List of compositions by Carl Maria von Weber
Encyclopedia
The following is a complete list of compositions by Carl Maria von Weber
in order of both opus number
and catalogue number. A complete chronological catalogue of Weber's works was compiled by Friedrich Wilhelm Jähns
and published in 1871. Catalogue numbers are indicated by a preceding "J.".
Carl Maria von Weber
Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school....
in order of both opus number
Opus number
An Opus number , pl. opera and opuses, abbreviated, sing. Op. and pl. Opp. refers to a number generally assigned by composers to an individual composition or set of compositions on publication, to help identify their works...
and catalogue number. A complete chronological catalogue of Weber's works was compiled by Friedrich Wilhelm Jähns
Friedrich Wilhelm Jähns
Friedrich Wilhelm Jähns was a German music scholar, voice teacher, and composer. He is best known for his thematic catalog of the works of Carl Maria von Weber....
and published in 1871. Catalogue numbers are indicated by a preceding "J.".
By opus number
Op. | Description |
1 | 6 Fughettas, J. 1-6 |
2 | 6 Variations in C on an Original Theme, J. 7 |
3 | 6 petites pièces faciles, J. 9-14 |
4 | 12 allemandes, J. 15-26 |
5 | 8 Variations on a theme from Vogler's Castor and Pollux, J. 40 |
6 | 6 Variations in C on a theme from Vogler's Samori, J. 43 |
7 | 7 Variations on "Vien quà, Dorina bella," J. 53 |
8 | Opera, Peter Schmoll und seine Nachbarn, J. 8 |
9 | Thème original varié, J. 55 |
10 | 6 pieces for Piano 4-hands, J. 81-6 |
10 | 6 Violin Sonatas, J. 99-104 |
11 | Piano Concerto No. 1 in C major, J. 98 |
12 | Momento capriccioso in B flat major, J. 56 |
13 | 5 Songs & a Canon, J. 91, 96, 52, 72, 97, 35 |
14 | Cantata, "Der erste Ton," J. 58 |
15 | 6 Songs, J. 73, 63, 74, 68, 67, 57 |
16 | Aria, "Il momento s'avvicina," J. 93 |
17 | ? |
18 | Piano Quartet in B flat major, J. 76 |
19 | Symphony No. 1 in C major, J. 50 |
20 | Concerto (Fantasie) for cello and orchestra (Grand pot-pourri), J. 64 |
21 | Grande polonaise in E flat major, J. 59 |
22 | Nine Variations on a Norwegian Air for violin and piano |
23 | 4 Songs & 2 Choruses, J. 62, 70, 117, 130, 136, 133 |
24 | Piano Sonata No. 1 in C major, J. 138 |
25 | 4 Songs for voice & guitar, J. 140, 110, 112, 137, 113 |
26 | Clarinet Concertino in E flat major, J. 109 |
27 | Overture, "Der Beherrscher der Geister" ("Ruler of the Spirits"), J. 122 |
28 | 7 Variations on "A peine au sortir de l'enfance," J. 141 |
29 | 3 Songs, J. 108, 124, 120 |
30 | 6 Songs, J. 42, 161, 157, 160, 159, 156 |
31 | 3 Duets, J. 107, 123, 125 |
32 | Piano Concerto No. 2 in E flat major, J. 155 |
33 | 7 Variations on a theme from Silvana, J. 128 |
34 | Clarinet Quintet in B flat major, J. 182 |
35 | Andante e Rondo ungarese in C minor, for bassoon & orchestra, J. 79 |
36 | Cantata, "In seiner Ordnung schafft der Herr," J. 154 |
37 | Incidental music, Turandot, J. 75 |
38 | Divertimento assai facile, for guitar & piano, J.207 |
39 | Piano Sonata No. 2 in A flat major, J. 199 |
