Lycidas
Encyclopedia
"Lycidas" is a poem by John Milton
, written in 1637 as a pastoral
elegy
. It first appeared in a 1638 collection of elegies, entitled Justa Edouardo King Naufrago, dedicated to the memory of Edward King
, a collegemate of Milton's at Cambridge
who drowned when his ship sank in the Irish Sea
off the coast of Wales in August 1637. The poem is 193 lines in length, and is irregularly rhymed. While many of the other poems in the compilation are in Greek and Latin, "Lycidas" is one of the poems written in English. Milton republished the poem in 1645.
' Idylls, where Lycidas (Λυκίδας) is most prominently a poet-goatherd encountered on the trip of Idyll vii. A century or more earlier than Theocritus, Herodotus
in his Book IX mentions an Athenian councillor in Salamis, " a man named Lycidas" who, in proposing to the much put upon Greeks
as a whole (put upon by the Persian king Xerxes
), that they should entertain a compromise of their freedoms as suggested by the king and his ambassadors, who at that time had all Hellas in grip, or so they thought, that the king's proposals should be 'submitted for approval to the general assembly of the people'. Suspected of collusion with the enemy for even suggesting such a thing, "those in the council and those outside, were so enraged when they heard it that they surrounded Lycidas and stoned him to death...with all the uproar in Salamis over Lycidas, the Athenian women soon found out what had happened; whereupon, without a word from the men, they got together, and, each one urging on her neighbor and taking her along with the crowd, flocked to Lycidas' house and stoned his wife and children." John Marincola, Penguin Classics - "The story became famous and is told by later writers, where the man's name, however, is Cyrsilus, not Lycidas." The name later occurs in Virgil
and is a typically Doric
shepherd's name, appropriate for the Pastoral
mode.
By calling Edward King "Lycidas," Milton follows “the tradition of memorializing a loved one through Pastoral poetry, a practice that may be traced from ancient Greek Sicily through Roman culture and into the Christian Middle Ages and early Renaissance.” Milton describes King as “selfless,” even though he was of the clergy – a statement both bold and, at the time, controversial among lay people: “Through allegory, the speaker accuses God of unjustly punishing the young, selfless King, whose premature death ended a career that would have unfolded in stark contrast to the majority of the ministers and bishops of the Church of England, whom the speaker condemns as depraved, materialistic, and selfish.”
Authors and poets in the Renaissance used the pastoral mode in order to represent an ideal of life in a simple, rural landscape. Literary critics have emphasized the artificial character of pastoral nature: “The pastoral was in its very origin a sort of toy, a literature of make-believe.” Milton himself “recognized the pastoral as one of the natural modes of literary expression,” employing it throughout "Lycidas" in order to achieve a strange juxtaposition between death and the remembrance of a loved one.
The poem itself begins with a pastoral image of laurels and myrtles, “symbols of poetic fame; as their berries are not yet ripe, the poet is not yet ready to take up his pen.” However, the speaker is so filled with sorrow for the death of Lycidas that he finally begins to write an elegy. “Yet the untimely death of young Lycidas requires equally untimely verses from the poet. Invoking the muses of poetic inspiration, the shepherd-poet takes up the task, partly, he says, in hope that his own death will not go unlamented.” The speaker continues by recalling the life of the young shepherds together “in the ‘pastures’ of Cambridge
.” This evokes Milton’s relationship with the perished King as well as their schooling together. The poet also notes the “‘heavy change’ suffered by nature now that Lycidas is gone—a ‘pathetic fallacy
’ in which the willows, hazel groves, woods, and caves lament Lycidas’s death.” In the following section of the poem, “The shepherd-poet reflects… that thoughts of how Lycidas might have been saved are futile… turning from lamenting Lycidas’s death to lamenting the futility of all human labor.” The next section is followed by that of the voice of Phoebus, “the sun-god, an image drawn out of the mythology of classical Roman poetry, [who] replies that fame is not mortal but eternal, witnessed by Jove
(God) himself on judgment day.” At the end of the poem, King/Lycidas appears as a resurrected figure, being delivered by the waters that lead to his death: “Burnished by the sun's rays at dawn, King resplendently ascends heavenward to his eternal reward.”
