List of Living National Treasures of Japan (performing arts)
Encyclopedia
The List of Living National Treasures of Japan (performing arts) contains all the individuals and groups certified as Living National Treasures by the Ministry of Education, Culture, Sports, Science and Technology of the government of Japan in the category of the .
The performing arts are divided into eight categories: Gagaku
, Noh
, Bunraku
, Kabuki
, Kumi Odori
, Music
, Dance
, and Drama
. The categories are subdivided into a number of subcategories, usually by role or instrument.
Those working in the performing arts are eligible for recognition either individually (Individual Certification) or as part of a group (General Certification).
The performing arts are divided into eight categories: Gagaku
Gagaku
Gagaku is a type of Japanese classical music that has been performed at the Imperial Court in Kyoto for several centuries. It consists of three primary repertoires:#Native Shinto religious music and folk songs and dance, called kuniburi no utamai...
, Noh
Noh
, or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and...
, Bunraku
Bunraku
, also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players...
, Kabuki
Kabuki
is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill...
, Kumi Odori
Kumi Odori
, meaning "combination dance" or "ensemble dance" in both the Okinawan and Japanese languages, is a form of narrative traditional Ryukyuan dance.Originating in the Okinawan capital of Shuri, Okinawa in 1719, the original purpose of this dance was to provide amusement and diversions, which were...
, Music
Traditional Japanese music
Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because...
, Dance
Japanese traditional dance
There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage...
, and Drama
Theatre of Japan
Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater....
. The categories are subdivided into a number of subcategories, usually by role or instrument.
Those working in the performing arts are eligible for recognition either individually (Individual Certification) or as part of a group (General Certification).
Noh
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
, alias | 1930 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 2001 |
1922 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 2003 | |
1940 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 2008 | |
, alias | 1934 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Waki | 1994 |
1925 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kotsuzumi | 1998 | |
1936 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kotsuzumi | 2003 | |
1938 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
1998 | |
1941 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
2002 | |
1924 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Taiko Taiko means "drum" in Japanese . Outside Japan, the word is often used to refer to any of the various Japanese drums and to the relatively recent art-form of ensemble taiko drumming... |
1993 | |
, alias | 1919 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1989 |
, alias | 1930 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1997 |
, alias | 1931 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
2007 |
Bunraku
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1924 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1989 | |
1932 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 2007 | |
1928 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1997 | |
1945 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
2007 | |
1928 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Puppeteer | 1994 | |
1933 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Puppeteer | 1994 |
Kabuki
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1929 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1994 | |
1931 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1994 | |
1942 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
2003 | |
1920 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Onnagata | 1991 | |
1932 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Wakiyaku | 2002 | |
1936 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Nagauta Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
2002 | |
1937 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Nagauta Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
2007 |
Kumi Odori
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1938 | Kumi Odori Kumi Odori , meaning "combination dance" or "ensemble dance" in both the Okinawan and Japanese languages, is a form of narrative traditional Ryukyuan dance.Originating in the Okinawan capital of Shuri, Okinawa in 1719, the original purpose of this dance was to provide amusement and diversions, which were... |
Tachikata | 2006 | |
1933 | Kumi Odori Kumi Odori , meaning "combination dance" or "ensemble dance" in both the Okinawan and Japanese languages, is a form of narrative traditional Ryukyuan dance.Originating in the Okinawan capital of Shuri, Okinawa in 1719, the original purpose of this dance was to provide amusement and diversions, which were... |
Uta Sanshin Sanshin The sanshin is an Okinawan musical instrument and precursor of the Japanese shamisen. Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings.... |
2005 |
Music
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1935 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shakuhachi Shakuhachi The is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of... |
1999 | |
1937 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shakuhachi Shakuhachi The is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of... |
2002 | |
1932 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto (musical instrument) The koto is a traditional Japanese stringed musical instrument, similar to the Chinese guzheng, the Mongolian yatga, the Korean gayageum and the Vietnamese đàn tranh. The koto is the national instrument of Japan. Koto are about length, and made from kiri wood... |
2001 | |
1926 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto (musical instrument) The koto is a traditional Japanese stringed musical instrument, similar to the Chinese guzheng, the Mongolian yatga, the Korean gayageum and the Vietnamese đàn tranh. The koto is the national instrument of Japan. Koto are about length, and made from kiri wood... |
2008 | |
1923 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1997 | |
1934 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1998 | |
1918 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Shamisen) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1989 | |