40 | 9 Variations, J. 179 |
41 | "Leyer und Schwert" (cycle of 4 songs), J. 174-7 |
42 | "Leyer und Schwert" (6 male choruses), J. 168-73 |
43 | Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," J. 205 |
44 | Cantata, "KamPiano und Sieg," J. 190 |
45 | Horn Concertino in E minor, J. 188 |
46 | Song cycle, "Die Temperamente beim Verluste der Geliebten," J. 200-3 |
47 | 6 Songs, J. 197, 198, 189, 192, 196, 166 |
48 | Grand duo concertant, J. 204 |
49 | Piano Sonata No. 3 in D minor, J. 206 |
50 | Aria, "Misera me!" J. 121 |
51 | Aria, "Non paventar mia vita," J. 181 |
52 | Scena, "Ah, se Edmondo," J. 178 |
53a | Aria, "Signor, se padre sei," J. 142 |
53b | Chorus, "Zwei Kränze zum Annen-Tage," J. 218 |
54 | 5 Songs & 2 Duets, J. 232, 209, 212, 208, 211, 233, 231 |
55 | 7 Variations in C on a Gypsy Song, J.219 |
56 | Scena & aria, "Was sag ich?" J. 239 |
57 | Scena, "Ah, se Edmondo," (for Méhul's opera, Héléna), J.178 |
58 | Jubel-Kantate, J. 244 |
59 | Jubel-Ouverture in E major, J. 245 |
60 | 8 pieces for Piano 4-hands, J. 236, 242, 248, 253-4, 264-6 |
61 | Chorus, "Natur und Liebe," J. 241 |
62 | Rondo brillante, J. 252 |
63 | Trio in G minor for Piano, vc, fl, J. 259 |
64 | 6 Songs, a Duet, & a Chorus, J. 234, 210, 235, 230, 255, 247, 249, 258 |
65 | Invitation to the Dance Invitation to the Dance (Weber) Invitation to the Dance , Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz... , J. 260 |
66 | 6 Songs, J. 217, 238, 48, 134, 65, 213 |
67 | ? |
68 | 6 Partsongs, J. 132, 263, 262, 285, 261, 284 |
69 | ? |
70 | Piano Sonata No. 4 in E minor, J. 287 |
71 | 6 Songs, J. 256, 243, 267, 28, 229, 105 |
72 | Polacca brillante, J. 268 |
73 | Clarinet Concerto No. 1 in F minor, J. 114 Clarinet Concerto No. 1 (Weber) Carl Maria von Weber wrote his Clarinet Concerto No. 1 in F minor, Op. 73 for the clarinettist Heinrich Bärmann in 1811. The piece is considered a gem in the instrument's repertoire. It is written for clarinet in B-flat. The work consists of three movements in the form of fast, slow,... |
74 | Clarinet Concerto No. 2 in E flat major, J. 118 Clarinet Concerto No. 2 (Weber) Carl Maria von Weber wrote his Clarinet Concerto No. 2 in E flat major, Op. 74, in 1811. It is composed of three movements:# Allegro# Andante con moto# Alla PolaccaA typical performance lasts 23 minutes... |
75 | Bassoon Concerto in F, J. 127 Bassoon Concerto (Weber) Carl Maria von Weber wrote his Bassoon Concerto in F major, Op. 75, in 1811. Weber revised the concerto in 1822, four years before his death. The work consists of three movements:# Allegro, ma non troppo# Adagio# Rondo: Allegro... |
75a | Missa sancta No. 1 in E flat major, J. 224 |
76 | Missa sancta No. 2 in G, J. 251 |
77 | Opera, Der Freischütz, J. 277 |
78 | Incidental music, Preziosa, J. 279 |
79 | Konzertstück in F minor for Piano and Orchestra, J. 282 |
80 | 6 Songs, J. 281, 269, 270, 274, 275, 278 |
81 | Opera, Euryanthe, J. 291 |
By Jähns catalogue number
J. (Jähns) | Description |
1-6 | 6 Fughettas, Op. 1 (Piano) [1798] |