Although on the surface “Lycidas” reads as a pastoral elegy, a closer reading of the poem shows that the work itself is more complicated than it appears to be. "Lycidas" has been called “‘probably the most perfect piece of pure literature in existence…’ [employing] patterns of structure, prosody, and imagery to maintain a dynamic coherence. The syntax of the poem is full of ‘impertinent auxiliary assertions’ that contribute valuably to the experience of the poem.” The piece itself is incredibly dynamic, enabling many different styles and patterns that overlap, “the loose ends of any one pattern disappear into the interweavings of the others.”
Throughout the poem, the swain utilizes both Christian and Pagan concepts, and mentally locates Lycidas’ body in both settings, according to Russel Fraser. Examples of this are the mention of Death as an animate being, the "Sisters of the Sacred Well," Orpheus
, the blind Fury that struck Lycidas down, and the scene in which Lycidas is imagined to have become a regional deity (a "genius
of the shore") after drowning. Since Lycidas, like King, drowned, there is no body to be found, and the absence of the corpse is of great concern to the swain.
Ultimately, the swain’s grief and loss of faith are conquered by a "belief in immortality”. Many scholars have pointed out that there is very little logical basis within the poem for this conclusion, but that a reasonable process is not necessary for 'Lycidas' to be effective. Fraser will argue that Milton’s voice intrudes briefly upon the swain’s to tell a crowd of fellow swains that Lycidas is not in fact dead (here one sees belief in immortality). This knowledge is inconsistent with the speaker’s “uncouth” character.
. Similarly, St. Peter fills the position of Old Testament
prophet when he speaks of the clergy’s “moral decay” and the grave consequences of their leadership. He then compares these immoral church leaders to wolves among sheep and warns of the “two-handed engine.” According to E.S. de Beer, this "two-handed engine" is thought to be a powerful weapon and an allusion to a portion of the Book of Zechariah
.
Concerning St. Peter's role as a "prophet," the term is meant in the Biblical sense, de Beer claims, and not in the more modern sense of the word. Since Biblical prophets more often served as God's messengers than as seers, de Beer states that Milton was not attempting to foretell the likely future of the church via St. Peter.
De Beer continues on to note that St. Peter's appearance in "Lycidas" is likely unrelated to his position as head of the Roman Catholic Church
. Neither was St. Peter ascribed any particular position within the Church of England. Instead, de Beer argues that St. Peter appears simply as an apostolic authority, through whom Milton might express his frustration with unworthy members of the English clergy. Fraser also agrees that St. Peter, indeed, serves as a vehicle for Milton's voice to enter the poem.
With an ambiguous ending, the poem does not just end with a death, but instead, it just begins. The monody clearly ends with a death and an absolute end but also moves forward and comes full circle because it takes a look back at the pastoral world left behind making the ambivalence of the end a mixture of creation and destruction. Nonetheless "thy large recompense" also has a double meaning. As Paul Alpers states, Lycidias' gratitude in heaven is a payment for his loss. The word "thy" is both an object and mediator of "large recompense." Thus, the meaning also maintains the literal meaning which is that of a sacred higher being or the pagan genius.
The final lines of the poem:
may refer to Milton's imminent departure to Italy, and they are reminiscent of the end of Virgil's 10th Eclogue,
When Milton published this version, in 1645, the Long Parliament
, to which Milton held allegiance, was in power; thus Milton could add the—in hindsight—prophetic note about the destruction of the "corrupted clergy," the "blind mouths" (119) of the poem.
, who found "the diction is harsh, the rhymes uncertain, and the numbers unpleasing" and complained that "in this poem there is no nature, for there is no truth; there is no art, for there is nothing new."
