Mezzo-soprano
Encyclopedia
A mezzo-soprano (ˈmɛtsoʊ in English, but ˈmɛddzo in Italian) (meaning "medium" or "middle" "soprano" in Italian
) is a type of classical female singing voice
whose range lies between the soprano
and the contralto
singing voices, usually extending from the A below middle C
to the A two octaves above (i.e. A3-A5 in scientific pitch notation
, where middle C = C4). In the lower and upper extremes, some mezzo-sopranos may extend down to the G below middle C (G3) and as high as "high C" (C6).
While mezzo-sopranos generally have a heavier, darker tone than sopranos, the mezzo-soprano voice resonates in a higher range than that of a contralto. The terms Dugazon
and Galli-Marié
are sometimes used to refer to light mezzo-sopranos, after the names of famous singers. A castrato
with a vocal range
equivalent to a mezzo-soprano's range is referred to as a mezzo-soprano castrato or mezzista. Today, however, only women should be referred to as mezzo-sopranos; men singing within the female range are called countertenors. In current operatic practice, female singers with very low tessitura
s are often included among mezzo-sopranos, because singers in both ranges are able to cover the other, and true operatic contraltos are very rare. For information regarding non-classical mezzo-sopranos see Voice classification in non-classical music
.
Mezzo-sopranos typically sing secondary roles in operas; notable exceptions include the title role in Bizet
's Carmen
, Angelina (Cinderella
) in Rossini's La Cenerentola
, and Rosina in Rossini's Barber of Seville
(all of which are also sung by sopranos). Typical roles for mezzo-sopranos include the stereotypical triad associated with contralto
s of "witches, bitches, and britches": witches, nurses, and wise women, such as Azucena in Verdi's Il trovatore
; villains and seductresses such as Amneris in Verdi's Aida
; and "trouser" characters (male characters played by female singers) such as Cherubino in Mozart's Le nozze di Figaro. Mezzo-sopranos are also well represented in baroque music
, early music
and baroque opera. However, there is a significant tradition in French-language operas of the 19th Century to give the leading female role to mezzos, as for example in Béatrice et Bénédict
, La Damnation de Faust, Don Quichotte
, La Favorite
, Mignon
, Samson et Dalila, Les Troyens
, and Werther
as well as the aforementioned Carmen.
Some roles designated for lighter soubrette
sopranos are sung by mezzo sopranos, who often provide a fuller, more dramatic quality. Such roles include Despina in Mozart's Così fan tutte
and Zerlina in his Don Giovanni
. Mezzos also sometimes play dramatic soprano roles such as Santuzza in Mascagni's Cavalleria rusticana
, Lady Macbeth in Verdi's Macbeth
, and Kundry in Wagner's Parsifal
.
In general mezzos are broken down into three categories: Coloratura mezzo-sopranos, Lyric mezzo-soprano, and Dramatic mezzo-sopranos.
What distinguishes these voices from being called sopranos is their extension into the lower register and warmer vocal quality. Although coloratura mezzo-sopranos have impressive and at times thrilling high notes, they are most comfortable singing in the middle of their range, rather than the top.
Many of the hero roles in the operas of Handel
and Monteverdi, originally sung by male castrati, can be successfully sung today by coloratura mezzo-sopranos. Rossini demanded similar qualities for his comic heroines, and Vivaldi wrote roles frequently for this voice as well. Coloratura mezzo-sopranos also often sing lyric-mezzo soprano roles or soubrette
roles.
@-denotes a lead role
@-Denotes a lead role
@-denotes a lead role
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
) is a type of classical female singing voice
Voice type
A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics. Voice classification is the process by which human voices are evaluated and are thereby designated into voice types...
whose range lies between the soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
and the contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
singing voices, usually extending from the A below middle C
Middle C
C or Do is the first note of the fixed-Do solfège scale. Its enharmonic is B.-Middle C:Middle C is designated C4 in scientific pitch notation because of the note's position as the fourth C key on a standard 88-key piano keyboard...
to the A two octaves above (i.e. A3-A5 in scientific pitch notation
Scientific pitch notation
Scientific pitch notation is one of several methods that name the notes of the standard Western chromatic scale by combining a letter-name, accidentals, and a number identifying the pitch's octave...
, where middle C = C4). In the lower and upper extremes, some mezzo-sopranos may extend down to the G below middle C (G3) and as high as "high C" (C6).
