Los Troveros Criollos
Encyclopedia
Los Troveros Criollos is one of the most relevant groups in the history of Peruvian's musica criolla
Música criolla
Música criolla is a category of Peruvian music that combines mainly African, Spanish and Andean influences. Afro-Peruvian music was first created by African slaves in Peru during the Colonial Period and beyond. The rhythms include Festejo, Landó, Socabon, Pregon, Zamacueca, and Alcatraz...

. Between 1952 and 1961 they recorded a wide range of songs, which became standards within this genre.

History

It was first founded as a dúo in 1952, by lead guitarist and vocalist Luis Garland and Jorge Pérez, main vocalist and rhythm guitar. Their style was remarkable and somehow funny, using in their songs typical street expressions, known as "replana". Their composer Mario Cavagnaro created exclusively these songs for them. Their biggest hits were "Yo la quería Patita", "Cantame ese vals Patita"" and "Afane otro estofado".

They separated in 1955, because of musical reasons. Luis Garland, looking for improvements and development in his music found two other musicians, to fulfill his aspirations. Jorge Pérez remained loyal to his original style and continued singing similar songs until the end of his career.

The trío Los Troveros Criollos consisted of Humberto Pejovés (lead singer), Luis Garland (vocals and lead guitar) and José Ladd (vocals and rhythm guitar). Their style was wide and included all typical arts of musica criolla; i.e. valses, marineras limenas, marineras nortenas, tonderos, etc. Among the characteristics of this group were their ability to create romantic 3 voice harmonies as well as energic and furious interpretations of the old guard (guardia vieja) waltzes and marineras.

Their biggest hits were "Luis Pardo", "Romance en la Parada" (a love story in the marketplace), "Cuando esté bajo una Loza" (When I´m buried) and "Rosa Te".
They separated in 1961, because of personal reasons. All of them returned to practice their own professions in finances and law.

For a short period another trío was built, integrated by again Luis Garland, José Ladd and Carlos García, new lead vocal. During this period their major hits were El rosario de mi madre, Gracia, and Noche de Amargura. They finally separated in 1962.

Discography

The first generation of Los Troveros Criollos (Garland & Pérez), recorded many songs between 1952 and 1955. The most popular were: "Afana otro Estofado", "Ay Raquel", "Cantame ese Vals Patita", "Carretas aquí es el Tono", "El Parisien", "Parlamanias" and "Yo la quería Patita".

The second generation of Los Troveros Criollos (Pejovés, Garland & Ladd) also recorded a wide amount of songs between 1956 and 1960. The most popular were: "Corto Circuito", "Cuando esté bajo una Loza", "Luis Pardo", "Puedes irte", "Romance en La Parada", "Rosa Té and "Zamba Zambita".

The third generation of Los Troveros Criollos (García, Garland & Ladd) recorded their first and only own LP and a contribution to another one called The Best of Chabuca Granda. Their major hits were "El Rosario de mi Madre", "Gracia" and "Noche de Amargura".
Period Song Author
1952–1955 Ay Raquel A.Polo Campos
1952–1955 Cabecita loca F. Quiroz
1952–1955 Cantame ese Vals Patita M. Cavagnaro
1952–1955 Carretas aquí es el Tono M. Cavagnaro
1952–1955 El Parisien Derechos reservados
1952–1955 La Jarana de Colón A. Polo Campos
1952–1955 Yo la quería Patita M. Cavagnaro
1956–1960 Corto Circuito M. Cavagnaro
1956–1960 Cuando esté bajo una Loza M. Acosta Ojeda
1956–1960 Luis Pardo Guardia vieja
1956–1960 Mi Perdición Guardia vieja
1956–1960 Puedes irte M. Acosta Ojeda
1956–1960 Romance en la Parada A. Polo Campos
1956–1960 Rosa Té M. Arroyo
1961–1962 Así te quiero yo M. Acosta Ojeda
1961–1962 El Rosario de mi Madre M. Cavagnaro
1961–1962 Gracia I. Granda
1961–1962 Noche de Amargura A. Polo Campos

External links


  • Category:Peruvian music
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