It is from a line in "Lycidas" that Thomas Wolfe
took the name of his novel Look Homeward, Angel
:
The title of Howard Spring's 1940 political novel Fame is the Spur
takes its title from the poem as does The Sheep Look Up
by John Brunner
is also taken from this poem (line 125).
The title of the short story "Wash Far Away" by John Berryman
from the collection Freedom of the Poet is taken from this poem, too (line 555).
John Milton
John Milton was an English poet, polemicist, a scholarly man of letters, and a civil servant for the Commonwealth of England under Oliver Cromwell...
, written in 1637 as a pastoral
Pastoral
The adjective pastoral refers to the lifestyle of pastoralists, such as shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasturage. It also refers to a genre in literature, art or music that depicts such shepherd life in an...
elegy
Elegy
In literature, an elegy is a mournful, melancholic or plaintive poem, especially a funeral song or a lament for the dead.-History:The Greek term elegeia originally referred to any verse written in elegiac couplets and covering a wide range of subject matter, including epitaphs for tombs...
. It first appeared in a 1638 collection of elegies, entitled Justa Edouardo King Naufrago, dedicated to the memory of Edward King
Edward King (British poet)
Edward King , the subject of Milton's Lycidas, was born in Ireland in 1612, the son of Sir John King, a member of a Yorkshire family which had migrated to Ireland. Edward King was admitted a pensioner of Christ's College, Cambridge, on June 9, 1626, and four years later was elected a fellow...
, a collegemate of Milton's at Cambridge
Cambridge
The city of Cambridge is a university town and the administrative centre of the county of Cambridgeshire, England. It lies in East Anglia about north of London. Cambridge is at the heart of the high-technology centre known as Silicon Fen – a play on Silicon Valley and the fens surrounding the...
who drowned when his ship sank in the Irish Sea
Irish Sea
The Irish Sea separates the islands of Ireland and Great Britain. It is connected to the Celtic Sea in the south by St George's Channel, and to the Atlantic Ocean in the north by the North Channel. Anglesey is the largest island within the Irish Sea, followed by the Isle of Man...
off the coast of Wales in August 1637. The poem is 193 lines in length, and is irregularly rhymed. While many of the other poems in the compilation are in Greek and Latin, "Lycidas" is one of the poems written in English. Milton republished the poem in 1645.
"Lycidas" as pastoral elegy
The name "Lycidas" comes from TheocritusTheocritus
Theocritus , the creator of ancient Greek bucolic poetry, flourished in the 3rd century BC.-Life:Little is known of Theocritus beyond what can be inferred from his writings. We must, however, handle these with some caution, since some of the poems commonly attributed to him have little claim to...
' Idylls, where Lycidas (Λυκίδας) is most prominently a poet-goatherd encountered on the trip of Idyll vii. A century or more earlier than Theocritus, Herodotus
Herodotus
Herodotus was an ancient Greek historian who was born in Halicarnassus, Caria and lived in the 5th century BC . He has been called the "Father of History", and was the first historian known to collect his materials systematically, test their accuracy to a certain extent and arrange them in a...
in his Book IX mentions an Athenian councillor in Salamis, " a man named Lycidas" who, in proposing to the much put upon Greeks
Greeks
The Greeks, also known as the Hellenes , are a nation and ethnic group native to Greece, Cyprus and neighboring regions. They also form a significant diaspora, with Greek communities established around the world....
as a whole (put upon by the Persian king Xerxes
Xerxes I of Persia
Xerxes I of Persia , Ḫšayāršā, ), also known as Xerxes the Great, was the fifth king of kings of the Achaemenid Empire.-Youth and rise to power:...
