List of compositions by Jan Dismas Zelenka
Encyclopedia
The list of compositons by Czech composer Jan Dismas Zelenka
was indexed in accordance with Wolfgang Reiche's thematic catalogue "Jan Dismas Zelenka: Thematisch-systematisches Verzeichnis der musikalischen Werke (ZWV)", Dresden, 1985. The list includes vocal-instrumental (masses
, requiem
s, oratoria
, psalms, hymn
s, litanies
, opera
tic works, melodrama
, processional
s, antiphons, aria
s, motet
s, short liturgical
and spiritual compositions), instrumental and orchestra
l works (sonata
s, sinfonia
s, concerto
, etc.).
ZWV 212: Trumpet Fanfares, (6 pieces), c.1722, ZWV 213: Mass, (D), ZWV 214: Mass, (D), ZWV 215: Mass, (g),
ZWV 216: Credo, (D), ZWV 217: Salve Regina duplex, (F), ZWV 218: Salve Regina, ZWV 219: Salve Regina,
ZWV 220: Cantiones sacrae, (18) (Giovanni Palestrina ?), 2nd Motet Book), ZWV 221: O sing unto the Lord, (Anthem) (19th century transcription), ZWV 230: Agnus Dei, (a) (listed in inventarium), ZWV 231: Aria animae poenitentis, (c) (listed in inventarium), ZWV 232: Ave Regina, (a) (listed in inventarium),
ZWV 233: Eja triumphos pangite, (Offertorium
; C), pre-1715 ?, ZWV 234: Gaudia mille, (Motet; C) (listed in inventarium), ZWV 236: Iste Confessore, (Hymn; C) (listed in inventarium), ZWV 240: Missa Sanctae Conservationis (lost), ZWV 241: Missa Theophorica a 2 Cori (listed in inventarium), ZWV 242: Missa tranquilli animi, ZWV 243: Quid statis. De Beata Virgine Maria (listed in inventarium), ZWV 244: Tantum ergo, (c), ZWV 245: Via laureata, (school drama), 1704 (lost), ZWV 247: Requiem, 1724?, ZWV 248: Missa in honorem B. Alberti Magni, (D), ZWV 249: Missa, (D).
Jan Dismas Zelenka
Jan Dismas Zelenka , baptised Jan Lukáš Zelenka and previously also known as Johann Dismas Zelenka, was the most important Czech Baroque composer, whose music was notably daring with outstanding harmonic invention and mastery of counterpoint.- Life :Zelenka was born in Louňovice pod Blaníkem, a small...
was indexed in accordance with Wolfgang Reiche's thematic catalogue "Jan Dismas Zelenka: Thematisch-systematisches Verzeichnis der musikalischen Werke (ZWV)", Dresden, 1985. The list includes vocal-instrumental (masses
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...
, requiem
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead , is a Mass celebrated for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal...
s, oratoria
Oratorio
An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias...
, psalms, hymn
Hymn
A hymn is a type of song, usually religious, specifically written for the purpose of praise, adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification...
s, litanies
Litany
A litany, in Christian worship and some forms of Jewish worship, is a form of prayer used in services and processions, and consisting of a number of petitions...
, opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic works, melodrama
Melodrama
The term melodrama refers to a dramatic work that exaggerates plot and characters in order to appeal to the emotions. It may also refer to the genre which includes such works, or to language, behavior, or events which resemble them...
, processional
Processional
Processional: A Jazz Symphony of American Life is a four-act modernist comedy by the American playwright John Howard Lawson. It was first produced by the Theatre Guild at the Garrick Theatre in New York, opening on January 12 1925 in a two-month run. Philip Moeller directed while Mordecai Gorelik...
s, antiphons, aria
Aria
An aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...
s, motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
s, short liturgical
Liturgy
Liturgy is either the customary public worship done by a specific religious group, according to its particular traditions or a more precise term that distinguishes between those religious groups who believe their ritual requires the "people" to do the "work" of responding to the priest, and those...
and spiritual compositions), instrumental and orchestra
Orchestra
An orchestra is a sizable instrumental ensemble that contains sections of string, brass, woodwind, and percussion instruments. The term orchestra derives from the Greek ορχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus...
l works (sonata
Sonata
Sonata , in music, literally means a piece played as opposed to a cantata , a piece sung. The term, being vague, naturally evolved through the history of music, designating a variety of forms prior to the Classical era...
s, sinfonia
Sinfonia
Sinfonia is the Italian word for symphony. In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite...
s, concerto
Concerto
A concerto is a musical work usually composed in three parts or movements, in which one solo instrument is accompanied by an orchestra.The etymology is uncertain, but the word seems to have originated from the conjunction of the two Latin words...
