L'esule di Granata
Encyclopedia
L'esule di Granata is a melodramma (opera seria
) in two acts by Giacomo Meyerbeer
. The Italian
libretto
was by Felice Romani
based on the rivalries between the Zegridi and the Abenceraggi
factions in the last days of the kingdom of Granada. It is the fifth of Meyerbeer's Italian operas but had only three confirmed stagings in the 19th century.
, Milan
, on 12 March, 1822. Two later stagings have been traced, one being at La Pergola in Florence
in 1826, the other in London
in 1829. A planned staging in Paris
in 1828 was abandoned.
Opera seria
Opera seria is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to c. 1770...
) in two acts by Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
. The Italian
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
was by Felice Romani
Felice Romani
Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.-Biography:Born Giuseppe Felice Romani to a bourgeois family in Genoa,...
based on the rivalries between the Zegridi and the Abenceraggi
Abencerrages
The Abencerrages , were a family or faction that is said to have held a prominent position in the Moorish kingdom of Granada in the 15th century....
factions in the last days of the kingdom of Granada. It is the fifth of Meyerbeer's Italian operas but had only three confirmed stagings in the 19th century.
Performance History
The world premiere took place at La ScalaLa Scala
La Scala , is a world renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre at La Scala...
, Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
, on 12 March, 1822. Two later stagings have been traced, one being at La Pergola in Florence
Florence
Florence is the capital city of the Italian region of Tuscany and of the province of Florence. It is the most populous city in Tuscany, with approximately 370,000 inhabitants, expanding to over 1.5 million in the metropolitan area....
in 1826, the other in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
in 1829. A planned staging in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
in 1828 was abandoned.
Roles
Role | Voice type | Premiere Cast, March 12, 1822 (Conductor: - ) |
---|---|---|
Almanzor, king of Granada | (mezzo-soprano Mezzo-soprano A mezzo-soprano is a type of classical female singing voice whose range lies between the soprano and the contralto singing voices, usually extending from the A below middle C to the A two octaves above... or alto Alto Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,... ) |
Benedetta Rosmunda Pisaroni Benedetta Rosmunda Pisaroni Benedetta Rosmunda Pisaroni was an Italian soprano who later became a contralto.Active on the operatic stage from 1811 to 1831, she suffered of smallpox in the early years of her career which caused a change in her extended vocal range.Appearing in Bergamo, Padua, Bologna, Venice, Milan, Rome and... |
Azema, a young princess | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Adelaide Tosi Adelaide Tosi Adelaide Tosi was an Italian operatic soprano.Born in Milan, Tosi studied with Girolamo Crescentini before making her professional opera debut in her native city in 1821. She portrayed Azema in the premiere of Giacomo Meyerbeer's L'esule di Granata at La Scala on 12 March 1822... |
Sulemano, exiled king of Granada | bass | Luigi Lablache Luigi Lablache Luigi Lablache was an Italian opera singer of French and Irish heritage. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in Don Giovanni was one of his signature roles.-Biography:Luigi Lablache was born in... |
Alamar, leader of the Zegris | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Berardo Calvari Winter |