Káta Kabanová
Encyclopedia
Káťa Kabanová is an opera
in three acts, with music by Leoš Janáček
to a libretto by Vincenc Červinka, based on The Storm
, a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová
. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. Káťa Kabanová is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was in Brno
on 23 November 1921.
The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the 1922 Universal Edition, the first publication of the score. The conductor Václav Talich
later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras
published a critical edition of the opera.
In the house, Káťa tells Varvara of her happy childhood, and dreams of having a man who truly loves her. Tichon enters to say good-bye, as he is journeying to Kazan on business, for Kabanicha. Káťa asks to accompany him or for him not to go, but he insists. Káťa then asks him to make her swear an oath to speak to no strangers during his absence, which puzzles Tichon. Kabanicha announces that Tichon must go, but not before instructing Káťa how to behave in his absence. Tichon dutifully says that Káťa must treat Kabanicha like her own mother and always act properly. He bows to Kabanicha and kisses her and Kát'a before he departs.
Vána Kudrjás is waiting for Varvara in the garden. Boris then unexpectedly appears, after receiving a message to go there. Varvara arrives, and she and Vána go for a walk by the river. Káťa then appears, and Boris declares his love for her. She is at first worried about social ruin, but finally she reciprocates, confessing her secret feelings for him. They embrace and themselves leave for a walk. Vána and Varvara return, as she explains her precautions in case Kabanicha suddenly appears. Káťa and Boris are heard in wordless, ecstatic duet as Vána and Varvara say that it is time to return home.
Evening approaches after the storm has ended. Tichon and a search party are looking for Káťa. At first among the party, Varvara and Vána then decide to leave the village for Moscow and start a new life. They leave, and as the searchers continue, Káťa appears. She knows that her confession has dishonoured her and humiliated Boris. She feels tormented and wants to meet Boris one more time. Boris appears and sees her, and the two embrace. Boris says that his uncle is sending him away to another town, but asks her what will become of her. As her sanity deteriorates, she first begs him to be allowed to accompany him, then insists that she could not and bids him farewell; he leaves in sorrow. After thinking of how nature will continue to flourish over her grave, Káťa throws herself into the river. Kuligin sees this from the far bank and calls for help. Tichon appears, followed by Kabanicha. Tichon tries to help Káťa but is restrained by Kabanicha; he blames her for Káťa's suicide. Dikoj appears with Káťa's body and lays her on the ground. Tichon cries over the body as, without any emotion, Kabanicha thanks the bystanders—or, as often done, the audience—for their help.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in three acts, with music by Leoš Janáček
Leoš Janácek
Leoš Janáček was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and all Slavic folk music to create an original, modern musical style. Until 1895 he devoted himself mainly to folkloristic research and his early musical output was influenced by...
to a libretto by Vincenc Červinka, based on The Storm
The Storm (Ostrovsky)
The Storm is a drama in five acts by the 19th-century Russian playwright Aleksandr Ostrovsky. As with Ostrovsky's other plays, The Storm is a work of social criticism, which is directed particularly towards the Russian merchant class. Ostrovsky wrote the play between July and October 1859...
, a play by Alexander Ostrovsky. The opera was also largely inspired by Janáček's love for Kamila Stösslová
Kamila Stösslová
Kamila Stösslová holds an unusual place in music history. The composer Leoš Janáček, upon meeting her in 1917 in the resort town of Luhačovice, fell deeply in love with her, despite both their marriages and the fact he was almost forty years older than Kamila...
. This is often considered his first "mature" opera, despite the fact that he was 67 when it was premiered. Káťa Kabanová is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was in Brno
Brno
Brno by population and area is the second largest city in the Czech Republic, the largest Moravian city, and the historical capital city of the Margraviate of Moravia. Brno is the administrative centre of the South Moravian Region where it forms a separate district Brno-City District...
on 23 November 1921.
The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the 1922 Universal Edition, the first publication of the score. The conductor Václav Talich
Václav Talich
Václav Talich was a Czech conductor, violinist and pedagogue.- Life :Born in Kroměříž, Moravia, he started his musical career in a student orchestra in Klatovy. From 1897 to 1903 he studied at the conservatory in Prague with Otakar Ševčík...
later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras
Charles Mackerras
Sir Alan Charles Maclaurin Mackerras, AC, CH, CBE was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan...
published a critical edition of the opera.