While mezzo-sopranos generally have a heavier, darker tone than sopranos, the mezzo-soprano voice resonates in a higher range than that of a contralto. The terms Dugazon
Louise-Rosalie Lefebvre
Louise-Rosalie Lefebvre , also known as Madame Dugazon, was a French operatic mezzo-soprano, actress and dancer....
and Galli-Marié
Célestine Marié
Célestine Galli-Marié was a French mezzo-soprano most famous for creating the title role in the opera Carmen.-Career:...
are sometimes used to refer to light mezzo-sopranos, after the names of famous singers. A castrato
Castrato
A castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
with a vocal range
Vocal range
Vocal range is the measure of the breadth of pitches that a human voice can phonate. Although the study of vocal range has little practical application in terms of speech, it is a topic of study within linguistics, phonetics, and speech and language pathology, particularly in relation to the study...
equivalent to a mezzo-soprano's range is referred to as a mezzo-soprano castrato or mezzista. Today, however, only women should be referred to as mezzo-sopranos; men singing within the female range are called countertenors. In current operatic practice, female singers with very low tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...
s are often included among mezzo-sopranos, because singers in both ranges are able to cover the other, and true operatic contraltos are very rare. For information regarding non-classical mezzo-sopranos see Voice classification in non-classical music
Voice classification in non-classical music
There is currently no authoritative system of voice classification in non-classical music. The problem lies in the fact that classical terms are used to describe not merely various vocal ranges, but specific vocal timbres each unique to those respective ranges, and produced by the classical...
.
Mezzo-sopranos typically sing secondary roles in operas; notable exceptions include the title role in Bizet
Georges Bizet
Georges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a...
's Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
, Angelina (Cinderella
Cinderella
"Cinderella; or, The Little Glass Slipper" is a folk tale embodying a myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world. The title character is a young woman living in unfortunate circumstances that are suddenly changed to remarkable fortune...
) in Rossini's La Cenerentola
La Cenerentola
La Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
, and Rosina in Rossini's Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
(all of which are also sung by sopranos). Typical roles for mezzo-sopranos include the stereotypical triad associated with contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
s of "witches, bitches, and britches": witches, nurses, and wise women, such as Azucena in Verdi's Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
; villains and seductresses such as Amneris in Verdi's Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
; and "trouser" characters (male characters played by female singers) such as Cherubino in Mozart's Le nozze di Figaro. Mezzo-sopranos are also well represented in baroque music
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
, early music
Early music
Early music is generally understood as comprising all music from the earliest times up to the Renaissance. However, today this term has come to include "any music for which a historically appropriate style of performance must be reconstructed on the basis of surviving scores, treatises,...
and baroque opera. However, there is a significant tradition in French-language operas of the 19th Century to give the leading female role to mezzos, as for example in Béatrice et Bénédict
Béatrice et Bénédict
Béatrice et Bénédict is an opera in two acts by Hector Berlioz. Berlioz wrote the French libretto himself, based closely on Shakespeare's Much Ado About Nothing....
, La Damnation de Faust, Don Quichotte
Don Quichotte
Don Quichotte is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn.Massenet's comédie-héroïque, like so many other dramatized versions of the story of Don Quixote, relates only indirectly to the great novel by Miguel de Cervantes...
, La Favorite
La favorite
La favorite is an opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud...
, Mignon
Mignon
Mignon is an opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's The Dead,...
, Samson et Dalila, Les Troyens
Les Troyens
Les Troyens is a French opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself, based on Virgil's epic poem The Aeneid...
, and Werther
Werther
Werther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
as well as the aforementioned Carmen.
Some roles designated for lighter soubrette
Soubrette
A soubrette is a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy".-Theater:...
sopranos are sung by mezzo sopranos, who often provide a fuller, more dramatic quality. Such roles include Despina in Mozart's Così fan tutte
Così fan tutte
Così fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....
and Zerlina in his Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
. Mezzos also sometimes play dramatic soprano roles such as Santuzza in Mascagni's Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play written by Giovanni Verga based on his short story. Considered one of the classic verismo operas, it premiered on May 17, 1890 at the Teatro...
, Lady Macbeth in Verdi's Macbeth
Macbeth (opera)
Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on Shakespeare's play of the same name...
, and Kundry in Wagner's Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
.