), that they should entertain a compromise of their freedoms as suggested by the king and his ambassadors, who at that time had all Hellas in grip, or so they thought, that the king's proposals should be 'submitted for approval to the general assembly of the people'. Suspected of collusion with the enemy for even suggesting such a thing, "those in the council and those outside, were so enraged when they heard it that they surrounded Lycidas and stoned him to death...with all the uproar in Salamis over Lycidas, the Athenian women soon found out what had happened; whereupon, without a word from the men, they got together, and, each one urging on her neighbor and taking her along with the crowd, flocked to Lycidas' house and stoned his wife and children." John Marincola, Penguin Classics - "The story became famous and is told by later writers, where the man's name, however, is Cyrsilus, not Lycidas." The name later occurs in Virgil
Virgil
Publius Vergilius Maro, usually called Virgil or Vergil in English , was an ancient Roman poet of the Augustan period. He is known for three major works of Latin literature, the Eclogues , the Georgics, and the epic Aeneid...
and is a typically Doric
Doric Greek
Doric or Dorian was a dialect of ancient Greek. Its variants were spoken in the southern and eastern Peloponnese, Crete, Rhodes, some islands in the southern Aegean Sea, some cities on the coasts of Asia Minor, Southern Italy, Sicily, Epirus and Macedon. Together with Northwest Greek, it forms the...
shepherd's name, appropriate for the Pastoral
Pastoral
The adjective pastoral refers to the lifestyle of pastoralists, such as shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasturage. It also refers to a genre in literature, art or music that depicts such shepherd life in an...
mode.
By calling Edward King "Lycidas," Milton follows “the tradition of memorializing a loved one through Pastoral poetry, a practice that may be traced from ancient Greek Sicily through Roman culture and into the Christian Middle Ages and early Renaissance.” Milton describes King as “selfless,” even though he was of the clergy – a statement both bold and, at the time, controversial among lay people: “Through allegory, the speaker accuses God of unjustly punishing the young, selfless King, whose premature death ended a career that would have unfolded in stark contrast to the majority of the ministers and bishops of the Church of England, whom the speaker condemns as depraved, materialistic, and selfish.”
Authors and poets in the Renaissance used the pastoral mode in order to represent an ideal of life in a simple, rural landscape. Literary critics have emphasized the artificial character of pastoral nature: “The pastoral was in its very origin a sort of toy, a literature of make-believe.” Milton himself “recognized the pastoral as one of the natural modes of literary expression,” employing it throughout "Lycidas" in order to achieve a strange juxtaposition between death and the remembrance of a loved one.
The poem itself begins with a pastoral image of laurels and myrtles, “symbols of poetic fame; as their berries are not yet ripe, the poet is not yet ready to take up his pen.” However, the speaker is so filled with sorrow for the death of Lycidas that he finally begins to write an elegy. “Yet the untimely death of young Lycidas requires equally untimely verses from the poet. Invoking the muses of poetic inspiration, the shepherd-poet takes up the task, partly, he says, in hope that his own death will not go unlamented.” The speaker continues by recalling the life of the young shepherds together “in the ‘pastures’ of Cambridge
Cambridge
The city of Cambridge is a university town and the administrative centre of the county of Cambridgeshire, England. It lies in East Anglia about north of London. Cambridge is at the heart of the high-technology centre known as Silicon Fen – a play on Silicon Valley and the fens surrounding the...
.” This evokes Milton’s relationship with the perished King as well as their schooling together. The poet also notes the “‘heavy change’ suffered by nature now that Lycidas is gone—a ‘pathetic fallacy
Pathetic fallacy
The pathetic fallacy, anthropomorphic fallacy or sentimental fallacy is the treatment of inanimate objects as if they had human feelings, thought, or sensations. The pathetic fallacy is a special case of the fallacy of reification...