7 | 6 Variations in C on an Original Theme, Op. 2 (Piano) [1800] |
8 | Opera, Peter Schmoll und seine Nachbarn Peter Schmoll und seine Nachbarn Peter Schmoll und seine Nachbarn is the third opera by Carl Maria von Weber and the first for which the music has survived. It was written in 1802 when the composer was only 15 and premiered in Augsburg the following year. The opera takes the form of a Singspiel, mixing spoken dialogue and musical... , Op. 8 [1801-2] |
9-14 | 6 petites pièces faciles, Op. 3 (Piano 4-hands) [1801] |
15-26 | 12 allemandes, Op. 4 (pf; No. 11 & 12 for Piano 4-hands) [1801] |
27 | Song, "Die Kerze" [1802] |
28 | Song, "Umsonst ensagt ich," Op. 71/4 [1802] |
29-34 | 6 Ecossaises (Piano) [1802] |
35 | Canon, "Mädchen, ach meide Männerschmeichelei'n," Op. 13/6 (3v) [1802] (used by Mahler in J.Anh. 5) |
36 | "Ein Gärtchen und ein Häuchen drin" (chorus [STB]) [1803] |
37 | Grablied (TTB, 9 wind) [1803] |
38 | Song, "Entfliehet schnell von mir" [1803] |
39 | Arrangement of vocal score of GJ Vogler's opera Samori [1803] |
40 | 8 Variations sur l'air de ballet de Castor and Pollux, Op. 5 (Piano) [1804] |
41 | Song, "Ich sah die hingesunken" [1804] |
42 | Song, "Wiedersehen," Op. 30/1 [1804] |
43 | 6 Variations in C on a theme from Vogler's Samori, Op. 6 (Piano [vn, vc ad lib]) [1804] |
44-46 | Opera, Rübezahl (3 nos. only) [1804-5] |
47 | Romanza siciliana in G minor (fl, orch) [1805] |
47a | Tusch (20 tpt) [1806] |
48 | Song, "Ich denke dein," Op. 66/3 [1806] |
49 | 6 Variations in C on "A Schüsserl und a Rein'dl'" (vla, orch) [1806] |
50 | Symphony No. 1 in C major, Op. 19 [1807] |
51 | Symphony No. 2 in C [1807] |
52 | Song (with gui. acc.), "Liebeszauber," Op. 13/3 [1807] |
53 | 7 Variations sur l'air "Vien quà, Dorina bella" [by Bianchi], Op. 7 (Piano) [1807] |
54 | Grande ouverture à pleusieurs instruments, Op. 8 (revision of ov. to J. 8) [1807] |
55 | Thème original varié, Op. 9 (7 variations for Piano) [1808] |
56 | Momento capriccioso in B flat major, Op. 12 (Piano) [1808] |
57 | Song, "Er an Sie," Op. 15/6 [1808] |
58 | Cantata, "Der erste Ton," Op. 14 (reciter, SATB, orch) [1808, rev. 1810] |
59 | Grande polonaise in E flat major, Op. 21 (Piano) [1808] |
60 | Song (with bc acc.), "Komisches musikalisches Sendschreiben" [1808] |
61 | 9 Variations on a Norwegian air (vn, Piano) [1808] |
62 | Song, "Meine Farben," Op. 23/1 [1808] |
63 | Song, "Klage," Op. 15/2 [1808] |
64 | Grand pot-pourri, Op. 20 (vc, orch) [1808] |
65 | Song, "Serenade" ("Die Lethe des Lebens"), Op. 66/5 [1809] |
66 | "Die Lethe des Lebens" (B, chorus, Piano) [1809] |
67 | Song, "Das Röschen," Op. 15/5 [1809] |
68 | Song, "Was zieht zu deinem Zauberkreise," Op. 15/4 [1809] |
69 | "Chorlied" (chorus) [1809] |
70 | Song, "Rhapsodie" ("Die Blume"), Op. 23/2 [1809] |
71 | Song, "Romanze" ("Die Ruinen") [1809] |
72 | Song (with gui. acc.), "Sanftes Licht, weiche nicht," Op. 13/4 [1809] |
73 | Song, "Meine Lieder, meine Sange," Op. 15/1 [1809] |
74 | Song, "Der kleine Fritz," Op. 15/3 [1809] |
75 | Incidental music, Turandot, Op. 37 (ov. & 6 inst. nos.) [1809] |