In general mezzos are broken down into three categories: Coloratura mezzo-sopranos, Lyric mezzo-soprano, and Dramatic mezzo-sopranos.
Coloratura mezzo-soprano
A coloratura mezzo-soprano has a warm lower register and an agile high register. The roles they sing often demand not only the use of the lower register but also leaps into the upper tessitura with highly ornamented, rapid passages. They have a range from approximately the G below middle C (G3) to the B two octaves above middle C (B5). Some coloratura mezzo-sopranos can sing up to high C (C6) or high D (D6), but this is very rare.What distinguishes these voices from being called sopranos is their extension into the lower register and warmer vocal quality. Although coloratura mezzo-sopranos have impressive and at times thrilling high notes, they are most comfortable singing in the middle of their range, rather than the top.
Many of the hero roles in the operas of Handel
HANDEL
HANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
and Monteverdi, originally sung by male castrati, can be successfully sung today by coloratura mezzo-sopranos. Rossini demanded similar qualities for his comic heroines, and Vivaldi wrote roles frequently for this voice as well. Coloratura mezzo-sopranos also often sing lyric-mezzo soprano roles or soubrette
Soubrette
A soubrette is a female stock character in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy".-Theater:...
roles.
Coloratura mezzo-soprano roles in opera and operettas
- Angelina- Cenerentola, La CenerentolaLa CenerentolaLa Cenerentola, ossia La bontà in trionfo is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cinderella...
(Rossini)@ - Ariodante, AriodanteAriodanteAriodante is an opera seria in three acts by Handel. The anonymous Italian libretto was based on a work by Antonio Salvi, which in turn was adapted from Canti 5 and 6 of Ludovico Ariosto's Orlando Furioso...
(HändelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
) -- trouser role@ - Griselda, GriseldaGriselda (Vivaldi)Griselda is a dramma per musica in three acts that was composed by Antonio Vivaldi. The opera uses a revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio's The Decameron . The celebrated Venetian playwright Carlo Goldoni was hired to adapt the libretto...
(Vivaldi)@ - Isabella, The Italian Girl in Algiers (Rossini)@
- Julius Caesar, Giulio CesareGiulio CesareGiulio Cesare in Egitto , commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724...
(HändelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
) -- trouser role@ - Orsini, Lucrezia BorgiaLucrezia Borgia (opera)Lucrezia Borgia is a melodramma, or opera, in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play by Victor Hugo, in its turn after the legend of Lucrezia Borgia. Lucrezia Borgia was first performed on 26 December 1833 at La Scala, Milan with...
(Gaetano DonizettiGaetano DonizettiDomenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
) - Ruggiero, AlcinaAlcinaAlcina is an opera seria by George Frideric Handel. Handel used the libretto of L'isola di Alcina, an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after, during his travels in Italy...
(HändelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
) -- trouser role@ - Rosina, The Barber of SevilleThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
(Rossini)@ - Serse, SerseSerseSerse is an opera seria in three acts by George Frideric Handel. It was first performed in London on 15 April 1738. The Italian libretto was adapted by an unknown hand from that by Silvio Stampiglia for an earlier opera of the same name by Giovanni Bononcini in 1694...
(HändelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
) -- trouser role@ - Tancredi, TancrediTancrediTancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano Rossi, based on Voltaire's play Tancrède...
(Rossini) -- trouser role@
@-denotes a lead role
Coloratura mezzo-soprano singers
- Cecilia BartoliCecilia BartoliCecilia Bartoli is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music...
- Teresa BerganzaTeresa BerganzaTeresa Berganza, born on March 16, 1935), is a Spanish mezzo-soprano. She is most closely associated with the roles of Rossini, Mozart, and Bizet. She is admired for her technical virtuosity, musical intelligence and beguiling stage presence.- Biography :...
- Joyce DiDonatoJoyce DiDonatoJoyce DiDonato is an award-winning American operatic mezzo-soprano particularly admired for her interpretations of the works of Handel, Mozart, and Rossini...
- Gail DubinbaumGail DubinbaumGail Dubinbaum is an American operatic coloratura mezzo-soprano and co-founder and Creative Director of the Phoenix Metropolitan Opera.-Career:...
- Sonia GanassiSonia GanassiSonia Ganassi is an Italian mezzo-soprano. She made her debut as Rosina in Rossini’s The Barber of Seville. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best...