1922 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Narimono) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1993 | |
1935 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Narimono) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1999 | |
1935 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Gidayūbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1989 | |
1913 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Gidayūbushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1998 | |
1933 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1999 | |
1935 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2001 | |
1920 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Katōbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1994 | |
1946 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Katōbushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2009 | |
1944 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Miyazonobushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2007 | |
1938 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shinnaibushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2001 | |
1940 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shinnaibushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2001 | |
1930 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Tokiwazubushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1995 | |
1929 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Tokiwazubushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1992 | |
1935 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2003 | |
1936 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
2003 | |
1922 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Classical Ryukyuan Music | 2000 | |
1932 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Classical Ryukyuan Music | 2000 |
Dance
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1928 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1999 | |
1924 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
2004 |
Drama
Name | Born | Category | Subcategory | Year Designated |
---|---|---|---|---|
1925 | Drama Theatre of Japan Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater.... |
Classical Rakugo Rakugo is a Japanese verbal entertainment. The lone sits on the stage, called the . Using only a paper fan and a small cloth as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical story... |
1996 | |
1939 | Drama Theatre of Japan Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater.... |
Kōdan Kodan , is a style of traditional oral Japanese storytelling. The form evolved out of lectures on historical or literary topics given to high-ranking nobles of the Heian period, changing over the centuries to be adopted by the general samurai class and eventually by commoners, and eventually, by the end... |
2002 |
Noh
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1874 | 1971 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1955 | |
1890 | 1988 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1966 | |
1897 | 1983 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1970 | |
1897 | 1991 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1970 | |
1899 | 1978 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1977 | |
1902 | 1984 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1978 | |
1915 | 2003 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1990 | |
1931 | 2000 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1995 | |
1922 | 2006 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Shite | 1996 | |
1916 | 1991 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Waki | 1961 | |
1899 | 1980 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Waki | 1966 | |
1908 | 1985 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Waki | 1981 | |
1915 | 2008 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Fue Fue Fue is the Japanese word for flute, and refers to a class of flutes native to Japan.Fue or FUE may also refer to:*The French University in Egypt*The Future University in Egypt*Follicular unit extraction, a technique of harvesting hair... |
1971 | |
1892 | 1977 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kotsuzumi | 1955 | |
1896 | 1977 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kotsuzumi | 1974 | |
1908 | 1997 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kotsuzumi | 1982 | |
1874 | 1961 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
1955 | |
1896 | 1969 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
1968 | |
1907 | 1983 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
1970 | |
1899 | 1997 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Ōtsuzumi Otsuzumi The , also known as the ōkawa, is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance and the sound it produces are slightly different than that of the tsuzumi... |
1984 | |
1893 | 1989 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Taiko Taiko means "drum" in Japanese . Outside Japan, the word is often used to refer to any of the various Japanese drums and to the relatively recent art-form of ensemble taiko drumming... |
1968 | |
1883 | 1965 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1964 | |
1898 | 1978 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1968 | |
1896 | 1986 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1976 | |
1901 | 1990 | Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
Kyōgen Kyogen is a form of traditional Japanese comic theater. It developed alongside Noh, was performed along with Noh as an intermission of sorts between Noh acts, on the same Noh stage, and retains close links to Noh in the modern day; therefore, it is sometimes designated Noh-kyōgen... |
1979 |
Bunraku
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1886 | 1959 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1955 | |
1878 | 1967 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1955 | |
1904 | 1969 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1955 | |
1888 | 1967 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1962 | |
1913 | 2002 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1971 | |
1916 | 1987 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Tayū | 1973 | |
1889 | 1960 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1955 | |
1887 | 1974 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1962 | |
1902 | 1975 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1972 | |
1891 | 1976 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1962 | |
1910 | 1976 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1972 | |
1914 | 2001 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1985 | |