76 | Piano Quartet in B flat major, Op. 18 [1811] |
77-78 | 2 nos. for Haydn pasticcio, Der Freibrief [1809] (77 used by Mahler in J.Anh. 5) |
79 | Andante e Rondo ungarese in C minor, Op. 35 (vla, orch) (see also J. 158) [1809] |
80 | Song, "Trinklied" [1809] |
81-6 | 6 pieces, Op. 10 (Piano 4-hands) [1809] |
87 | Opera, Silvana Silvana (opera) Silvana is an opera by Carl Maria von Weber, first performed in Frankfurt am Main on 16 September 1810. The libretto, by Franz Carl Hiemer, is a reworking of an earlier, unsuccessful opera by Weber, Das Waldmädchen... [1808-10] |
88 | Canzonetta, "Sicchè t'inganni" (voice, Piano/harp) [1810] |
89 | Canon, "Die Sonate soll ich spielen" (3v) [1810] |
90 | Canon, "Canons zu zwei sinc nicht drei" (3v) [1810] |
91 | Song (with gui. acc.), "Die Schäferstunde" ("Damon und Chloé"), Op. 13/1 [1810] |
92 | Song, "Das neue Lied" [1810] |
93 | Recit & Rondo, "Il momento s'avvicina," Op. 16 (S, orch) [1810] |
94 | Variations in F (vc, orch) [1810] |
95 | Canon, "Leck mich im Angesicht" (3v) [1810] |
96 | Song (with gui. acc.), "Wiegenlied," Op. 13/2 [1810] |
97 | Song (with gui. acc.), "Die Zeit," Op. 13/5 [1810] |
98 | Piano Concerto No. 1 in C major, Op. 11 [1810] |
99-104 | 6 sonates progressives in F, G, d, E flat, F, C, Op. 10 (vn, Piano) [1810] |
105 | Song, "Des Künstlers Abshied," Op. 71/6 (v, gui/pf) [1810] |
106 | Singspiel, Abu Hassan Abu Hassan Abu Hassan is a comic opera in one act by Carl Maria von Weber to a German libretto by Franz Hiemer, based on a story in One Thousand and One Nights... [1810-11] |
107 | Duet, "Se il mio ben," Op. 31/1 (AA, Clarinet, 2 hn, str) [1811] |
108 | Canzonetta, "Ah, dove siete," Op. 29/1 (v, gui/pf) [1811] |
109 | Clarinet Concertino in E flat, Op. 26 [1811] |
110-13 | 4 songs for Der arme Minnesinger (voice, gui) (see Op. 25) [1811] |
114 | Clarinet Concerto No. 1 in F minor, Op. 73 [1811 Clarinet Concerto No. 1 (Weber) Carl Maria von Weber wrote his Clarinet Concerto No. 1 in F minor, Op. 73 for the clarinettist Heinrich Bärmann in 1811. The piece is considered a gem in the instrument's repertoire. It is written for clarinet in B-flat. The work consists of three movements in the form of fast, slow,... ] |
115 | Adagio & Rondo in F (harmonium, orch) [1811] |
116 | Trauer-Musik (Bar, chorus, 10 wind) [1811] |
117 | Song, "Maienblümlein, so schön," Op. 23/3 [1811] |
118 | Clarinet Concerto No. 2 in E flat major, Op. 74 [1811 Clarinet Concerto No. 2 (Weber) Carl Maria von Weber wrote his Clarinet Concerto No. 2 in E flat major, Op. 74, in 1811. It is composed of three movements:# Allegro# Andante con moto# Alla PolaccaA typical performance lasts 23 minutes... ] |
119 | Melody in F (Clarinet, with Piano accom by FW Jähns) [1811] |
120 | Canzonetta, "Ch'io mai vi possa," Op. 29/3 (v, gui/pf) [1811] |
121 | Scena & aria, "Misera me!" Op. 50 (S, orch) [1811] |
122 | Overture, "Der Beherrscher der Geister" ("Ruler of the Spirits"), Op. 27 [1811] |
123 | Duet, "Mille volte," Op. 31/2 (SS, Piano) [1811] |
124 | Canzonetta, "Ninfa se liete," Op. 29/2 (v, gui/pf) [1811] |