- Elīna GarančaElina Garanca-Biography:Garanča was born in the Latvian city of Riga into a musical family, her father a choral director, mother a lieder singer and singing teacher. Her mother Anita is a professor at the Latvian Academy of Music, an associated professor at the Latvian Academy of Culture, a vocal music teacher...
- Vivica GenauxVivica GenauxVivica Genaux is an American coloratura mezzo-soprano. Her father, an American of Belgian-Welsh descent, was a biochemistry professor at the University of Alaska Fairbanks and her mother, Mexican-born of Swiss-German extraction, was a language teacher...
- Marilyn HorneMarilyn HorneMarilyn Horne is an American mezzo-soprano opera singer. She specialized in roles requiring a large sound, beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages....
- Vesselina KasarovaVesselina KasarovaVesselina Kasarova is a Bulgarian mezzo-soprano opera singer.- Early life and education :Vesselina Kasarova was born in the central Bulgarian town of Stara Zagora. Under the communist regime she studied Russian as a second language and had an early start in music education...
- Jennifer LarmoreJennifer LarmoreJennifer Larmore is an American mezzo-soprano opera singer, noted for coloratura and bel canto.- Career :Jennifer Larmore is an American mezzo-soprano, well known for her versatility, natural beauty and stage craft...
- Elena ObraztsovaElena ObraztsovaElena Vasiliyevna Obraztsova is a Russian mezzo-soprano, widely recognised as one of the greatest opera singers of all time, thanks to her outstanding stage presence and the vocal abilities....
- Conchita SupervíaConchita SuperviaConchita Supervía was a highly popular Spanish mezzo-soprano singer who appeared in opera in Europe and America and also gave recitals....
- Lucia Valentini TerraniLucia Valentini TerraniLucia Valentini Terrani was an Italian coloratura mezzo-soprano, particularly associated with Rossini roles.-Life and career:...
Lyric mezzo-soprano
The Lyric mezzo-soprano has a range from approximately the G below middle C to the B two octaves above middle C. This voice has a very smooth, sensitive and at times lachrymose quality. Lyric mezzo-sopranos do not have the vocal agility of the coloratura mezzo-soprano or the size of the dramatic mezzo-soprano. The lyric mezzo-soprano is ideal for most trouser roles.Lyric mezzo-soprano roles in opera and operettas
- Annio, La clemenza di TitoLa clemenza di TitoLa clemenza di Tito , K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Metastasio...
(MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
) -- trouser role - Carmen, CarmenCarmenCarmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
(Georges BizetGeorges BizetGeorges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a...
)@ (Also Dramatic Mezzo-Soprano) - Charlotte, WertherWertherWerther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
(MassenetJules MassenetJules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
)@ - Cherubino, The Marriage of FigaroThe Marriage of FigaroLe nozze di Figaro, ossia la folle giornata , K. 492, is an opera buffa composed in 1786 in four acts by Wolfgang Amadeus Mozart, with Italian libretto by Lorenzo Da Ponte, based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro .Although the play by...
(Mozart) -- trouser role - The Composer, Ariadne auf NaxosAriadne auf NaxosAriadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Bringing together slapstick comedy and consuming beautiful music, the opera's theme is the competition between high and low art for the public's attention.- First version :The opera was originally...
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) -- trouser role - Donna Elvira, Don GiovanniDon GiovanniDon Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
(MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
) - Dorabella, Così fan tutteCosì fan tutteCosì fan tutte, ossia La scuola degli amanti K. 588, is an opera buffa by Wolfgang Amadeus Mozart first performed in 1790. The libretto was written by Lorenzo Da Ponte....
(Mozart)@ - Hänsel, Hänsel und Gretel (HumperdinckEngelbert HumperdinckEngelbert Humperdinck was a German composer, best known for his opera, Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province; at the age of 67 he died in Neustrelitz, Mecklenburg-Western Pomerania.-Life:After receiving piano lessons, Humperdinck produced his first composition...
) -- trouser role@ - Idamante, Idomeneo, re di CretaIdomeneoIdomeneo, re di Creta ossia Ilia e Idamante is an Italian language opera by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as Idoménée in 1712...
(MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
) -- trouser role - Marguerite, La damnation de Faust (Hector BerliozHector BerliozHector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
)@ - Mignon, MignonMignonMignon is an opéra comique in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's The Dead,...