, etc.).
Confirmed works
ZWV | Title | Key | Year | Notes |
---|---|---|---|---|
1 | Missa Sancta Caeciliae | G | c.1711 | |
2 | Missa Judica me | F | 1714 | |
3 | Missa Corporis Domini | C | c.1719 | |
4 | Missa Sancti Spiritus | D | 1723 | |
5 | Missa Spei | C | 1724 | missing |
6 | Missa Fidei | C | 1725 | |
7 | Missa Paschalis | D | 1726 | |
8 | Missa Nativitatis Domini | D | 1726 | |
9 | Missa Corporis Domini | D | c.1727 | |
10 | Missa Charitatis | D | 1727 | |
11 | Missa Circumcisionis Dei Nostri Jesu Christi | D | 1728 | |
12 | Missa Divi Xaverii | D | 1729 | |
13 | Missa Gratias agimus tibi | D | 1730 | |
14 | Missa Sancti Josephi | D | c.1731 | |
15 | Missa Eucharistica | D | 1733 | |
16 | Missa Purificationis Beatae Virginis Mariae | D | 1733 | |
17 | Missa Sanctissimae Trinitatis Missa Sanctissimae Trinitatis Missa Sanctissimae Trinitatis in A-minor, ZWV 17, is the vocal-instrumental sacred work, written by Czech baroque composer Jan Dismas Zelenka... |
a | 1736 | |
18 | Missa Votiva | e | 1739 | |
19 | Missa Dei Patris | C | 1740 | |
20 | Missa Dei Filii | C | c.1740 | |
21 | Missa Omnium Sanctorum | a | 1741 | |
22 | Missa Sancti Blasii | C | attributed, date unknown | |
23 | Missa | D | attributed, date unknown | |
26 | Kyrie, Sanctus, Agnus Dei | d | c.1723 | |
27 | Kyrie | a | 1725 | |
28 | Kyrie | d | date unknown | |
29 | Christe eleison | e | c.1740 | |
30 | Gloria | F | 1724 | |
31 | Credo | d | c.1728 | |
32 | Credo a due chori | F | c.1724 | |
33 | Credo | g | c.1725 | |
34 | Sanctus, Agnus | g | c.1728 | |
35 | Sanctus | a | 1725 | |
36 | Sanctus | d | c.1728 | |
37 | Agnus Dei | C | c.1723 | |
38 | Agnus Dei | G | 1725 | |
39 | Agnus Dei | g | ||
45 | Requiem | c | date unknown | |
46 | Requiem | D | 1733 | |
47 | Invitatorium, Lectiones et Responsoria | 1733 | ||
48 | Requiem | D | c.1731 | |
49 | Requiem | F | pre-1730 | |
50 | De Profundis | d | 1724 | |
53 | Lamentationes pro hebdomada (6 pieces) | c, F, B, g, A, F | 1722 | |
54 | Lamentationes pro hebdomada (3 pieces) | B, F, F | 1723 | |
55 | Responsoria pro hebdomada (27 pieces) | c.1723 | ||
56 | Miserere | d | 1722 | |
57 | Miserere | c | 1738 | |
58 | Immisit Dominus pestilentiam | 1709 | ||
59 | Attendite et videte | 1712 | ||
60 | Deus Dux fortissime | 1716 | ||
61 | Il Serpente di bronzo (oratorio) | 1730 | ||
62 | Gesù al Calvario (oratorio) | 1735 | ||
63 | I penitenti al Sepolchro del Redentore (oratorio) | 1736 | ||
66 | Dixit Dominus | a | c.1725 | SATB, soli & ch.; 2Ob.; 2Vn.; 2Va.; B.c. |
67 | Dixit Dominus | C | c.1728 | SATB, soli & ch.; 2Ob.; 2Vn.; Va.; B.c. |
68 | Dixit Dominus | D | 1726 | SATB, soli & ch.; 2Tpt.; Timp.; 2Ob.; 2Vn.; 2Va.; B.c. |
69 | Dixit Dominus | F | c.1728 | missing |
70 | Confitebor tibi Domine | a | c.1728 | SATB, soli & ch.; 2Ob.; 2Vn.; Va.; B.c. |
71 | Confitebor tibi Domine | c | 1729 | B, solo; 2Ob.; 2Vn.; Va.; Org. |
72 | Confitebor tibi Domine | e | 1725 | SATB, soli & ch.; 2Ob.; 2Vn.; 2Va.; B.c. |
73 | Confitebor tibi Domine | e | c.1728 | SATB, soli & ch.; 2Ob.; 2Vn.; Va.; B.c. |
74 | Confitebor tibi Domine | G | c.1726 | missing |
75 | Beatus vir | a | 1725 | A, solo; SATB, ch.; 2Ob.; 2Vn.; 2Va.; B.c. |
76 | Beatus vir | C | 1726 | SATB, soli & ch.; 2Ob.; 2Vn.; 2Va.; B.c. |
77 | Beatus vir | d | missing | |