125 | Duet, "Va, ti consola," Op. 31/3 (SS, Piano) [1811] |
126 | Scena & aria, "Qual altro attendi" (T, chorus, orch) [1812] |
127 | Bassoon Concerto in F, Op. 75 [1811, rev. 1822 Bassoon Concerto (Weber) Carl Maria von Weber wrote his Bassoon Concerto in F major, Op. 75, in 1811. Weber revised the concerto in 1822, four years before his death. The work consists of three movements:# Allegro, ma non troppo# Adagio# Rondo: Allegro... ] |
128 | 7 Variations on a theme from Silvana, Op. 33 (Clarinet, Piano) [1811] |
129 | Song, "Romanze" ("Wiedersehen") [1812] |
130 | Song, "Sonett," Op. 23/4 [1812] |
131 | "Lenz erwacht, und Nachtigallen" (STB, chorus [STB], Piano) [1812] |
132 | "Das Turnierbankett," Op. 68/1 (TTB, male chorus) [1812] (used by Mahler in J.Anh. 5) |
133 | "An eine Freundin," Op. 23/6 (chorus [STTB], Piano) [1812] |
134 | Song, "Lebensansicht," Op. 66/4 [1812] |
135 | "Schwäbisches Tanzlied" (chorus [STTBB], Piano) [1812] |
136 | "Heisse, stille Liebe schwebet," Op.23/5 (chorus [STTB], Piano) [1812] |
137 | Song, "Bettlerlied," Op. 25/4 (v, gui/pf) [1812] |
138 | Piano Sonata No. 1 in C major, Op. 24 [1812] |
139 | "Kriegs-Eid" (unison male vv, 2 tpt, 3 hn, bsn, trbn) [1812] |
140 | Song, "Liebeglühen," Op. 25/1 (v, gui/pf) [1812] |
141 | 7 Variations on "A peine au sortir de l'enfance" from Méhul's opera Joseph, Op. 28 (Piano) [1812] |
142 | Scena & aria, "Signor, se padre sei," Op. 53a (T, 2 choruses, orch) [1812] |
143-8 | 6 Favorite Waltzes of the Queen of France, Marie Louise (Piano) [1812] |
149 | Waltz (fl, 2 Clarinet, 2 hn, tpt,2 bsn) [1812] |
150-53 | 4 songs by Duke Leopold August of Gotha, accompaniments arr. for winds [1812] |
154 | Hymn, "In seiner Ordnung schafft der Herr," Op. 36 (SATB, chorus, orch) [1812] |
155 | Piano Concerto No. 2 in E flat major, Op. 32 [1812] |
156 | Song, "Sind es Schmerzen," Op. 30/6 [1813] |
157 | Song, "Unbefangenheit," Op. 30/3 [1813] |
158 | Andante e Rondo ungarese in c (bsn, orch) (rev. of J. 79) [1813] |
159 | Song, "Reigen," Op. 30/5 [1813] |
160 | Song, "Minnelied," Op. 30/4 [1813] |
161 | Song, "Es stürmt auf der Flur," Op. 30/2 [1814] |
162-3 | 2 pieces arr. & orch'd for use in Fischer's Singspiel Die Verwandlungen [1814]: |
162 | J. Weigl's duet, "Ein jeder Geck" |
163 | anon. arietta, "Ihr holden Blumen" |
164 | Canon, "Zu dem Reich der Töne schweben" (4v) [1814] |
165 | "Lebenslied am Geburtstage" (4 male vv, Piano) [1814] |
166 | Song, "Gebet um die Geliebte," Op. 47/6 [1814] |
167 | Canon, "Scheiden und leiden uist einerlei" (4v) [1814] |
168-73 | "Leyer und Schwert," Op. 42 (6 male choruses) [1814]: |
168 | |
169 | |
170 | |
171 | |
172 | |
173 | |
174-7 | Song cycle, "Leyer und Schwert," Op. 41 [1814] |
178 | Scena, "Ah, se Edmondo," Op. 57 (for Méhul's opera, Héléna) [1815] |
179 | Air russe (Schöne Minka), 9 Variations, Op. 40 (Piano) [1815] |
180 | "Drei Knäbchen lieblich austaffiret" (burlesque on Mozart's Magic Flute) (male vv) [1815] |
181 | Scena & aria, "Non paventar mia vita," Op. 51 (S, orch) [1815] |
