Lajos Egri
Encyclopedia
Lajos N. Egri was the author of The Art of Dramatic Writing, which is widely regarded as one of the best works on the subject of playwriting, though its teachings have since been adapted for the writing of short stories, novels, and screenplays.
, Egri's expressionist play, was translated from Hungarian and produced at the Provincetown Playhouse
in New York. Casting about for some adequate means of conveying a sense of the furious pace of this machine age, Egri pictured a world in which all of life is compressed into twenty-four hours. Children grow to maturity in a few minutes; meals are eaten in split seconds; tabloid newspapers are issued at intervals of a second or two, and the loss of half a minute is a serious matter. The New York Times described the play as "chaotic at times, but sporadically interesting." Egri was also author of other plays, among them the satirical comedy Believe Me or Not (1933), Tornado (1938), This is Love (1945 with Arden Young) and The Cactus Club (1957). His one act Hungarian plays include Satan is Dead, Spiders, Between Two Gods, There Will be No Performance, and Devils.
, who took Egri's course at 2 Columbus Circle. "I still think his The Art of Dramatic Writing is the most stimulating and best book on the subject ever written, and I have them all," Allen told biographer Eric Lax.
Egri argues in The Art of Dramatic Writing against Aristotle
's view of character being secondary to plot (as stated in Aristotle's Poetics). According to Egri, well defined characters will drive the plot themselves, and so the foundation of character is the essential germination of a well crafted story.
Central to Egri's argument is his claim that the best stories follow the logical method of thesis, antithesis, synthesis
, or dialectic
, to prove what he calls a "premise." A premise, as Egri describes it, is a thematic truth. In The Art of Dramatic Writing he offers as an example the premise that "stinginess leads to ruin." Having settled on this theme, Egri writes, the playwright can detect in the statement the suggestion of a story's beginning, middle, and end: first, the establishment of an obsessively stingy character; next, the collision of that character's stinginess with inevitable opposition, or antithesis
; and finally the character's ruin. Egri also emphasizes what he sees as the ever-present role of change in all forms of life, forcing people to evolve and synthesize new philosophies in the face of one overwhelming obstacle after another.
In 1965, Egri expanded on his views of character development and motivation in the book, The Art of Creative Writing.
Early years
Egri came to the US in 1906 and worked in a New York garment factory as a tailor and presser. He was an active member of the International Ladies' Garment Workers Union.Playwright
Egri wrote his first three act play at the age of ten, according to his biographical sketch in The Art of Dramatic Writing. In 1927, Rapid TransitRapid Transit (play)
Rapid Transit was a play by Lajos Egri that premiered at the Provincetown Playhouse, New York, in April 1927 and closed before the end of the month after 20 performances. Horace Liveright had bought and produced this work...
, Egri's expressionist play, was translated from Hungarian and produced at the Provincetown Playhouse
Provincetown Playhouse
The Provincetown Playhouse is a theater in Manhattan's Greenwich Village. It is named for the Provincetown Players, who converted the former bottling plant into a theater in 1918. Much of the original building was torn down in 2009 as New York University School of Law planned a new building on the...
in New York. Casting about for some adequate means of conveying a sense of the furious pace of this machine age, Egri pictured a world in which all of life is compressed into twenty-four hours. Children grow to maturity in a few minutes; meals are eaten in split seconds; tabloid newspapers are issued at intervals of a second or two, and the loss of half a minute is a serious matter. The New York Times described the play as "chaotic at times, but sporadically interesting." Egri was also author of other plays, among them the satirical comedy Believe Me or Not (1933), Tornado (1938), This is Love (1945 with Arden Young) and The Cactus Club (1957). His one act Hungarian plays include Satan is Dead, Spiders, Between Two Gods, There Will be No Performance, and Devils.
Teacher of Playwriting
Egri taught courses in playwriting, first in New York (1860 Broadway and 2 Columbus Circle), and then in Los Angeles. One student who garnered much attention was a 63 year old grandmother, Mrs. Esther Kaufman, who attended Egri's classes. Egri encouraged Mrs. Kaufman to write a play about growing up on the Lower East Side. The result was A Worm in the Horseradish, which had its premiere at the Maidman Theater in New York, March 13, 1961, and closed May 28 after mixed reviews. Egri also worked with other playwrights and screenwriters, including Woody AllenWoody Allen
Woody Allen is an American screenwriter, director, actor, comedian, jazz musician, author, and playwright. Allen's films draw heavily on literature, sexuality, philosophy, psychology, Jewish identity, and the history of cinema...
, who took Egri's course at 2 Columbus Circle. "I still think his The Art of Dramatic Writing is the most stimulating and best book on the subject ever written, and I have them all," Allen told biographer Eric Lax.
The Art of Dramatic Writing
Originally published by Simon and Schuster in 1942 as How to Write a Play, Egri's treatise was revised and published as The Art of Dramatic Writing in 1946.Egri argues in The Art of Dramatic Writing against Aristotle
Aristotle
Aristotle was a Greek philosopher and polymath, a student of Plato and teacher of Alexander the Great. His writings cover many subjects, including physics, metaphysics, poetry, theater, music, logic, rhetoric, linguistics, politics, government, ethics, biology, and zoology...
's view of character being secondary to plot (as stated in Aristotle's Poetics). According to Egri, well defined characters will drive the plot themselves, and so the foundation of character is the essential germination of a well crafted story.
Central to Egri's argument is his claim that the best stories follow the logical method of thesis, antithesis, synthesis
Thesis, antithesis, synthesis
The triad thesis, antithesis, synthesis is often used to describe the thought of German philosopher Georg Wilhelm Friedrich Hegel. Hegel never used the term himself, and almost all of his biographers have been eager to discredit it....
, or dialectic
Dialectic
Dialectic is a method of argument for resolving disagreement that has been central to Indic and European philosophy since antiquity. The word dialectic originated in Ancient Greece, and was made popular by Plato in the Socratic dialogues...
, to prove what he calls a "premise." A premise, as Egri describes it, is a thematic truth. In The Art of Dramatic Writing he offers as an example the premise that "stinginess leads to ruin." Having settled on this theme, Egri writes, the playwright can detect in the statement the suggestion of a story's beginning, middle, and end: first, the establishment of an obsessively stingy character; next, the collision of that character's stinginess with inevitable opposition, or antithesis
Antithesis
Antithesis is a counter-proposition and denotes a direct contrast to the original proposition...
; and finally the character's ruin. Egri also emphasizes what he sees as the ever-present role of change in all forms of life, forcing people to evolve and synthesize new philosophies in the face of one overwhelming obstacle after another.
In 1965, Egri expanded on his views of character development and motivation in the book, The Art of Creative Writing.
Later life
Egri taught creative writing in his West Los Angeles home (at 11635 Mayfield Avenue) until shortly before his death. He died of a heart attack at Cedars of Lebanon Hospital.External links
- Premise - chapter 1 of The Art of Dramatic Writing
- Rapid Transit on the Internet Broadway Database
- TIME review of Rapid Transit