’ in which the willows, hazel groves, woods, and caves lament Lycidas’s death.” In the following section of the poem, “The shepherd-poet reflects… that thoughts of how Lycidas might have been saved are futile… turning from lamenting Lycidas’s death to lamenting the futility of all human labor.” The next section is followed by that of the voice of Phoebus, “the sun-god, an image drawn out of the mythology of classical Roman poetry, [who] replies that fame is not mortal but eternal, witnessed by Jove
JOVE
JOVE is an open-source, Emacs-like text editor, primarily intended for Unix-like operating systems. It also supports MS-DOS and Microsoft Windows. JOVE was inspired by Gosling Emacs but is much smaller and simpler, lacking Mocklisp...
(God) himself on judgment day.” At the end of the poem, King/Lycidas appears as a resurrected figure, being delivered by the waters that lead to his death: “Burnished by the sun's rays at dawn, King resplendently ascends heavenward to his eternal reward.”
Although on the surface “Lycidas” reads as a pastoral elegy, a closer reading of the poem shows that the work itself is more complicated than it appears to be. "Lycidas" has been called “‘probably the most perfect piece of pure literature in existence…’ [employing] patterns of structure, prosody, and imagery to maintain a dynamic coherence. The syntax of the poem is full of ‘impertinent auxiliary assertions’ that contribute valuably to the experience of the poem.” The piece itself is incredibly dynamic, enabling many different styles and patterns that overlap, “the loose ends of any one pattern disappear into the interweavings of the others.”
The Uncouth Swain
Though commonly considered to be a monody, ‘Lycidas’ in fact features two distinct voices, the first of which belongs to the uncouth swain (or shepherd). The work opens with the swain, who finds himself grieving for the death of his friend, Lycidas, in an idyllic pastoral world. In his article entitled "Belief and Disbelief in Lycidas," Lawrence W. Hyman states that the swain is experiencing a “loss of faith in a world order that allows death to strike a young man”. Similarly, Lauren Shohet asserts that the swain is projecting his grief upon the classical images of the pastoral setting at this point in the elegy.Throughout the poem, the swain utilizes both Christian and Pagan concepts, and mentally locates Lycidas’ body in both settings, according to Russel Fraser. Examples of this are the mention of Death as an animate being, the "Sisters of the Sacred Well," Orpheus
Orpheus
Orpheus was a legendary musician, poet, and prophet in ancient Greek religion and myth. The major stories about him are centered on his ability to charm all living things and even stones with his music; his attempt to retrieve his wife from the underworld; and his death at the hands of those who...
, the blind Fury that struck Lycidas down, and the scene in which Lycidas is imagined to have become a regional deity (a "genius
Genius loci
In classical Roman religion a genius loci was the protective spirit of a place. It was often depicted in religious iconography as a figure holding a Cornucopia, patera and/or a snake. There are many Roman altars found in Western Europe dedicated in whole or in part to the particular Genius Loci...
of the shore") after drowning. Since Lycidas, like King, drowned, there is no body to be found, and the absence of the corpse is of great concern to the swain.
Ultimately, the swain’s grief and loss of faith are conquered by a "belief in immortality”. Many scholars have pointed out that there is very little logical basis within the poem for this conclusion, but that a reasonable process is not necessary for 'Lycidas' to be effective. Fraser will argue that Milton’s voice intrudes briefly upon the swain’s to tell a crowd of fellow swains that Lycidas is not in fact dead (here one sees belief in immortality). This knowledge is inconsistent with the speaker’s “uncouth” character.
The Pilot
Upon entering the poem at line 109, the voice of the "Pilot of the Galilean lake,” generally believed to represent St. Peter, serves as a judge, condemning the multitude of unworthy members found among the clergy of the Church of EnglandChurch of England
The Church of England is the officially established Christian church in England and the Mother Church of the worldwide Anglican Communion. The church considers itself within the tradition of Western Christianity and dates its formal establishment principally to the mission to England by St...