Roles
Note: The name of the opera and the main character is usually transliterated in English as Káta, Kata or Katya because of the Czech diacritics.| Role | Voice type | Premiere Cast, 23 November 1921 (Conductor:František Neumann) |
|---|---|---|
| Marfa Ignatevna Kabanová (Kabanicha), widow of a rich merchant | contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above... |
Marie Hladíková |
| Tichon Ivanyc Kabanov, her son | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
|
| Katerina (Káťa), Tichon's wife | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Marie Veselá |
| Savël Prokofjevic Dikoj, a merchant | bass | |
| Boris Grigorjevic, Dikoj's nephew | tenor | Karel Zavřel |
| Feklusa, a servant | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
|
| Glasa, a servant | mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... |
|
| Váňa Kudrjáš, a schoolteacher | tenor | Valentin Šindler |
| Kuligin, friend of Vána Kudrjás | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
|
| Varvara, a foundling | mezzo-soprano | |
Act 1
Vána Kudrjás admires the view of the Volga River, which amuses the more literal-minded housekeeper of the adjoining Kabanov estate. Two men approach, Dikoj and his nephew, Boris Grigorjevic, where Dikoj is berating Boris. Dikoj learns that Kabanicha, the Kabanov family matriarch, is not at home. Dikoj leaves, and Boris explains to Vána Kudrjás why he tolerates the abuse: his parents are dead, and to be able collect his inheritance, he must respect his uncle no matter what his uncle says to him. Boris also tells Vána Kudrjás that he is secretly in love with Káťa, the young wife of Tichon. Káťa appears and Kabanicha reproaches her son Tichon - Kata's husband - for his inattentiveness. Tichon and Káťa try to calm her down, but Kabanicha will have none of it, telling Tichon that he spoils Káťa. Tichon complains to Varvara, the family's foster daughter, who rebukes him for retreating into drinking more than defending Káťa.In the house, Káťa tells Varvara of her happy childhood, and dreams of having a man who truly loves her. Tichon enters to say good-bye, as he is journeying to Kazan on business, for Kabanicha. Káťa asks to accompany him or for him not to go, but he insists. Káťa then asks him to make her swear an oath to speak to no strangers during his absence, which puzzles Tichon. Kabanicha announces that Tichon must go, but not before instructing Káťa how to behave in his absence. Tichon dutifully says that Káťa must treat Kabanicha like her own mother and always act properly. He bows to Kabanicha and kisses her and Kát'a before he departs.
Act 2
The women are working on embroidery. Kabanicha criticizes Káťa for not appearing more sorrowful at Tichon's absence. After Kabanicha leaves, Varvara shows Káťa the key to the far part of the garden. Varvara intends to meet Vána, her lover, there. She hints at the same suggestion for Káťa, and puts the key in her hand. Káťa is hesitant, but then surrenders to fate and will meet Boris. She steps outside as evening comes on. Kabanicha reappears with Dikoj, who is drunk and complaining that people take advantage of his softhearted nature. However, Kabanicha chastises him.Vána Kudrjás is waiting for Varvara in the garden. Boris then unexpectedly appears, after receiving a message to go there. Varvara arrives, and she and Vána go for a walk by the river. Káťa then appears, and Boris declares his love for her. She is at first worried about social ruin, but finally she reciprocates, confessing her secret feelings for him. They embrace and themselves leave for a walk. Vána and Varvara return, as she explains her precautions in case Kabanicha suddenly appears. Káťa and Boris are heard in wordless, ecstatic duet as Vána and Varvara say that it is time to return home.
Act 3
Vána Kudrjás and Kuligin are strolling near the river when an approaching storm causes them to take shelter in a ruined building. Other people join them, including Dikoj. Vána tries to calm Dikoj with scientific explanations about a new invention, the lightning rod. However, this only angers Dikoj, who insists that lightnings are not caused by electricity but are the punishment from God. The rain dies down, and people start to leave the shelter. Vána meets Boris and Varvara. Varvara says that Tichon has returned, and Káťa is very agitated. Kabanicha arrives with Tichon and Káťa. The storm returns, and people assume initially that this is what upsets Káťa. However, she confesses to Tichon in front of everyone her assignation with Boris during her husband's absence. Then she runs out into the storm.Evening approaches after the storm has ended. Tichon and a search party are looking for Káťa. At first among the party, Varvara and Vána then decide to leave the village for Moscow and start a new life. They leave, and as the searchers continue, Káťa appears. She knows that her confession has dishonoured her and humiliated Boris. She feels tormented and wants to meet Boris one more time. Boris appears and sees her, and the two embrace. Boris says that his uncle is sending him away to another town, but asks her what will become of her. As her sanity deteriorates, she first begs him to be allowed to accompany him, then insists that she could not and bids him farewell; he leaves in sorrow. After thinking of how nature will continue to flourish over her grave, Káťa throws herself into the river. Kuligin sees this from the far bank and calls for help. Tichon appears, followed by Kabanicha. Tichon tries to help Káťa but is restrained by Kabanicha; he blames her for Káťa's suicide. Dikoj appears with Káťa's body and lays her on the ground. Tichon cries over the body as, without any emotion, Kabanicha thanks the bystanders—or, as often done, the audience—for their help.