78 | Laudate pueri | A | c.1726 | missing |
79 | Laudate pueri | a | c.1728 | missing |
80 | Laudate pueri | a | missing | |
81 | Laudate pueri | D | c.1729 | |
82 | Laudate pueri | F | c.1725 | |
83 | In exitu Israel | d | c.1725 | |
84 | In exitu Israel | g | c.1728 | |
85 | Credidi | a | c.1728 | |
86 | Laudate Dominum | F | missing | |
87 | Laudate Dominum | F | c.1728 | |
88 | Laetatus sum | D | c.1726 | |
89 | Laetatus sum | D | missing | |
90 | Laetatus sum | A | c.1730 | missing |
91 | In convertendo | g | c.1728 | |
92 | Nisi Dominus | a | c.1726 | |
93 | Nisi Dominus | a | missing | |
94 | Beati omnes | g | c.1728 | |
95 | De profundis | a | 1728 | |
96 | De profundis | c | c.1727 | |
97 | De profundis | d | c.1724 | |
98 | Memento Domine David | E | c.1728 | |
99 | Ecce nunc benedicite | a | c.1739 | |
100 | Confitibor tibi Domine | B | c.1728 | |
101 | Domine probasti me | F | c.1728 | |
102 | Lauda Jerusalem | a | c.1728 | |
103 | Lauda Jerusalem | d | c.1728 | missing |
104 | Lauda Jerusalem | F | c.1727 | |
106 | Magnificat | a | missing | |
107 | Magnificat | C | c.1727 | |
108 | Magnificat | D | 1725 | |
110 | Ave maris stella | d | c.1726 | |
111 | Creator alme siderum | d | 1725 | |
112 | Crudelis Herodes | g | 1732 | |
113 | Deus tuorum militum | C | c.1729 | |
114 | Exesultet orbis gaudiis | D | c.1730 | |
115 | Jam sol recessit | d | c.1726 | |
116 | Jesu corona virginum | d | c.1729 | |
117 | Iste confessor | a | c.1729 | |
118 | Ut queant laxis | a | c.1726 | |
119 | Veni Creator Spritus | a | c.1726 | |
120 | Veni Creator Spritus | C | c.1729 | |
123 | Alma Redemptoris Mater | A | c.1727 | |
124 | Alma Redemptoris Mater | a | c.1725 | |
125 | Alma Redemptoris Mater | a | c.1729 | |
126 | Alma Redemptoris Mater | D | c.1730 | |
127 | Alma Redemptoris Mater | d | c.1728 | |
128 | Ave Regina coelorum (6 pieces) | a, d, C, g, G, a | 1737 | |
129 | Regina coeli (3 pieces) | C, a, C | post-1728 | |
130 | Regina coeli | A | 1729 | |
131 | Regina coeli | A | missing | |
132 | Regina coeli | C | missing | |
133 | Regina coeli | D | c.1731 | incomplete sketch |
134 | Regina coeli | F | c.1726 | |
135 | Salve Regina | a | 1730 | |
136 | Salve Regina | a | c.1727 | |
137 | Salve Regina | a | ||
138 | Salve Regina (2 pieces) | C, D | missing | |
139 | Salve Regina | d | 1724 | |
140 | Salve Regina | g | c.1725 | |
141 | Salve Regina | g | ||
145 | Te Deum | D | c.1724 | |
146 | Te Deum | D | 1731 | |
147 | Litaniae de Venerabili Sacramento | C | 1727 | |
148 | Litaniae de Venerabili Sacramento | D | 1729 | |
149 | Litaniae Lauretanae | C | 1718 | |
150 | Litaniae Lauretanae | G | 1725 | |
151 | Litaniae Lauretanae 'Consolatrix afflictorum' | G | 1744 | |
152 | Litaniae Lauretanae 'Salus infirmorum' | F | 1744 | |
153 | Litaniae Omnium Sanctorum | a | c.1735 | |
154 | Litaniae Xaverianae | D | 1723 | |
155 | Litaniae Xaverianae | c | 1727 | |
156 | Litaniae de Sancto Xaverio | F | 1729 | |
157 | Sub tuum praesidium (10 pieces) | g, c, d, d, e, F, g, G, d, g | 1734 | |
158 | Statio quadruplex pro Processione Theophorica | B | pre-1710 | |
159 | Pange lingua 'pro stationibus Theophoriae' | c | missing parts | |
161 | Angelus Domini descendit (Offertorium) | A | 1723 | |