182 | Clarinet Quintet in B flat major, Op. 34 [1815] |
183-4 | 2 songs for A. Fischer's Singspiel, Der travestierte Aeneas [1815] (183 used by Mahler in J.Anh. 5; 184 revised as J. 185) |
185 | Deutscher (Original-Walzer) in D (orch) (rev. of J. 184) [1815] |
186-7 | 2 songs in "Lieb und Versöhnen" [1815] |
188 | Horn Concertino in E minor Concertino for horn (Weber) The Concertino for Horn and Orchestra in E minor, J188 , was composed in 1815 by Carl Maria von Weber. It is an extremely taxing work for natural horn or valve horn and small orchestra... , Op. 45 (1st version lost) [1806, rev. 1815] |
189 | Ballad, "Was stürmet," Op. 47/3 (Bar, harp) [1815] |
190 | Cantata, "KamPiano und Sieg," Op. 44 (SATB, chorus, orch) [1815] |
191 | Tedesco in D (orch) [1816] |
192 | Song, "Der Jüngling und die Spröde," Op. 47/4 [1816] |
193 | Canon, "Weil Maria Töne hext" (3v) [1816] |
194 | Arietta for Das Sternenmädchen in Maidlinger Walde (text lost) [1816] |
195 | Romance, "Ein König einst gefangen sass" (voice, gui) [1816] |
196 | Song, "Mein Verlangen," Op. 47/5 [1816] |
197 | Song, "Die gefangenen Sänger," Op. 47/1 [1816] |
198 | Song, "Die freien Sänger," Op. 47/2 [1816] |
199 | Piano Sonata No. 2 in A flat major, Op. 39 [1816] |
200-03 | Song cycle, "Die Temperamente beim Verluste der Geliebten," Op. 46 [1816] |
204 | Grand duo concertant in E flat major, Op. 48 (Clarinet, Piano) [1815-16] |
205 | Songs, "Bei der Musik des Prinzen Louis Ferdinand von Preussen," Op. 43 [1816] |
206 | Piano Sonata No. 3 in D minor, Op. 49 [1816] |
207 | Divertimento assai facile (gui, Piano) [1816] |
208 | Duet, "Abschied: O Berlin, ich muss dich lassen," Op. 54/4 (2v, Piano) [1817] |
209 | Duet, "Quodlibet: So geht es in Schnützelputz-Häusel," Op. 54/2 (2v, Piano) [1817] |
210 | Duet, "Mailied: Tra, ri, ro!" Op. 64/2 (2v, Piano) [1817] |
211 | Song, "Alte Weiber," Op. 54/3 [1817] |
212 | Song, "Liebeslied," Op. 54/2 [1817] |
213 | Song, "Wunsch und Entsagung," Op. 66/6 [1817] |
214 | Incidental music, König Yngurd (10 inst. nos., 1 song) [1817] |
215-16 | Orchestrations of 2 pieces for inclusion in Méhul's opera Héléna [1817]: |
215 | F. Paer's recit & cavatina, "Von dir entfernt" |
216 | S. Nasolini's recit & duet, "Ja, Liebe" |
217 | Song, "Das Veilchen im Tale," Op./ 66/1 [1817] |
218 | "Zwei Kränze zum Annen-Tage," Op. 53b (4 male vv, Piano) [1817] |
219 | 7 Variationen [in C] über ein Zigeunerlied, Op. 40 (Piano) [1817] |
220 | Incidental music, Donna Diana (6 nos.) [1817] |
221 | Cantata, "L'accoglienza" (SSSTBB, chorus, orch) [1817] |
222 | Song, "Hold ist der Zyanenkranz" (solo vv, chorus) [1817] |
223 | Romance, "Leise weht es" (used by Mahler in J.Anh. 5) [1818] |
224 | Missa sancta No. 1 in E flat major, Op. 75a (SATB, chorus, orch) [1817-18] |
225 | Song, "Sei gegrüsst, Frau Sonne, mir" [1818] |
226 | Offertory, "Gloria et honore" (S, chorus, orch) (for J. 224) [1818] |
227 | Dance & Song, "In Provence" (T, chorus) (spurious?) [1818] |
228 | "Schöne Ahnung ist erglommen" (4 male vv, Piano) [1818] |
229 | Song, "Lied der Hirtin," Op. 71/5 [1818] |