(Ambroise ThomasAmbroise ThomasCharles Louis Ambroise Thomas was a French composer, best known for his operas Mignon and Hamlet and as Director of the Conservatoire de Paris from 1871 till his death.-Biography:"There is good music, there is bad music, and then there is Ambroise Thomas."- Emmanuel Chabrier-Early life...
)@ - Mother, Amahl and the Night VisitorsAmahl and the Night VisitorsAmahl and the Night Visitors is an opera in one act by Gian Carlo Menotti with an original English libretto by the composer. It was commissioned by NBC and first performed by the NBC Opera Theatre on December 24, 1951, in New York City at NBC studio 8H in Rockefeller Center, where it was broadcast...
(MenottiGian Carlo MenottiGian Carlo Menotti was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera, Amahl and the Night Visitors, among about two dozen other operas intended to appeal to popular...
)@ - Nicklausse, Les contes d'HoffmannLes contes d'HoffmannLes contes d'Hoffmann is an opéra by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by E. T. A...
(OffenbachJacques OffenbachJacques Offenbach was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr....
) -- trouser role, though he is a female Muse in disguise. - Octavian, Der RosenkavalierDer RosenkavalierDer Rosenkavalier is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière’s comedy Monsieur de Pourceaugnac...
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) -- trouser role@ - Orlofsky, (Die FledermausDie FledermausDie Fledermaus is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.- Literary sources :...
) (Johann StraussJohann Strauss IIJohann Strauss II , also known as Johann Baptist Strauss or Johann Strauss, Jr., the Younger, or the Son , was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas...
) -- trouser role - Sesto, La clemenza di TitoLa clemenza di TitoLa clemenza di Tito , K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Metastasio...
(MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
) -- trouser role - Sesto, Giulio CesareGiulio CesareGiulio Cesare in Egitto , commonly known simply as Giulio Cesare, is an Italian opera in three acts written for the Royal Academy of Music by George Frideric Handel in 1724...
(HandelHANDELHANDEL was the code-name for the UK's National Attack Warning System in the Cold War. It consisted of a small console consisting of two microphones, lights and gauges. The reason behind this was to provide a back-up if anything failed....
) - Siebel, FaustFaust (opera)Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
(Charles GounodCharles GounodCharles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
) -- trouser role - Sorceress, Dido and AeneasDido and AeneasDido and Aeneas is an opera in a prologue and three acts by the English Baroque composer Henry Purcell to a libretto by Nahum Tate. The first known performance was at Josias Priest's girls' school in London no later than the summer of 1688. The story is based on Book IV of Virgil's Aeneid...
(Henry PurcellHenry PurcellHenry Purcell – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music...
) - Dido, Dido and AeneasDido and AeneasDido and Aeneas is an opera in a prologue and three acts by the English Baroque composer Henry Purcell to a libretto by Nahum Tate. The first known performance was at Josias Priest's girls' school in London no later than the summer of 1688. The story is based on Book IV of Virgil's Aeneid...
(Henry PurcellHenry PurcellHenry Purcell – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music...
)@ - Stephano, Roméo et JulietteRoméo et JulietteRoméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
(Charles GounodCharles GounodCharles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
) -- trouser role - Suzuki, Madama ButterflyMadama ButterflyMadama Butterfly is an opera in three acts by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Puccini based his opera in part on the short story "Madame Butterfly" by John Luther Long, which was dramatized by David Belasco...
@-Denotes a lead role
Lyric mezzo-soprano singers
- Janet BakerJanet BakerDame Janet Abbott Baker, CH, DBE, FRSA is an English mezzo-soprano best known as an opera, concert, and lieder singer.She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten...
- Agnes BaltsaAgnes BaltsaAgnes Baltsa is a leading Greek mezzo-soprano.Baltsa was born in Lefkada. She began playing piano at the age of six, before moving to Athens in 1958 to concentrate on singing...
- Michelle DeYoungMichelle DeYoungMichelle DeYoung is an American classical vocalist who has an active international career performing in operas and concerts. Raised in Colorado and California, DeYoung is a graduate of the Metropolitan Opera's Lindemann Young Artists Development Program...