162 | O sponsa amata; Sion salvatorum (2 arias) | D, G | attributed | |
163 | Asperges me (4 pieces) | F, F, G, G | c.1724 | |
164 | Barbara dira effera (motet) | F | c.1733 | |
165 | Chvalte Boha silného (motet) | G | ||
166 | Currite ad aras (Offertorium) | C | 1716 | |
167 | Da pacem Domine | B | c.1740 | |
168 | Gaude laetare (Motet) | A | 1731 | |
169 | Haec dies (Hymn) | C | 1730 | |
170 | Haec dies (Hymn) | F | c.1726 | |
171 | O magnum mysterium (Motet) | e | 1723 | |
172 | Pro, quos criminis (Hymn) | F | 1723 | |
175 | Sub olea pacis: Melodrama de Sancto Wenceslao Sub olea pacis et palma virtutis Sub olea pacis et palma virtutis conspicua orbi regia Bohemiae Corona: Melodrama de Sancto Wenceslao , ZWV 175, is an extensive composition, written in 1723 by Czech baroque composer Jan Dismas Zelenka.- History:The... |
1723 | ||
176 | Italian Arias | |||
177 | Il Diamante (Serenata) | 1737 | ||
178 | Crab canons 'Emit amor' (2 pieces) | C | c.1723 | |
179 | Cantilena circularis 'Vide Domine' | C | 1722 | |
181 | Trio or Quartet Sonatas (6 pieces) | F, g, B, g, F, c | c.1721 | |
182 | Capriccio | D | c.1717 | |
183 | Capriccio | G | 1718 | |
184 | Capriccio | F | c.1718 | |
185 | Capriccio | A | 1718 | |
186 | Concerto à 8 Concertanti | G | 1723 | |
187 | Hipocondrie à 7 Concertanti | A | 1723 | |
188 | Overture à 7 Concertanti | F | 1723 | |
189 | Simphonie à 8 Concertanti | a | 1723 | |
190 | Capriccio | G | 1729 | |
191 | Canons on the Hexachord (9 pieces) | c.1721 | ||
203 | Lamentationes Ieremiae Prophetae |
Selection of lost or doubtful works
ZWV 200: Missa, (C), ZWV 201: Credo, (D), ZWV 202: Sanctus, Agnus, (G), c.1725, ZWV 204: Salve Regina, (a), c.1719, ZWV 205: Salve Regina, (F), ZWV 206: Benedictus Dominus, (g), c.1723, ZWV 207: Bendedictus sit Deus Pater, (D), c.1729, ZWV 208: Graduale Propter veritatem, (F), ZWV 209: Sollicitus fossor, (Motet; D), c.1730, ZWV 210: Veni Sancte Spiritus, (D), c.1739, ZWV 211: Qui nihil sortis felicitis, (Motet; B), 1730,ZWV 212: Trumpet Fanfares, (6 pieces), c.1722, ZWV 213: Mass, (D), ZWV 214: Mass, (D), ZWV 215: Mass, (g),
ZWV 216: Credo, (D), ZWV 217: Salve Regina duplex, (F), ZWV 218: Salve Regina, ZWV 219: Salve Regina,
ZWV 220: Cantiones sacrae, (18) (Giovanni Palestrina ?), 2nd Motet Book), ZWV 221: O sing unto the Lord, (Anthem) (19th century transcription), ZWV 230: Agnus Dei, (a) (listed in inventarium), ZWV 231: Aria animae poenitentis, (c) (listed in inventarium), ZWV 232: Ave Regina, (a) (listed in inventarium),
ZWV 233: Eja triumphos pangite, (Offertorium
Offertorium
Offertorium may refer to:* Offertorium , a concerto for violin and orchestra composed by Sofia Gubaidulina* Latin for Offertory, where the alms of a congregation are collected in church, or at any religious service....
; C), pre-1715 ?, ZWV 234: Gaudia mille, (Motet; C) (listed in inventarium), ZWV 236: Iste Confessore, (Hymn; C) (listed in inventarium), ZWV 240: Missa Sanctae Conservationis (lost), ZWV 241: Missa Theophorica a 2 Cori (listed in inventarium), ZWV 242: Missa tranquilli animi, ZWV 243: Quid statis. De Beata Virgine Maria (listed in inventarium), ZWV 244: Tantum ergo, (c), ZWV 245: Via laureata, (school drama), 1704 (lost), ZWV 247: Requiem, 1724?, ZWV 248: Missa in honorem B. Alberti Magni, (D), ZWV 249: Missa, (D).