1917 | 1988 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Shamisen Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1988 | |
1900 | 1970 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Puppeteer | 1965 | |
1919 | 2006 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Puppeteer | 1977 | |
1920 | 1986 | Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
Puppeteer | 1982 |
Kabuki
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1898 | 1969 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1964 | |
1886 | 1971 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1960 | |
1906 | 1975 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1973 | |
1910 | 1982 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1975 | |
1902 | 1983 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1967 | |
1909 | 1988 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1975 | |
1913 | 1989 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1972 | |
1903 | 1994 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1972 | |
1916 | 2001 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Tachiyaku Tachiyaku ' is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories... |
1990 | |
1915 | 1995 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Onnagata | 1968 | |
1917 | 2001 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Onnagata | 1968 | |
1887 | 1978 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Fukeonnayaku | 1968 | |
1876 | 1963 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Wakiyaku | 1960 | |
1914 | 2009 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Wakiyaku | 1997 | |
1898 | 1980 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Takemoto | 1978 | |
1894 | 1982 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Nagauta Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1978 | |
1901 | 1993 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Nagauta Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1981 | |
1920 | 2007 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Nagauta Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1998 | |
1907 | 1997 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Hayashi Hayashi Hayashi , is a common Japanese surname.-People:*Asuka Hayashi *Chūshirō Hayashi *Hayashi Fubo *Hayashi Fumiko *Fumio Hayashi *Hayashi Fusao... |
1978 | |
1934 | 2007 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Hayashi Hayashi Hayashi , is a common Japanese surname.-People:*Asuka Hayashi *Chūshirō Hayashi *Hayashi Fubo *Hayashi Fumiko *Fumio Hayashi *Hayashi Fusao... |
1998 | |
1928 | 2011 | Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
Onnagata | 1996 |
Kumi Odori
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1920 | 2006 | Kumi Odori Kumi Odori , meaning "combination dance" or "ensemble dance" in both the Okinawan and Japanese languages, is a form of narrative traditional Ryukyuan dance.Originating in the Okinawan capital of Shuri, Okinawa in 1719, the original purpose of this dance was to provide amusement and diversions, which were... |
Taiko Taiko means "drum" in Japanese . Outside Japan, the word is often used to refer to any of the various Japanese drums and to the relatively recent art-form of ensemble taiko drumming... |
2003 |
Music
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1906 | 2006 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Biwa Biwa The is a Japanese short-necked fretted lute, often used in narrative storytelling. The biwa is the chosen instrument of Benten, goddess of music, eloquence, poetry, and education in Japanese Shinto.... |
1995 | |
1895 | 1976 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shakuhachi Shakuhachi The is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of... |
1967 | |
1901 | 2001 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shakuhachi Shakuhachi The is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of... |
1977 | |
1933 | 1999 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Shakuhachi Shakuhachi The is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of... |
1992 | |
1887 | 1965 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1956 | |
1904 | 1984 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1966 | |
1905 | 1991 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1983 | |
1894 | 1995 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1966 | |
1903 | 1996 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1970 | |
1913 | 2005 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1996 | |
1912 | 2000 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Koto Koto, Tokyo is one of the 23 special wards of Tokyo, Japan. As of 2008, the ward has an estimated population of 442,271 and a population density of 11,070 persons per km². The total area is 39.48 km². The ward refers to itself as Kōtō City in English.... |
1990 | |
1880 | 1958 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Jiuta Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1955 | |
1913 | 2008 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Jiuta Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1969 | |
1899 | 2001 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Jiuta Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
1979 | |
1930 | 2006 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Jiuta Shamisen The , also called is a three-stringed, Japanese musical instrument played with a plectrum called a bachi. The Japanese pronunciation is usually "shamisen" but sometimes "jamisen" when used as a suffix . -Construction:The shamisen is a plucked stringed instrument... |
2002 | |
1876 | 1972 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1956 | |
1901 | 1973 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1956 | |
1900 | 1981 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1974 | |
1907 | 1995 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1974 | |
1911 | 1997 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Vocals) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1987 | |
1899 | 1970 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Shamisen) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1955 | |
1894 | 1979 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Shamisen) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1964 | |
1915 | 1984 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Shamisen) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1984 | |
1906 | 2003 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Nagauta (Shamisen) Nagauta , literally "long song", is a kind of traditional Japanese music which accompanies the kabuki theater. They were developed around 1740. Influences included the vocal yōkyoku style used in noh theater, and instruments including the shamisen and various kinds of drums.The shamisen, a plucked lute... |