- Malena ErnmanMalena ErnmanSara Magdalena "Malena" Ernman is a Swedish opera singer . Ernman is a versatile artist in her field, who outside the world of opera and operettas also has performed chansons, cabaret, jazz, appeared in musicals and she is a performer who's declared that she's very much attracted to the attributes...
- Brigitte FassbaenderBrigitte FassbaenderBrigitte Fassbaender , is a mezzo-soprano opera singer, a stage director and since 1997 Intendant of the Tiroler Landestheater in Innsbruck, Austria...
- Susan GrahamSusan GrahamSusan Graham is an American mezzo-soprano.Raised in Midland, Texas, she is a graduate of Texas Tech University and the Manhattan School of Music. She studied the piano for 13 years...
- Caitlin HulcupCaitlin Hulcup-Life and career:Mezzo-soprano Caitlin Hulcup started her music career as a violinist and violist, receiving scholarships to the Banff Center for the Arts and playing in the West Australian Symphony Orchestra. She was chosen by the W.A. Opera to be a Young Artist in 2000, where she performed as...
- Magdalena KoženáMagdalena KoženáMagdalena Kožená is a Czech mezzo-soprano.In 2003, Kožená was awarded the title of Chevalier de l'Ordre des Arts et des Lettres by the French Government...
- Lorraine Hunt LiebersonLorraine Hunt LiebersonLorraine Hunt Lieberson was an American mezzo-soprano, known for the dramatic power of her vocal artistry as well as her commitment to performing infrequently-heard Baroque era and contemporary works...
- Nan MerrimanNan MerrimanNan Merriman is an American operatic mezzo-soprano.Nan Merriman studied singing in Los Angeles with Alexis Bassian and the legendary Lotte Lehmann. By the age of twenty she was singing in Hollywood film soundtracks and it was there that she was spotted by Laurence Olivier...
- Risë StevensRisë StevensRisë Stevens is a retired American operatic mezzo-soprano.-Professional life:Stevens studied at New York's Juilliard School for three years. She went to Vienna, where she was trained by Marie Gutheil-Schoder and Herbert Graf. She made her début as Mignon in Prague in 1936 and stayed there until...
- Gladys SwarthoutGladys SwarthoutGladys Swarthout was an American mezzo-soprano opera singer.-Career:...
- Tatiana TroyanosTatiana TroyanosTatiana Troyanos was an American mezzo-soprano of Greek and German descent.-Early life:...
- Anne Sofie von Otter
- Frederica von StadeFrederica von StadeFrederica von Stade is an American mezzo-soprano. Born in Somerville, New Jersey, she acquired the nickname "Flicka" in her childhood. Von Stade attended the Mannes College of Music in New York City. She made her debut with the Metropolitan Opera in 1970 and in 1971 appeared as Cherubino in The...
- Simone SimonsSimone SimonsSimone Johanna Maria Simons is a Dutch coloratura mezzo-soprano singer who is the lead vocalist of symphonic metal band Epica.-Biography:...
Dramatic mezzo-soprano
A dramatic mezzo-soprano has a strong medium register, a warm high register and a voice that is broader and more powerful than the lyric and coloratura mezzo-sopranos. This voice has less vocal facility than the coloratura mezzo-soprano. The range of the dramatic mezzo-soprano is from approximately the G below middle C to the B two octaves above middle C. The dramatic mezzo-soprano can sing over an orchestra and chorus with ease and was often used in the 19th century opera, to portray older women, mothers, witches and evil characters. Verdi wrote many roles for this voice in the Italian repertoire and there are also a few good roles in the French Literature. The majority of these roles, however, are within the German Romantic repertoire of composers like Wagner and Strauss. Like Coloratura mezzos, dramatic mezzos are also often cast in lyric mezzo-soprano roles.Dramatic mezzo-soprano roles in opera and operettas
- Azucena, Il trovatoreIl trovatoreIl trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
@ (Verdi) - Amneris, AidaAidaAida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
(Verdi) - Brangäne, Tristan und IsoldeTristan und IsoldeTristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting...
(Wagner) - Carmen, CarmenCarmenCarmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
(Bizet)@ (Also Lyric Mezzo) - The Countess, The Queen of SpadesThe Queen of Spades (opera)The Queen of Spades, Op. 68 is an opera in 3 acts by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin. The premiere took place in 1890 in St...
