanistan to the Karakum Desert in Turkmenistan...
, Afghanistan
Afghanistan
Afghanistan , officially the Islamic Republic of Afghanistan, is a landlocked country located in the centre of Asia, forming South Asia, Central Asia and the Middle East. With a population of about 29 million, it has an area of , making it the 42nd most populous and 41st largest nation in the world...
under the Timurids
Timurid Dynasty
The Timurids , self-designated Gurkānī , were a Persianate, Central Asian Sunni Muslim dynasty of Turko-Mongol descent whose empire included the whole of Iran, modern Afghanistan, and modern Uzbekistan, as well as large parts of contemporary Pakistan, North India, Mesopotamia, Anatolia and the...
, and later in Tabriz
Tabriz
Tabriz is the fourth largest city and one of the historical capitals of Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former...
under the Safavid dynasty. An orphan, he was raised by the prominent painter Mirak Naqqash, and was a protege of Mir Ali Shir Nava'i. His major patrons in Herat were the Timurid sultan Husayn Bayqarah
Husayn Bayqarah
Husayn Bayqarah was a Timurid ruler of Herat from 1469 to 1506, with a brief interruption in 1470. His father was Mansur, a great-grandson of Timur...
(ruled 1469 - 1506) and other amirs in his circle. After the fall of the Timurids, he was employed by Shah Ismail I Safavi in Tabriz, where, as director of the royal atelier, he had a decisive impact on the development of later Safavid painting.
Behzad died in 1535 and his tomb is located in Herat
Herat
Herāt is the capital of Herat province in Afghanistan. It is the third largest city of Afghanistan, with a population of about 397,456 as of 2006. It is situated in the valley of the Hari River, which flows from the mountains of central Afghanistan to the Karakum Desert in Turkmenistan...
, in Saeede Mukhtar which is located in north of Herat city on the top of a hill. A statue of Behzad is placed in 2-Kamal Tomb
2-Kamal Tomb
The Tomb of Two Kamals, or in short the 2-Kamal Tomb, is a funerary monument in Tabriz, Iran. Two Kamals – the 14th century poet Kamal Khujandi and the 15th century miniaturist Kamaleddin Behzad – are buried in an underground chamber: visitors descend about 10 steps to see the two tombs. There are...
.
Career and style
Behzad is the most famous of Persian miniaturePersian miniature
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...
painters, though he is more accurately understood as the director of a workshop (or kitabkhāna) producing manuscript illuminations in a style he conceived. Persian painting of the period frequently uses an arrangement of geometric architectural elements as the structural or compositional context in which the figures are arranged. Behzad is equally skilled with the organic areas of landscape, but where he uses the traditional geometric style Behzad stretches that compositional device in a couple ways. One is that he often uses open, unpatterned empty areas around which action moves. Also he pins his compositions to a mastery at moving the eye of the observer around the picture plane in a quirky organic flow. The gestures of figures and objects are not only uniquely natural, expressive and active, they are arranged to keep moving the eye throughout the picture plane. He uses value (dark-light contrast) more emphatically, and skillfully than other medieval miniaturists. Another quality common to his work is narrative playfulness: the almost hidden eye and partial face of Bahram as he peers out the blinds to watch the frolicing girls in the pool below, the upright goat that looks like a demon along the edge of the horizon in a story about an old woman confronting the sins of Sanjar, the amazing cosmopolitan variety of humans working on the wall in the sample image. This surprising individuality of character and narrative creativity are some qualities that distinguish Bezhad's works and that match their literary intent. Behzad also uses Sufi symbolism and symbolic colour to convey meaning. He introduced greater naturalism to Persian painting, particularly in the depiction of more individualised figures and the use of realistic gestures and expressions.
Behzad's most famous works include "The Seduction of Yusuf" from Sa'di
Saadi (poet)
Abū-Muḥammad Muṣliḥ al-Dīn bin Abdallāh Shīrāzī better known by his pen-name as Saʿdī or, simply, Saadi, was one of the major Persian poets of the medieval period. He is not only famous in Persian-speaking countries, but he has also been quoted in western sources...
's Bustan of 1488, and paintings from the British Library's Nizami manuscript of 1494-95 - particularly scenes from Layla and Majnun
Layla and Majnun
Layla and Majnun, also known as The Madman and Layla – in Arabic مجنون ليلى or قيس وليلى , in , Leyli və Məcnun in Azeri, Leyla ile Mecnun in Turkish, in Urdu and Hindi – is a classical Arab story, popularized by Persian poet Nizami Ganjavi's...
and the Haft Paykar (see accompanying image). The attribution of specific paintings to Behzad himself is often problematic (and, many academics would now argue, unimportant), but the majority of works commonly attributed to him date from 1488 to 1495.
He is also mentioned in Orhan Pamuk
Orhan Pamuk
Ferit Orhan Pamuk , generally known simply as Orhan Pamuk, is a Turkish novelist. He is also the Robert Yik-Fong Tam Professor in the Humanities at Columbia University, where he teaches comparative literature and writing....
's famous novel "My Name is Red" as one of the greatest Persian miniature painters.
See also
- Persian miniaturePersian miniatureA Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...
- List of Persian painters Behzad on the French Wikipedia