. Similarly, St. Peter fills the position of Old Testament
Old Testament
The Old Testament, of which Christians hold different views, is a Christian term for the religious writings of ancient Israel held sacred and inspired by Christians which overlaps with the 24-book canon of the Masoretic Text of Judaism...
prophet when he speaks of the clergy’s “moral decay” and the grave consequences of their leadership. He then compares these immoral church leaders to wolves among sheep and warns of the “two-handed engine.” According to E.S. de Beer, this "two-handed engine" is thought to be a powerful weapon and an allusion to a portion of the Book of Zechariah
Book of Zechariah
The Book of Zechariah is the penultimate book of the twelve minor prophets in the Hebrew and Christian Bible, attributed to the prophet Zechariah.-Historical context:...
.
Concerning St. Peter's role as a "prophet," the term is meant in the Biblical sense, de Beer claims, and not in the more modern sense of the word. Since Biblical prophets more often served as God's messengers than as seers, de Beer states that Milton was not attempting to foretell the likely future of the church via St. Peter.
De Beer continues on to note that St. Peter's appearance in "Lycidas" is likely unrelated to his position as head of the Roman Catholic Church
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the world's largest Christian church, with over a billion members. Led by the Pope, it defines its mission as spreading the gospel of Jesus Christ, administering the sacraments and exercising charity...
. Neither was St. Peter ascribed any particular position within the Church of England. Instead, de Beer argues that St. Peter appears simply as an apostolic authority, through whom Milton might express his frustration with unworthy members of the English clergy. Fraser also agrees that St. Peter, indeed, serves as a vehicle for Milton's voice to enter the poem.
The conclusion
Several interpretations of the ending have been proposed. Jonathan Post claims the poem ends with a sort of retrospective picture of the poet having "sung" the poem into being. According to critic Lauren Shohet, Lycidas is transcendently leaving the earth, becoming immortal, rising from the pastoral plane in which he is too involved or tangled from the objects that made him. She claims that "he is diffused into, and animates, the last location of his corpse—his experience of body-as-object… neither fully immanent (since his body is lost) nor fully transcendent (since he remains on earth)."With an ambiguous ending, the poem does not just end with a death, but instead, it just begins. The monody clearly ends with a death and an absolute end but also moves forward and comes full circle because it takes a look back at the pastoral world left behind making the ambivalence of the end a mixture of creation and destruction. Nonetheless "thy large recompense" also has a double meaning. As Paul Alpers states, Lycidias' gratitude in heaven is a payment for his loss. The word "thy" is both an object and mediator of "large recompense." Thus, the meaning also maintains the literal meaning which is that of a sacred higher being or the pagan genius.
The final lines of the poem:
- And now the Sun had stretch'd out all the hills,
- And now was dropt into the Western bay;
- At last he rose, and twitch'd his Mantle blew:
- To morrow to fresh Woods, and Pastures new
may refer to Milton's imminent departure to Italy, and they are reminiscent of the end of Virgil's 10th Eclogue,
Surgamus; solet esse gravis cantantibus umbra; iuniperi gravis umbra; nocent et frugibus umbrae. Ite domum saturae, venit Hesperus, ite capellae. |
Come, let us rise: the shade is wont to be baneful to singers; baneful is the shade cast by the juniper, crops sicken too Now homeward, having fed your fill — eve's star is rising — go, my she-goats, go. |
1645 reprint
Milton republished the poem in his 1645 collection Poems of Mr. John Milton. To this version is added a brief prose preface:- In this MONODY the Author bewails a learned Friend, unfortunately drowned in his passage from Chester on the Irish seas, 1637. And by occasion foretells the ruine of our corrupted clergy, then in their height.
When Milton published this version, in 1645, the Long Parliament
Long Parliament
The Long Parliament was made on 3 November 1640, following the Bishops' Wars. It received its name from the fact that through an Act of Parliament, it could only be dissolved with the agreement of the members, and those members did not agree to its dissolution until after the English Civil War and...
, to which Milton held allegiance, was in power; thus Milton could add the—in hindsight—prophetic note about the destruction of the "corrupted clergy," the "blind mouths" (119) of the poem.