(TchaikovskyPyotr Ilyich TchaikovskyPyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
) - Dalila, Samson et Dalila (Saint-SaënsCamille Saint-SaënsCharles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
)@ - Dido, Les TroyensLes TroyensLes Troyens is a French opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself, based on Virgil's epic poem The Aeneid...
(BerliozHector BerliozHector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
)@ - Eboli, Don CarlosDon CarlosDon Carlos is a five-act grand opera composed by Giuseppe Verdi to a French language libretto by Camille du Locle and Joseph Méry, based on the dramatic play Don Carlos, Infant von Spanien by Friedrich Schiller...
(Verdi) - Herodias, SalomeSalome (opera)Salome is an opera in one act by Richard Strauss to a German libretto by the composer, based on Hedwig Lachmann’s German translation of the French play Salomé by Oscar Wilde. Strauss dedicated the opera to his friend Sir Edgar Speyer....
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) - The Witch, Hänsel und Gretel (opera) (HumperdinckEngelbert HumperdinckEngelbert Humperdinck was a German composer, best known for his opera, Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province; at the age of 67 he died in Neustrelitz, Mecklenburg-Western Pomerania.-Life:After receiving piano lessons, Humperdinck produced his first composition...
) - Judith, Bluebeard's CastleBluebeard's CastleDuke Bluebeard's Castle is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer. It is in Hungarian, based on the French fairy tale "Bluebeard" by Charles Perrault...
(BartókBéla BartókBéla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
)@ (Also Dramatic SopranoDramatic sopranoA dramatic soprano is an operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than...
) - Kundry, ParsifalParsifalParsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
(Wagner)@ (also Dramatic sopranoDramatic sopranoA dramatic soprano is an operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra. Thicker vocal folds in dramatic voices usually mean less agility than lighter voices but a sustained, fuller sound. Usually this voice has a lower tessitura than...
) - Klytemnästra, ElektraElektra (opera)Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal...
(Richard StraussRichard StraussRichard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
) - Laura, La GiocondaLa Gioconda (opera)La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, tyran de Padoue, a play in prose by Victor Hugo, dating from 1835...
(Ponchielli) - Marina, Boris GodunovBoris Godunov (opera)Boris Godunov is an opera by Modest Mussorgsky . The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar during the Time of Troubles,...
(MussorgskyModest MussorgskyModest Petrovich Mussorgsky was a Russian composer, one of the group known as 'The Five'. He was an innovator of Russian music in the romantic period...
) - Mother, Hänsel und Gretel (opera) (HumperdinckEngelbert HumperdinckEngelbert Humperdinck was a German composer, best known for his opera, Hänsel und Gretel. Humperdinck was born at Siegburg in the Rhine Province; at the age of 67 he died in Neustrelitz, Mecklenburg-Western Pomerania.-Life:After receiving piano lessons, Humperdinck produced his first composition...
) - Ortrud, LohengrinLohengrin (opera)Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
(WagnerRichard WagnerWilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
) - Princess de Bouillon, Adriana LecouvreurAdriana LecouvreurAdriana Lecouvreur is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the play by Eugène Scribe and Ernest Legouvé...
(CileaFrancesco CileaFrancesco Cilea was an Italian composer. Today he is particularly known for his operas L'arlesiana and Adriana Lecouvreur.-Biography:...
)
@-denotes a lead role
Dramatic mezzo-soprano singers
- Graciela ArayaGraciela ArayaGraciela Araya is an Austrian mezzo-soprano of Chilean birth who has had a prolific international opera career since the early 1980s...
- Irina Arkhipova
- Fedora BarbieriFedora BarbieriFedora Barbieri was an Italian mezzo-soprano.Barbieri was born in Trieste. She made her official debut in Florence in 1940, but retired in 1943 because of her marriage. She re-emerged in 1945. She was one of the first performers to investigate and perform in early operas by Monteverdi and Pergolesi...
- Stephanie BlytheStephanie BlytheStephanie Blythe is an American mezzo-soprano opera singer.-Biography:Blythe graduated from Monticello High School in 1987 and the Crane School of Music at the State University of New York at Potsdam in 1992. She was the recipient of the prestigious Richard Tucker Award in 1999...
- Olga BorodinaOlga BorodinaOlga Vladimirovna Borodina is a leading dramatic mezzo-soprano, known for her roles in Russian operas at her home company, the Mariinsky Theatre, and for her international performing and recording career in a varied repertoire.Borodina made her debut in Samson and Delilah at the Royal Opera House...
