Lucine Amara
Encyclopedia
Lucine Amara is an American soprano
who was largely based at the Metropolitan Opera
in New York.
, of Armenian heritage, before moving to San Francisco where she was raised.
She studied at the San Francisco's Community Music School under Stella Eisner-Eyn and sang in the chorus of the San Francisco Opera
, 1945-46. In 1946, Amara made her concert debut at the War Memorial Opera House. Continuing her studies at the Music Academy of the West
with Richard Bonelli
in 1947, she won a contest to appear at the Hollywood Bowl
in 1948. She continued as a student at the University of Southern California
and as a soloist
for the San Francisco Symphony
for the following two years. Amara appeared in the title role of Ariadne auf Naxos
and as Lady Billows in Britten's Albert Herring
in 1949.
Amara made her Metropolitan Opera debut as the "Voice from Heaven" in Verdi's Don Carlos
, the opening night of Sir Rudolf Bing's inaugural season as general manager, on November 6, 1950. She continued at the Met over the course of 41 seasons until 1991, singing 56 roles in 882 appearances, nearly 60 of which were broadcast on radio and television. Appearing regularly as Micaëla in Carmen
, Cio-Cio-San in Madame Butterfly, and Tatiana in Eugene Onegin
, Antonia in Les contes d'Hoffmann
, Donna Elvira in Don Giovanni
, Nedda in Pagliacci
, Mimi in La bohème
, her repertoire also included Leonora in Il trovatore
and Aida
.
In the mid-1970s, Amara was given only a "cover" contract - essentially a contract to be a stand-by for an indisposed singer - and was scheduled for fewer and fewer performances. In 1976 at the age of 51, she successfully sued the Met for age discrimination, but sang only sporadically with the company after that, and was absent from the roster from 1977 until 1981. In the last years of her Met career, she sang only one or two performances a season (one performance each in 1985, 1986, 1988, 1989 and 1991, and two in 1987; the 1985 performance took place at the Kennedy Center where the Met was on tour; the 1986 performance was presented by the Met in Brooklyn's Prospect Park). Amara did not appear with the company at its Lincoln Center home between 1983 and 1987.
Amara also performed in Europe, Asia, and South America, including at Glyndebourne
(1954–55, 1957–58), the Edinburgh Festival
(1954), the Vienna State Opera
(1961), Russia (1965), and China (1983.)
Amara made a few recordings, notably as Musetta in La bohème, opposite Victoria de los Ángeles
, Jussi Björling
and Robert Merrill
under Thomas Beecham
, as Elsa in Lohengrin
, opposite
Sandor Konya
, Rita Gorr
, Jerome Hines
, under Erich Leinsdorf
, she also recorded the role of Nedda in Pagliacci twice, opposite Richard Tucker
in 1951, and opposite Franco Corelli
in 1960. Amara was also recorded singing the Soprano Solo in Verdi's Messa da Requiem. Made in 1964/5, the recording also features Maureen Forrester
(Mezzo-Soprano), Richard Tucker
(Tenor), George London
(Bass), and the Philadelphia Orchestra
, conducted by Eugene Ormandy
.
After retiring, Amara became the artistic director of the New Jersey Association of Verismo and taught master classes in the United States, Canada and Mexico. On January 23, 2005, she performed as a special guest artist with the Musica Bella Orchestra. The Times
called Amara "the greatest lyric soprano of our time." Time Magazine wrote that "she brought to the stage the kind of dazzling vocal splendor that made the Met famous. In 1989 she was inducted into the Academy of Vocal Arts Hall of Fame.
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
who was largely based at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
in New York.
Biography
Amara was born Lucine Armaganian in Hartford, ConnecticutHartford, Connecticut
Hartford is the capital of the U.S. state of Connecticut. The seat of Hartford County until Connecticut disbanded county government in 1960, it is the second most populous city on New England's largest river, the Connecticut River. As of the 2010 Census, Hartford's population was 124,775, making...
, of Armenian heritage, before moving to San Francisco where she was raised.
She studied at the San Francisco's Community Music School under Stella Eisner-Eyn and sang in the chorus of the San Francisco Opera
San Francisco Opera
San Francisco Opera is an American opera company, based in San Francisco, California.It was founded in 1923 by Gaetano Merola and is the second largest opera company in North America...