Influence
The poem was exceedingly popular. It was hailed as Milton's best poem, and by some as the greatest lyrical poem in the English language. Yet it was detested for its artificiality by Samuel JohnsonSamuel Johnson
Samuel Johnson , often referred to as Dr. Johnson, was an English author who made lasting contributions to English literature as a poet, essayist, moralist, literary critic, biographer, editor and lexicographer...
, who found "the diction is harsh, the rhymes uncertain, and the numbers unpleasing" and complained that "in this poem there is no nature, for there is no truth; there is no art, for there is nothing new."
It is from a line in "Lycidas" that Thomas Wolfe
Thomas Wolfe
Thomas Clayton Wolfe was a major American novelist of the early 20th century.Wolfe wrote four lengthy novels, plus many short stories, dramatic works and novellas. He is known for mixing highly original, poetic, rhapsodic, and impressionistic prose with autobiographical writing...
took the name of his novel Look Homeward, Angel
Look Homeward, Angel
Look Homeward, Angel: A Story of the Buried Life is a 1929 novel by Thomas Wolfe. It is Wolfe's first novel, and is considered a highly autobiographical American Bildungsroman. The character of Eugene Gant is generally believed to be a depiction of Wolfe himself. The novel covers the span of time...
:
- Look homeward Angel now, and melt with ruth:
- And, O ye Dolphins', waft the hapless youth. (163-164)
The title of Howard Spring's 1940 political novel Fame is the Spur
Fame is the Spur
Fame is the Spur is a novel by Howard Spring published in 1940. It covers the rise of the socialist labour movement in Britain from the mid 19th century to the 1930s...
takes its title from the poem as does The Sheep Look Up
The Sheep Look Up
The Sheep Look Up is a science fiction novel by British author John Brunner, first published in 1972. The novel's setting is decidedly dystopian; the book deals with the deterioration of the environment in the United States...
by John Brunner
John Brunner (novelist)
John Kilian Houston Brunner was a prolific British author of science fiction novels and stories. His 1968 novel Stand on Zanzibar, about an overpopulated world, won the 1968 Hugo Award for best science fiction novel. It also won the BSFA award the same year...
is also taken from this poem (line 125).
The title of the short story "Wash Far Away" by John Berryman
John Berryman
John Allyn Berryman was an American poet and scholar, born in McAlester, Oklahoma. He was a major figure in American poetry in the second half of the 20th century and was considered a key figure in the Confessional school of poetry...
from the collection Freedom of the Poet is taken from this poem, too (line 555).
- Ay me! Whilst thee the shores and sounding Seas
- Wash far away, where ere thy bones are hurld, (154-155)
See also
- 1637 in poetry1637 in poetryNationality words link to articles with information on the nation's poetry or literature .-Events:* Sir William Davenant becomes poet laureate of England on the death of Ben Jonson -Works published:* Sir William Alexander, Recreations with the Muses, contains Four Monarchicke Tragedies,...
, the year the poem was written - 1638 in poetry1638 in poetryNationality words link to articles with information on the nation's poetry or literature .-Great Britain:* Henry Adamson, Muses Threnodie: of Mirthful Mournings on the death of Mr Gall, Edinburgh, noted for giving a general description of Perth in the 17th century; published with the encouragement...
, the year the poem was published
Further reading
- Patrides, C. A.C. A. PatridesConstantinos Apostolos Patrides was a Greek–American academic and writer, and “one of the greatest scholars of Renaissance literature of his generation”. His books list the name C. A. Patrides; his Christian name “Constantinos” was shortened to the familiar “Dinos” and “Dean” by friends.Born...
Lycidas: The Tradition and the Poem (Holt, Rinehart, 1961) LCCN 61005930 - Patrides, C. A. Milton's Lycidas: The Tradition and the Poem new and revised edition, (University of Missouri, 1983) ISBN 0826204120