- Grace BumbryGrace BumbryGrace Bumbry , an American opera singer, is considered one of the leading mezzo-sopranos of her generation, as well as a major soprano for many years...
- Viorica CortezViorica CortezViorica Cortez is a noted Romanian-born mezzo-soprano, later French by naturalisation. Starting her operatic and concert career in the mid-1960s, she went on to become one of the most prominent female performers of the '70s and '80s...
- Fiorenza CossottoFiorenza CossottoFiorenza Cossotto is an Italian mezzo soprano. She is considered by many to be one of the great mezzo-sopranos of the 20th century.-Life and career:...
- Maria GayMaria GayMaria Gay was a Catalan opera singer, a mezzo-soprano born as Maria de Lourdes Lucia Antonia Pichot Gironés. She has sometimes been referred to as Maria Gay Zenatello.-Biography:...
- Rita GorrRita GorrRita Gorr , is a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud and Amneris , two of her greatest roles....
- Denyce GravesDenyce GravesDenyce Graves is an American mezzo-soprano opera singer.-Early life:Graves was born on March 7, 1964, to Charles Graves and Dorothy Graves-Kenner. She is the middle of three children and was raised by her mother on Galveston Street, S.W., in the Bellevue section of Washington...
- Christa LudwigChrista LudwigChrista Ludwig is a retired German mezzo-soprano, distinguished for her performances of opera, Lieder, oratorio and other major religious works like masses and passions, and solos contained in symphonic literature...
- Waltraud MeierWaltraud MeierWaltraud Meier is a Grammy Award–winning German dramatic soprano and mezzo-soprano singer. She is particularly known for her Wagnerian roles as Kundry, Isolde, Ortrud, Venus and Sieglinde, but has also had success in the French and Italian repertoire appearing as Eboli, Amneris, Carmen and Santuzza...
- Elena ObraztsovaElena ObraztsovaElena Vasiliyevna Obraztsova is a Russian mezzo-soprano, widely recognised as one of the greatest opera singers of all time, thanks to her outstanding stage presence and the vocal abilities....
- Regina ResnikRegina ResnikRegina Resnik is an American operatic singer.Regina Resnik, the American mezzo-soprano, started a dramatic career ten months after earning her B.A. in Music at Hunter College. The role was Lady Macbeth under Fritz Busch in December, 1942 with the New Opera Company. A few months later, she sang...
- Giulietta SimionatoGiulietta SimionatoGiulietta Simionato was an Italian mezzo-soprano. Her career spanned from the 1930s until her retirement in 1966.-Life:Born at Forlì, Romagna, she studied in Rovigo and Padua, and made her operatic debut at Montagnana in 1928...
- Ebe StignaniEbe StignaniEbe Stignani was an Italian opera singer, who was pre-eminent in the dramatic mezzo-soprano roles of the Italian repertoire during a stage career of more than thirty years.-Career:...
- Blanche ThebomBlanche ThebomBlanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which...
- Josephine VeaseyJosephine VeaseyJosephine Veasey is a British mezzo-soprano, particularly associated with Wagner and Berliozroles.-Life and career:Born in Peckham, she studied with Audrey Langford, and became a member of the Royal Opera House chorus in 1949, she made her debut as a soloist in 1955, as the Shepherd Boy in...
- Shirley VerrettShirley VerrettShirley Verrett was an African-American operatic mezzo-soprano who successfully transitioned into soprano roles i.e. soprano sfogato...
- Dolora ZajickDolora ZajickDolora Zajick is an American mezzo-soprano who specializes in the Verdian repertoire. Zajick is arguably the leading exponent in the dramatic Verdian mezzo-soprano repertoire....
See also
Category of mezzo-sopranos- FachFachThe German Fach system is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices...
- List of mezzo-sopranos in non-classical music
- Voice classification in non-classical musicVoice classification in non-classical musicThere is currently no authoritative system of voice classification in non-classical music. The problem lies in the fact that classical terms are used to describe not merely various vocal ranges, but specific vocal timbres each unique to those respective ranges, and produced by the classical...
- Voice typeVoice typeA voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics. Voice classification is the process by which human voices are evaluated and are thereby designated into voice types...