, 1945-46. In 1946, Amara made her concert debut at the War Memorial Opera House. Continuing her studies at the Music Academy of the West
Music Academy of the West
The Music Academy of the West is a music conservatory located in Montecito, California near Santa Barbara, California. Every year, it hosts a summer music festival for the community highlighted by concerts and workshops directed by famous composers, conductors, and artists.A yearly maximum of 135...
with Richard Bonelli
Richard Bonelli
right|thumb|Bonelli, ca. 1940sRichard Bonelli was an American operatic baritone active from 1915 to the late 1970s.-Life and career:...
in 1947, she won a contest to appear at the Hollywood Bowl
Hollywood Bowl
The Hollywood Bowl is a modern amphitheater in the Hollywood area of Los Angeles, California, United States that is used primarily for music performances...
in 1948. She continued as a student at the University of Southern California
University of Southern California
The University of Southern California is a private, not-for-profit, nonsectarian, research university located in Los Angeles, California, United States. USC was founded in 1880, making it California's oldest private research university...
and as a soloist
Solo (music)
In music, a solo is a piece or a section of a piece played or sung by a single performer...
for the San Francisco Symphony
San Francisco Symphony
The San Francisco Symphony is an orchestra based in San Francisco, California. Since 1980, the orchestra has performed at the Louise M. Davies Symphony Hall. The San Francisco Symphony Youth Orchestra and the San Francisco Symphony Chorus are part of the organization...
for the following two years. Amara appeared in the title role of Ariadne auf Naxos
Ariadne auf Naxos
Ariadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Bringing together slapstick comedy and consuming beautiful music, the opera's theme is the competition between high and low art for the public's attention.- First version :The opera was originally...
and as Lady Billows in Britten's Albert Herring
Albert Herring
Albert Herring, Op. 39, is a chamber opera in three acts by Benjamin Britten.Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera The Rape of Lucretia...
in 1949.
Amara made her Metropolitan Opera debut as the "Voice from Heaven" in Verdi's Don Carlos
Don Carlos
Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French language libretto by Camille du Locle and Joseph Méry, based on the dramatic play Don Carlos, Infant von Spanien by Friedrich Schiller...
, the opening night of Sir Rudolf Bing's inaugural season as general manager, on November 6, 1950. She continued at the Met over the course of 41 seasons until 1991, singing 56 roles in 882 appearances, nearly 60 of which were broadcast on radio and television. Appearing regularly as Micaëla in Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
, Cio-Cio-San in Madame Butterfly, and Tatiana in Eugene Onegin
Eugene Onegin (opera)
Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
, Antonia in Les contes d'Hoffmann
Les contes d'Hoffmann
Les contes d'Hoffmann is an opéra by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by E. T. A...
, Donna Elvira in Don Giovanni
Don Giovanni
Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and with an Italian libretto by Lorenzo Da Ponte. It was premiered by the Prague Italian opera at the Teatro di Praga on October 29, 1787...
, Nedda in Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
, Mimi in La bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
, her repertoire also included Leonora in Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
and Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
.
In the mid-1970s, Amara was given only a "cover" contract - essentially a contract to be a stand-by for an indisposed singer - and was scheduled for fewer and fewer performances. In 1976 at the age of 51, she successfully sued the Met for age discrimination, but sang only sporadically with the company after that, and was absent from the roster from 1977 until 1981. In the last years of her Met career, she sang only one or two performances a season (one performance each in 1985, 1986, 1988, 1989 and 1991, and two in 1987; the 1985 performance took place at the Kennedy Center where the Met was on tour; the 1986 performance was presented by the Met in Brooklyn's Prospect Park). Amara did not appear with the company at its Lincoln Center home between 1983 and 1987.
Amara also performed in Europe, Asia, and South America, including at Glyndebourne
Glyndebourne
Glyndebourne is a country house, thought to be about six hundred years old, located near Lewes in East Sussex, England. It is also the site of an opera house which, with the exception of its closing during the Second World War, for a few immediate post-war years, and in 1993 during the...
(1954–55, 1957–58), the Edinburgh Festival
Edinburgh Festival
The Edinburgh Festival is a collective term for many arts and cultural festivals that take place in Edinburgh, Scotland each summer, mostly in August...
(1954), the Vienna State Opera
Vienna State Opera
The Vienna State Opera is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera . In 1920, with the replacement of the Habsburg Monarchy by the First Austrian...
(1961), Russia (1965), and China (1983.)
Amara made a few recordings, notably as Musetta in La bohème, opposite Victoria de los Ángeles
Victoria de los Ángeles
Victoria de los Ángeles was a Spanish Catalan operatic soprano and recitalist whose career began in the early 1940s and reached its height in the years from the mid-1950s to the mid-1960s. Her obituary in The Times noted that she must be counted “among the finest singers of the second half...