230 | Song, "Gelahrtheit," Op. 64/4 [1818] |
231 | Song, "Weine, weine," Op. 54/7 [1818] |
232 | Song, "Die fromme Magd," Op. 54/1 [1818] |
233 | Song, "Wenn ich ein Vöglein wár," Op. 54/6 [1818] |
234 | Song, "Mein Schatzerl ist hübsch," Op. 64/1 [1818] |
235 | Song, "Heimlicher Liebe Pein," Op. 64/3 [1818] |
236 | Moderato, Op. 60/1 (Piano 4-hands) [1818] |
237 | Incidental music, Heinrich IV, König von Frankenreich (8 inst. nos.) [1818] |
238 | Song, "Rosen im Haare," Op. 66/2 [1818] |
239 | Scena & aria for Cherubini's Lodoiska, "Was sag ich?" Op. 56 [1818] |
240 | Chorus, "Heil dir, Sappho" (SSB, wind, perc) [1818] |
241 | "Natur und Liebe," Op. 61 (chorus [SSTTBB], Piano) [1818] |
242 | Allegro, Op. 60/2 (Piano 4-hands) [1818] |
243 | Song, "Ein Mädchen ging," Op. 71/2 (voice, Piano/gui) [1818] |
244 | Jubel-Kantate, Op. 58 (SATB, chorus, orch) [1818] |
245 | Jubel-Ouverture in E major, Op. 59 [1818] |
246 | Incidental music, Lieb um Liebe (6 nos.) [1818] |
247 | "God Save the King," arr. male chorus [?1818] |
248 | Adagio, Op. 60/3 (Piano 4-hands) [1818] |
249 | "Ei, ei, ei, wie scheint der Mond so hell," Op. 64/7 (male vv) [1818] |
250 | Offertory, "In die solemnitatis" (S, chorus, orch) (for J. 251) [1818] |
251 | Missa sancta No. 2 in G, "Jubelmesse" (SATB, chorus, orch) [1818-19] |
252 | Rondo brillante in E flat major, "La gaîté," Op. 62 (Piano) [1819] |
253 | Allegro – tutto ben marcato, Op. 60/4 (Piano 4-hands) [1819] |
254 | Alla siciliana, Op. 60/5 (Piano 4-hands) [1819] |
255 | Song, "Abendsegen," Op. 64/5 [1819] |
256 | Song, "Triolett," Op. 71/1 (used by Mahler in J.Anh. 5) [1819] |
257 | Song, "Liebesgruss aus der Ferne," Op. 64/6 [1819] |
258 | Song, "Herzchen, mein Schätzchen," Op. 64/8 [1819] |
259 | Trio in G minor for fl, vc, Piano, Op. 63 [1819] |
260 | Aufforderung zum Tanz (Invitation to the Dance) Invitation to the Dance (Weber) Invitation to the Dance , Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz... : Rondo brillant in D flat, Op. 65 (Piano) [1819] |
261 | Partsong, "Gute Nacht," Op. 68/5 (4 male vv) [1819] |
262 | Partsong, "Freiheitslied," Op., 68/3 (4 male vv) [1819] |
263 | Partsong, "Ermunterung," Op. 68/2 (4 male vv) [1819] |
264 | Tema variato ("Ich hab' mir Eins erwählet"), Op. 60/6 (Piano 4-hands) [1819] |
265 | Marcia, Op. 60/7 (Piano 4-hands) [1819] |
266 | Rondo, Op. 60/8 (Piano 4-hands) [1819] |
267 | Song, "Das Mädchen an das erste Schneeglöckchen," Op. 71/3 [1819] |
268 | Polacca brillante in E major, "L'hilarité," Op. 72 (Piano) [1819] |
269 | Song, "Sehnsucht" ("Weihnachtslied"), Op. 80/2 [1818] |
270 | Song, "Elfenlied," Op. 80/3 [1819] |
271 | Music for ceremonial prologue (including song, "Du hohe Rautenzeig," to melody of "God Save the King") (chorus, 6 wind) [1819] |
272 | Double canon (4v) [1819] |
273 | Agnus Dei (SSA, wind) [1820] |
274 | Song, "Schmerz," Op. 80/4 [1820] |
275 | Song, "An sie," Op. 80/5 [1820] |
276 | Incidental music, Der Leuchtturm (4 harp nos.) [1820] |