1987 | |
1897 | 1992 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Gidayūbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1982 | |
1879 | 1970 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1956 | |
1926 | 1997 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1996 | |
1906 | 1991 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1984 | |
1891 | 1977 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Miyazonobushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1960 | |
1899 | 1985 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Miyazonobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1972 | |
1919 | 2002 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Miyazonobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1998 | |
1888 | 1960 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Tokiwazubushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1955 | |
1897 | 1976 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Tokiwazubushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1966 | |
1898 | 1999 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Vocals) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1956 | |
1904 | 1963 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1955 | |
1889 | 1966 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1956 | |
1927 | 2002 | Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Kiyomotobushi (Shamisen) Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1996 |
Dance
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1882 | 1961 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1955 | |
1893 | 1970 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1960 | |
1900 | 1990 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1960 | |
1907 | 1998 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1985 | |
1918 | 2007 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kabuki-mai Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
2002 | |
1896 | 1981 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kamigata-mai | 1978 | |
1923 | 1998 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kamigata-mai | 1986 | |
1905 | 2004 | Dance Japanese traditional dance There are two types of Japanese traditional dance: Odori, which originated in the Edo period, and Mai, which originated in the western part of Japan. Odori grew out of Kabuki drama and is more oriented toward male sentiments. Mai is traditionally performed in Japanese rooms instead of on the stage... |
Kyo-mai | 1955 |
Drama
Name | Born | Died | Category | Subcategory | Year Designated |
---|---|---|---|---|---|
1915 | 2002 | Drama Theatre of Japan Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater.... |
Classical Rakugo Rakugo is a Japanese verbal entertainment. The lone sits on the stage, called the . Using only a paper fan and a small cloth as props, and without standing up from the seiza sitting position, the rakugo artist depicts a long and complicated comical story... |
1995 | |
1871 | 1961 | Drama Theatre of Japan Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater.... |
Shinpa Onnagata Shinpa is a form of theater and cinema in Japan usually featuring melodramatic stories. Its roots can be traced to a form of agitation propaganda theater in the 1880s promoted by Liberal Party members Sadanori Sudo and Otojirō Kawakami... |
1955 | |
1894 | 1965 | Drama Theatre of Japan Traditional Japanese theatre includes kabuki, noh and bunraku.-Traditional form of theater:There are four major forms of traditional Japanese theater that are famous around the world. These are Noh, Kyogen, Kabuki, and Bunraku, or puppet theater.... |
Shinpa Onnagata Shinpa is a form of theater and cinema in Japan usually featuring melodramatic stories. Its roots can be traced to a form of agitation propaganda theater in the 1880s promoted by Liberal Party members Sadanori Sudo and Otojirō Kawakami... |
1960 |
List of Designated Groups (Performing Arts)
Group Name | Category | Subcategory | Year Designated |
---|---|---|---|
Gagaku Gagaku Gagaku is a type of Japanese classical music that has been performed at the Imperial Court in Kyoto for several centuries. It consists of three primary repertoires:#Native Shinto religious music and folk songs and dance, called kuniburi no utamai... |
1955 | ||
Noh Noh , or - derived from the Sino-Japanese word for "skill" or "talent" - is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and... |
1957 | ||
Bunraku Bunraku , also known as Ningyō jōruri , is a form of traditional Japanese puppet theater, founded in Osaka in 1684.Three kinds of performers take part in a bunraku performance:* Ningyōtsukai or Ningyōzukai—puppeteers* Tayū—the chanters* Shamisen players... |
1955 | ||
Kabuki Kabuki is classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.The individual kanji characters, from left to right, mean sing , dance , and skill... |
1965 | ||
Kumi Odori Kumi Odori , meaning "combination dance" or "ensemble dance" in both the Okinawan and Japanese languages, is a form of narrative traditional Ryukyuan dance.Originating in the Okinawan capital of Shuri, Okinawa in 1719, the original purpose of this dance was to provide amusement and diversions, which were... |
1972 | ||
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Gidayūbushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1980 | |
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Tokiwazubushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1981 | |
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Icchūbushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1993 | |
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Katōbushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1993 | |
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Miyazonobushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1993 | |
Music Traditional Japanese music Traditional Japanese music is the term used to describe historical Japanese folk music, or traditional music.-Rhythm:One of the characteristics of traditional Japanese music is a sparse rhythm. It also doesn't have regular chords. In Japanese music, one cannot beat time with one's hands because... |
Ogiebushi Jōruri (music) is a form of traditional Japanese narrative music in which a sings to the accompaniment of a shamisen. As a form of storytelling, the emphasis is on the lyrics and narration rather than the music itself.... |
1993 |
See also
- Living National Treasures of Japan
- List of Living National Treasures of Japan (crafts)
- List of National Treasures of Japan