, Jussi Björling
Jussi Björling
Johan Jonatan "Jussi" Björling was a Swedish tenor. One of the leading operatic singers of the 20th Century, Björling appeared frequently at the Royal Opera House in London, La Scala in Milan, and the Metropolitan Opera in New York City as well as at other major European opera...
and Robert Merrill
Robert Merrill
Robert Merrill was an American operatic baritone.-Early life:Merrill was born Moishe Miller, later known as Morris Miller, in the Williamsburg section of Brooklyn, New York, to tailor Abraham Miller, originally Milstein, and his wife Lillian, née Balaban, immigrants from Warsaw, Poland.His mother...
under Thomas Beecham
Thomas Beecham
Sir Thomas Beecham, 2nd Baronet CH was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras...
, as Elsa in Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
, opposite
Sandor Konya
Sándor Kónya
Sándor Kónya was an Hungarian tenor, particularly associated with German and Italianroles, especially Lohengrin and Calaf.- Biography :...
, Rita Gorr
Rita Gorr
Rita Gorr , is a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud and Amneris , two of her greatest roles....
, Jerome Hines
Jerome Hines
The American Jerome A. Hines was a basso opera singer who performed at the Metropolitan Opera from 1946 to 1987...
, under Erich Leinsdorf
Erich Leinsdorf
Erich Leinsdorf was a naturalized American Austrian conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality...
, she also recorded the role of Nedda in Pagliacci twice, opposite Richard Tucker
Richard Tucker
Richard Tucker was an American operatic tenor.-Early life:Tucker was born Rivn Ticker in Brooklyn, New York, into a family of Romanian immigrants from Bessarabia. His father, Shmul Ticker, and mother Fanya-Tsipa Ticker had already adopted the surname "Tucker" by the time their son entered first...
in 1951, and opposite Franco Corelli
Franco Corelli
Franco Corelli was a famous Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, a...
in 1960. Amara was also recorded singing the Soprano Solo in Verdi's Messa da Requiem. Made in 1964/5, the recording also features Maureen Forrester
Maureen Forrester
Maureen Kathleen Stewart Forrester, was a Canadian operatic contralto.-Life and career:Maureen Forrester was born and grew up in a poor section of Montreal, Quebec. She was one of four children to Thomas Forrester, a Scottish cabinetmaker, and his Irish-born wife, the former May Arnold. She...
(Mezzo-Soprano), Richard Tucker
Richard Tucker
Richard Tucker was an American operatic tenor.-Early life:Tucker was born Rivn Ticker in Brooklyn, New York, into a family of Romanian immigrants from Bessarabia. His father, Shmul Ticker, and mother Fanya-Tsipa Ticker had already adopted the surname "Tucker" by the time their son entered first...
(Tenor), George London
George London
George London may be:*George London , Canadian operatic bass-baritone*George London *Sir George Ernest London, of the Newfoundland Commission of Government...
(Bass), and the Philadelphia Orchestra
Philadelphia Orchestra
The Philadelphia Orchestra is a symphony orchestra based in Philadelphia, Pennsylvania, in the United States. One of the "Big Five" American orchestras, it was founded in 1900...
, conducted by Eugene Ormandy
Eugene Ormandy
Eugene Ormandy was a Hungarian-born conductor and violinist.-Early life:Born Jenő Blau in Budapest, Hungary, Ormandy began studying violin at the Royal National Hungarian Academy of Music at the age of five...
.
After retiring, Amara became the artistic director of the New Jersey Association of Verismo and taught master classes in the United States, Canada and Mexico. On January 23, 2005, she performed as a special guest artist with the Musica Bella Orchestra. The Times
The Times
The Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...
called Amara "the greatest lyric soprano of our time." Time Magazine wrote that "she brought to the stage the kind of dazzling vocal splendor that made the Met famous. In 1989 she was inducted into the Academy of Vocal Arts Hall of Fame.
Sources
- The Metropolitan Opera Encyclopedia, edited by David Hamilton ISBN 0-671-61732-X
- www.allmusic.com, Erik Eriksson
- www.naxos.com
- Musica Bella Biographies / www.webcitation.org
- Opera NewsOpera NewsOpera News is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to support the Metropolitan Opera of New York City...
, September 2005 - "Reunion: Lucine Amara" by Eric Myers - Metropolitan OperaMetropolitan OperaThe Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
Archives / http://archives.metoperafamily.org/archives/frame.htm