277 | Opera, Der Freischütz Der Freischütz Der Freischütz is an opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. It premiered on 18 June 1821 at the Schauspielhaus Berlin... , Op. 77 [1817-21] |
278 | Song, "Der Sänger und der Maler," Op. 80/6 [1820] |
279 | Incidental music, Preziosa, Op. 78 (ov., 11 nos.) [1820] |
280 | Song for The Merchant of Venice, "Sagt, woher" (women's vv, gui) [1821] |
281 | Song, "Lied von Clotilde," Op. 80/1 [1821] |
282 | Konzertstück in F minor, Op. 79 (pf, orch) [1821] |
283 | Cantata, "Du, bekränzt unsre Laren" (SSTB, chorus, fl, Piano) [1821] |
284 | Partsong, "Husarenlied," Op. 68/6 (4 male vv) [1821] |
285 | Partsong, "Schlummerlied," Op. 68/4 (4 male vv) [1822] |
286 | Song, "Das Licht im Tale" [1822] |
287 | Piano Sonata No. 4 in E minor, Op. 70 [1819-22] |
288 | Marcia vivace (10 tpt) [1822] |
289 | Incidental music, "Den Sachsensohn vermählet heute" (ov., 5 choral nos.) (one used by Mahler in J.Anh. 5) [1822] |
290 | Cantata, "Wo nehm ich Blumen her" (chorus [STB], Piano) [1823] |
291 | Opera, Euryanthe Euryanthe Euryanthe is a German "grand, heroic, romantic" opera by Carl Maria von Weber, first performed at the Theater am Kärntnertor, Vienna on 25 October 1823... , Op. 81 [1822-3] |
292 | Song (Romance), "Elle était simple et gentilette" (used by Mahler in J.Anh. 5) [1824] |
293 | "Reiterlied" (4 male vv, Piano ad lib) [1825] |
294 | "Schützenweihe" (4 male vv, Piano ad lib) [1825] |
295ff | 10 schottische Nationalgesänge (10 Scottish Folksongs), acc. arr. fl, vn, vc, Piano [1825]: |
295 | "The soothing shades of gloaming" |
296 | "The Troubadour" |
297 | "O poortith cauld" |
298 | "Bonny Dundee" |
299 | "Yes, thou may'st walk" |
300 | "A soldier am I" |
301 | "John Anderson, my jo'" |
302 | "O my love's like the red, red rose" |
303 | "Robin is my joy" |
304 | "Whar' hae ye been a' day" |
305 | Arioso & recit for Spontini's Olympie, "Doch welche Töne" [1825] |
306 | Opera, Oberon Oberon (opera) Oberon, or The Elf King's Oath is a 3-act romantic opera in English with spoken dialogue and music by Carl Maria von Weber. The libretto by James Robinson Planche was based on a German poem, Oberon, by Christoph Martin Wieland, which itself was based on the epic romance Huon de Bordeaux, a French... [1825-6] |
307 | March (wind) (rev. of J. 13 with new trio; also arr. chorus, orch as "Zu den Fluren des heimischen Herdes") [1826] |
308 | Song, "Gesang der Nurmahal: From Chindara's warbling fount I come" (Piano part reconstructed by Moscheles) [1826] |
Anh. 1 | Opera, Das Waldmädchen [1800] |
Anh. 3 | "Deo rosa" (incomplete) (4 male vv, Piano) [1821] |
Anh. 5 | Opera, Die drei Pintos Die drei Pintos Die drei Pintos is a comic opera of which Carl Maria von Weber began composing the music, working on a libretto by Theodor Hell... (unfinished; completed by Mahler, 1888) [1820-1] |
Anh. 6 | Singspiel, Die Macht der Liebe und des Weins (lost) [1798] |
Anh. 8 | Mass in E flat major, "Grosse Jugendmesse" (SATB, chorus, orchestra, organ) [1802] |
Anh. 67-70 | 4 solfèges [1818] |
– | Miscellaneous:
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