Recordings
- SupraphonSupraphonSupraphon Music Publishing is a Czech record label, it is oriented mainly towards publishing classical music, with an emphasis on Czech and Slovak composers.- History :...
10 8016-2 612: Drahomíra Tikalová, Ludmila Komancová, Beno BlachutBeno BlachutBeno Blachut was a lauded Czech operatic tenor. An icon in his own nation, Blachut drew international acclaim through his many commercial recordings of Czech music. He was an instrumental part of the post-World War II school of Czech opera singers that were responsible for popularizing Czech opera...
, Viktor Kočí, Zdeněk KroupaZdeněk KroupaZdeněk Kroupa was a Czech opera singer. His wife became lifelong soloist of the National Theatre in Mira Figarova.-Life:...
; Prague National Theatre Orchestra and ChorusNational Theatre (Prague)The National Theatre in Prague is known as the Alma Mater of Czech opera, and as the national monument of Czech history and art.The National Theatre belongs to the most important Czech cultural institutions, with a rich artistic tradition which was created and maintained by the most distinguished...
; Jaroslav Krombholc, conductor - Decca Classics 475 7518 (CD reissue, also available as download); Elisabeth SöderströmElisabeth SöderströmElisabeth Anna Söderström CBE was a Swedish soprano, who performed both opera and song. She was particularly well known for her recordings of the lead soprano roles in the three Janáček operas Jenůfa, Káťa Kabanová, and The Makropoulos Affair, all of which received Gramophone Awards...
, Petr Dvorský, Dalibor Jedlička, Naděžda KniplováNaděžda KniplováNaděžda Kniplová is a Czech operatic soprano who had an active international career from the 1950s through the 1980s. Kniplová possessed a large voice with a sonorous, metallic, dark timbre that was particularly well suited to the dramatic soprano repertoire...
; Vladimír Krejčík, Zdenĕk Švehla, Libuše MárováLibuše MárováLibuše Márová is a Czech operatic mezzo-soprano who has been a principal artist at the National Theatre in Prague since 1969...
, Jaroslav SoučekJaroslav SoučekJaroslav Souček was a Czech operatic baritone who had an active career in his native country from 1960 through 1997. He sang a broad repertoire that encompassed roles from Czech, English, French, German, Italian, and Russian operas from a variety of musical periods...
, Jitka Pavlová, Gertrude Jahn, Adolf Tomaschek, Hedwig Drechsler; Vienna Philharmonic OrchestraVienna Philharmonic OrchestraThe Vienna Philharmonic is an orchestra in Austria, regularly considered one of the finest in the world....
; Chorus of the Vienna State OperaVienna State OperaThe Vienna State Opera is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera . In 1920, with the replacement of the Habsburg Monarchy by the First Austrian...
; Sir Charles MackerrasCharles MackerrasSir Alan Charles Maclaurin Mackerras, AC, CH, CBE was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan...
, conductor - Supraphon SU 3291-2 632: Gabriela BeňačkováGabriela BenackováGabriela Beňačková is a Slovak soprano.She specializes in the music of her compatriots, particularly Eugen Suchoň, as well as Czech composers, notably Bedřich Smetana and Leoš Janáček. She is considered to be one of the greatest 'Jenufa's' in Janáček's opera of the same name...
, Dagmar PeckováDagmar PeckováDagmar Pecková is a Czech operatic mezzo-soprano.Born in the Medlešice district of Chrudim, Pecková studied singing at the Prague Conservatory. She then became part of the young artist's program at the Semperoper in Dresden in 1985. After two years in the program she was made a principal artist...
, Erika Bauerová, Dana Burešová, Eva Randová, Miroslav Kopp, Jozef Kundlák, Peter Straka, Zdeněk Harvánek; Czech Philharmonic; Prague National Theatre Chorus; Sir Charles MackerrasCharles MackerrasSir Alan Charles Maclaurin Mackerras, AC, CH, CBE was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan...
, conductor